Month: June 2024

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Three Hots And A Cot…I Tell Ya, I’m Innocent Ya Bums!


My blog post sailed smoothly onto Facebook, landing on my page, Notesfromthecactuspatch, and my profile. I’ve had my share of time behind Facebook bars, but the post that landed me there was just too delightful and charming. I didn’t utter a word about guns, knives, bombs, mass shootings, or any controversial figures like Clinton, Biden, Obama, Hillary, trans, drag queens, drag kings, girly boys, boyly girls, ugly women dressed in L.L. Bean flannel and driving a Subaru Outback, or anything like that. It was simply a blast reminiscing about learning to read at the ripe age of five. I’ll shake it off in an hour or so and come back swinging, this time with more firepower and explosive content. If I’m going to jail, it wont be without a fight, “I can’t breath!” Get Zuckerberg off me!

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A Young Scholar Among Jabbering Idiots


Thanks to my late favorite aunt, Norma Lavender, I became a scholar early in life.

Five-year-olds are stuck between that titty-baby stage and graduating to sandlot baseball and comic books. If life got tough, I could still console myself with a grimy thumb to my mouth, and a skinned knee sent me squalling to momma. I couldn’t tie my own sneakers or button a shirt.

My pushy aunt realized my floundering ways and rescued me with books. She got her hands on the first two years of Fun With Dick and Jane, the books the Fort Worth school system used to teach kids to read; comic books would have to wait; Micky Spillane and Mike Hammer were calling me.

Aunt Norma quizzed me like a Perry Mason for a year, teaching me to write and read. By my sixth birthday, I was a reading Jesse, a child phenom, and a leper to my neighborhood gang. They could barely write and couldn’t read a lick of anything. Here I was, a young Shakespeare among a crowd of jabbering idiots.

Having given her parenting rights to her sister-in-law for a year, my sainted mother has now stepped in to reacquaint herself with her young scholar. I still couldn’t tie my sneakers and applied too much Butch Wax to my flat-top haircut. My mother was a hard-core Southern Baptist, and I didn’t understand why when I colored outside of her parental lines, she would cross herself and say a prayer right before she administered a righteous butt whooping with her favorite weapon; a 9inch by 12-inch Tupperware cake holder. To this day, I won’t touch a piece of Tupperware.

I was assigned a weekly Micky Spillane paperback and expected to read the entire book. Looking back, those trashy, noir detective books were not fit for a child or an educated adult, but Aunt Norma would read a book in 24 hours and was quite an educated gal. I didn’t understand most of what I read, but a few phrases stuck with me: “Is that a pistol in your pocket, or are you just happy to see me?” “A hard man is good to find?” Mike Hammer was always in trouble with a trashy broad. I shared my new vocabulary with the gang, and they dug it.

Mother started receiving phone calls from the other moms, blaming me, her little boy, for teaching their uneducated idiots smutty language. The Tupperware storage pan came out of the cabinet, and my butt burned for a week. Aunt Norma gave me Mark Twain and Huckleberry Finn to reprogram me. I dreamed of someday becoming Mark Twain, a kid with a Big Cheif tablet and a handful of Number 2 yellow pencils stored in a Tupperware container.

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Chapter 3- Wagons Ho, and Settling In California


Being in the right place at the right time can lead to life-changing events. A bit of prayer added to the mix produces wonderful things.

From what I was told, my grandfather was willing to lend a helping hand to anyone who needed one. He was kind to a fault and was often taken advantage of by family members and close friends. I can’t use them in this chapter because their families are still alive, they know where I live, and everyone is so touchy. I was ten when my grandfather passed on. He made sure I learned from his mistakes. Being the great recounter in the family, he left me with enough oral history to fill a book. I remember most of it from his stories and yarns, of which he could spin some great ones. No one thought to write anything down, so for now, I’ve been blessed with a good memory.

John Henry helps the man carry the furniture into the house and places it in a small bedroom that appears to be that of a girl.

With the furniture installed, the two men stand on the front porch for a smoke break. John Henry offers one of his Lucky Strikes to his fellow; they both light up from a Zippo that John Henry carried in the war. The man introduces himself as Sargent James and his wife, Sunny. He says that’s his real name, and he never made any farther than corporal while serving in the Army, which is good for a laugh. Their daughter Cloudy is away at school in Sacramento on a scholarship in medicine with hopes of becoming a doctor.

