Category: music

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So You Want To Be A Rock N Roll Star? 1966-67 – Part 2


“So you want to be a rock and roll star?
Then listen now to what I say
Just get an electric guitar
Then take some time and learn how to play”…The Byrds 1967

After the family moved from Fort Worth to Wichita Falls for six painful months and then to Plano, Texas, I met a classmate and fellow guitar player who was also bitten by the “rock-a-rolla” bug. He knew another guy on his block who played guitar and owned a Fender Bassman amp, which automatically made him a band member, and he knew a neighbor across the street who was a drummer with a snare and one cymbal. He also knew a kid with another cheap Japanese guitar that would part with it for $10.00 bucks. I snatched it, bought his Sears amp for another $15.00, and was back in “the biz.” Hours of practice produced twenty songs, which we could repeat at least once or twice if they were shuffled around and changed singers and keys. Our first gig was at the Harrington Park Swimming Pool, Plano, Texas, early summer of 1965.

The Dolphins: left to right: Jarry Boy Davis, Warren Whitworth, Ron Miller, Jay-Roe-Nelson, Phil Strawn

Guitar tuners were not invented yet, so we used a pitch pipe and got as close as possible to A440, and apparently not close enough; we sounded like hammered Racoon crap on grandma’s china plate. It was a humiliating experience. In my playing frenzy, I broke my B string and had to play with five strings, and then our amplifiers went south because the outside temperature was over 100 degrees, and we were in the direct sun. Then, the drummer’s head on his snare split, his cymbal fell over and cracked, and Jerry Nelson, another guitar flanger, tripped on an extension cord and fell flat, damaging his Silvertone guitar. Our third guitar player, Warren, came into contact with water splashed from the pool onto the concrete while touching the strings of his electrified, ungrounded guitar, resulting in a bad electrical shock. Hair frizzed out, smoking from his ears, and burns on his fingers; he finished the gig, not knowing who or where he was. The grand debut ended with sympathetic applause, and the pool manager refused to pay us, which, per our contract, was free burgers and shakes. Warren, our previously electrocuted guitar player, got into a fight with our drummer, and the two rolled around in the gravel parking lot for a while with no clear victor. We thought Warren was a trooper, considering the amount of electricity that had almost fried him an hour before. Bad music tends to piss folks off. The final curtain was when my pal Jarry discovered his Mustang had a flat tire, so we had to call our parents to rescue us. Welcome to the rock n’ roll music business.

From 1966 into 1967, the band continued with better gear, a new drummer and bass player, and a different name. We were now known as “The Orphans.” A strange pick since we were all middle-class guys with full sets of parents, but Barry Corbett, our drummer, thought it sounded tough and a bit rebellious. Barry may have been the biggest rebel of the four members, listening to Frank Zappa and Spike Jones and teaching himself to play the Sitar. George Harrison’s influence led him into the realm of Indian music, which he fully embraced to the point of obsession. He developed a strange Peter Sellers-type accent, wore the red dot on his forehead, and had two high school girls follow him around town wearing white robes, playing with small cymbals attached to their fingers. He was also a rudderless musical genius and would soon lead us into the semi-big time and the really big show.

Alice Davis, Jarry’s mother, was now our official manager and did a wonderful job of it. She knew people and had connections and was not afraid to use them or to press a business contact into hiring her band. We were booked around Dallas and Fort Worth most Friday and Saturday nights. We made some good cash for high school kids but spent all we made on new equipment and clothing. Band members were in constant rotation. Teenage musicians proved to be an unreliable commodity.

Our keyboard and bass player left us for high school football, again, leaving three of us. Calls went out, Alice worked the phones and contacts, and we auditioned two musicians from McKinney, Texas. Danny Goode, a bass player/singer and former member of the Excels, and Marshall Sartin, church organist, classically trained pianist, and blues guitar player. We played a few songs as a five-member band and almost passed out. It was as if the ghost of Phil Spector had brought us into that practice room at this appointed time in the universe, which was strange because Spector was still alive and kicking in Los Angeles.

