Category: Fort Worth Texas

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Repost From PowerPop…An Eclectic Collection of Pop Culture


The A.T.N.T. Cobblestone Street

A friend of mine in the blogverse is a music historian. Max Gower has a blog on WordPress called PowerPop An Eclectic Collection of Pop Culture. Max and me have been trading emails and post for over two years and I greatly enjoy his side trips into the 60s music scene covering bands that maybe weren’t all that well known. Max has been writing about Texas rock music for a while now and found a few old interviews I gave many moons ago. I appreciate the shout out and hope you all enjoy his post as much as I do. Thanks again, Max.

A few weeks ago I posted about Mouse and the Traps, a Texas band formed in the 1960s. I thought my fellow blogger friend Phil from Notes from the Cactus Patch may have known them. He did…. so I thought…I would like to write about Phil’s 1960s band. I first heard of Phil from Hanspostcard… he sent me THIS link to Phil’s post about meeting John Sebastian in Texas in the sixties along with the other Lovin Spoonful. He also briefly met Janis Joplin when she cut the food line at the Texas International Pop Festival.  ” I survived one-hundred-degree temperatures for three days and got to meet Janis Joplin one late night when this nice gal with a Texas twang asked me if she could cut in line as I was waiting to buy a hot dog. It took a minute for me to realize it was her, but I was cool; it was the sixties, man. That night, ole Janis “took a little piece of my heart, now baby.”

I’m get most of the info from this post. I urge you to read that because he tells a more complete story.  Phil’s Dad, Johnny Strawn played with the Light Crust Doughboys so Phil was surrounded by music when he grew up. He went through a few bands on the way. He formed his first band in 1964 and they were called The Dolphins and in late 65 they became The Orphans. The Orphans lasted until 1967 and the members were Johnny Strawn, vocals and lead guitar –  Jarry Davis, vocals and rhythm guitar-  Danny Goode, lead vocals and bass –  Marshall Sartain, vocals and keyboards- Barry Corbett, drums and vocals.

The music they played was all over the place and everything that kept people on the dance floor.  The music they played was Soul Music, Beatles, Bee Gees, Rascals, Hendrix, Doors, Steppenwolf, Cream, Stones, Vanilla Fudge, and Jefferson Airplane.  They played all over Texas and parts of Oklahoma…and some of the clubs he mentioned were The Studio Club, LuAnn’s, Strawberry Fields, Phantasmagoria, The Cellar, The Box, and more. This was when three of the band were still in high school. 

Phil Strawn:  We used to do a lot of double bills at The Studio Club and LuAnn’s; that was a big thing back then. I remember playing a lot of them with Southwest F.O.B. We were playing at LuAnn’s one weekend when during the Jimi Hendrix song Fire, our drummer put lighter fluid on his cymbals, lit his drum sticks, then hit the cymbals and ignited them. It got a little out of hand and it burned up his drums. That kind of stuff wouldn’t fly nowadays, but back then, we didn’t think of the repercussions. The crowd loved it, sort of like The Who, only with real fire and smoke. Miss Lou Ann was not pleased and banned us from the club for about six months. We eventually worked our way back into her good graces. Ron Chapman the famous DJ on KLIF and KVIL remembered us as the band that nearly burned down LuAnn’s. Some legacy.

They met a guy named Mark Lee who became their manager. After they signed with him their gigs increased. They even opened up for Iron Butterfly at a place called Strawberry Fields. The Orphans committed a cardinal sin by learning an Iron Butterfly song called Possession and nailed it while opening for Iron Butterfly. Lee put them up to it because he knew it would get under Iron Butterfly’s skin…and it did! They ended up swiping Phil’s Vox Wah Wah pedal and a velvet Nehru suit from their drummer. 

In 1968 they had to change their name. The drummer, Barry Corbett, had a friend, Jerry Deaton who wanted to manage them but they were happy with Mark Lee. The guy went out and had “The Orphans” copyrighted and told the band he would sue them if they continued so they changed their name. Phil said: “We liked ATNT {Alice talks “n” talks} and Jerry’s mother was the inspiration for that name. Later, we found out that he had managed another band called the Orphans for a while, so that was the reason for all the drama. He copyrighted the name so we had to change.”

Check out this 1968 Flower Fair entertainment. ATNT played and look at the other artists as well. Spencer Davis, Jimmy Reed, Mitch Ryder, The Lemon Pipers, and Neil Diamond. The Doors were going to play but they had scheduling conflicts. 

ATNT Scedule

In 1966 they recorded a song that Phil wrote called “Leader of My Mind” which was a Byrds-type song with harmonica but no one can find any copies. In 1968 they recorded two songs called “No One Told Me About Her” with the flipside Cobblestone Street. 

They also did a couple of appearances on Mark Stevens TV Show which they lipsynced to their songs. Phil quit in the late sixties because of a disagreement with the rhythm guitar player. He had to make a choice and his final exams were coming up and Phil decided to study rather than just practice with the band. 

After that, Phil said he didn’t play much until around 1974 when he started to play in the progressive country music scene in Austin and Dallas. I played with various people around town and some in south Texas and did some pick-up and studio work. I joined the Trinity River Band in late ’79 and played with them until ’85. I also played with The Light Crust Doughboys from time to time and did some studio work on the five-string banjo. I was fortunate to play on the Light Crust Doughboys album, ” One Hundred-Fifty Years of Texas Music.” 

The A.T.N.T. Discogs page. 

Phil Strawn: The A side is “Cobblestone Street,” written and sung by myself and our drummer Barry Corbett. The B side is ” No One Told Me About Her,” written and sung by our lead singer and bass player, Danny Goode. The two producers, Marvin Montgomery and Artie Glenn, suggested we add horns to get a Chicago Transit Authority sound. Before the brass was added, Cobblestone Street was loud and raw with loud guitars and organs. After adding the horns, we returned to the studio and tweaked the cuts. I purposely untuned my Gibson 335 a bit to give the guitar break a bit of an out-of-tune carnival sound. Marvin, who went by the name of Smokey, was a member of the Light Crust Doughboys since the 1930s and played with Bob Wills. He produced Paul and Paula and Delbert McClinton. Artie Glenn wrote the famous Elvis hit “Crying In The Chapel” and many others; he was also a Light Crust Doughboy western swing musician. These two men were top-shelf record producers, so we listened when they suggested

Phil Strawn: It was absolutely the best time of my life. How could you not enjoy being a teenager in the ’60s and playing in a popular rock band? The people we met and played with, the experience that we will all carry with us the rest of our lives. It was just a part of life that helped shape us into what we are now – being part of that change in our country, that decade. It was a time of turmoil, but it was also the last year of the innocence we grew up with. Teenagers these days are so hardened. The music then was happy and said a lot. It would move you, whether you played it or danced to it. The music now has a meaner, harder edge, and reflects the times we live in.