  After lunch, the two men traded stories and discovered they served in France at about the same time, 1917-1918, in the big war against the Germans.

Veterans become fast, tight friends; the probability of dying from a bullet or an exploding shell bonds them in a way only they understand. It’s a brotherhood for life, formed on the battlefield.

     They had both been wounded in battle; John Henry had but half a left buttock compliments of shrapnel and had been gassed twice while fighting in the trenches. His new friend was shot in the leg and arm but recovered enough to continue fighting until some shrapnel sent him to a hospital in England and then home. Both showed their scars like kids on a school playground trying to outdo the other.

     John Henry is no saint; he will own up to killing men in battle, some with his rifle, a few with a bayonet, one with a large rock to the head, and one stabbed through the heart with his side knife. He regrets them all, especially the young German boy, no more than a teenager he stabbed during hand-to-hand fighting before the soldier got the better of him with his sidearm. His face is the one in his worst dreams. The boy’s face looks as if he knows he is a dead man, as he is within seconds. It took years for the brutality to catch up to him, and now, late at night, when the ticking clock is the only sound in the house, his demons come for him.  

      Both men dance around the worst battle stories but share memories of their friends, living and dead. It’s easier that way. John Henry’s half-a-buttock won the competition. The prize was a large slice of apple pie with melted cheese topping.   He feels comfortable enough to ask his host if he might know of any work a man could find. Sargent mulls the question a few moments, then says,

“I’ve got a cousin that works at the docks building shipping crates, I’ll give him a call and see if he can get you an interview. Swing by here in the morning around seven and I’ll have you an answer. I can’t promise anything, but he has the ear of the owner. ”

Good on his word, Sargent had John Henry an answer, and it was the one he had hoped for, an interview for a job. He thanked Sargent and gladly took the biscuit sandwich that Sunny insisted he eat before his interview.

Six-thirty finds John Henry standing on the sidewalk in front of the business, 808 Shipping Row. The docks are half-block away, and the noise of men and equipment moving heavy crates onto ships carries in the cool morning breeze.

Two doors are marked “Entry,” so he takes the one on the left. Down a short hallway into a large office, he finds a man sitting at a desk drinking coffee and writing in a journal. The man invites him to sit and have a cup. John Henry thinks this must be the shop foreman or the interview man. After drinking coffee for a few minutes, the man asked him about family, church, drinking, accountability, and his time in the service. After a thirty-minute visit, with a few laughs, the fellow stands, shakes John Henry’s hand, and tells him to start tomorrow morning at seven am sharp, and by the way, he is the company’s owner. Augustus Petrillo, and welcome aboard.

More to come in Chapter 4.

Chapter 2- Wagons Ho to California !

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A Small Miracle


My Grandfather was a farmer. His life was a hundred seventy-five acres of cruel, rocky land in Southwest Texas. He would not have had it any other way.

On a scorching July afternoon in 1955, I stood next to him at a fence row along the south pasture, watching anvil thunderheads form in the West, behind the Santana Mountain Peak, the namesake of his town, Santa Anna.


Little rain had fallen the past few years. The stock tanks were dry, animals were suffering, crops were dead or dying, and the town’s soul was faltering. The prayers on Sunday were plentiful and to the point: Please bring rain.

There was talk of bringing in a rainmaker at the domino parlor, but the town had little money for such a wild idea. The town folk felt as though the good Lord wasn’t listening. A miracle was needed, even if it was a small one.

We had been standing at that fence row for a good hour, Grandfather not flinching or diverting his eyes from those clouds.
I wanted to see what he was seeing, but I couldn’t. He seemed to be taunting those thunderheads to come over that mountain, staring them down, challenging those clouds to bring what they had to his farm.
Looking away from the clouds for a moment, I looked at his weathered face. Just like his land, deep furrows everywhere. It’s as if each wrinkle was his reminder of a furrow that hadn’t produced a crop. He was only sixty, but his face looked decades older.
He glanced down and caught me staring. Embarrassed, I said the first thing that came to mind,

“Grandfather, why are you a farmer?”


Still staring at the clouds, he cleared his throat and said,

“I’ve always been a farmer boy; it’s all I ever knowed. One night, when I was about your age, the good Lord sent a tiny angel to my bed. She lit on the quilt and said Jasper, you’re going to be a farmer, and you will grow food to feed the children and the beast. This will be your life. How can you argue with the Lord boy? So, here I am.”


Until then, we had never had a real conversation, and I liked the kindness in his voice. I wanted to know this man who had been so elusive and indifferent to me.