The Orphans. Left to right front: Jarry Davis, Danny Goode. Left to right rear: Barry “Lil Spector” Corbett, Phil Strawn, Marshal Sartin

Miss Alice was religiously overcome with musical emotion and experienced a spell of the rock n’ roll vapors that led to seating herself with a double Jack Daniels and branch water. Barry, our drummer and musical genius, had an epiphany and went to work on arranging our music and vocal parts, showing Marshall how to play them on his Farfisa Organ, which was another strange thing; Jarry and I didn’t know Barry could play the piano, or as we soon found out; the guitar, the trumpet, the sax, or the vibes. We dubbed him “Lil Spector” in honor of the famous Wall of Sound producer.

After the Miss Janelle Bobbie Gentry-infused tenure that ended in a puff of hair spray and perfume, the band took a vote: no females allowed. Marshall was still recovering from a severe case of the Love Fever Hubba Hubba’s, and we needed him in good condition for our upcoming gigs.

Miss Alice grew weary of working the phones, dealing with clubs and booking gigs, her realty business was suffering and needed her attention. She arranged for us to be managed by an upstart agency called Mark Lee Productions of Dallas, Texas. Mark was a go-getter and had more connections than Bell Telephone. His one and only main band, Kenny And The Kasuals, had just released a great 45 that was climbing the charts, so we were excited about working with him. We signed on the dotted line of a ten-page contract that not one of us read. Why bother? We were young and full of piss and vinegar: point us in the direction of the stage and plug us in!

Within twenty-four hours, The Orphans were booked into some of the hottest venues in the DFW: The Studio Club, LuAnns, The Pirates Nook, Phantasmagoria, and Teen A-Go-Go and The Box in Fort Worth. Mark Lee was turning down gigs because he had only two bands. We wouldn’t have a Friday and Saturday night free for two years, and even less free time in the summer when the bookings took up most of each week.

We were booked to play a Christmas party for Parkland Hospital at the famous Adolphus Hotel in downtown Dallas. Pulling up to the front in our 57 Caddie Hearse caused a stir. The bellman politely told us the bodies were picked up at the rear. We got the joke and proceeded to the loading docks. The party turned out to be for the doctors, nurses, and administration folks. In the next ballroom, Braniff Airlines was having their Christmas party, but with no band. It didn’t take long before the airline partiers spilled over into the hospital party, and that’s when it got crazy.

These people, supposedly responsible adults, were dancing on the tables, had a conga line going on the bartop, and we had our own go-go dancers on either side of the stage. Three of us were under the age of 18, but that didn’t stop the inebriated partiers from pumping us full of hooch in the form of cute little airline bottles. By the last set, we had gone from charming and talented to stupid drunk and were glad the gig ended. We couldn’t locate our keyboardist, Marshall, so we loaded up his gear and headed out. He showed up a few days later with some dumb-assed story he couldn’t talk about: the Hubba-Hubba’s got him again.

More to come in Part 3

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Hello Dalai…


Dalai “Tex” Lama

My sainted Mother’s second cousin, Elfinian Keebler, owned one of the largest cattle ranches in Texas. Located between Mineral Wells and Ranger, Texas. It took four days to cover the width and another two days or so to ride the length. By Texas standards, it was a residential lot, but 3,800 acres ain’t what it used to be in the 1950s.

Elfinian’s daughter, Cookie, wasn’t into raising cattle, although she was the proverbial FFA queen. She had gone steady with every boy in high school and most of the ranch hands and had been riding horses since she could crawl. Her older brother, Chip, was a knock off the old Keebler block; he was a cowboy to the bone, raised on Roy Rogers and Gene Autry. His mama, Piddle, fancied herself as a debutant who married low and wanted her baby boy to be a doctor of some sort, but Chip was a dunce and had the IQ of a piss-ant: riding the range was about all he was good for, and his horse did most of the thinking. Cookie was the plucky little prickly one and decided she was taking the ranch in a different direction, creating a stink between her and Daddy Elfinian. Cookie wanted to raise Llamas and Highland goats. In Texas, anything but cattle and horses is considered blasphemy, and sheep and goats aren’t welcome except on the supper menu.

A year into her Llama plan, Daddy put the brakes on. One Hundred Llamas, forty donkeys to guard the Llamas against Coyotes, and half a dozen cow dogs to keep the donkeys under control were more than Papa Keebler could swallow. The donkeys and dogs had lost interest in the Llamas and had gone back to hanging out with the cattle. The critters were pretty, but they were no better than a cow: eat, spit, and crap.

