Left to Right; Danny Goode-lead vocals and bass; John Payne-vocals, lead guitar, fiddle, mandolin, and keyboards; and probably some more instruments I’m leaving out. Phil Strawn-vocals and rhythm guitar, banjo- Jordan Welch- drums and bongos, cowbell, and sings like Roger Miller.
Track 4 covers Jerry Jeff Walker’s “Navajo Rug.” I’m new to SoundCloud, so I cut off our heads in the pictures. Why do these apps make it so darn hard to move anything over? WordPress won’t allow WMV files, so I had to upload the tunes to SoundCloud, which converted it to an MP3.
Track 1, “For What It’s Worth,” is our cover of Buffalo Springfield’s song about the riots on the Sunset Strip in 1967. The CD was cut at Wavelight Studios in Haltom City, north of Fort Worth. Larry Dylan was the sound engineer and owner of the studio.
Danny and I, back in 67-69, played together in “The Orphans” and “The A.T.N.T.,” which I posted our record a few weeks ago. John Payne played with the “Fabulous Sensations” out of Lubbock, