Tag: 1960s

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Dylan In One Paragraph: Going Electric And Country


Bob was a restless cat. His hair was longer and wilder now. Minnesota was a dream or at best, a faded picture on a postcard from home. The Martin guitar didn’t do it for him anymore, nor did Pete, Woodie, or Joan. He hooked up with some Canadian boys with electric guitars and organs and traded the acoustic for a Fender Strat and a Super Reverb Amplifier. He was hip…he was in the scene…current and cool. He was tired of writing songs about nothing that seemed like something after a few bottles of wine and some grass. All these young hippie kids thought he was the Messiah of music..the second coming, he tried walking on water and almost drowned, all for believing the hype. He was done. Joan B. was clingy, handsy, folksy, and too natural for his taste. She didn’t shave her armpits or legs and he was sick of her traditional whiney folk music. He had been to Monterey and played grab-ass with Janis. New York can go to hell. He was going to Nashville and pick with them cats that played cool as country water. Chet Atkins invited him to dinner. Johnny Cash invited him into the fold. He was sold on country cooking and Gibson guitars. Nashville Skyline was his opus. Cash led him to the promised land. He found Baby Jesus in a snow globe at the Bluebird Cafe. He put the Menorah in his pantry and laid out the “Good Book” on his coffee table, next to the crystal ashtray and his roll-your-own cigarettes. Bob was a Christian now, his Jewish days behind him for a while, but he would revisit them often. Joanie wanted a rematch..said she would be less competitive and write even crappier songs, Bob said no way, he couldn’t take another round of her. He thought about buying another motorcycle, but just for a minute. Naw…I don’t need another broken neck and leg. He purchased a machine gun in case the Black Panthers came to Woodstock, he would be ready. He wrote ten thousand songs and won the Pulitzer Prize. He kept the money. His son, Jacob is too hip and hangs out with girls from Laurel Canyon that have no talent for anything except spending his money and wailing. Bob tells him to get a haircut and a real job, he is now his own father back in Minnesota. Bob sells his song catalog for a Billion dollars to a group of Japanese. He’s flush with cash. He calls Paul and Ringo and tells them to stick it, he’s richer than they are now. Paul writes a song about it. Ringo sends him some Kale cupcakes. He revisits the Village. All the old hangouts are now fast food joints and iPhone shops. He walks the street, but no one recognizes him..he’s good with that. His cell phone rings, it’s Joan B., and she wants to meet for a salad and mineral water lunch. He wants a burger, he tells her he loves meat, and she gags and pukes on her Samsung phone. Bob laughs and walks into McDonalds for a Big Mac. The girl behind the counter asks him if he’s that guy on that “Survivor.” TV show. He says “No, I am a survivor.”

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Exploring the Beat Generation: Kerouac and Cassidy’s Road Trip


Jack Kerouac

Two Catholic boys, Jack Kerouac and Neal Cassidy, are on a road trip by car across the American West to find the meaning of life. The badlands of New Mexico held all the secrets that New York City would never have. It could be a great book are a movie. But, as it turns out, it was a book first. What could go wrong?

It was 1947, and half the country still lived in a Norman Rockwell painting, and the other poor souls struggled with keeping food on their table and a decent job. The war was a few years ago, and the scars were fresh and raw. As the movies would have you believe, not everyone had the good fortune to live in New York City and shop at Macy’s. The Hollywood boys covered everything in Fairy Dust and Unicorn Piss, and the commies were coming to your neighborhood. The two young men sensed the growing change and needed to find the “real America,” the wide-open, gritty, in-your-face, working man culture that made their country run on regular gasoline.

“On The Road” was published in 1951. The author, Jack Kerouac, a French Canadian American who didn’t learn to speak or write in English until he was six years old, became an instant literary celebrity and a reluctant prophet to the “Beats,” which would become the “Hippies” in the 1960s. He tolerated the Beats and the new intellectuals because he helped birth them, but grew to despise the Hippies before he died. He wrote many times that he was sorry they found his books and used them as their warped ideological, drug-addled bible that led to the near destruction of his beloved country. The “beat generation,” another term he loathed, wasn’t meant to survive past 1960. The writings and musings made no sense after 1959. He believed everything had an expiration date.

Ginsburg and Burroughs kept the plates spinning; the publishing cash and the adulation were too strong to walk away. So Kerouac moved on and became a drunkard and pillhead. Fame, and all that came attached, was not his bag.

The only comparison to the book that I can think of would be the “road” movies of the 1940s. Two pals and a gal road-tripping to Nirvana. Kerouac would have been Bing Crosby and Cassidy a bi-polar Bob Hope with his girlfriend a sluttish Dorothy Lamour. But, of course, their adventure was adults only. Weed, booze, Minga Minga, and foul language would not have made it with old Bing and Bob.

The two main characters, Sal Paradise and Dean Moriarty, were the essential bad boys before it was cool. Their names alone were enough to make you buy the book. Every teenager who read it could easily place themselves in their universe for a while. Who knows how many ill-fated trips the book influenced?

My cousin and I toyed with the idea. First, to California and back to New York, then home to Texas in his Corvair; then the effects of the pot wore off, we ate a cheeseburger and shit-canned the plan.

James Dean was a disciple, as was Marlon Brando. They wore bad boy cool like a soft leather jacket. The movie boys jumped on it. “Rebel Without A Cause” and “The Wild Ones” sent parents screaming through their middle-class neighborhoods with hair ablaze. Ozzie and Harriet doubled down. Pat Boone turned up the heat. Art Linkletter had a meltdown. The fifties were dying before our eyes.

I may revisit “On The Road” again. It sits on my bookshelf, aging like wine, and needs to be jostled.

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Unraveling the Vanishing Girl of Marfa


Marfa, Texas, is one leg of the infamous Texas Triangle. Alpine, Fort Davis, and Marfa make up the redneck Bermuda Triangle and all the oddities that spring from its lands.

Momo and I have visited the quirky town a few times and plan another trip, perhaps in December. On our last trip, sitting in Planet Marfa, sipping a Lone Star beer and listening to the locals spin yarns and tall tales about the goings-on around the Chihuahuan Desert. We learned of nuclear-crazed killer Chihuahua dogs, strange lights in the mountains, the ghosts of James Dean and Liz Taylor at the Piasano Hotel, and enchanted horned toads that grant wishes. The young’uns that have relocated from Austin only add to the weirdness of the place.

The one story that folks were reluctant to rattle about was the young girl who vanished from her family’s desert home in 1965. She strolled into the desert behind their home to collect grasshoppers and other insects for a science project and never returned, and not a smidgen of evidence was ever found. A few days later, the parents noticed her prized acoustic guitar was missing from her bedroom, and their pet Longhorn steer, Little Bill, was missing from his stall. The girl often led him out into the desert to graze on the clumps of tasty grasses and plants. Lawman worked to solve the case for two decades, but no leads or culprits were found. Word around town was that space aliens had abducted her and the steer for scientific purposes or worse. No one thought much about the theory since Marfa loved that nonsense.

Sagebrush Sonny Toluse, the Grand Pooh-Bah of all things Marfa, tells the best version of the story. He said to a group around the bar,

“ I was walking my old doggy for his nighttime constitution. I live just outside of town, nearly in the desert, and that’s how I like it. The moon was full, so Rufus and I walked a little farther than usual. I hear guitar music from somewhere. It’s not a loud electric guitar but a soft one, like a Mexican guitar. It’s getting closer, and now I hear singing, the floating voice of a young girl. I stop, turn around, and passing by me; no more than ten feet is this little girl riding a Longhorn steer, playing the guitar, and singing an odd song I didn’t know, something about a Kay Serra or something like that. Behind her, sitting on the steer, is a giant grasshopper about half the size of the girl. I know we have big bugs here in Texas, but this critter was massive, about the size of old Rufus, my dog. The trio rode past me into the fading desert, never paying any attention to us. I was troubled by the encounter, so I went and asked the older sister, who is now an old woman, about the young girl who vanished so long ago. I told her about the ghostly encounter in the desert. She said her sister often rode the Longhorn steer like a horse and would play her favorite tune while sitting atop the beast. It was a Doris Day song, and she sang a bit. “Que Sera Sera, whatever will be, the future’s not ours to see, Que Sera Sera. “

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Say It Ain’t So Billy Joe…An Ode To Teenage Love


After a few months of rehearsals and gigs with our new members, Danny and Marshall, Alice, our manager, announced that she had arranged an audition for a female singer for the band. No consulting the boys on this one; it was full ahead. Alice had good ideas, so we rolled with them. She thought some femaliaty would add depth and make us more audience-friendly, since we were a bunch of surly young men with longish hair and the attitude to accompany our looks.