A contingent of robe-wearing folks in limousines arrived at the ranch house on a Saturday afternoon. A realtor from Mineral Wells introduced them as followers of the Dalai Lama, most recently of Tibet, a tiny country in Asia. Elfinian had never heard of this Lama guy, but he invited them in for a set down, some of Piddles’s baked cookies, and a drink of Jack Daniels. The head robe-wearing spokesperson was the Dalai Lama’s sister, Deli Lama. She wanted to buy a piece of the Keebler Ranch so the Dalai could have refuge from the Chinese who had booted him out of Tibet, and he wanted to raise a Llama or some hairy sheep, his favorite spirit animal.

Papa Keebler sold the group three hundred acres, including the existing herd of Llamas and all the donkeys and cow dogs. It was a win-win deal. Cookie volunteered to help get the ranch workable and show the tinder-foots the art of Texas ranching.

Eight weeks later, the Dalai Llama arrived in a private helicopter, touching down on the new helipad next to the ranch house an army of Monks and Hari Krishna volunteers had constructed for his holiness. His sister, Deli, her daughter Carol, and The Keebler family were there to welcome him to Texas. He stepped out of the chopper wearing a white Stetson from Leddy’s Western Store over in Fort Worth. The multi-talented Monks also played many instruments, so they broke into a rousing rendition of San Antonio Rose and then The Eyes of Texas Are Upon You. The Dalai felt right at home and immediately asked for a “coldbeer.”

After an all-nighter traditional Texas BBQ and a dozen kegs of Pearl and Tibetian Beer, The Dalai Lama surprised everyone by mounting a horse at sunrise and touring the ranch with Cookie and Elfinian. He had picked up a pair of jeans, some Justin boots, and a 44 Colt pistol in Fort Worth, and like in the movies, he was itching to plug him some Hombres. He also had purchased a twin-engine Cesena T50 airplane like Sky King flew and wanted Cookie to be his sidekick. Elfinian managed to wrangle the pistola from the Dalai before someone wound up planted, and he damned sure didn’t want his daughter flying in a plane with this loco-Lama.

The Dalai’s sister, Deli, and her daughter, Carol, were huge fans of New York musicals, especially Carol Channing. Miss Channing was in Fort Worth appearing at the Casa Manana production of “Hello Dolly,” so the Dalai Lama arranged for Carol and the entire theater company to put on an open-air show at his new Llama ranch. A cast of a hundred, the orchestra and sets were delivered by trucks, rigged, and a portable stage was built near the Llama corral. Half the ranching community was seated on the tailgate of their pickups, beer coolers stocked with Pearl and Mama’s, and babies scurried around the grassy lawn in front of the ranch house. The sun went down, the lights came up, and Carol Channing, as “Dolly,” walked up to the mike and sang, ” Hello Dalai, it’s so nice to have you back where you belong.” This kind of stuff can only happen in Texas.

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Grifter Swifter


The original Tortured Poet

After reading all the glowing, foot-kissing reviews of Swifter’s new album, “The Tortured Poet’s Department,” I take back a few of the skews I gave her, but only a few. I had no idea the poor dear had lived such a sad life. I doubt her feet touched the ground until she was five years old, and every spoon in the house was pure silver. A downtrodden, entitled little rich girl confined to her Barbie bedroom writing little kid songs on her half-size Martin guitar. She never played in a bar, a club, or anywhere for that matter, except for her doll babies. Pop’s paid millions to get her into that Nashville brotherhood, which shows us how far that once holy ground has slipped. Did the poor waif have ever have a decent relationship with a male, not counting her current knuckle dragger? Doubt it, so the tortured poet title might fit her, even though what she writes is far from good poetry.

There have been many before her who qualified for the title: Harry Nillson, John Lennon, Bobbie Gentry, James Taylor, and Willie Nelson are a few. The original Homeric tortured poet, Bob Dylan, still holds the title: Swifter is no more than a grifter.

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Say It Ain’t So Billy Joe…An Ode To Teenage Love


After a few months of rehearsals and gigs with our new members, Danny and Marshall, Alice, our manager, announced that she had arranged an audition for a female singer for the band. No consulting the boys on this one; it was full ahead. Alice had good ideas, so we rolled with them. She thought some femaliaty would add depth and make us more audience-friendly, since we were a bunch of surly young men with longish hair and the attitude to accompany our looks.

