Tag: Chickens

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Ode To The Mesquite Switch


Memories of your childhood can invade your life at the oddest of times. While shopping at H-E-B a short while back, I witnessed a young mom dragging a screaming toddler down the aisle by his arm while the rest of his little body slid along the floor, she used her other arm to push the cart, which also held another small child. She was nonchalant about the whole scene; obviously, this was a common occurrence for her. I thought she at least had the guts not to give in to the little demon. In my childhood days, not that anyone gives a shit about what an old man remembers, my mother, and more likely my Cherokee Indian grandmother, would have administered a healthy dose of parental punishment. Today’s mothers call in a “child whisperer” to reason with the kid on their behalf.

My two late uncles, Jay and Bill Manley, had a significant influence on my upbringing, and not always in a good way. It must have been in the mid-1950s, on the farm in Santa Anna, Texas. My cousin, Jerry, and I were out behind the smoke-house shooting tin cans with our Daisy BB guns. This was about our only form of entertainment on the farm, except for shooting at rattlesnakes and each other. My uncle Jay walked up and asked if he could shoot my gun. Of course, he could; he was my idol, my mentor, my mother’s older brother; he could do no wrong, except that most everything he did was wrong in my mother’s eyes. I handed him my Daisy. He turned and shot one of my grandmother’s five hundred chickens square in the butt. The hen jumped, squawked, and ran a few feet, then went about pecking the ground for whatever chickens peck for. I was shocked. Jay said the BBs give the chickens a little sting, but don’t hurt the birds, their feathers are too thick. Well, that’s all I needed to know. I popped a few, as did cousin Jerry, and man-oh-man, what fun that was. Jay walked away knowing that he had given his nephews a new source of entertainment.

The rest of the day was spent shooting chickens. I must have used two tubes of BBs. The chickens, one of natures stupidest birds, jumped, squawked, and then went on about their chicken lives. My cousin and I were having a grand old time, and improving our shooting skills on moving targets.

Unbeknownst to us, my grandmother was watching the shooting gallery from the back porch of the farmhouse. Her son, Jay, ratted us out after putting us up to the crime. She let us have our fun.

At supper time, she called us to the farmhouse. Standing on the back steps to the porch with her arms crossed, we knew that she knew we had been shooting her egg-laying chickens. It was no use to plead and beg for mercy; we accepted our sentence. As always, she told us to go to the barn, go around to the back of it, and cut a nice limb from a Mesquite tree that would serve as the switch to deliver our punishment. She knew the mental anguish this caused, having us deliver the weapon to the executioner. I cut the shortest limb I could reach, hoping that the smallest weapon would deliver the least pain.

I handed her the puny limb. She smiled and said, “That’s the sorriest excuse for a switch I’ve ever seen.” She then walked to the barn and came back with a whole tree limb, complete with all the thorns. Jerry and I almost pissed our blue jeans. My uncle Jay was standing on the porch, doubled over in laughter. At that moment, I realized my mother was right about her brother.

Instead of switching us with her tree limb, she asked for my BB gun. She was an old Indian gal and knew how to shoot. She instructed Jerry and me to go about fifty feet away and start running in circles, which we did. She then started shooting both of us in the butt with our own BB guns, and man, did it hurt. I don’t think she missed a shot. After that, we didn’t shoot anything except tin cans. We knew that Granny kept a 22 rifle next to the ice-box.

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The Three Mouthkateers Ride Again


Pictured are my three Texas rootin-tootin-cowboy cousins circa 1956. Right, to the left are “Little Bit O’ Lunch” Lunch Kit,” and “First Aid Kit .” I believe the horses are Butterfinger, Twigger, and Furi’ous. The Daisy BB guns they carried are not shown in this photo.

My grandmother was the original Texas chicken lady, calling her farm the Chicken Ranch of Santa Anna: not to be confused with the infamous Chicken Ranch and the best little whore house in Texas.