Phil Strawn: I am a project manager in commercial construction, and do a lot of painting and artwork – mostly Texas art. After 35 years, Danny Goode, who I played with in ATNT and the Orphans, called me and asked me to be part of their group, The American Classics. I joined them about two years ago and that’s what we do nowadays. The band consists of Danny Goode, bass and lead vocals; John Payne, lead guitar and keyboards; Jordan Welch, drums; and me on rhythm guitar and vocals. We play about once a month or so around Dallas Fort Worth, mostly private parties. We recently played in Deep Ellum, and will probably be back down there soon. We stick to mostly ’60s music – it’s what we know well. It’s good to still be playing rock music at this age. You really never outgrow it.

I love the horns in this song but I would also love to hear what it sounded like with loud guitars as well. 

…

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Author: Badfinger (Max)

Power Pop fan, Baseball, Beatles, old movies, and tv show fan. Also anything to do with pop culture in the 60s and 70s… I’m also a songwriter, bass and guitar player. View all posts by Badfinger (Max)AuthorBadfinger (Max)Posted onCategories1960s, Bands, Garage, Music, SinglesTagsA.T.N.T., Cobblestone Street, Phil Strawn

39 thoughts on “A.T.N.T. – Cobblestone Street”

  1. Pingback: A.T.N.T. – Cobblestone Street – MobsterTiger
  2. Carl Benson, Jr.says:What a ‘bill’ that was! I would’ve gone to see Mitch Ryder & his band & Neil Diamond.Liked by 2 peopleReply
    1. Badfinger (Max)says:It does sound like a great one. That was the time to grow up for music…LikeReply
      1. Carl Benson, Jr.says:Ya’, I was 4 years old then or going on 4 but I have always loved that era of ‘Pop’ music. I love that debate on what decade was the best & the 60’s are up there…I think the 80’s myself, but I’m biased lol.Liked by 1 person
      2. Badfinger (Max)says:I was weird Carl…I grew up in the 80s….turned 13 in 1980…I didn’t like the synth stuff and the fake drums….they still drive me up the wall… I was mostly listening to the 60s during the 80s….Now…thats not to say that I don’t like many songs from the 80s….I liked the Heartland Rockers like Mellencamp, Springsteen, Petty, and others…along with The Replacements, REM and Prince….in other words…bands and artists with guitars!Liked by 1 person
      3. Carl Benson, Jr.says:Awesome…I think that I mentioned before that when I was a kid my Dad was in the music business when after we moved to Ft. Wayne in ’67 & my little brother was born later in that year. Both of my parents were college graduates from ’63 & ’64 so they were hip parents. They put a radio & a television in my brother & I’s room (bunk beds) so we could chose what we wanted to watch & hear. He had a television show on what became the PBS station which was a 1-hour music show (R&B) & he & a fraternity brother owned a nightclub & were managing groups. So I got to hear a lot of R&B as a young kid & meet some of those folks who did his show. But, I always had an earl for ‘Pop’ music & when we moved to Idaho in ’74 my buddies were into the other side of ‘Pop’ & of course guitar based ‘Rock & Roll’. I graduated from high school in ’82 & had been listening to a lot of 60’s music (& funk) my jr. & sr. years & then I got the bug for synthetic dance ‘New Wave’ music. Thompson Twins, The Human League, The Talking Heads, The Tom Tom Club, The B-52’s etc., I was always a ‘Minneapolis Sound’ dude. I always heard from my musician friends that they hated ‘Tech’ back then with the electronic drums & stuff & I can appreciate that Max. I generally loved the ‘Moog’ sound then…I was into dancing back then.Liked by 1 person
      4. Badfinger (Max)says:See I liked The Talking Heads and The B-52s…so there were a few I liked…yea the Minnesota sound was huge…Prince, The Replacements and others came out of there.
        Also Carl…it’s normal for teens to like the era they grow up in….so like I said…I was wierd…I liked the timeless sound.
        You grew up in the perfect time Carl! You got to experience the best of the 60s – 80s in real time! Plus your parents sound great dude.Liked by 1 person
      5. Carl Benson, Jr.says:Ya’, I remember that they had ‘hippie’ friends that were white folks before we moved to Idaho when I was 10 in ’74. My little brother & I had an unusual childhood for a couple of black kids in our era Max. That’s why my musical tastes are so eclectic Max.Liked by 2 people
      6. Badfinger (Max)says:And that is a great thing Carl! I think it’s rewarding to be eclectic.Liked by 2 people
      7. Carl Benson, Jr.says:Dig it Max…you too…sometimes it is…lol.Liked by 1 person
  3. newepicauthorsays:One of your longer posts Max and I thought it was interesting learning about this obscure group.Liked by 1 personReply
    1. Badfinger (Max)says:Yes I usually don’t go this long but Phil was in some interesting spots and bands. He knew a lot of those Texas bands that did have some hits…plus I was in one of those local bands two decades later…heck…may do mine one day!Liked by 1 personReply
  4. glyn40wiltonsays:Light Crust Doughboys was a great name for a band. I liked the list of the groups they played songs of in their set.Liked by 1 personReply
    1. Badfinger (Max)says:Thanks Glyn…they were a country band legend.Liked by 1 personReply
  5. Davesays:Great post Max! It’s so cool that one of our online friends has such a great musical history. I’ve heard that ‘Cobblestone Street’ before…it’s very ’60s but very agreeable. Sounds very British Invasion to me, I wouldn’t have pegged it as being from Texas. Phil makes a good point about how rock, and teens, then were so much more optimistic than nowadays.
    Phil, good job and if you have the b-side, hope you let us hear it!Liked by 2 peopleReply
    1. Badfinger (Max)says:I loved when they opened for Iron Butterfly and then played one of their songs! LOL. That takes guts and I’m glad they did it.LikeReply
    2. obbversesays:Agree with all you say here Dave. And I really do believe for a lot of the kids teen years (these days) are more a journey of joy and learning than a rite of passage.Liked by 1 personReply
    3. obbversesays:Sorry Dave, less joy, more passage! Doh! (Note to self; Proof read, O.)Liked by 1 personReply
  6. randydafoesays:Well I knew a bit of Phil’s musical past and this post is a great enhancement. I agree with Dave on that British Invasion sound for sure.Liked by 1 personReply
    1. Badfinger (Max)says:I played 2 decades later but I can relate to this…I mean every successful band usually starts out like this…sometimes it just works out but most of the time it doesn’t as far as the big time….but it keeps music alive in communities across the globe with local bands….yes it’s very sixties.Liked by 1 personReply
      1. randydafoesays:Yes I am sure this is very close to home for you. I probably mentioned by oldest brother is a bass player and while he did play with some recording artists he never ended up on one himself. He has played in bands for over 50 years and still does, but he does it for himself, because he loves it. So these stories are in some ways a vicarious look that scene.Liked by 1 person
      2. Badfinger (Max)says:I tell people…once you learn music you keep it for the rest of your life. You don’t have to be famous…but no one can take it away from you. The only recording artist I played on the same bill with? The Royal Guardsman in the late 80s early 90s…lol…but hey it still counts! Our claim to fame was outdrawing Richard Sterban (singer for the Oak Ridge Boys) at a theater….we played a week later….lol.Liked by 2 people
      3. randydafoesays:Hey you take what you can get Max!Liked by 2 people
      4. obbversesays:Max mentioning the Royal Guardsmen- Christmas and ‘Snoopy’s Christmas’ must be on the horizon!Liked by 1 person
      5. Badfinger (Max)says:It’s gotta be! I never thought of posting that one…but I must now.Liked by 1 person
  7. obbversesays:Love these ‘I was there’ bits of history. Phil sure got around, and what a great decade to grow up in. And as for Phil- letting Janis grab what should have been his hot dog, rubbing shoulders with John S, rubbing Mike Love the wrong way- great stories.Liked by 1 personReply
    1. Badfinger (Max)says:Yes they are… I can’t imagine meeting those people especially Janis…he said she was really tiny in person…
      Opening up for Iron Butterfly…pretty cool and having your wah wah pedal stolen by their crew…not cool!Liked by 1 personReply
      1. obbversesays:Well, with Iron Butterfly, they weren’t exactly your easy-going peace love and pass the reefer 60s band, or so I’d imagine, going by their sound. (PS, I’ll be mentioning ‘Snoopy’s Christmas’ in an upcoming musically related post soon. Music and Christmas carols based? Yes. Harmonious and in the best spirit of Christmas? Nooooo.)Liked by 1 person
      2. Badfinger (Max)says:Cool… I will soon echo Snoopy…
        I would not expect any other from you…I would be quite dissapointed if you showed too much cheer…obbverse sellout? Never.Liked by 1 person
  8. cincinnatibabyheadsays:I’ll echo Dave and say “Great post”. Phil covers a lot of territory (He’s from Texas. Makes sense). I’m sure I could spend an evening hanging with Phil and be entertained on a lot of levels. Lots I like, his sense of humor not the least. Enjoying the listen. Blue ribbon post Max and PhilLiked by 1 personReply
    1. Badfinger (Max)says:Thanks CB…it’s much longer than I wanted but to get everything in it had to be. Hanging out with Phil for a while would be really cool.Liked by 1 personReply
  9. Christian’s Music Musingssays:It sounds like Phil Strawn has met many interesting artists and has some intriguing stories to tell. “The Cobblestone Stone Street” is a great song. Perhaps not surprisingly, I had never heard of A.T.N.T. before.Liked by 1 personReply
    1. Badfinger (Max)says:Yea…Phil has some great stories… his story about meeting the Lovin Spoonful is great…and opening up for Iron Butterfly was really cool as well.Liked by 1 personReply
  10. Phil Strawnsays:Max, thank you for the great write up and kind words. It does my old heart good to hear from so many of your followers that dig the 60s sound. I happened to be in the right place at that time and it all fell into place. My friend, Danny Goode who I played with back in the 60s and again in the 2000s lives in Granbury too. We hung up the axes in 2019 after a 19-year run with The American Classics Band, doing much of the same music we played back in “the day.” Thanks again, Max.Liked by 2 peopleReply
    1. Badfinger (Max)says:Phil, I just hope I got it mostly right for you. I want to thank you for letting me do it. I had a good time writing it. We might not have been in huge bands that had a lot of hits, but we entertained a lot of people and that is what matters plus the the adventures we got out of it. Thanks again, Phil.Liked by you and 1 other personReply
      1. Phil Strawnsays:You are welcome kind sir. We all have to admit that after doing live shows for a while, it brings out the hambone in all of us. I can’t recall a time that I was nervous onstage except the time my Fender amp blew a fuse and I didn’t have a spare, now that was scary.Liked by 1 person
      2. Badfinger (Max)says:I wasn’t nervous either except for my first gig but it went away quickly. THAT would be scary. Our lead guitar player’s amp went out so I plugged him into mine and we shared…not a great sound…but the show went on.Like
  11. Nancy Homlitassays:Your music bio of Phil Strawn was a thoroughly enjoyable read, Max. Of course, I’m partial to 60’s music and can appreciate how good “Cobblestone Street” is compared to other songs in that genre. You did a good job making Phil appear to be a focused and serious musician. We both know he’s a crazy fun-loving hoot! 🙂LikeReply
  12. Aphoristicalsays:I like the Iron Butterfly story!Liked by 1 personReply