She knew someone who had a neighbor who knew another neighbor of a family who lived next door to a lady who attended church with a woman who had a daughter who sang in the choir at school and did solos at church, so Alice, one step ahead of us, escorted her into the practice room and announced, ” Boys, this is Miss Janelle.”

In walks, this teenage girl with a full-grown woman’s head of long hair piled up in a big bump on top and then down past her shoulders. She was a dead-ringer for Bobbie Gentry. But could she sing?

A TV dinner tray sat by Marshall’s organ, used for drinks and lyric sheets, so the auditioning singer pulled from a Coppertone beach bag a few record albums, a book of lyrics, a TAB cola, and a framed 8×10 autographed photo of Bobbie Gentry. Now we knew why she looked so much like Bobbie Gentry…she dug the gal.

Danny asked Miss Janelle what songs she knew. ”

Do ya’ll know any Dusty Springfield, Petula Clark, Diana Ross, LuLu, Sonny and Cher, Marianne Faithful, April and Nino, Dione Warwick, Lesli Gore, Ronnie Spector?” she asked.

Danny said, “Nope” we are a rock band, not the Ed Sullivan Show.

That kind of busted her bubble a little bit. “Well,” she says, ” How bout some Bobbie Gentry? I just love her and she is my favorite singer in my whole life.” We had already figured that out from the picture and the hair-du.

Our inquisitive drummer, Barry, interrupted her, ” Isn’t that the song where she and the boyfriend throw a baby child off a bridge into the muddy river?”

Miss Janelle whirled around and yelled, ” No, moron, she didn’t throw no itty-bitty-baby off a bridge; it was a bouquet of Mississippi wildflowers to solidify her big love for her man Billy Joe Macallister, but then he got caught dating his aunties pet sheep, causing him to jump off the old bridge into the muddy Tallachee river. Bobbie sent me a letter, along with this picture, explaining the whole song, but I promised to keep it a secret. We’re friends, you know.”

She thinks hard for a minute, then says, ” The only Rock-N-Roll song I know is Gracie Slick’s Somebody To Love. Ya’ll know that one?” We sort of knew it, so we gave it a go.

The lass let loose and was jumping around like Tina Turner, hair flying everywhere, strutting and shimmying, doing the Bug-a-loo, the Monkey, The Watusi, and a few others while singing. When we ended the tune, Marshall, our organ player, was staring her down with those big pansy-boy watery Puss-N-Boots eyes. He clearly had a severe case of the “Hubba Hubba’s” for this gal. Danny told us that this happens about once a week and he will be alright once he gets home and eats his mama’s hot supper. Alice announces she is marvelous and is now part of the band. Okey-dokey.

The next rehearsal, Miss Janelle comes in with red eyes and mascara trails down her cheeks. All sniffily and weepy, she says, ” My boyfriend said I can’t sing with a bunch of degenerate rock musicians. We are in love, big-time, and I must quit the band now.” Still in the grip of the Hubba-Hubba’s, Marshall puts a consoling arm around her shoulders and tells her, “it can’t be all that bad.”

She barks at him, ” Shut up, Moon Doggy….It’s my party, and I’ll cry if I want to.”

And with that, she packed her Coppertone beach bag with her albums, lyrics book, TAB cola, and the autographed picture of Bobbie Gentry and left, leaving the air heavy with teenage perfume, hair spray, and juicy fruit gum. Then…..More to come in my series.

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“So You Want To Be A Rock N’Roll Star!” Part 1


Part 1 of a series about becoming a rock n roll musician in the 1960s

Every boy fondly remembers his first; be it a gun, an armpit hair, a pimple, a girlfriend, a school dance, a beer, his first shave, a car, or his first electric guitar. Well, maybe most boys never got an electric guitar, or there would be no Beatles or Beach Boys, and there would not have been anyone hearing or dancing to the music because all the teenage musicians would be on the stage playing for each other; just an opinion. Not me; I did receive one, much like the Japanese-made instrument in the picture. I remember mine had maybe one more pickup and a few more knobs that did nothing, as well as three of the pickups. But it looked so darn cool.

