Chapter 10. Wagons Ho To California: Grandmother Is Healed By Sister Aimee McPherson, And Carman Miranda Stops By


Sister Aimee McPherson

As the months stretched into years, the Strawn family flourished financially, finding their footing in California’s golden land. The prospect of permanence hung in the air, and the pull of Texas grew less each year. Johnny’s elder sister, Norma, had begged to remain with one of her aunts to complete her schooling, but destiny had other plans. Completing her education in Fort Worth, she succumbed to the barrage of pleading letters from her mother, who was convinced that her death was only weeks or hours away, but she would try to hold on until her daughter made it to California. Knowing Bertha’s love for drama, her aunts consoled Norma and thought it best that she travel to California and could return if needed. With a small amount of currency in her purse, she embarked on a westward journey with a family bound for Los Angeles, paying for a seat in their car.

After two years of absence from the fold, Norma returned to find her family ensnared in a web of not-so-well-hidden disillusionment. The initial euphoria of their reunion faded, exposing the harsh light of reality. Her father, now a manager, toiled away long hours with little time left for living, while Johnny when not in school, devoted all his time to the members of his string band, Blind Faith. Her mother’s dependence on medicinal elixirs was the worst of it.

Bertha, a dedicated aficionado of her restorative elixirs, consumed multiple weekly bottles. She has a friendly rapport with the local pharmacist, who considers her his best customer and gives her a discount. She would often be found at the kitchen table for most of the day, dosing her tonics and composing lengthy, nonsensical letters to her sisters. By this time, her siblings had come to understand that the words emanated from the pen of a medicinal lunatic. Norma and Johnny acknowledged the necessity of professional intervention for their mother, and, with assistance from Le Petite Fromage and Blind Jelly Roll, they formulated a plan for Bertha to undergo a holistic religious cure under the guidance of Sister Aimee McPherson.

On that Sunday, a vibrant sermon accompanied by half a dozen show tunes with a dazzling chorus line stirred the congregation as Sister Aimee made her return to the pulpit for three thunderous ovations. Following the service, Le Petite Fromage and Johnny, the fiddler, as he is now called, escorted Bertha to the orchestra dressing room, believing her holiness sought to personally meet her and perhaps bestow a signed copy of her latest literary work, “You Can’t Take It With You When You Go So Give It To Me.” Embracing Bertha warmly, Sister Aimee presented her with a signed book before guiding her to a crimson velvet settee that had previously served as Blind Jelly’s salvation vehicle. With hands upon Bertha’s head, she prayed for deliverance from the grip of elixirs and zealous missives to her siblings. Understanding she had been played by her blood kin, Bertha, teeth-gnashing and fist-squeezed white, surrendered and embraced the moment. The healing transpired in a mere ten minutes as Sister Aimee proudly proclaimed the departure of the demons, assuring that all would be splendid by supper time. As she departed the dressing room, a divine fragrance lingered in the air. Blind Jelly Roll spoke up, ” I smells me some Channel No. 1. ” Leave it to a blind bluesman with the senses of nine cats to figure it out.

With the spoke mended in the family wheel, taut and ready for the road, John Henry indulged the family, comprising of Le Petite and Blind Jelly Roll, to a Sunday supper at a restaurant. Their choice fell upon Treasure Island, a pseudo-swanky seafood establishment under the ownership of the actor Wallace Beery. The best restaurants were on the Sunset Boulevard, known as the Strip. The entrance was the front hull of a sailing schooner, complete with a mast and sail. Johnny noticed the address above the door: 77 Sunset Strip: that address would come up again a bit later. Bertha and Le Petite were giddy, anticipating the prospect of encountering Hollywood movie stars savoring fish and chips washed down with a dirty Martini.

While awaiting their meal, James Cagney and his raucous family were seated a few tables away. Clark Gable and Carman Miranda snuggled in a cozy booth, where they indulged in sips of Martini and beer. Le Petite and Bertha were in a state of apoplexy. Carman Miranda made her way to the lady’s room, passing their table. Pancho Villa sat upon Blind Jelly’s lap, nibbling on a saltine. As the movie star strolled by, she took notice of Pancho and remarked on the adorable little doggie. When she reached out to pet Pancho, she received a vicious bite that tore off the long middle fingernail from her left hand’s digit. Stunned by the sudden attack, she yelled, “Get that little demon dog out of here!” Pancho and Blind Jelly concluded their meal in the comfort of Strawn’s car.