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Chapter 15. Johnny’s Journey From War to Healing in Hawaii


Foreword: Usually by another writer or friend. Excuse the breaking of tradition. These chapters reveal my struggle with the truths of my family. As a child and later as an adult, I saw the darkness of alcoholism and how it grips every soul within a household. I wished for families like those in a Norman Rockwell painting, gathered at the table with Grandfather carving the turkey, but life shattered that image. AA was just beginning to rise, and the word “enabler” had not yet marked the shadow of alcoholism. Bleeding in a public arena is not pretty.

The island of Hawaii held its charm, still untouched by the war. A year after the conflict with Japan, a few tourists arrived by boat, drawn to its beaches and emerald water. The men and women in uniform returned home, demobilized from the military. Johnny chose differently. He stayed, nurturing the holdings he had acquired over two years. Luck had favored him; he owned land in downtown Honolulu, not the best area, but one that would grow over the years and be worth hundreds of times what he paid. California held no interest, Texas even less. He would again be under the veil of his mother’s demands and secrets. The more time away he had, the more he saw that the extended family of her sisters and cousins was more toxic than nurturing. The arrangement with the old Korean had soured; there would be no marriage to his granddaughter, a relief to Johnny. He would take his chances to either flourish or fail in Hawaii.

Near the end of his first year after leaving the Navy, once again, the missives from home arrived almost daily. They were often the same—repetitive and sharp. Nothing had changed; Sister Aimee’s cures were lost like smoke in the wind. His father did not write, making Johnny feel like he was not there or had no strength to fight. The family had returned to Fort Worth. He now knew that something dire had transpired.

A letter from his sister Norma came with bad news. His beloved dog, Lady, had passed peacefully in her sleep at the age of eighteen. John Henry was not doing well; a depression had set upon him soon after they returned to Texas from California. His leaving a prestigious job and salary and returning to the furniture shop, working for a pittance of his former wage, caused him great stress. He would go days without speaking to anyone, lost in his sadness, reluctantly accepting the fact that he was now an older man and he had left his best life out west. PTSD was not yet diagnosed, but his behavior had all the signs of the illness. Killing another human, even in the ugliness of war, will take a piece of a man, leaving him un-whole and susceptible to the whispers of the Demons that await. John Henry had many to fight.