In 1955, after consuming half a dozen Pearl Beers, my uncle counted, more or less, 1500 hens and 50 noisy, aggressive Roosters. The cousins rode the chicken ranch range all day keeping the fowl in line. Any chicken employee not doing their only job of laying eggs got a BB to the rear end. Grandmother was thankful that the little cowpokes liked to ride the chicken range because they constantly ran their mouths about everything and nothing at all. She called them the “Three Mouthkateers,” not to be confused with the kids wearing the mouse ear hats also while singing and dancing about nothing.

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The Easter Chickens of Brown County


“Western history is bizarre because of the nature of what it has got. Historians and other writers do what men have always done in the desert. They make the best of what little they do have. Westerners have developed a talent for taking something small and blowing it up to a giant size like a photographer blows up a photograph. They write of cowboys as if they were noble knights and cowmen, kings. They do biographies of bad men, Billy the Kid, The Plummer gang, and Sam Bass, of bad women like Calamity Jane, of gunmen like Wyatt Earp and Wild Bill Hickock. They blow the abandoned saloon up into an art museum and Boot Hill into a shrine for pilgrims. In Montana, Charlie Russel is better than Titian, and in the Black Hills, Fredrick Remington is greater than Michelangelo. Custer, who blundered to his death and took better men with him, found a place in every saloon not already preempted to that travesty on decency and justice, Judge Roy Bean.”  As quoted by J. Frank Dobie, Texas Author, and Historian

I have no qualms or embarrassment about growing up in Texas. I am a native son and proud of it. If the Alamo needed defending again, I would fight the attackers on top of its wall with a yard hoe and my typewriter as weapons. At times, my unchecked pride borders on braggart, but I don’t interact with many folks that are not Texans, so it’s a moot point.

 Storytelling and tall tales run in my family. Uncles, grandfathers, and sometimes grandmothers filled my head with tales I remember today. I’m writing as fast as I can before I forget them. My son and grandchildren will be better educated once they have them in print. No one in my family wrote down what was told around the supper table or the front porch. I can assume that they figured the spoken version was good enough, and for decades, it has been, but now it’s my quest to put them to paper and pass them on. It doesn’t matter that many of them are about half true and could be considered a “tall tale.”  

The revered Texas author, historian, and master of tales, J. Frank Dobie understood the flow of Texas and its people. He told of the hardscrabble farming of the hill country, horse and cow trading, lost gold mines and Indian fighting, and of the Texas Rangers and their heroic and often ghastly behavior because he had lived and seen it as a child and young man and procured the tales, though many tall by nature, from cowboys and characters around campfires or leaning on the bar-rail of a saloon. He himself was considered a character, but with a top-notch university education. Spoken tales, true or not, are as much a part of Texas as our majestic bovine, the Longhorn.  

From my two late uncles, who were brothers Bill and Jay Manley, I heard stories that, on some nights, made sleep impossible, either from fear or captivation. They were the two best liars and storytellers I have met. Often, there would be a discussion and a following challenge to witness something they had heard about at the feed store or domino hall. They thirsted for the unordinary and would drive fifty miles or more to view a three-legged chicken or a pig that saved a farmer’s family from a house fire; things that sane and educated people would pshaw. My cousin Jerry and I were backseat passengers on many of these excursions.

Their preferred stage was summer nights on the farmhouse front porch. My grandparents had no air conditioning or television, and the radio only sometimes worked, so listening to their stories and trying to catch a cooling breeze was the only entertainment. The occasional yip of the Coyote added flavor to the moment. A Coleman cooler of iced Pearl Beer sat between the two orators, and the cold beverage allowed the tales to spill from them, most times like Will Rogers, other times like Saturday nights inebriated cowboy. I am a lucky man to have retained them for all these years. I credit my grandfathers’ advice to “keep your mouth shut and listen.” I was a good listener when I wasn’t yammering on to hear myself talk.