“Does the good Lord always tell people what they will do?” I asked.

He replied, “It’s what I here’d,” Now you best go tell Granny to get the cellar ready; it’s going to come up a cloud tonight.”

And with that, our first visit was over. Even though it was short, I now felt a closeness to him that hadn’t been there before, and I was eager for the next time.


I came round the barn and saw Granny carrying an armful of quilts and pillows to the storm cellar. She already knew a storm was coming. She always knew.


Grandfather missed supper, unwilling to leave that fence row, afraid those thunderheads would retreat if he did. They didn’t. The first crack of thunder shook the walls and sent me and Granny running for the storm cellar.


Grandfather wouldn’t come with us. He stood at that fence row until the hail stones pounded the cellar door. Only then did he come down, wet and bleeding from the cuts on his scalp. Granny fussed over him for a few minutes, and then he laid down on a cot and fell asleep.
We passed the night in that damp cellar. Granny, sitting, reading her Bible by the light of an oil lantern, Grandfather snoring, and me slumbering between fitful dreams of thunder and lightning. The storm did what it was sent to do.

At dawn, we came out to a sea of water. The fields, flooded, reflected the sunrise like a new jewel. The farm animals rejoiced in unison. Grandfather checked the rain gauge on the fence,

” Seven inches” he yelled.

Granny cried into her cupped hands, and I can’t remember why, but I cried with her.


Around lunchtime, we loaded into the old Ford and drove into town. People lined the sidewalks. Women hugged each other, old farmers patted one another on the back, dogs barked, and children laughed. The town had regained its spirit and hope overnight.


The Biscuit Café was alive, as was the domino parlor and the feed store. Everywhere, the people of Santa Anna rejoiced and gave open thanks for this small miracle.


At the café, Grandfather treated us to a nice chicken lunch. Pastor Bobby and his wife came in and, standing in the middle of the café, offered a prayer of thanks for the rain. Grandfather, not a church-going man, bowed his head and gave a hearty “amen” along with the rest of the patrons.

As we returned to the car, Granny’s old friend Miss Ellis came up to Grandfather, hugged him tight, and in a weepy voice said,

“it’s a miracle Jasper, God gave us a miracle.”

He politely endured her hug for a minute, then we moved on towards home.


That seven-inch rain didn’t end the drought for Santa Anna, but it gave the farms enough relief for the crops to stand tall again and the stock to survive that summer and fall. Grandfather became a church-going man, never missing a Sunday, and his farm produced the best crop in years.


Sixty-seven years later, my wife and I took a day trip back to Santa Anna. I was curious if the town had grown and prospered. It hadn’t. The Biscuit Café, the feed store, the domino parlor, and most of the other shops I remembered were gone. The old church still stood, showing its age but still holding its head high.


We drove out to the old farm. The house, the barn, and the smokehouse are all gone, lost to a fire. The only thing left was the windmill and the cellar. The fields were taken by scrub brush and weeds. Not a furrow survived.


I stood at that old fence line and looked west to the Santana Mountain. Just like that day in 1955, thunderheads were building behind the peak. It was going to “come up a cloud.” I never forgot that conversation with my Grandfather that day, and sadly, I never got to know him better before he passed away a few years later.


I have always believed that the power of prayer can produce miracles, and on that day, standing at that fence line, Grandfather and the Lord struck up a deal. The town got their small miracle, and Grandfather got religion.

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Polio Days


Polio was coming to get us: that’s what me and my neighborhood buddies believed. Our mothers could talk of nothing else but the dreaded affliction. My mother would check my temperature at breakfast and right before bedtime.

Fort Worth in 1956 was smack-dab in the middle of the Polio epidemic.

The walls, the baseboards, and every door handle were scrubbed clean. My mother had declared war on the Polio germ, and thanks to that, I didn’t see a swimming pool or movie theater for my entire summer vacation. We, kids, weren’t afraid of the Polio germ: we continued to share a cold Coke or a popsicle; swapping spit didn’t phase us; we had been exposed to every germ in the galaxy, so we figured we were immune.

Halfway through July, and being the hottest summer my folks could remember, a kid two streets over came down with the Polio. Of course, our mothers overreacted and quarantined us until it was deemed safe to venture outside. I knew the kid; his name was Jeremy Pullium, and he was in the fifth grade and played baseball on one of our city’s Little League teams. His little brother, Stevie, sometimes played ball with us and was an official gang member.