Johnny’s mother had become a mean, spiteful woman full of hatred for anyone other than her precious sisters in arms; they were all swimming in alcohol for the better part of each day. The reality of life was a concept they didn’t grasp; the party came first, and to hell with the rest of it.

Norma was planning to leave and join her brother in Hawaii but was reluctant to leave their father in his fragile state. Guilt washed over Johnny for not being there for his dog, Lady; she had been his faithful companion for his entire life. He was ashamed that he was more broken up over her death than the tribulations of his parents; they were adults who occupied their own prison. They could deal with it themselves. He wanted nothing to do with any part of their perils. Still, the missives came daily, now more frantic and cruel than ever. He was teetering, trying to stay positive and not give in to the dark web woven by his mother’s disease. It was impossible to fight. In anguish, he gave into her cruelty, hating himself for his weakness. Arriving in Hawaii, a boy, then becoming his own man, now again, a boy dragged across the Pacific Ocean by a three thousand-mile umbilical cord.

Chapter 16. The Weight of Goodbye: Johnny’s Regretful Return Home

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Born Without Politics


I came into this world in 1949, a mere flicker of life amidst the portal to the West, Fort Worth. The good nuns who ran the hospital, those stern guardians of order, chose an unconventional method to usher me into my first cries, with a 12-inch wooden ruler upon my fragile backside rather than the customary spank from a soft hand. From that day forward, I held a quiet disdain for nuns, a sentiment my mother echoed with an understanding heart. I emerged into stark confusion—bright lights glaring above, towering figures in black robes scuttling about. A tiny stranger in a bewildering land devoid of any plan, I only wanted to know what the hell just happened and where I was.

I was a happy kid, or so I’m told. My routine was breakfast, playing until lunch, eating a baloney sandwich, washing it down with Kool-Aid, playing some more, eating fresh-baked cookies from Mrs. Mister’s kitchen, watching afternoon cartoons, taking a bath after supper, and going lights out—pretty mundane stuff.

My family rallied behind Roosevelt in the 1930s, their hearts giddy with hope for a better tomorrow. They believed with every fiber of their being that Franklin Delano Roosevelt pulled this nation from the dark abyss of despair during the Great Depression, and perhaps he did in many ways. Pushing the buttons that led the country into World War Two with the Nazis and giving the checkered flag to spank the Japs. The Works Progress Administration sprang forth from his dream, and thousands of men and women found temporary refuge in constructing parks and carving streets in Fort Worth; each brick laid a testament to earning a paycheck. My father had a lovely singing voice, so he filled our home with a constant tempest of musical disdain aimed at Dwight Eisenhower from the first light of dawn until the sun sank low and I was fast under my covers. Eisenhower was a gentle figure, a soft old soul cradling a golf club like a weary king holding his lost crown tightly. Later in life, when I took to the sport, I learned he was a 3 handicapped and was a certified bad-ass who commanded our troops on D-Day.

I was too young to grasp the significance then, but amidst the familiar shouts and wailing, I began carving my political identity. To belong to this raucous, somewhat heathen brood, I learned to hurl adult insults at Eisenhower and shake my tiny fist in solidarity with my kin. It is a truth held dear — a family that goes full bore batshit crazy together stays together. We were a close-knit brood, vowing to all enter the mental hospital together if need be to prop up the sickest of the clan. My father was the first. Politics and his alcoholic mother got the better of his mind, and he was tied down and shocked like Ready Killowwat. He came out of the procedure a Republican, which caused his extended family to shrink back in disgust and horror. The doctors had taken a witty lunatic Democrat and turned him into a pipe-smoking, tweed-jacketed professor of Ryan Street. His demeanor hadn’t changed much, but the burn marks on his temples never faded. I viewed him as a now sophisticated Frankenfather.

Thanks to my electrically converted Pop, I eventually forgot about old Dwight. I learned to read and write and took to my Big Cheif Tablet, hoping to make a mark, or at least a permanent stain, on this planet. Politics went by the wayside, and I lost interest in gnashing, wailing, and blaming fault. I was becoming a writer thanks to my favorite aunt, Norma, who diligently taught me to read and write before entering first grade. I was a bored child prone to fidgeting while daydreaming about Mark Twain and Micky Spillane while sitting at my tiny desk. I had no interest in the little people around me, uneducated booger eating feral children with no purpose.

When John Kennedy was elected president in 1961, I began reading Life Magazine, my mother’s favorite slick-paged rag. He was a nice-looking fellow with an elegant wife. My mother and her friends went limp, noodle-wobbly-legged when discussing Mr. and Mrs. Camalot. I didn’t get it until the Cuban missile crisis came about. He was willing to risk the population of America just to give Castro and Krushev a butt-whooping and the middle finger; “here Jackie, Hold my 80-year-old Scotch and soda and watch this shit”. JFK had some big ones, as attested by Marylin Monroe. All of us school kids knew we were about to be ashes to ashes and dust to dust. Teachers stepped up the nuclear drills, and we spent the better part of each school day hiding under our desks. Why? If the bomb incinerated our school building, then our tiny desk wasn’t going to protect us. That’s when I realized teachers were as stupid as the rest of us Neanderthal knuckle-dragging children.

When the lovely gentleman with the perfect hair took a headshot in downtown Dallas, Texas, I was like most of my kin and friends. We all felt terrible and mourned for a few days, but then it was “back to the basics of life;” Luckenbach, Texas, didn’t exist then, so we made do with Fort Worth.

My cousins and I were heavily into Brother Dave Gardner, the preacher turned comic. His albums were a bulging bag of witty, logical, and borderline racist comedy. America hadn’t learned quite yet to be so easily offended. Brother Dave’s favorite targets were Lyndon Baines Johnson and James Lewis, a fictional black character from the Deep South. LBJ was perhaps the most excellent Politicasterd crook in history, and by damn, he just had to be from the great state of Texas. We agreed; the lumbering goon from the hill country was as slimy as they come.

Around 1965, I began to form my own political beliefs. I was neither a lib nor a conservative, But a white flag on a long stick, wafting in the breeze. Heavily into surfing and playing rock music on my cheap Japanese guitar, I began to listen to the Beatles. I was told that some songs held mysterious political messages. When Sargent Pepper‘s Lonely Hearts Club Band debuted, My bandmates and I recorded the album on a Reel Reel tape machine and played it backward. After that, I was sure the four lads from Liverpool had been sent by Beelzebub to corrupt our nation’s youth. That’s around the same time our drummer, Little Spector, bought into the Hindu religion and found solace in Ravi Shankar and his melodious Sitar. It seemed I was the only one in the band with enough political knowledge to hold a riveting conversation with an adult.

