Tag: 1930s Music

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California Ho!-Blind Jelly Roll Jackson Brings Home The Le’ Petite Fromage – Chapter 8


Young Johnny and the rest of the string band joined the Strawn family for Sunday church attendance. John Henry warned the boys that they were about to witness a religious spectacle, so hang on to your britches. He also told the boys that If Jelly Roll was invited to join their group, all four of them would be standing before him, even though he is blind, for revering one’s elders was of the utmost importance.

Bertha and the boys walked with John Henry to the orchestra dressing room, where they found Jelly Roll and Pancho Villa seated on a red velvet settee, likely the same furniture that Sister Aimee used in the soul-saving of Jelly Roll, who now embraced his savior with religious zeal. Each of the boys introduced themselves, shook hands with Jelly, and gave a guarded pat to Pancho Villa; the banjo player was the only one to get a vicious bite from the foul-tempered canine. After a brief, casual conversation, young Johnny inquired if Jelly Roll would entertain the notion of joining the string band. Jelly Roll pondered the request for a few minutes, then gave them a yes, but a young female singer from the choir he had recently befriended would come with the package. The boys agreed, and a deal was struck.

Jelly Roll produced a tidbit of dried bacon from a pocket and gave it to Pancho Villa; he then directed the pooch to hurry down the hallway and fetch Miss Fromage. Pancho returned with a smallish girl in tow. Jelly Roll introduced the boys to *Miss Le Petite Fromage from Chigger Bayou, Louisiana. Her daddy is Baby Boy Fromage, the famous Cajun singer, so her vocal abilities come from good stock. Miss Le Petite was a diminutive gal, measuring less than five feet, yet possessing the curves and form of a fully grown woman, except for her hands and feet, which were the size of a small child’s: she had little baby feets and hands. When she spoke, her heavy cajun-accented voice was as smooth as honey on a warm biscuit. Jelly Roll and Miss Fromage agreed to rehearse with the boys on Saturday at John Henry’s home. The group left with the boys feeling like something big was about to happen.

On Saturday, John Henry gathered up Blind Jelly Roll and Miss Fromage and delivered them to his humble home. The boys perched themselves on the front porch. They were as nervous as a cat in a dog show, and who wouldn’t be: this was their first foray into professional music. John Henry kindly assisted Jelly Roll and Pancho Villa to a seat while Miss Fromage opted to stay standing.

After assisting the boys in tuning up, Jelly asked, “Are you all familiar with Mama Mabel Carter’s tune, Will The Circle Be Unbroken?”

The lads nodded knowingly. He then tapped his foot, “In the key of G, one ana two ana three ana four-ahh.”

After a lively eight-bar introduction with Jelly Roll bending his guitar strings into a torturous sound and Johnny joining him with his fiddle, Le Petite took a deep breath, stood up on her tiny toes, and belted out the song with such gusto that her boisterous vocals nearly blew the boards off the porch floor. By the song’s end, neighbors had gathered in the front yard, their feet tapping and hands clapping in rhythm to the spirited tune.

Turning to the band, Le Petite declared, “The next ditty is from my dear ole Daddy, Baby Boy. It’s a G-C-D progression with A minor thrown in for color. It’s called Party On The Bayou: Cold Beer And Calamine Lotion.” Step it up, boys; it’s a rapide quick-un”

The band played for two hours, covering Cajun music, Dallas blues, and some Bakersfield Okie-inspired country. It was clear that Jelly Roll and Le Petite were professionals and were teaching these lads a thing or two. The rehearsal was a rousing success. But now, if they were to play for money, they needed a good name for the band. Johnny threw a couple out, as did the banjo picker, but nothing stuck on the wall.

Le Petite said, ” Monsieur Jelly Roll, being a blind fellow, and now a born again unto sweet Baby Jesus with the strong, unshakable faith, why not call this outfit **”Blind Faith?” They liked it, and Le Petite announced, “So let it be written, so let it be done.”

  • *Le Petite Fromage is a type of French cheese popular in the bayou country of Louisiana.
  • **Blind Faith was a 1960s supergroup consisting of Steve Winwood, Eric Clapton, Ginger Baker, and Ric Grech. My father couldn’t remember the name of his string band, so Jelly Roll, being blind and embracing his newly found faith, seemed to fit.
The Journey to Bakersfield: A Lively Tale of Struggle and Triumph, Chapter 9
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California And The Magical Elixers… Chapter 7


My grandmother hailed from a sizable brood: four sisters and a solitary brother. Their formative years were spent in the sun-drenched fields of south Texas, toiling on the family produce farm. The patriarch, Grandfather Duncan, regarded his children as mere hired hands and didn’t pay them a dime. Every child born saved him from hiring a lazy field hand to pick his watermelons and oranges.