The neighborhood mothers thought visiting Jeremy and taking him some cupcakes would be nice. Mrs. Mister made the treats, and she and her two Poodles, Fred and Ginger, would accompany us on the visit.

A quarantine sign was stuck in Jeremy’s front yard, and another was on the front door. We were led back to Jeremeys’s bedroom, where Mrs Mister held the pan of cupcakes.

There was baseball-playing Jeremy lying in a large metal tube that took up most of the bedroom. He seemed happy to see us, even though he couldn’t escape his contraption. Skipper, our neighborhood wiz-kid, checked out the machine called an Iron Lung. We thought it was nifty. The cupcakes were passed around, and Jeremy’s mother fed him one with a fork. Everything but his head was trapped inside the machine. We didn’t get it; he could talk like nothing was wrong and move his head around, but the rest of him was paralyzed and trapped in the Iron Lung. Jeremy’s mother explained how the machine kept him alive by breathing for him, and the doctors said he might be in the lung for a year and was likely to recover.

On the way over to Jeremy’s house, Mrs. Mister warned us about being polite, and she meant it. All the mothers had deputized her, and she was allowed to administer a butt whooping if needed.

Georgie is usually the one that gets us in trouble; he can’t contain his mouth. Looking into one of the machine’s windows, he asks Jeremy,

” What do you do if you gotta pee or poop?”

Before Jeremy’s mother could answer the delicate question, Jeremy says,

” I just do it, and the nurse cleans me up. I don’t have to do nothing. Pretty cool.”

The visit abruptly ends. Once we reach the sidewalk, Mrs. Mister, using her open hand, pops Georgie upside his mouthy little head several times. We heard that later that day, Georgie got a well-deserved butt whooping from his mother while Mrs. Mister enjoyed a glass of iced tea and observed her technique.

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“Ain’t Scared”


This, Dear Hearts, should scare conservative Americans to death.

CHILLING: Biden Regime Declares Trump Supporters Domestic Terror Threats in Newly Released Internal Documents, Sought to Set Up DHS Intel Unit to Target Them

Here in Texas, we have more down-home sayings than cattle. “Ain’t Scared” is one of them, and it sort of says it all about how we Texans feel about the crap that our government fan throws our way. The above title is real, and Dear Hearts, this time we should be scared…real scared. If the title doesn’t hit you in the gut, perhaps the picture will.

How I long for the presence and the voice of the esteemed Paul Harvey. His ability to provide perspective on our nation’s turmoil and division would be invaluable.

Good day.

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Chapter 2- Wagons Ho to California !


The Arrival

Ten or so miles past the Needles California border station, my grandfather, John Henry Strawn, encountered a stooped, raggedy-dressed black man and a small dog walking along the side of the road. The man’s attire resembled that of a poorly dressed scarecrow. Without hesitation, he slowed the Ford, performed a swift turnaround, and approached the traveler. After stopping the car, he offered the old fellow a ride. Without hesitation, the traveler gratefully accepted, ensuring that his dog was settled in first, followed by his knapsack, a guitar case, and then himself.

A few miles down the road, the man broke the silence, introducing himself as *Blind Jelly Roll Jackson from the Deep Ellum Dallas, Texas, and his seeing-eye dog, a Chihuahua named Pancho Villa, who is blinded in one eye. The result of a dog fight with a Coyote, so he wears tiny sunshades because the bright sunlight hurts his good eyeball. Jelly says he is a blues man and is headed to Los Angeles to stay with a cousin and find work in a juke joint, and he, by accident, shot a fella in Dallas four times over a pay dispute. He said it was all Pancho’s fault because the dog said the man had a knife, so what else is a body to do. He pulled a leather Bolla from his knapsack, took a jolt, poured a little liquid into his palm, and let Pancho Villa lick it up. John Henry was sure it was whiskey, and after the dog drank it, he fell over and started snoring. Jelly’s chin found his chest, and he slept the sleep of the weary.

On the eastern outskirts of Los Angeles, they saw the first billboard, “No Jobs in California, Keep Out.” John Henry paid no attention to the sign; he was certain he could find a job on the docks in Long Beach. He was an artisan, not an Okie fruit picker. The next sign was for a migrant campground, $.25 per day, running water, showers, and clean grounds; John Henry took the turn off Route 66, drove a few miles, took two more turns, and found himself at a tidy campground guard shack. Unlike the border boys, the guard wore a clean, crisp uniform and was pleasant. The three-day fee was paid with small change from the small stash in grandmother’s purse. Their assigned camping slot was shaded by a tall Eucalyptus tree. This would do until a job was found. Jelly and Pancho Villa wandered down the main lane, stopping to let the children pet and scratch Pancho, who immediately bit a couple of them.