I had graduated from a Gibson J 45 acoustic to needing an electric guitar and amp so I could become the American equivalent of George Harrison: thanks to Ed Sullivans having the Fabs on his variety show and tricking me into believing mere mortal teenagers could replicate the lads from Liverpool. Having been in the music biz, my father knew others who owned music stores. He procured me a nice-looking Japanese-made instrument, along with a Sears amplifier. The neck had no truss rod, so within a week, it warped; a case would have been nice, but nope, it might cost a few bucks. My pop wasn’t known as Mr. Cheap-O because he was a philanthropist. The amp was pure junk: five watts of power on a good day, a 10-inch speaker, which blew out in a few weeks, and it stopped working completely after a month, leaving me to bang away with no sound. It didn’t matter; the strings were a good 1/4 to 1/2 inch from the fretboard, so I could only play for a few minutes before my fingers spasmed and locked up. My left arm had the muscles of Popeye.

Duane Eddy I was not, nor anything near George Harrison. My father, upon examining the condition of my gear, realized his frugal ways may have bitten him and me in the butt. He apologized, sent the guitar to a shop, procured me an even worse amp and the cheesy guitar returned in the same condition. I saw the reflection in my crystal ball, accepted my defeat, and went back to the acoustic, which I couldn’t find, and was told my father had loaned it to one of his cousins for a while. The guitar was missing. It seems the cousin thought it was a gift and sold it to a friend, who sold it to another, and so on. I was now stuck with an unplayable doorstop. Some years later, I did track the J45 down and got it back, only to lose it again in an unfortunate accident involving the Gulf of Mexico. More on that later.

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Easter Evening From The Cactus Patch


It was a rather quiet Sunday here in the Cactus Patch. The church service was pretty good, the band on stage was stellar, and the Pastor gave a rousing benediction using Acts as his vehicle. We left a little early to make a late lunch engagement with Momo’s daughter’s family in Fort Worth. We were both worn out from attending the Liverpool Legends concert on Saturday night at the Granbury Opera House. Dancing in the aisles, old folks holding up their lit phones since they banned Bic lighters, and most folks don’t smoke anymore. An ambulance was waiting at the curbside in case any of the audience suffered the Rock n Roll vapors. Good time. Then…

“Are You A Boy..Or Are You A Girl?”

A catchy tune from 1965 by the band “The Barbarians,” a tongue-in-cheek poke at long-haired hippie dudes with beautiful Breck Shampoo flowing hair. Being well into my 70s, it takes a lot to surprise or tick me off, especially if it comes from Washington, D.C. Now, I find out that today, Easter Sunday, the holiest of days in our Christian faith, has been officially recognized by the white house as “Transgender Visibility Day.” Who in the Hell made this decision? I would say our president, but then he is supposedly a cafeteria Catholic and doesn’t at this time have the mental capacity to recognize what a slap in the face to Christian Americans he has delivered. Of course, the blowback is off the charts. Stay tuned for masses of pilgrims marching on Washington with torches and pitchforks.

If a teenage boy wants to dress like a teenage girl; go ahead. Same for the girls that want to wear a pair of Levis, Tocava boots, and a lumberjack shirt, do it, but shut up about it. You don’t need a special calendar day for the rest of America to see you are a nut job. At ten years old, I wanted to be Mark Twain, but I didn’t prematurely age myself and wear a white suit and wig. Thank the Lord the world didn’t have social media back then. TikTok, Facebook, and all the rest should take a huge chunk of the blame for this madness; radical teachers and Hollywood take the rest. No matter how dangerous and sick, the newest trends become the life our children grasp to follow. And now, no matter how small, the movement has its special day on the world calendar. Did someone in DC not check for conflicting dates? Was this intentional? I believe it was and it pokes a sharp stick in the eye of Christian Americans. I’ve seen it all and can stop worrying about future surprises. There, I feel better.

“So You Want To Be A Rock N’ Roll Star”

A few other great bloggers I follow, Dave of “A Sound Day,” Max of “Power Pop,” and Cincinnati Babyhead, have previously suggested that I chronicle my times in the Rock music world back in the 1960s. I have decided to give it a healthy shot; although I am timid about blowing my little tin horn, I will attempt to make it as humble and accurate as possible.