She knew someone who had a neighbor who knew another neighbor of a family who lived next door to a lady who attended church with a woman who had a daughter who sang in the choir at school and did solos at church, so Alice, one step ahead of us, escorted her into the practice room and announced, ” Boys, this is Miss Janelle.”

In walks, this teenage girl with a full-grown woman’s head of long hair piled up in a big bump on top and then down past her shoulders. She was a dead-ringer for Bobbie Gentry. But could she sing?

A TV dinner tray sat by Marshall’s organ, used for drinks and lyric sheets, so the auditioning singer pulled from a Coppertone beach bag a few record albums, a book of lyrics, a TAB cola, and a framed 8×10 autographed photo of Bobbie Gentry. Now we knew why she looked so much like Bobbie Gentry…she dug the gal.

Danny asked Miss Janelle what songs she knew. ”

Do ya’ll know any Dusty Springfield, Petula Clark, Diana Ross, LuLu, Sonny and Cher, Marianne Faithful, April and Nino, Dione Warwick, Lesli Gore, Ronnie Spector?” she asked.

Danny said, “Nope” we are a rock band, not the Ed Sullivan Show.

That kind of busted her bubble a little bit. “Well,” she says, ” How bout some Bobbie Gentry? I just love her and she is my favorite singer in my whole life.” We had already figured that out from the picture and the hair-du.

Our inquisitive drummer, Barry, interrupted her, ” Isn’t that the song where she and the boyfriend throw a baby child off a bridge into the muddy river?”

Miss Janelle whirled around and yelled, ” No, moron, she didn’t throw no itty-bitty-baby off a bridge; it was a bouquet of Mississippi wildflowers to solidify her big love for her man Billy Joe Macallister, but then he got caught dating his aunties pet sheep, causing him to jump off the old bridge into the muddy Tallachee river. Bobbie sent me a letter, along with this picture, explaining the whole song, but I promised to keep it a secret. We’re friends, you know.”

She thinks hard for a minute, then says, ” The only Rock-N-Roll song I know is Gracie Slick’s Somebody To Love. Ya’ll know that one?” We sort of knew it, so we gave it a go.

The lass let loose and was jumping around like Tina Turner, hair flying everywhere, strutting and shimmying, doing the Bug-a-loo, the Monkey, The Watusi, and a few others while singing. When we ended the tune, Marshall, our organ player, was staring her down with those big pansy-boy watery Puss-N-Boots eyes. He clearly had a severe case of the “Hubba Hubba’s” for this gal. Danny told us that this happens about once a week and he will be alright once he gets home and eats his mama’s hot supper. Alice announces she is marvelous and is now part of the band. Okey-dokey.

The next rehearsal, Miss Janelle comes in with red eyes and mascara trails down her cheeks. All sniffily and weepy, she says, ” My boyfriend said I can’t sing with a bunch of degenerate rock musicians. We are in love, big-time, and I must quit the band now.” Still in the grip of the Hubba-Hubba’s, Marshall puts a consoling arm around her shoulders and tells her, “it can’t be all that bad.”

She barks at him, ” Shut up, Moon Doggy….It’s my party, and I’ll cry if I want to.”

And with that, she packed her Coppertone beach bag with her albums, lyrics book, TAB cola, and the autographed picture of Bobbie Gentry and left, leaving the air heavy with teenage perfume, hair spray, and juicy fruit gum. Then…..More to come in my series.

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Dirty Hairy…Make My Day


What was once cool, then not, is now cool again. Back in “the day,” meaning the 1960s, some of the flower children went a bit too naturally. Hairy armpits, legs, and other areas were part of the “back to nature” movement. I was not a fan, nor was Momo. The most back-to-earth she got was making her own bread, which she still does and does quite well.

Momo and I were in H.E.B. a few days ago, and a hippish-looking young lady in an Armani sleeveless top had so much armpit hair that it looked like she had Buckwheat in a headlock. As Momo walked past her, she couldn’t help saying, “Otay.”

