After reading all the glowing, foot-kissing reviews of Swifter’s new album, “The Tortured Poet’s Department,” I take back a few of the skews I gave her, but only a few. I had no idea the poor dear had lived such a sad life. I doubt her feet touched the ground until she was five years old, and every spoon in the house was pure silver. A downtrodden, entitled little rich girl confined to her Barbie bedroom writing little kid songs on her half-size Martin guitar. She never played in a bar, a club, or anywhere for that matter, except for her doll babies. Pop’s paid millions to get her into that Nashville brotherhood, which shows us how far that once holy ground has slipped. Did the poor waif have ever have a decent relationship with a male, not counting her current knuckle dragger? Doubt it, so the tortured poet title might fit her, even though what she writes is far from good poetry.
There have been many before her who qualified for the title: Harry Nillson, John Lennon, Bobbie Gentry, James Taylor, and Willie Nelson are a few. The original Homeric tortured poet, Bob Dylan, still holds the title: Swifter is no more than a grifter.
Notes From The Cactus Patch 