Put Those Dark Glasses On…It’s The End Of The World

Yep, I’m ready. Momo and I got our cardboard-certified Eclipse glasses and are ready for the world-changing event on April 8th. Our town, Granbury, Texas, expects an additional 100 thousand folks starting next Friday through Sunday. I may rent my extra wooded lot for camping since many pilgrims will not have accommodations. We are stocking up on canned foods, water, hootch, and ammo in case everything goes sideways.

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Dispatches From The Cactus Patch March 14th 2024. Remembering The 1960s


A shot of the crowd at Texas International Pop Festival, August 1969. The promoter, Angus Wynn, thought it would be a great idea to have a Yogi or a Swami to lead the crowd of zonked-out teenagers in an hour of Transcendental Meditation since it was the most recent in-crowd thing to do thanks to the Beatles and the Beach Boys who hung out in India with the famous Maharishi Mahesh Yogi Jr. He got a discount on a guy out of Deli, India, who was working in a sub sandwich shop in Brisbane, Australia, but was once a revered holy man in his home country. After a crazy hot night of music that lasted until after midnight, the Maharishi O Mah-ha-Ah-ha took the stage with a sitar player and three nude women beating on tablas and tambourines, all sitting crossed-legged on a rented Persian rug from AAA Furniture Rentals. The crowd, still suffering from the after-effects of too much pot and the brown acid that Wavey Gravy warned them about, eventually got into the groove. After an hour of chanting mantras, swooning and swaying, and all that middle eastern crap, the Maharishi passed hand-woven Indian baskets through the crowd asking for donations. What the good Ah-ha didn’t realize was that even though the young folks were long-haired, dope-smoking teens, they were Texans, and most of them owned shotguns and rifles and drove pickup trucks. Tithing was meant for Sunday church only, not some dude in a robe with a red dot on his forehead. The poor Maharishi was last seen tied to the front fender of a GMC pickup loaded with long-haired hippy Texans shooting their shotguns into the air while speeding down I-35. Best not to “Mess With Texas,” which is where that famous saying was born.

My late cousin, Velveteen, and her late husband, Zig Zag, came up with this idea for a hippy-only tea bag while living in a commune in the mountains of New Mexico. Since they enjoyed sitting around all day doing nothing, they figured why not let the rest of the regular folks enjoy their lifestyle, too. The tea, with its mystery ingredients, was a hot seller for a while until Lipton caught wind of it and sued them into the next galaxy.

My late cousin, Alice, was the only waitress at Woodstock in 1969. She and Wavey Gravy came up with the idea to serve all the attendees breakfast in bed, but she was the only member of the Hog Farm lucid enough to work. When asked how the gig went, she said, ” I didn’t make a cent in tips, damn Hippies don’t have no money anyway.” She met Arlo Guthrie backstage and married him the next day during a Joe Cocker set. They later opened a famous restaurant in upstate New York, where you could get anything you wanted at Alice’s restaurant.

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I’m Going To Graceland,Graceland,Memphis Tennessee


The Mississippi Delta was shining like a National guitar

I am following the river down the highway

through the cradle of the Civil War

I can’t think of a better opening lyric than the first verse of Paul Simon’s song, Graceland, from his acclaimed album of the same name. I’m a Simon fan from way back in the caveman days when he and Art Garfunkle made all the hippies and folkies stop and listen to their lyrics. Simon and Garfunkle were cerebral before it was cool or hip; holdovers from the coffee house Greenwich Village days. One guitar and two voices, no feedback, no pounding drums or wall of sound, just pure, beautiful talent. One could say that Paul and Art ” knew their groceries.” An old Beat term used by the hep-cats.

I’ve played a National Guitar, and it’s a tough hombre. Made from shining chromed steel with a resonator instead of a sound hole, the instrument is a beast that will shred your fingertips in record time. The sound, like the guitar, is unique, so I can see why Simon weaved it into the lyrics. The guitar does shine like the Delta, which I have seen from the air, and it does glow to the point of breaking out the Raybans or at least a $10.00 pair of gas station shades.

Graceland, yes, I have been there too, but it was “back in the day” while Elvis still called it home and was in and out of his kitchen making “peanut butter and nanner” sandwiches when he wasn’t shooting up color televisions or yukking it up with his entourage of buddies.