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Tune In And Drop Out


The above picture is of my late cousin, Velveltine, her late husband Zig Zag, and their young family. I believe the year is 1971, when they lived in a commune in the mountains of New Mexico on the Apache Indian Reservation. Zig Zag, ever the historian, swore they would live as the Apache did; thus, when the children were born in the tent with the help of an Apache midwife, he would pull back the flap of the TeePee and name the child for the first thing he saw. It was an Indian tradition: no cheating and no changing the name. He was a stickler, as was Velveltine, even though in her old age, she realized they traumatized the children with the crazy-assed hippie names they gave them. All the kids had identity issues as well as psychological malfunctions.

Pictured left to right: Gentle Morning Rain, Mama Cousin Veveltine, daughter Chattering Squirrel, daughter Noisy Thunderstorm, Papa Zig Zag, and the youngest child, daughter Two Dogs….well, you get the picture. I heard that when the children reached legal age and got out of prison and the mental wards, they changed their names to a more appropriate moniker. And we wonder why the world is the way it is today.

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Beach Time In Texas


The Original Beach Bunny. Note the soft natural fur instead of the bleached blonde hair, the Coppertone tan, and the too-small bikini.

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Life At 33 1/3 RPM


Since my teenage years in the sixties, I have been a vinyl album collector. It was out of necessity; we didn’t have CDs, flash drives, and such, but we did have 8 track tapes, which I despised. I was a rock musician in those years, so I bought all the most popular records. I’ve long lost many to thievery, unreturned loans, and negligence. At last count, I still have about 125 albums, most in good to perfect condition. I lost a box of my most treasured ones when a moving company absconded with them during a move. It was clearly marked ” favorite 60s albums.” The culprit also relieved me of my coveted ” Ray Ban” classic sunglasses. I curse the man daily, although I shouldn’t carry a grudge. I hope his turntable broke.

Last week I made the plunge, purchasing a new Sony receiver, an Audio Technica turntable, and two Klipsch speakers. Now my wife and I can listen to our eclectic collection of albums by the likes of Joni Mitchell, Cat Stevens, Crosby Stills and Nash, Chicago, Buffalo Springfield, Hank Williams Jr., Billy Joe Shaver, Jerry Jeff Walker, and of course, the Beatles and everything in between. I even have a greatest hits album by Sonny and Cher, if you can picture that. I own two coveted albums of “Meet The Beatles,” on VeeJay records, the one released in the UK, not the states in 1963.

I have a nice collection of CDs, but they don’t count since everything is digitized and sanitized, and I own a nice collection of music on my computer.

Thanks to Apple, I lost around 350 songs off of my iPod Nano while trying to download them to my laptop. Steve Jobs be damned.

There is something magical and soothing about that slight hiss and skips of a classic vinyl disk recorded on analog equipment with a 4 track machine. I can picture Sir George Martin sitting in the control booth pushing knobs while the Fabs struggle to produce the perfect tune on ancient equipment. I am deaf in my left ear, thanks to standing in front of large amplifiers playing at level 11 for many years, so my right ear is my musical one. Like the RCA dog, I can trick myself into hearing stereo high-fidelity if I turn my head just so.

No need for that flat-screen television anymore. We plan to live our life at 33-1/3.

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“Maybe It’s Time For The Beatles to Just, Let It Be”


The Mop Tops, photo by Mick Jagger

I am a Beatles fan from the night I saw them on Ed Sullivan back in February of 1964. I bought all of their albums, and when I played in a rock band starting in 1965, I played their music with a vengeance. Loud amplifiers and crunching electric guitars, that’s what the lads inspired us to do. They also taught me that there are more than three guitar chords as well as diminished and augmented ones to boot. The poor Beach Boys never figured that out until Brian Wilson wrote and engineered Pet Sounds. The boys from Liverpool gave them a lesson or two.

I watched the trailer for the upcoming Beatles documentary by Peter Jackson a few nights ago. “Let It Be” is and will be a huge hit and seen by millions if not more. Beautiful cinematography and soundtrack make this the best rock music movie ever made. Hats off to Peter for his effort and talent.

The Beatles, as a band, hasn’t played a lick together since 1970, and then it was an unpleasant experience from what I have read. The movie gives us a glimpse of their shared acrimony, but we will never know the sordid details, nor should we.

Recently, Sir Paul, the fossilized bass player said it was John that killed the band, not he. I can see that being true, but at this point, there are not many who still care who’s fault it was, or is. John and his muse, Yoko, or was it the other way around? drove a stone wedge into the heart of the lad’s kindred spirits ending the greatest musical act ever known to humans of my generation and perhaps a few after.

