Tag: country

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Meeting Tex Ritter: A Cherished Childhood Memory


Tex Ritter, photo courtesy of Roy Rogers

“Do not forsake me, oh my Darlin,” on this our wedding day,” who didn’t know the first verse of that song from the radio? A massive hit from the 1952 movie “High Noon,” performed by everybody’s favorite singing cowboy, Tex Ritter.

In 1957, I was eight years old, and on some Saturday nights, I got to tag along with my father to the “Cowtown Hoedown,” a popular live country music show performed at the Majestic Theater in downtown Fort Worth, Texas. My father was the fiddle player in the house stage band, so I was somewhat musical royalty, at least for a kid.

Most of the major and minor country stars played Fort Worth and Dallas as much as they did Nashville, and I was fortunate to have seen many of them at this show. One, in particular, made a lasting impression on my young self.

I was sitting on a stool backstage before the show, talking to a few kids; who, like me, got to attend the show with their fathers.

My father came over and asked me to follow him. We walked behind the back curtain and stopped at a stage-level dressing room. There in the doorway stood a big fellow in a sequined cowboy suit and a 30 gallon Stetson. I knew who he was; that is Tex Ritter, the movie star and cowboy singer. My father introduced me, and I shook hands with Tex. I was floored, shocked, and couldn’t speak for a few minutes. What kid gets to meet a singing cowboy movie star in Fort Worth, Texas? I guess that would be me.

Tex asked my name and then told me he had a son the same age as me. We talked baseball and cowboy movies for a bit, then he handed me a one-dollar bill and asked if I would go to the concession stand and buy him a package of Juicy Fruit chewing gum. So I took the buck and took off down the service hallway to the front of the theater. I knew all the shortcuts and hidey holes from my vast exploration of the old theater during the shows.

I knew nothing of the brands and flavors, not being a gum chewer, but the words Juicy Fruit made my mouth water. Not having much money, what change I did get from selling pop bottles went to Bubble Gum Baseball Cards, not fancy chewing gums.

I purchased the pack of gum for five cents. Then, gripping the change tightly in my sweating little hand, I skedaddled back to Tex’s dressing room. He was signing autographs but stopped and thanked me for the favor. He then gave me two quarters for my services and disappeared into his dressing room for a moment. He handed me an autographed 8×10 photograph of him playing the guitar and singing to the doggies when he returned. I was in country and western music heaven. He also gave me a piece of Juicy Fruit, which I popped into my mouth and began chewing, just like Tex.

Juicy Fruit became my favorite gum, and now, whenever I see a pack or smell that distinct aroma as someone is unwrapping a piece, I remember the night I shared a chew with Tex Ritter.

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Ask A Texan: Wife Tries to Sing Like Willie Nelson


Pretty Good Advice For Folks That Don’t Live In Texas, But Wishing They Did

The Texan

Mr. ET ( Ernest Tom ) Home from Roswell New Mexico sent this Texan a long letter written on a McDonald’s takeout food bag. His wife is attempting to become a country singer and has gone to extremes, and he’s hoping I can help.

ET Home: Mr. Texan, about a month ago, the wife, Willowmina, decided she was going to become a country songstress. Well, that’s all fine and dandy, but the poor gal, bless her heart, sounds like Phyllis Diller when she sings. Both cats have left home and the neighbors are knocking on our door, a lot. She see’s old Willy Nelson on the View and he’s bragging about how he gave Beyonce some of his strongest weed and it turned her into a country singer. Well, that’s all it took. Next day, we drive to Ruidoso and visit the Miss Dolly’s Weed Emporium and Desert Shop. The wife asked the young lady manager what is the best and strongest stuff she has from old Willy. She leads us into a back room, then into a closet and down some secret stairs into another little room. She hands her a small box and says this is the best stuff on planet earth: Willy’s “Hide And Watch” secret stuff. I hear it can be a life changer, and not always in a good way. Well, we take the stuff and go back to Alien city.