Travel to the eastern outskirts of Los Angeles, past the city limit sign. This is where a well-manufactured fantasy meets reality. Families living in tents or shanties of plywood and canvas. The city fathers, embarrassed to call them shanty towns, label them “migrant campgrounds.” Men walk the roadways for miles into the city looking for day labor or something better. These are hard-working, proud people who have been dealt the cards of misfortune. Los Angeles is becoming a city of “haves and have-nots.”

The Los Angeles of 1934 is a city like no other in this country.  The motion picture industry paints it as larger than life.  Hollywood, where dreams are made and shattered, is the engine that powers this city.  Oil and shipping will defend their role, but Hollywood fuels the beast.

At first glance, commerce appears untouched by the depression.  Polished cars parade on Santa Monica Boulevard.  People fill the sidewalks as if on holiday, smiles on their faces, knowing they are fortunate to live in this unique land of opportunity.  The manufactured facade so completely obscures the reality that, in fact, California suffers, but not quite as much as the rest of the country.  It’s hidden so well that thousands of hopeful migrants genuinely believe this is the “Promised Land.”
   
At dawn, John Henry, with Blind Jellyroll, drove into Los Angeles to search for work. He and a few thousand others had the same idea. A long line of men and women walked in unison as if Moses were leading the Jews from Egypt along the dusty highway.      
Men wearing patched overalls, sewn-up khaki pants, and shirts as white as a wash tub
could get them. A few wore a dirty Fedora or a worn sweat-stained Stetson. Some real Okies wore frayed straw hats and cracked work boots. Their clothes hadn’t seen a wash tub of water in months. It was an army made of misery. The cloud of roadside dust told the folks in town they were coming—”NO WORK HERE” signs went up in every window along their route.

John Henry drops Jellyroll and Pancho Villa at the downtown mission run by Sister Aimee McPherson, the celebrated firebrand radio preacher. Jelly’s cousin works for the preacher and has assured him that the good sister has a place for him. John Henry wonders how a blind man and a one-eyed dog made it from Texas to here. Perseverance and Moxy, some folks have it, but most don’t.

  Lost and asking directions to Long Beach every mile or so, John Henry made a wrong turn and found himself on a residential street. Tidy bungalows with mowed green yards and colorful landscaping lifted his spirits. Back in Fort Worth, you only saw streets like this where the rich folks lived. He could tell by the cars in the driveways and houses that needed paint, that these folks were plain working people, getting by better than most.  

 Half a block up, he sees an older man and woman losing the battle to unload a large chifforobe from the back of a pickup truck that should have been in a scrap yard. The rear end of the old truck sat on the concrete, and both leaf springs shot to hell. They are struggling and on the verge of dropping the piece of furniture when John Henry stops and, without asking, jumps in and grabs the end the woman is about to lose. The man thanked him for his help as they carried the furniture into their house. The home smelled like the fragrant gardenias growing around the front porch.

More in Chapter 3. * Note; My father couldn’t remember the name of the fellow or his dog, so I used the name of a character from an earlier story. A dog named Pancho could be nothing else but a Chihuahua.

Open the link below for Chapter 1

Wagons Ho…To California !
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Wagons Ho…To California !


Chapter 1

Summer in the Cactus Patch came early this year. May was pleasant, with frequent gully washers that quickly turned into toad-floating spring floods, yet some of my neighbors ran their sprinkler systems on their already-soaked lawns, which added to the flooding. We live on top of a rocky hill, so our abode was protected from the rushing waters of May, and we don’t have a sprinkler system to water our rocks and cacti.

June came with a dreaded heat wave forming in the southwest desert and sneaking into Texas. The Mexican province known as California is experiencing the hottest weather in history, and that adds to the folks getting out of Los Angeles and Sacramento and moving to my state, which has done nothing to stop the influx of unwanted refugees. U haul and Ryder are out of trucks, so folks are building their own trailers or tying furniture to the tops of their cars. Yesterday, I saw a Tesla with luggage and home decor tied to the roof of the poor EV. Of course, the car had California plates, and the occupants were likely looking for a home to buy in my little town.