The 1960s found me non-committal to a political party. The long hair and playing in a band were my disguise. Most of my friends and bandmates were in the bag for the liberal side of life; I was a relic, an uncommitted poof in the wind, although I dug Robert Kennedy and was just getting into his mantra when he followed his older brother to the Spirit In the Sky. Now, there was no choice, but “Little Richard” Nixon and his “Five O’clock World” beard shadow and sweaty upper lip creeped me out.

In 1976, I took a direct hit to the head from the mast while sailing my Hobie Cat 16-foot catamaran sailboat in the Gulf of Mexico off the island of Port Aransas. I was sailing by myself, which is not recommended, and was jibing downwind, which is also a no-no, when the mast caught the wind and reversed position, knocking me off the boat. I was wearing a diaper rig attached to the main mast, and that saved my life. What I do remember after the initial shock from that experience was that, like my father and his electrical conversion, I was now a Republican and have been ever since. I wonder if there is voting in Heaven?

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Chapter 14. From Homesickness to Harmony


After two months in Hawaii, homesickness crept in. Johnny missed his music and his string band, Blind Faith. His prized fiddle stayed behind, locked away in the hall closet. His father assured him that it would be well cared for.

Norma, his sister, wrote each week; her letters were either sharp with bitterness, primarily toward their mother, or filled with hilarity about life at home. His dog, Lady, lingered in his thoughts, her absence a weight; she is old and might not be alive when he returns.

Once again, in the clutch of her elixirs and perhaps something more potent, his mother continued her assault by missives. Johnny read a few, sensing something wrong. She sounded unsteady, lost. Her words were jagged, and he promised himself no more. He would not carry the burden of the guilt she heaped upon him. Her pen was poison.

A music store sold him a fiddle for ten dollars. The owner was an old Korean man who made a few adjustments, adding new strings and setting the bridge and sound post just right. It did not sound as sweet as his own, but now he had a fiddle, giving him a spring in his step. He needed musicians. His commanding officer, walking by the barrack, heard Johnny practicing. Whenever he had spare time, he sat on a wooden crate under the shade of a Koa tree behind the barracks, entertaining the birds perched in the tree. The officer from the South Texas town of Corpus Christi offered to connect him with musicians he knew. True to his word, two sailors came to Johnny’s Quonset Hut the next day. One was a guitar player named Jerry Elliot, a fellow Texan, and the other was Buzz Burnam, who played the doghouse bass fiddle. Buzz, a Western Swing musician from Albuquerque, knew a few other musicians who might be interested in jamming. They set a practice day and time to meet under the Koa tree. Johnny’s homesickness eased a bit.

A letter from Le’Petite Fromage gave Johnny another lift. She and her husband, Montrose, the trumpet player from Sister Aimee’s orchestra, had a baby child named Savon, an old Cajun family name. They planned to stay in Chigger Bayou, and she would sing in her father’s band if and when he returned from California. Her mother, Big Mamu, said life was better without him underfoot. She had told Johnny many times that girls in the Bayou are expected to be married with a child on each hip by the age of eighteen. Tradition got the best of her. Blind Faith was finished. It was a good run while it lasted.

Sunday was a day for rest, even amid the chaos of war. The sailors moved through the day with light duty on the Sabbath, their shoulders eased, and their spirits lifted after a good dose of religion found in the island’s many churches. After lunch, the two musicians arrived, bringing two more as promised, one bearing a saxophone, the other a snare drum with one cymbal. They played, and the music flowed—Western swing, big band, island tunes. It went on for hours. They were asked to play at the Officers Club in the Royal Hawaiian Hotel a few days later. The pay was meager, but they were musicians, and they knew the worth of their work was in the joy it brought, not the currency it earned.

A letter came from Sister Aimee McPherson. It told Johnny about Blind Jelly Roll. He had been hit by a car. The new seeing-eye dog, following barking directions from the blind Pancho Villa, led them across a busy street. They walked straight into the path of a vehicle. Everyone survived, but Blind Jelly Roll broke his left arm. His hand was crushed under the tires. It seemed unlikely he would ever play the blues again. She would keep him on as the music director and spiritual advisor. She loved that old black man and his ill-tempered Chihuahua deeply.

Sometimes, good luck strikes like lightning hitting the same ground. Johnny felt it. His C.O. asked him to help with the weekly base paper. This led him to work at the Pearl City News when off duty. He became the leading writer. Two sailors he knew were on staff, too. The pay was little, but he saved every cent until he had a decent stack of bills. He rented a lot in downtown. Then, he bought two used cars from an officer. They sat there for sale. The drugstore next door took names for those who inquired, and Johnny made appointments to sell. Two cars turned to three, then five, then ten. Two young Hawaiian boys washed them twice a week. Johnny sat beneath a small canopy that served as his office. He sold cars, saved money, bought more, and eventually acquired the lot and four more on that block. In a year, he owned a few small buildings and all remaining vacant lots—almost an entire city block in east downtown Honolulu. After his Navy discharge, he rented a room in a house owned by the old Korean man who owned the music store. He was taken aback when he met the man’s young granddaughter, who was his age. They both sported arrows in their backs, shot by the mythical fairy, Cupid. Returning to Los Angeles was now out of the question.

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Driving Lessons from Grandpa: A Childhood Memory


The dirt road was not much to speak of, so most folks didn’t. It was rutted, the kind of nasty ruts that could swallow a small child whole, never to be seen again.

No signs marked its path until my uncle Jay painted a small board with an arrow and the family name and attached it to a fence post with baling wire. People simply referred to it as the road to the Manley farm, the first right turn after crossing the bridge. It was a quiet, dirt path that meandered past Mrs. Ellis’s house and abruptly ended at a gargantuan cactus patch about a block past the railroad bridge.  

  My visits to the farm were during the summer, and I usually stayed for three weeks. I vividly remember the chickens, a noisy five hundred or so troupe circling the farmhouse, scratching the dirt, and being ever-busy. I also remember that almost everything on that farm wanted to kill me. The Mountain Boomers, Coyotes, and Rattlesnakes were my first worry, so I carried my completely ineffective Red Ryder BB Gun as protection.

     My grandfather Jasper decided it was time for me to drive a car, as most farm kids did out of necessity. At ten years old, I had mastered the tractor well enough to tear down parts of his barbed-wire fence without a second thought. He believed I was ready for his old stick shift V8 Ford. My grandmother fretted about his failing eyesight and knew better than to step into the driver’s seat herself: driving cars and deep water haunted her dreams, and she wouldn’t face either. My grandfather needed a chauffeur, skilled or not, for his trips to the domino parlor in the town’s only cafe, The Biscuit Ranch. I was his first and only choice.

     My first excursion behind the wheel was chilling, at least to me. What sort of adult would let a ten-year-old kid drive a car? If Grandfather was apprehensive, he hid it well.