She’s been puffing away on that stuff for a while now, and I hear her singing in the shower, and will admit, she is getting better. Then about a week ago, she put her long gray hair in braids, put a bandanna on her head and starts playing songs on our granddaughters Taylor Swift plastic Ukulele. She’s starting to look like old Willy, face stubble and all, and I think I must be losing my marbles. So’s, I calls the daughter, Little Tator, and she drives down from Raton Pass, walks in the house looks at her mother and says, “You ain’t crazy Daddy, that’s Willy Nelson in a Pioneer Woman house robe and Pokemon slippers.” Looking for an answer here.

The Texan: Well, Mr. ET I was at a loss on this one so I called a friend of mine, Dr. Scaramouche at the Fred Mercury Hospital For The Deranged in Queens, NY. He says this derangement is new and becoming more common thanks to entertainers like Taylor Swift and the Kardashian clan. Folks think that by eating, drinking, ingesting things, or dressing like their idols, they can glam off their talent and become a version of them. Willy was right, Beyonce is about as country as Martha Stewart. I would start out by taking away the weed. If that doesn’t change things, you might consider buying a used tour bus and going “On The Road Again.” I hear it can be a lot of fun. Keep in touch, and I am sending her a box of Little Debbie snack cakes.

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Life In California, Chapter 5


Moving day from the migrant camp fell on a Saturday. There wasn’t much to transport apart from the car and the personal belongings they had brought from Texas. Knowing that John Henry had very little, the landlord had left behind some furniture: a kitchen table, an icebox, two beds, and a well-worn couch. The screened-in back porch extended across the entire width of the house. In one corner, a roll-away bed and a standing lamp stood, and it was there that Johnny made his claim to the porch as his bedroom. Meanwhile, Lady ventured out to explore the expansive backyard, complete with an Eucalyptus tree that was home to a resident squirrel.

My grandmother Bertha had come across newspaper stories about the firebrand woman preacher, ‘Sister Aimee, ‘ holding court at her downtown church. She aimed to grace the Sunday service, eager to unravel the mysteries that had stirred up such a commotion among the camp folks. Ever the agreeable sort, John Henry consented to accompany her and young Johnny, perhaps harboring a hope to cross paths with Blind Jelly Roll Jackson and Pancho Villa.

The faithful congregations formed a line that stretched down the block, twisted around, and continued for another block. It seemed this preacher lady possessed a special magnetism to draw such a crowd. As they reached the doors, they discovered the church was once a theater with a plush red carpet and a winding stairway leading to the balcony. Climbing the stairs, they found seats near the balcony’s edge. With an eagerness to feel the Holy Ghost passing through her, Bertha was in stark contrast to John Henry, who simply yearned for a cup of black coffee and a nap.

The house lights dimmed, and the red velvet stage curtains slowly drew back to reveal an orchestra and a singing choir, all adorned in purple velvet robes. The orchestra boasted horns, a piano, violins, and a drummer, and right up front sat Blind Jelly Roll holding a shiny black guitar. His seeing-eye dog, Pancho Villa, was seated on a chair next to him, wearing a small matching robe. In a moment of confusion, Johnny, unaware of his surroundings, called out Pancho’s name, causing the dog to excitedly tumble off the chair. Jelly, recognizing the voice, offered a warm smile and a friendly wave as he reseated Pancho.

A slender woman with short blonde hair stepped into the center of the stage, enveloped by the spotlight’s glow. She was draped in a white silk robe, and a sizable golden cross hung at her breast, casting a mesmerizing reflection across the congregation. In that divine light, she took on an ethereal quality, almost angelic, as if transported from the pages of a biblical tale.

The singer, whom everyone now recognized as ‘Sister Aimee,’ suddenly turned into a musical whirlwind, belting out a heartfelt religious hymn that could make even the angels jealous. How did this powerful voice project from such a small woman? The orchestra performed as if they were on a mission from above, and the choir sounded so otherworldly that even the congregation wondered if they were in the presence of celestial beings. As tears flowed freely and some brave souls rose to join her in song, Bertha found herself on the verge of a melodramatic meltdown; young Johnny was bored and on the verge of sleeping, while poor John Henry remained steadfast in his pursuit of a good nap. It seemed like the lengthy two hours ahead were shaping into a divine comedy of sorts.

After two more songs just as rousing as the first one, Sister Aimee spoke.

” Dear Hearts, recently, a lost soul came to our church. He had wandered in the wilderness for years. Blind since birth and led by his small seeing-eye dog, he came to me seeking repentance and personal guidance. He is now walking the straight and holy path of our Lord. A formidable blues guitarist and singer, he has agreed to share one of his songs of atonement. Please welcome Blind Jelly Roll Jackson.” The crowd applauded.

A stagehand stationed a large silver microphone before Jelly. The spotlight shone on his hair, white as an East Texas cotton field. He tugged and twisted his guitar through eighteen bars of mournful blues without a moment’s pause. The audience was spellbound, the majority never having encountered a blind black bluesman. Leaning towards the mic, he growled deeply as he sang,

” I gots me a woman, haw-haw-haw-haw, she don’t mean a thang, squeezes my lemon picks my peaches from my trees, gonna go see that gal and get my hambone greased, haw-haw-haw-haw.”

Sister Aimee lunged for the microphone, but a stagehand beat her to it. He grabbed the microphone and carried it away. Jelly Roll was still singing and playing when the stage curtain closed. Blind Jelly Roll Jackson’s official California debut was history.

Don’t touch that dial or turn that computer off; there is more to come in Chapter 6

California Dreamin’ Chapter 6

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A 70 Year Lesson


Today, September 17th, 2019 is my 70th birthday. I knew for a decade or two that it was coming but never expected it to show up so soon. It’s like an irritating distant relative that uninvitedly knocks on your door while you’re watching a good movie and now you have to entertain them, share your cheese and crackers, and miss your show. We are courteous in Texas. That’s what we do; even with birthdays, and relatives.

Birthdays, at least for me are personal, and I am often reluctant to share what I write with my followers and friends on social media. People need their privacy. Social media platforms allow and encourage you to give large pieces of yourself away to strangers. It’s too easy to write things you shouldn’t and hit the post button. It allows us all to make fools of ourselves in HD and living color. Hold my beer and watch this.

I convinced myself a few days ago to purchase a manual typewriter and spend less time on my laptop. Hemingway, Harper Lee, Capote, and Steinbeck all wrote longhand then completed their work on a typewriter. I am regressing but I feel in a good way. I am on a mission to complete numerous short stories and a children’s book before my batteries run down. Time is of the essence.

Ken Burns is the best documentary filmmaker in the business. If there is one better in some remote region of the Amazon or the mountains of Tibet, let them come forth. His latest effort on country music is a masterpiece in American history and the way our nation evolved to what we are today.

I love country music. I bleed three chords and a yodel. The old callouses on my fingers remind me that I am a musician and will be until the end. It’s my legacy and I fiercely protect my inherited history.

I grew up the son of a western swing fiddle player in Fort Worth Texas and watching the documentary film and seeing the faces of the people I knew as a child, renews my pride in what I was a part of.

Musicians playing instruments in our home was part of our everyday life. The guitars, fiddles, and banjos warmed the cold walls in the winter and floated on the summer breeze through our open windows to the delight of our neighborhood. I was a child in a crib, absorbing the notes. How could I not become a musician?

The men I knew that played their instruments and sang their songs are gone from this life and have been for some time. I watched them grow old and struggle to play until they couldn’t and graciously accepted their fate

I grew old with them. I walked and carried some of them to their final rest. I am humbled to have been part of their journey. It never occurred to me until decades later, that their journey was also mine. It was much more than classroom learning; it was life lessons. I am a better man because of my father and his country musician friends. The Light Crust Doughboys are on the air.