Paul also said a few days ago that the Rolling Stones were basically a blues cover band. Well, that is true, that is what they were and still are. Their music pales to the catalog of the Beatles. It’s almost amateurish in comparison, and if you have seen the Stones live in the last 10 years, you wonder who keeps digging up their graves and reanimating them, although Charlie Watts checked out with some class the others will never have. And that is what brings me to this next observation.

The Beatles had their time in history and used it well. Their legacy and music will be around for centuries in one form or another, the two remaining members will not. Ringo Starr has throttled it back and enjoys being in his late 70s, playing a gig here and there, and enjoying what few years he has left. Paul McCartney, the cute one, the mop-top lovable narcissist can’t seem to let it go. Once the “old man” voice sets in, then it’s curtains. Paul has it bad. Time to pay the valet and get the hell home, drink your Ovaltine, and hit the sack. It’s a bit embarrassing to see an old geezer jumping around on stage flicking his hair about like he is 20 years old. Come to think of it, that’s exactly what Mick the Jagger does, but only a bit better, and he is more agile and thinner because he hasn’t eaten a cheeseburger in 50 years and lives on good booze, spring water, and replacement organs.

I find as the years have slipped by, I am less a Beatles fan than I was in the 80s, 90s, or even the early 2000s. I still have all the albums, but rarely spin them. I guess one could say I suffer from Beatles fatigue, or misplaced envy, or even old age, of which I am, at 72. One thing good is that I am still a musician and singer, and can play most of their tunes if I wished to. The trouble is, I don’t wish to now. I’m not hating on the boys, and I hope Peter Jackson makes a zillion bucks with his film, and it wins an Oscar or some trophy.

I am only suggesting that maybe after 57 years, maybe the Beatles should just say goodnight, and Let It Be.

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“Party Like It’s 1975”


Evacuating the American Embassy in Saigon

The demented old man occupying the white house mumbles, gaffs, and orders our military to leave Afghanistan. Pack it up, leave the keys in the visor and get the hell out, pronto. Yet, the Taliban, those crazy well-organized army of zelotes, demon processed devils from Hell with 12th Centaury Muslim beliefs, are taking back their country at record speed.

Did the United States believe that we could save the Afgan people from their history and fate? Did we learn nothing from the Vietnam War and our ill-fated escape in 1975? Someone, please show the current administration some newsreels from that time. Is John Kerry advising Biden?

As a teenager in the 60s, the real, and “living color” Vietnam war show came on every night at 6 PM, and Ken Burns (bless his heart) had nothing to do with this production. Nevertheless, it was the staple for all news shows from 1967 until its end in 1975.

NBC, ABC, and CBS ruled the airways. Cigarette smoking, bourbon drinking mad-men. Groomed and over-paid talking heads spitting out controlled information for our curiously horrified consumption. Lester Holt didn’t invent this type of journalism, but he damn sure paid attention and learned from his predecessors.

The grand wizard from Texas, LBJ, and his Washington DC cronies kept a tight reign on their messaging. As a result, American casualties were deflated, and Viet Cong deaths were inflated. But, of course, none of that crap mattered, except that we were losing our young American men at an alarming rate.

Television had not yet discovered that death and gore, like sex, sells to the viewing audience. We were holding on to our 1950s values by a single frazzled thread.

The assassination of Kennedy was the beginning of the end of our Ozzie and Harriet-induced innocence. Vietnam was JFK’s war-baby; and his downfall. Good old Texas boy, LBJ, found a way to energize the economy and re-stock the Washington coffers using the war as his vehicle. My father was a home builder at that time and he said he never made as much money as he did between 1966 and 1970. The guns were blazing, and the times were amazing.

Daily films of dead young American soldiers weren’t good for ratings or advertisers. “Wonder Bread” and “Proctor and Gamble” couldn’t compete with dead Americans on television, so, the war footage was heavily edited for family viewing. It was all about optics and fending off the exploding protest from the anti-war hippies, coddled and protected college students, and eventually, plaid shirt Bermuda shorts, mini-dress wearing suburbanites. 2021, in a sense, is much like 1975.

Take the words “Vietnam” and insert the phrase “Middle East,” and you will see that we are repeating history.