  Turning out of the farm gate, hitting a hard left, clutching and shifting to second gear, working the accelerator, and attempting to steer the metal beast without running us into a ditch was all I could handle. By the grace of God, we made it to the railroad bridge where the hobos gathered, so we stopped so Grandfather could visit a spell. He enjoyed chawing with the hobos, swapping stories, chewing and sharing his Red Man tobacco, and telling dirty jokes: things that weren’t allowed at home. One of the hobo’s remarked that I drove exceptionally well for a little kid, and he and his buddy could hitch a ride into town. My grandfather was out of chewing tobacco, so he invited the hobos into the back seat for our first trip to the feed store in town.

  I was feeling optimistic and a bit cocky about my driving skills by the time we pulled up to the highway intersection. Grandfather checked for traffic and, finding none, told me to hit it, which I did: skidding out onto the pavement in front of the large truck he didn’t see coming; my small PF Flyer-covered foot floored the beast and hit second into third gear, squealing the tires like a stock car driver. The hobos in the back seat laughed and said I was the best kid driver they had ever known. The Ford made it to the feed store; then, we stopped at the Domino parlor, where I was introduced as the main chauffeur for the Manley family. When my mother came to collect me toward the end of July, I was car-driving Jessie. My grandmother marched me to the barn while my mother threw the grandest hissy fit ever after her father bragged about my good driving.

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Needing Sleep, Not Finding The Right Reading Glasses And Where Did I Put My Surfboards?


Sleep is a sneaky little thing, often playing hide and seek; some nights, with the right concoction of pain medications, I drift off like a mighty oak, a tree that has finally decided to take a break from standing tall. Just the other night, however, the meds turned their backs on me, and there I was, half awake and befuddled, reaching for my trusty hot Ovaltine to lend a healing hand. With my vision askew from wearing the wrong pair of spectacles, I grabbed my Bible, thinking I’d find some solace in holy verses, only to stumble upon the most thrilling tales of storms, hurricanes, and the odd musings about planting under the October moons, eventually realizing that I’d accidentally opened the pages of the Farmers Almanac instead.

Many of my readers have been transfixed or shocked by the epic tale of the Strawn family, who, in a fit of brave lunacy, decided to traipse from Fort Worth, Texas, to Los Angeles, California, all during that notorious dust bowl of the 1930s. Now, as I wipe the dust from my fingers and finish this latest chapter, I find myself staring into the abyss of forgetfulness. Is my memory playing tricks—after all, reaching 75 isn’t exactly the golden age of recall—or did my father and aunt, long since departed, keep the family secrets tucked away like old socks full of silver coins? You see, I was but a wee lad, soaking up the stories like a dry sponge around the family campfire, spinning yarns until I waded into my twenties. I do recall reading the best of my grandmother’s missives to her siblings, which was the catalyst that started this literary campfire. So, onward, I go, armed with a mighty pen and a healthy dose of ancestral curiosity, ready to dig deeper into the sands of time! If I can locate my shovel.

Last week, Mrs. Momo and I set forth on a meandering journey to the sun-drenched sands of Padre Island, where we sought respite among the company of my son Wes, his wife Yolli, and my spirited grandson Jett, along with my oldest grandson, Johnathan, who had deftly forged a new life in Corpus after escaping the relentless grip of a desolate land rife with crime, situated just east of Fort Worth. Even after the passage of years, the name Dallas invokes within me the primal instinct to spit into the dirt or a sidewalk, a ritual harkening back to the deep-rooted traditions of Amon Carter’s Texas. My grandfather, a quintessential Texan in every sense, would erupt at the mere mention of that city, a sentiment that courses through the veins of my remaining kin. The few ventures I undertook into that sprawling metropolis during my youth were begrudgingly limited to solemn funerals or the obligatory excursions with my father, who charmed the patrons as part of the house band at The Big D Jamboree. But let us return to The Island, as the locals fondly refer to it. Our ambition was to embark on a fishing expedition in my son’s Gulf Coast fishing boat, cradled comfortably in the canal behind his home; yet, as fate would have it, life had scripted a different tale. The weather was hellishly hot, and now, knowing my limitations for physical abuse, the trip will happen another time. We did, however, find the opportunity to journey to Port Aransas, where we reveled in a banquet of seafood and marveled at the garish, towering temples—those three and four-story houses, not erected for the warmth of home but serving as mere rental coffins—sprouting up like unwanted weeds in a fishing village that had cradled myself and my sons childhood, now stripped of its charm and morphed into a pale imitation of Myrtle Beach. I remember driving every road in Port A during the late sixties with my surfboard secured atop my Korean War-era jeep, Captain America. That faithful jeep has since vanished, much like my surfboards, yet Wes has preserved a fine collection of vintage longboards. I will be embarking on these new wonder pharmaceutical supplements I catch glimpses of in commercials; perhaps I’ll summon the energy to paddle out and catch a wave, allowing me to once again sit atop the world. I can already hear the Beach Boys playing my tune.

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Aspirations, Expectations And Exasperation


75th Birthday Dinner with Momo

I’ve recently sprouted a beard, and much to my surprise, not a single dark hair dares to intrude upon my snowy facial wilderness: the scruffy testament to my frothy mirth matches the proud hue atop my head, a delicate white crown. As a son of Cherokee lineage, I stood astonished, finding myself transforming into an old man with pearly locks in my forties. This change, I suspect, is the handiwork of my father’s Scotch-Irish heritage—a rowdy clan of kilted revelers who seemed to navigate life with laughter and a touch of mischief. They must have commandeered a ship, setting sail for New York, then onto Pennsylvania, where the merry-making reached promising heights. My grandfather would neither confirm nor deny the wild tales of our kin. This speaks volumes about my love for Irish Whiskey, while the Cherokee blood in my veins draws me to large, sharp knives. Hand a drink to an Indian, and trouble isn’t far behind. History whispers of how Little Bighorn ended for Custer. Loose chatter suggests that Sitting Bull and Howling Wolf snagged a wagon load of drink the night before the fray, bestowing upon the braves a reckless spirit. Had they chosen an early night with a hearty breakfast of Buffalo tacos, perhaps the bloody disaster would have been averted.

As a boy of nine, I dreamt of writing like Twain. In my innocence, I thought I was his spirit reborn, dropped into a different time: September of 1949, the last year of the baby boomer generation. With a Big Chief Tablet and a number 2 pencil, I set out to capture the simple chaos of childhood mischief. There were four of us, bold and reckless, stealing cigarettes, hurling water balloons at police cars, and fighting with the tough kids across the tracks. The local papers laughed at my tales as if a child’s imagination could not hold weight. My aunt, wise and educated, introduced me to Spillane and Steinbeck. Spillane turned me into a wise-ass, insufferable child, resulting in numerous mouth cleansings with Lifeboy soap. Steinbeck felt right—my family had lived a life like Tom Joad’s, migrating to California during hard times of the Dust Bowl and the 1930s. I had stories in me, maybe even a book. A therapist dismissed it as a childish fantasy, saying it would fade. Yet here I am, much older, still tethered to that innocence. Now, I’m in my Hemingway phase, my looks echoing the rugged man who lived wild in Cuba, writing furiously while embracing the chaos of life.