My grandparents, my father, and my aunt migrated from Texas to California in 1934 because there were no jobs in Fort Worth or the city of Dallas. When reaching the desert town of Needles, CA, they were immediately labeled “Okies” by the border guards. My grandfather, a man of many words, mostly curse ones, did his best to convince the guards that he was a Texan and had visited Oklahoma once for a funeral, which made the situation worse because the guards then labeled them Texas Okies, which was a double insult, and to boot, they weren’t welcome in the land of pleasant weather and movie stars. Grandfather turned himself into a poor man’s Will Rogers with plenty of aw-shucks, dirt kicking, and head-scratching and made the guards laugh, so the family was admitted. He forgot to mention the three pistols, the sawed-off shotgun, and his pet Rattle Snake, Bubba, stashed under the front seat of his Ford.

Chapter 2 coming soon.

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It’s 1968, And We Are In A Recording Studio


By request, I am again publishing this post, including my 1968 recording of the band I was part of, The A.T.N.T.; formally, we were the Orphans but changed our name at the suggestion of Mark Lee Productions, our manager. Enjoy.

The year was 1968, and the rock band I played in, The A.T.N.T., recorded a 45 at Summit Sounds in Dallas, Texas. The band had been called The Orphans, but a copywriting dispute resulted in a name change. Our then-manager, Mark Lee Productions, wasn’t keen on the idea because we had been under his management and promotion for a year.

The A side is “Cobblestone Street,” written and sung by myself and our drummer Barry Corbett. The B side is ” No One Told Me About Her,” written and sung by our lead singer and bass player, Danny Goode. The two producers, Marvin Montgomery and Artie Glenn, suggested we add horns to get a Chicago Transit Authority sound. Before the brass was added, Cobblestone Street was loud and raw with loud guitars and organs. After adding the horns, we returned to the studio and tweaked the cuts. I purposely untuned my Gibson 335 a bit to give the guitar break a bit of an out-of-tune carnival sound. Marvin, who went by the name of Smokey, was a member of the Light Crust Doughboys since the 1930s and played with Bob Wills. He produced Paul and Paula and Delbert McClinton. Artie Glenn wrote the famous Elvis hit “Crying In The Chapel” and many others; he was also a Light Crust Doughboy western swing musician. These two men were top-shelf record producers, so we listened when they suggested.

The A.T.N.T. at Flower Fair 1968

Our band members in the above picture are: foreground right John P. Strawn ( me ), then Jarry Davis on rhythm guitar, Barry Corbett on drums, Danny Goode on bass, and Marshall Sartin on keyboards. Barry and Marshall have passed on, but Danny, Jarry, myself, and our wives met for lunch a few weeks back in Fort Worth. It’s obvious why we all have severe hearing loss from the large amplifiers turned up to 11.

We introduced the songs at Flower Fair 1968 but without the horns. The Doors were supposed to play the event, but last-minute scheduling got sideways, and they couldn’t make it. This was the Spencer Davis Group without Steve Wynwood in the band. LeCirque ( The Smell Of Incense Fills The Air ) was formally known as The Southwest F.O.B. with members England Dan and John Ford Coley, who would later go on to fame as a duo, both local Texas boys. Kenny and the Kasuals were also a local group managed by Mark Lee.

The record received good airplay, but we never made much money. Distribution was the key, although the local radio personalities gave it positive chatter. Hope you enjoy the tunes.

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“Getting Zapped…Brown Shoes Don’t Make It” And A “Beach Party On The Ganges”


It would be a shame if I didn’t include some local 1960s rock musical history by spotlighting our drummer, Barry Corbett, otherwise known in our tight little musical circle as ” Li’l Spector.” The moniker came about because the boy, at age 15 years old, was a musical genius in the same vein as Brian Wilson, Leonard Bernstein, and Phil Spector: thus his earned nickname. We would never know why he chose the drums as his primary instrument: the guy played an assortment, including Bongo drums, kazoo, paper and comb, Dog House bass, violin, Hurdy Gurdy, guitar, keyboards, Vibes, Trumpet, Piccolo, Harmonica, Juice-Harp, Spoons, Autoharp, Dulcimer, French Horn, Tabla, finger cymbals, gasoline-powered Lawnmower, and Sitar. I’ve probably left a few out; it’s been a while since I thought about this. Barry’s original drums were worn out, so his father purchased him a set of Slingerlands. The finish was all swirling and psychedelic, and if we wore those cheesy 3D glasses from 7-Eleven, we could see the Summer of Love a full year before it happened.