If you missed Chapter 9, click the link below for more amusement.

Chapter 5. Life In California And Jelly Roll


Moving day from the migrant camp fell on a Saturday. There wasn’t much to transport apart from the car and the personal belongings they had brought from Texas. Knowing that John Henry had very little, the landlord had left behind some furniture: a kitchen table, an icebox, two beds, and a well-worn couch. The screened-in back porch extended across the entire width of the house. In one corner, a roll-away bed and a standing lamp stood, and it was there that Johnny made his claim to the porch as his bedroom. Meanwhile, Lady ventured out to explore the expansive backyard, complete with an Eucalyptus tree that was home to a resident squirrel.

My grandmother Bertha had come across newspaper stories about the firebrand woman preacher, ‘Sister Aimee, ‘ holding court at her downtown church. She aimed to grace the Sunday service, eager to unravel the mysteries that had stirred up such a commotion among the camp folks. Ever the agreeable sort, John Henry consented to accompany her and young Johnny, perhaps harboring a hope to cross paths with Blind Jelly Roll Jackson and Pancho Villa.

The faithful congregations formed a line that stretched down the block, twisted around, and continued for another block. It seemed this preacher lady possessed a special magnetism to draw such a crowd. As they reached the doors, they discovered the church was once a theater with a plush red carpet and a winding stairway leading to the balcony. Climbing the stairs, they found seats near the balcony’s edge. With an eagerness to feel the Holy Ghost passing through her, Bertha was in stark contrast to John Henry, who simply yearned for a cup of black coffee and a nap.

The house lights dimmed, and the red velvet stage curtains slowly drew back to reveal an orchestra and a singing choir, all adorned in purple velvet robes. The orchestra boasted horns, a piano, violins, and a drummer, and right up front sat Blind Jelly Roll holding a shiny black guitar. His seeing-eye dog, Pancho Villa, was seated on a chair next to him, wearing a small matching robe. In a moment of confusion, Johnny, unaware of his surroundings, called out Pancho’s name, causing the dog to excitedly tumble off the chair. Jelly, recognizing the voice, offered a warm smile and a friendly wave as he reseated Pancho.

A slender woman with short blonde hair stepped into the center of the stage, enveloped by the spotlight’s glow. She was draped in a white silk robe, and a sizable golden cross hung at her breast, casting a mesmerizing reflection across the congregation. In that divine light, she took on an ethereal quality, almost angelic, as if transported from the pages of a biblical tale.

The singer, whom everyone now recognized as ‘Sister Aimee,’ suddenly turned into a musical whirlwind, belting out a heartfelt religious hymn that could make even the angels jealous. How did this powerful voice project from such a small woman? The orchestra performed as if they were on a mission from above, and the choir sounded so otherworldly that even the congregation wondered if they were in the presence of celestial beings. As tears flowed freely and some brave souls rose to join her in song, Bertha found herself on the verge of a melodramatic meltdown; young Johnny was bored and on the verge of sleeping, while poor John Henry remained steadfast in his pursuit of a good nap. It seemed like the lengthy two hours ahead were shaping into a divine comedy of sorts.

After two more songs just as rousing as the first one, Sister Aimee spoke.

” Dear Hearts, recently, a lost soul came to our church. He had wandered in the wilderness for years. Blind since birth and led by his small seeing-eye dog, he came to me seeking repentance and personal guidance. He is now walking the straight and holy path of our Lord. A formidable blues guitarist and singer, he has agreed to share one of his songs of atonement. Please welcome Blind Jelly Roll Jackson.” The crowd applauded.

A stagehand stationed a large silver microphone before Jelly. The spotlight shone on his hair, white as an East Texas cotton field. He tugged and twisted his guitar through eighteen bars of mournful blues without a moment’s pause. The audience was spellbound, the majority never having encountered a blind black bluesman. Leaning towards the mic, he growled deeply as he sang,

” I gots me a woman, haw-haw-haw-haw, she don’t mean a thang, squeezes my lemon picks my peaches from my trees, gonna go see that gal and get my hambone greased, haw-haw-haw-haw.”

Sister Aimee lunged for the microphone, but a stagehand beat her to it. He grabbed the microphone and carried it away. Jelly Roll was still singing and playing when the stage curtain closed. Blind Jelly Roll Jackson’s official California debut was history.

Don’t touch that dial or turn that computer off; there is more to come in Chapter 6