There is more sand in the bottom of my hourglass than in the top. I feel the end approaching. I do not wish to know the day or hour. I can only pray it is a good one, resulting in a trip to Heaven, which is better than the alternative. I am not the writer Twain, Steinbeck, or Hemingway was. They had talent, and they had time from youth to hone their craft and find their voices. Yet, I will still give it a try.

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“Dreams Will Keep You In Line.” Recollections From A Scared Baptist Kid


This is an oldie but a goody. If any of you knew who Brother Dave Garner was, you’d appreciate my bringing him back for an earthly bow.

This morning, I shuffled into the kitchen at 4 am, chastising myself for not getting enough sleep, which I will pay later in the day. I figure a nap will take me down around noon. But, when my country and our laws are under assault from evil men, I take it seriously, even though there is little I can do except pray for divine intervention or a selective lightning bolt from Heaven. My dreams were filled with political discourse, and sleep was fitful at best. I awakened sweaty and fearful of what lay ahead. “Our ship is foundering in seas of discontent, and the ominous rocks are within sight. The sails are in tatters, our rigging is failing, and we are destined to be dashed to pieces on the jagged rocks of an unknown land.” I paraphrase that description; it came from someone important, maybe Mark Twain or Confusious.

Last night, Mrs. MoMo and I watched the final seasonal episode of “The Chosen,” the story of Jesus and his disciples. The program is filmed in North Texas and Montana, and the cast is exceptional as well, as the writing takes the scripture and uses it as real folks would have heard and spoken it in those times, making it realistic and not words printed in the Holy Bible. We are fans. It’s as if I am attending a church service without the peripheral distractions of bad music and wailing children. I assure MoMo that I am not a heathen knuckle-dragging Neanderthal chewing on a Brontisaures leg bone, but a bonafide Christian who seeks Biblical truths and inspirations differently. She understands.

I spent too many hours on the hard wooden pulpits the Baptists prefer to be anything else. I knew that just below my pew, Hell awaited, and raging demons could pull me down through the wooden floorboards by my small legs if I faltered in faith. I equated faith with fear. Folks today are not fearful of God. Doing good deeds is commendable, but they won’t buy you a stairway to Heaven. Maybe Led Zepplin was onto something?

My zealous preacher, resembling a frothing-mouthed Bulldog pacing the stage, arms waving, and holding a large silver microphone to his dripping lips, advanced the service to a dramatic interpretation featuring hysterical heights that made the congregation swoon with the vapors. He reminded me of Brother Dave Gardner, the preacher turned comedian. I heard a few soft chuckles from my father occasionally; he was a fan of Brother Dave. Lofty condemnations, browbeating, and blanket accusations kept the flock in line; Amens were as plentiful as the women’s Beehive hair du’s, and the basket, when passed, was always overflowing with dollar bills and personal bank checks. I proudly gave my dime, which my mother pressed into my hand at the last moment. I was a kid and had no currency of my own to tithe. The little money I got from selling soda pop bottles went to candy bars, comic books, and Dr Peppers, the staples of child sustenance. Those unsettling experiences are burned into my conscience and come to me in dreams when I least expect them. Perhaps our country needs some of that “old-time religion” to scare the hell out of us.

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The Journey to Bakersfield: A Lively Tale of Struggle and Triumph, Chapter 9


My grandfather, John Henry, possessed a mastery of storytelling that filled the room with warmth. When the rain beat against the windowpanes, or the ice or snow kept me inside, I’d perch myself on the floor near his rocking chair, mesmerized by the tales of his youth in rural Texas, his days as a soldier in the US Army, and the harrowing battles in France. With each word, he painted vivid scenes of the struggle and resilience of his family during the tumultuous depression years in 1930s California. Pausing only to adjust his fiddle, John Henry would then draw the bow across the strings, filling the room with a lively jig that seemed to echo the resilience and spirit of those days and family members long ago passed on. When my grandfather passed, my father, as any good son would do, took the helm, recounting those years in California and beyond. A few drinks of good scotch whiskey for us both lit up his memory and released his vivid imagination. The more scotch we consumed, the more colorful his recounts, so parts of this story may be a bit grandiose.

Bringing Blind Jelly Roll Jackson and Le Petite Fromage into the string band’s musical circle infused the fellows with newfound assurance. John Henry found himself utterly taken aback by their musical prowess.

Johnny and the string band continued to improve with each passing week. After six months of playing front porch shows, birthday parties, a few illegal chicken fights, and one funeral, W6XAI Bakersfield, the most influential radio station in California, came calling. The station approached the band with an offer to perform a thirty-minute live show. Le Petite’s Daddy, Baby Boy Fromage, used his questionable connections to secure the band’s spot on the show, as his own band, The Chigger Bayou Boys, were regulars on the hillbilly program hosted by Colonel Bromide A. Seltzer. The esteemed Colonel was famous for featuring the latest talents on his popular daily show, always staying on the lookout for fresh and promising acts he could sign to a strangeling management contract that left him flush with cash and the talent with a pittance. Blind Faith fitted his bill.

Baby Boy Fromage arranged for transportation to and from Bakersfield. The radio station had agreed to pay the boys $75. 00 for the show, which included four commercials for Father Flannigan’s Holy Healing Tonic, Sister Aimee’s Blessed Miricle Face Cream, and Puffy Cloud Lard. In today’s world, that kind of money might buy you a mediocre supper at an Olive Garden, but in the Depression years, it was a small fortune. Of course, Baby Boy would require a chunk for providing the transportation and a meager finder’s fee for getting the band on the show. All said and done, Blind Faith would make $40.00 cash to split six ways. Le Petite had warned the boy that her father’s deals can sometimes border on nefarious, so don’t cry like a freshly born titty-baby if the whole thing flushes down the toilet.

Around noon on Saturday, the stagecoach to Bakersfield arrived at the Strawn residence. Le Petite’s daddy had promised luxury transportation for the haul to Bakersfield. Baby Boy’s idea of a luxury transport was a converted Tiajuna Taxi, complete with no less than a hundred bullet holes along each side of the vehicle. Two church pews nailed to the wooden floor served as seating, and the big stain on the floor was likely blood. The driver was a Mexican chap who didn’t speak English and drove with a bottle of Tequila planted in his lap. His GPS was a ratty map with the route colored in red crayon. Le Petite was furious with her daddy and planned to smack his big head with a *cajun blamofatchy.