In 1966, our repertoire consisted of The Beatles, The Rolling Stones, Hollies, Paul Revere And The Raiders, The Turtles, and The Byrds. We also played a handful of Beach Boy songs. Our voices were still high, so the Brian Wilson falsetto wasn’t a problem.

The 1966 Orphans in our Paul Revere boots

Unknown to Jarry and I, Barry secretly listened to weird underground music: “Frank Zappa And The Mothers of Invention.” These guys were so whacked out that the radio refused to play them, but Barry would. He adored Zappa and wouldn’t wear brown shoes in brotherhood to the song ” Brown Shoes Don’t Make It.” He was also a newbie-semi-devout disciple of East Indian music, mainly Ravi Shankar and his droning Sitar, thanks to George Harrison and the album Rubber Soul.

We knew Barry had purchased a Sitar from “Pier One,” a Dallas specialty store loved by the Hippies. The store hawked strange goods from India and the Middle East. He called one day and asked that Jarry and myself drop by to hear him play his sitar.

We were surprised when he could coax the part to “Norwegian Wood” out of the goofy instrument, so we agreed to learn the song and let him play it during our next gig at the Richardson Recreation Center the coming Saturday evening. He failed to mention that he had two additional musicians accompany him. He was a tinkerer, so he removed the electric pickups from his Gibson Melody Maker guitar and installed them on the sitar, creating the first electric East Indian instrument. Two Electrovoice condenser microphones were used to amplify his additional musicians.

Our gear was set up, and sound checked an hour before the dance, and in strolls Barry, dressed in a Nehru suit: his girlfriend and a guy about Barry’s age in tow. His followers, wearing a white Sari and a Dhoti, trolled behind him: they carried a small bongo-like drum called a Tabla and two tiny Zildjian cymbals on cute little stands. The guy was carrying an instrument that looked like a cross between a fiddle, a guitar, and a Dulcimer. All three had bright red Bindi dots on their foreheads. Barry was lugging his sitar, drum kit, and a Vox AC30 amplifier. After he set up his drums, he ran a sound check on the electric sitar and stuck the other mic inside the Tabla drum, one next to the little cymbals and the frankeninstrument. They sounded pretty good for a Rube Goldberg rigged setup. The three of us were duly impressed but leary of what might happen. Chaos followed Barry like an afternoon shadow.

The band played the first set to about 300 sweaty teenagers. The building’s air conditioning couldn’t keep up: it was a typical July in Texas.

Barry and the two musicians rolled out a Persian rug, which was likely stolen from his mother’s dining room, and positioned it in front of his drums. The girl lighted incense sticks held in large brass holders. Barry lugs his sitar from behind the stage, plugs it into the Vox amp, and sits in the traditional Shankar crossed-legged position. He is ready to rock. We break into Norwegian Wood, and the three-piece Hindi band sounds darn good but a bit loud. The teenagers move in close and surround the trio. Who are these weirdo-freaks? We finished the tune and received polite applause. A better reception than we had hoped for, but then…

For their second tune, Barry announces they will play Ravi Shankers’ biggest hit: “Beach Party On The Ganges,” a snappy little number sounding like Brian Wilson, and the boys meet Ghandi and crew for a cookout on a crocodile-infested beach. The sitar starts to feedback, and the Tabla drummer and Frankenguitar lose their tempo, not that there was one ever established, and Barry, now in a musical trance, is all over the sitar. The crowd of surrounding teens is transfixed, awed by his Zen Zone musicianship. The two other musicians, lost and toasted, have stopped playing. Lil Spector drives onward in his moment of musical adulation.

The Sitar feedback was incredible, so Barry, still locked in his “Ravi sitting position,” leaned back to reduce the volume on his amp. He leans too far, loses his balance, and falls backward, causing the head of his Sitar to catch a mic stand and break off the long body of the instrument. No one knew that Sitar strings were wound to a deathly tension. When the Sitar broke, the strings popped, winding around Barry’s head into his hair and then into his two other musicians’ long hair. It was a disaster. All three were incapacitated on the rug, unable to move. The crowd hooped and hollard, thinking it was part of the show. The poor Sitar wound up in the dumpster, and his musical disciples left the fold, throwing their red-dot makeup tin at Barry as they stormed out of the Rec Center. At his request, we dropped Norwegian Wood from our setlist.