Memphis, back in the 1960s, when I used to visit, was once a happening city, and Graceland was in a good part of town. Now, you had better be packing if you visit that neighborhood. Beall Street was legendary, Sun Records was still operating, and the best rock n roll acts came to town like clockwork. Perhaps the city intrigued Simon when the boys played there in the 60s. He was biding his time, waiting for the right moment to pen a great tune about the southland. Having South African musicians on the album was the mint in the julip.

Paul and Art are old men now; aren’t we all that played music back then? I doubt there is much more left in the two of them, but man…those guys gifted us with some great music and lyrics that made us stop and think about a winter day in a deep and dark December, being an island, riding a bus while watching the moon rise over an open field, and writings on subway walls. Let’s see if anybody beats that.

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Oddities In The Cactus Patch


Things That Can Only Happen In Texas

Pictured at the Larado Railway Station, circa 1958, is my father’s uncles, brothers 15th cousin seven times removed, Little Tex Twitter, with his good buddy from across the border, Teenie Lopez, not to be confused with his older brother, Trini ( If I Had A Hammer) Lopez, a famous pop musician out of Dallas, Texas. Before Tex took him under his armpit, Teenie had been a tire scrubber at the “La Bamba Car Wash And Strip Club” in Nuevo Laredo. Cheech Chong, owner of the business, said that Teenie never missed a day of work but was a “little” late occasionally. Tex, seeing a possible Hollywood connection and possibly a movie or two, convinced Teenie to hit the road with him and his pet Coyote, Wiley. Tex had been on the rodeo circuit for a decade doing rope tricks and wrestling doggies; he had a new act planned for Teenie.

A small saddle was made to fit Wiley, and Teenie would ride the Coyote around the arena wearing a mariachi suit, singing and playing a small guitar. The act lasted only a few weeks when Wiley, doing what Coyotes do best, spotted a Roadrunner darting across the rodeo arena and gave pursuit, which ended in tragedy when Wiley and Teenie, in the heat of the chase, ran into the bullpen and were “hammered flat as a tortilla. “

Tex sent Teenie’s older brother, Trini, the small mariachi hat and what was left of the suit for remembrance’s sake. Trini, in his few moments of grief, penned his first hit tune, ” If I Had A Hammer,” as a tribute to the passing of his little brother. Bet you didn’t know any of this, did you?

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Warnings From The Cactus Patch


Don’t Do It..Don’t Press That Cute Little Button With Your Mouse!”

Who wouldn’t want to see what an AI generated Barbie Doll for each state would look like..right? Well, I was on MSN, the evil 1984 computer software owned by “Steve Jobs rip-off-boy and Mail Order Doctor, Bill Gates, and the article was there with a cute picture of a Barbie doll. She was wearing a woodchopper shirt, staring all dead-eyed with that perky little nose and luxurious plastic hair, so I clicked the read. First Barbie for the state of Alabama popped up, a chirpy little southern belle, very racist in her frilly debutant outfit, holding a mint julep; I kept looking for “the help” doll that came with her. Cute, I wouldn’t buy it for my granddaughter, who never liked Barbie anyway; she was into the American Girl high-dollar dolls. Then I hit the continue button, “Bammo…. call 800 Microsoft, and all these scanning windows come up on my screen, ” your PC is infected with a Virus of lethal origin, your information will be lost in space and your laptop will melt into a puddle of plastic unless you call this number.” Lucky for me, I have a great anti-virus called Webroot, and that caught the little basement-dwelling culprits, likely some Chinese dudes living in Shang-Hi or Bali Hi, with their mothers serving them Fung Chow tea and eating fried bats with Raman noodles all day. This is the tech-savvy security checks that MSN gives its users. I’d be safer using Alta-Vista on a dial-up modem.

Her New Album Is Coming…

The Swift One, The Anoited Ambushiness Blond, The Long-Legged Succubus, so many names, so many men to write songs about. Now, poor Neanderthal raw meat-eating Kelce is her focus. His attack on his coach told Tay-Tay that she probably shouldn’t marry this Transformer, who has no control over his testosterone-fueled madness. So, in a secret recording studio, somewhere in deep Europe, the album has begun in secret. This signals the end of her partnership with the NFL unless she can steal Patrick Mahomes from Elle May. I know my post a few days ago said no more Taylor stuff, but this is just too good to pass up. Gimme a hall pass on this one.