Arriving at the station, the band was led into a large room where the broadcast would take place. A small stage covered with short nap rugs and a half dozen microphones placed where each musician would stand. Another band, The Light Crust Doughboys, from Fort Worth, Texas, was packing up, having completed their live show for their sponsor, Light Crust Flour. They were in Hollywood to be in a Western movie with Gene Autry, and this was their last commitment before heading back to Texas. Johnny spotted their fiddle player, made a bee-line over, and introduced himself. The man, Bob Wills, a fellow Texan, wanted to hear youngsters play, so he stuck around for the live show, which was due to start in twenty minutes. The radio technicians placed each member in front of a mic, giving Le Petite her own microphone for singing. The band played 16 bars of music so the man in the sound booth could adjust the volume. Bob Wills sat in a corner, smoking a cigarette and drinking what appeared to be a pint bottle of hooch hidden in a brown paper sack.

The two announcers, a heavy-set fellow wearing a black cowboy hat and his companion, a boney, skittish little gal, also wearing a matching cowgirl hat and white boots, took their positions in front of a microphone next to a nervous Le Petite. The man told the band that when that light on the wall turns from red to green, that means we are live, and you start your theme song while we announce you and our sponsors. Jelly said he couldn’t see the light, but Pancho Villa would give him the queue. The announcer asked Johnny if that man was blind? Johnny said, “Yep, blind as a bat but he’s a pretty good driver and got us here in one piece.”

The boys had no theme song, so Jelly told them to play Red River Valley: You can’t mess that one up. The man at the mic counted down, the light turned green, and the boys let loose on their new theme song. All the time, the two announcers were jabbering about their sponsors.

The announcers stepped back from the microphones and gave the boys a thumbs-up to start their show. Le Petite counted off a cajun song about a “Big Mamou” and went into “Will The Circle Be Unbroken” and then “Cold Beer and Calomine Lotion.” The band played every tune they knew, finishing up with Johnny playing a fiddle tune called “Lone Star Rag,” which caused Bob Wills, with a big grin on his face, to rise from his chair and clap along. When the show ended, Bob gave Johnny a few pointers, telling him he had a bright future in country music and to get in touch when and if he returned to Fort Worth. Fifteen years later, back home in Texas and playing country music for a living, Johnny got in touch with Bob Wills, who became his mentor and close friend, gifting Johnny with one of his fiddles, which he is playing in this photo. I have that fiddle as well as my grandfather’s fiddle.

My father, Johnny Strawn playing twin fiddles with Bob Wills. Forth Worth, around 1952.

  • * Cajun Blamofatchy is a piece of wood use
Wagons Ho To California: Grandmother Is Healed By Sister Aimee McPherson And Carman Miranda Stops By….Chapter 10
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Chapter 8. California Ho!-Blind Jelly Roll Jackson Brings Home The Le’ Petite Fromage


Young Johnny and the rest of the string band joined the Strawn family for Sunday church attendance. John Henry warned the boys that they were about to witness a religious spectacle, so hang on to your britches. He also told the boys that If Jelly Roll was invited to join their group, all four of them would be standing before him, even though he is blind, for revering one’s elders was of the utmost importance.

Bertha and the boys walked with John Henry to the orchestra dressing room, where they found Jelly Roll and Pancho Villa seated on a red velvet settee, likely the same furniture that Sister Aimee used in the soul-saving of Jelly Roll, who now embraced his savior with religious zeal. Each of the boys introduced themselves, shook hands with Jelly, and gave a guarded pat to Pancho Villa; the banjo player was the only one to get a vicious bite from the foul-tempered canine. After a brief, casual conversation, young Johnny inquired if Jelly Roll would entertain the notion of joining the string band. Jelly Roll pondered the request for a few minutes, then gave them a yes, but a young female singer from the choir he had recently befriended would come with the package. The boys agreed, and a deal was struck.

Jelly Roll produced a tidbit of dried bacon from a pocket and gave it to Pancho Villa; he then directed the pooch to hurry down the hallway and fetch Miss Fromage. Pancho returned with a smallish girl in tow. Jelly Roll introduced the boys to *Miss Le Petite Fromage from Chigger Bayou, Louisiana. Her daddy is Baby Boy Fromage, the famous Cajun singer, so her vocal abilities come from good stock. Miss Le Petite was a diminutive gal, measuring less than five feet, yet possessing the curves and form of a fully grown woman, except for her hands and feet, which were the size of a small child’s: she had little baby feets and hands. When she spoke, her heavy cajun-accented voice was as smooth as honey on a warm biscuit. Jelly Roll and Miss Fromage agreed to rehearse with the boys on Saturday at John Henry’s home. The group left with the boys feeling like something big was about to happen.

On Saturday, John Henry gathered up Blind Jelly Roll and Miss Fromage and delivered them to his humble home. The boys perched themselves on the front porch. They were as nervous as a cat in a dog show, and who wouldn’t be: this was their first foray into professional music. John Henry kindly assisted Jelly Roll and Pancho Villa to a seat while Miss Fromage opted to stay standing.

After assisting the boys in tuning up, Jelly asked, “Are you all familiar with Mama Mabel Carter’s tune, Will The Circle Be Unbroken?”

The lads nodded knowingly. He then tapped his foot, “In the key of G, one ana two ana three ana four-ahh.”

After a lively eight-bar introduction with Jelly Roll bending his guitar strings into a torturous sound and Johnny joining him with his fiddle, Le Petite took a deep breath, stood up on her tiny toes, and belted out the song with such gusto that her boisterous vocals nearly blew the boards off the porch floor. By the song’s end, neighbors had gathered in the front yard, their feet tapping and hands clapping in rhythm to the spirited tune.

Turning to the band, Le Petite declared, “The next ditty is from my dear ole Daddy, Baby Boy. It’s a G-C-D progression with A minor thrown in for color. It’s called Party On The Bayou: Cold Beer And Calamine Lotion.” Step it up, boys; it’s a rapide quick-un”

The band played for two hours, covering Cajun music, Dallas blues, and some Bakersfield Okie-inspired country. It was clear that Jelly Roll and Le Petite were professionals and were teaching these lads a thing or two. The rehearsal was a rousing success. But now, if they were to play for money, they needed a good name for the band. Johnny threw a couple out, as did the banjo picker, but nothing stuck on the wall.

Le Petite said, ” Monsieur Jelly Roll, being a blind fellow, and now a born again unto sweet Baby Jesus with the strong, unshakable faith, why not call this outfit **”Blind Faith?” They liked it, and Le Petite announced, “So let it be written, so let it be done.”

  • *Le Petite Fromage is a type of French cheese popular in the bayou country of Louisiana.
  • **Blind Faith was a 1960s supergroup consisting of Steve Winwood, Eric Clapton, Ginger Baker, and Ric Grech. My father couldn’t remember the name of his string band, so Jelly Roll, being blind and embracing his newly found faith, seemed to fit.
The Journey to Bakersfield: A Lively Tale of Struggle and Triumph, Chapter 9