Upon the completion of their high school years, one by one, the siblings, usually in the dead of night and with assistance from the others, embarked on a journey, whether by bus, train, hitchhiking, or on foot, seeking their own version of freedom from the farm. Miraculously, within a few years, they and their new spouses found themselves settling in Fort Worth, Texas, mere blocks apart.

The transition from Texas to California proved to be arduous. My grandfather, possessing the toughness of weathered leather and an insensitivity to female emotions, saw the move as a blessing and a chance for a new beginning. However, for Bertha, it felt more like a forced abduction. John Henry appeared oblivious to her distress, or perhaps he believed it would pass in due time. Yet her sorrow lingered until she stumbled upon a seeming panacea: alcohol, fashioned into the magical healing elixirs hawked on the radio and in the newspapers. From anemia to tremors, from insomnia to weight loss, from night sweats to antisocial behavior, there existed a bottled pharmaceutical remedy for every affliction, no doctor’s visit required. Countless bottles of happy juice lined the shelves of the local drugstore, catering to the myriad conditions that afflicted my grandmother, a certified hypochondriac.

When not self-diagnosing herself that she harbored every disease known to man and convinced that her death was mere hours away, Bertha was quite the letter writer. Every day, seated at her kitchen table, her fountain pen full of blue ink, she’d churn out missives to her sisters in Texas. Fueled by her newfound self-assurance courtesy of those magic elixirs, she didn’t see any harm in embellishing the truth a bit about her new life out in California: alone in a strange land, who could blame her? It’s not as if her family would ever drop by for a visit. As time went by, her letters became creative works of fiction, painting the picture of a grand Beverly Hills home in place of her modest stucco house and a swanky Duesenberg convertible instead of their old Ford. According to Bertha, even the legendary Clark Gable was a neighbor, and Sister Aimee McPherson, the radio firebrand preacher gal, became a dear friend, and the two of them often enjoyed lunch at Musso and Franks Grill, mingling with the movie stars. Bertha was dead set on landing an audition with MGM or writing a grandiose screenplay, all thanks to that magical elixir of hers. Not thinking of how she would explain her fabricated world when they returned to Texas, she continued, and the more she wrote, the more she believed her own stories.

When Johnny turned thirteen, he approached his father with a request to pursue a professional career in music. John Henry, harboring doubts about the practicality of such a proposal, pondered the unlikelihood of anyone hiring a boy for such a venture, much less paying him with real money. Nonetheless, three of Johnny’s older schoolmates had extended an invitation to join their string band, which often performed at birthday parties and school events for a small fee, which was usually a coke and a plate of food. Their need for a fiddle player in the Bakersfield-style hillbilly tunes they favored aligned perfectly with Johnny’s musical talents. That evening, seated on the front porch after supper, Johnny revealed his decision to his father — he had embarked on a professional journey with his newfound band. Despite his initial surprise, John Henry offered his warm congratulations to the young boy venturing into this new vocation.

Their first official rehearsal was an epic disaster. The guitar player knew four, maybe five chords on his out-of-tune instrument, the bass player, using a beat-up dog house bass fiddle, couldn’t get the beast anywhere near in-tune, and the tenor banjo picker was worse than the other two. After massacering a dozen or so tunes, Johnny floated an option. He knows of a genuine black blues singer who burns up a guitar when he plays. The other three were wagging their tails like a hungry dog and voted to bring this fellow into the fold. Now, Johnny had to convince Blind Jelly Roll Jackson to play with a bunch of borderline musicians.

Church on Sunday was a rousing spectacle. Sister Aimee, after singing a handful of beautiful songs and just enough preaching to make sure the offering plates were full, called for souls that needed saving to approach the altar and receive Jesus. This was part of every service; a few folks would come down to be blessed and saved. With the orchestra playing, the choir singing, and a contingent of Hollywood-style dancers on stage, a hundred folks rushed the front in need of salvation. Sister Aimee, not knowing how to handle a worked-up mob that scared her out of her witts, retreated stage right and hid in her dressing room. Her assistant preacher and a few ushers administered to the flock while Sister Aimee gulped a handful of Carter’s nerve pills, washing them down with “Father Flannigans Holy Healing Tonic,” which was around 80% alcohol and claimed to be brewed from the holy waters of the River Jordan.