In the summer of 1957, my cousin Jerry and me were sitting with some of the family on the front porch of my grandparent’s farmhouse when my two uncles argued about something they had heard at the domino hall. A lady in Bangs, a small village about eleven miles away, is said to have a flock of hens that lays colored eggs. She calls them her “Easter Chickens.” Uncle Bill, ever the pragmatic questioner but still a believer in the oddities and unexplained, stated that “it was impossible for chickens to lay colored eggs” Jay, his brother, heard from three farmers playing dominos that it is the by-God truth. The argument concluded with the promise of a trip to Bangs in the morning to investigate. As usual in these challenges, a wager of five dollars was attached.

After directions from the local feed store, the source of all directions in Texas, our party proceeded to our destination. Detailed directions said to go five miles on the second dirt road out of town, turn left at the “Jesus Saves” sign on the tree trunk, and go about a hundred yards or so, and you’ll see the farm, a white house with red shutters, and lots of Holstein cows wandering around.

The lady that answered the door, Thalia McMurtry, figured we were there to purchase her “Easter Chicken” eggs. She wasn’t amused that all my uncles wanted to do was confirm if it were true; still, she led them back to the hen house. Her husband, Sonny, joined us. Around a dozen speckled hens were inside a cute little hen house, sitting on their box nest. Thalia stepped inside and retrieved a few eggs, placing them in her apron pocket. Two were bright red, one yellow, and one a deep blue. Uncle Bill sighed; he knew he had lost the wager. The eggs were beautiful; it was as if she had dropped them into a boiling stove pot of egg dye. She told Jerry and me, “go ahead and peel one; they’re ready to eat just as they are, already hard-boiled and everything.” Uncle Bill called BS; no chicken in this world lays hard-boiled eggs, and he accused Thalia and Sonny McMurtry of fakery to the highest degree and to explain how they did it.

Thalia, not a bit rebuffed, said, “I started mixing my own mash feed using different stuff from the kitchen cabinet with the regular store-bought mash, and the hens started laying yellow eggs, so I tinkered around a little more, and they started laying blue eggs, then a bit more, and red ones appeared. We’re not sure why they are hard-boiled, but maybe it’s caused by the heat lamps we use to keep my little beauties warm has something to do with it.” My two uncles, feeling like the village idiots, purchased a few dozen mixed colors and took them back to the farm. My grandmother, faking surprise at their discovery, had eaten a few of them some months back, given to her by a friend, but she didn’t tell her sons. Once again, another adventure of the absurd to remember.

Years later, I read a blurb in the Texas Farm Almanac about a lady in Bangs, Texas, who ran a farm called “Easter Chicken Acres.” Her hens laid hard-boiled multi-colored eggs just in time for Easter. She was also mentioned in the famous book “Ripley’s Believe It or Not” and made Bangs a place to visit. They came really close to putting the Easter Bunny out of business.

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A Chicken And 88 Keys


Photo by; Colonel Sanders

Marjorie Mae has a dozen chickens living on her small farm on the outskirts of San Angelo, Texas. Normal Texas folks don’t think much of chickens except when they eat their eggs or have a piece of it fried or baked. Marjorie Mae is different; she treats her chickens like real folks; all of her fowl have first names and are somewhat educated.

Gilda, Ruby, Tootie, Francis, Lucille, Ethel, Jessie, Rea, Poochie, Piddle, Bebe, and Poteet. Call any one of them by their given name, and they come running like a spotted pup. She rather prides herself on being the keeper of educated farm fowl. She isn’t sure about the depth of their education, but they seem smarter than most run-of-the-mill barnyard chickens.

One day, walking by her barn on the way to the chicken coops to gather eggs, she hears piano music. She instantly recognizes the out-of-tune sound of her ancient broken-down upright piano that’s been stored there for ten years. Unfortunately, her husband Wilfred doesn’t play, so she figures a hobo or possibly an escaped felon from the prison farm must be hiding in her barn, twinkling the ivories. She grabs a 20 gauge from the house and marches off to confront the interloper.

As she gets closer, she realizes this is not some rube pecking around on her piano, but an educated musician, like herself, that knows their way around the 88 keys. So she slows her advance to a near stop to listen a bit more. She can’t be sure, but that sounds like Mozart’s Concerto No. 3 in B minor, but the piano is old and out of tune, so it could be anything short of a barn cat walking on the keyboard.

When she reaches the barn door, the music stops, then starts again. The beautiful haunting notes of Moon River float from within the dark depths. Whoever this trespasser is, she wants to meet them and have a bite of lunch at her kitchen table; hobo or felon, she opens the sliding door and enters the barn.

Thirty steps to the center of the barn, behind the frozen-up Ford tractor, is her dust-covered piano. The tarp cover is haphazardly thrown to one side. In the low light of the barn, she can’t see anyone, yet the playing continues. Finally, the culprit is discovered when she gets within five feet of the piano.

Her Sussex Speckled Hen, Rea, is standing on the keyboard, pecking the keys with her beak and both feet. Not the corny huckster trick pecking you see the chicken at the county fair playing on the toy piano for a quarter, but calculated and coordinated movements that are producing beautiful music. The first thing that comes to her mind is, “I’m going to be rich.”

I’m into the second week of my month-long summer visit to my grandparent’s farm in Santa Anna, Texas. It’s a hot night, and everyone is sitting on the covered front porch drinking sweet iced tea and Pearl beer. My two uncles, Jay and Bill, are visiting for a few days from Fort Worth and are putting the finishing touches on a case of beer they bought this morning at the Dino station. July is beer drinking season around here. It’s considered a main food group but must be served iced-cold to gain the nutritional value from the barley and hops.

Bill gets up from his chair and reaches into the Coleman cooler, extracting another Pearl; he uses his feed store church key and a pen knife to pop the cap. Then, looking out over the Santa Anna mountain, he says to no one in particular, ” I heard this morning there’s a piano-playing chicken over by San Angelo.” Uncle Jay, his brother, immediately replies, ” bull-shit, there ain’t no such thing as a piano-playing chicken. I bet you twenty dollars it’s a can of crap.”

The two brothers are the biggest storytellers and liars in Southwest Texas and will bet on anything. The more far-fetched and unbelievable, the better. Uncle Bill says we are leaving for San Angelo in the morning. I’m excited about this one.

After getting directions from the feed store and a man standing on a street corner, we head towards the farm of Miss Marjorie Mae. She is already a local celebrity and is the gossip fodder of the town. We arrive at her farm around 10 AM.

Marjorie answers her screen door, and uncle Jay states that we are here to see the piano-playing chicken. She says, ” it’s ten bucks a carload and I can’t promise you she will be a play’in if there are eggs to lay, she will most likely be doing that first; she’s a chicken you know.”

We are led to the barn, the door is opened, and there, glistening in the sunlight is a hand-polished upright piano. A silver candelabra and swirled glass vase of fresh flowers rest on top. Marjorie collects the ten bucks from uncle Bill. Jay pokes him in the ribs and whispers, “this is all bull-shit so you might as well pay me now. ”

Marjorie emerges from the barn carrying a fat Sussex Speckled Hen. This chicken is downright gorgeous for a barnyard critter. Its feathers are fluffed up into a fuzzball, and its toenails are painted bright red. A gold nametag hangs around the fowl’s neck. I can tell my uncles are duly impressed, as I am.

The hen is placed on the keyboard and immediately launches into a jive-inspired rendition of Glen Miller’s” In The Mood.” Finishing that tune, she plays a classical number and then goes right into ” Moon River, ” closing with the theme from ” A Summer Place.” My uncles are tapping their feet and laughing like deranged mental patients. Finally, the hen hops down from the keyboard and struts back into the barn; the show is over.

Uncle Bill thanks the lady for her hospitality. As we leave, he asks her name. She replies, “Marjorie Mae Mancini.” Bill inquires if the chicken has a name. She says, “oh yes, that’s Hen-Rea Mancini.” I kid you not.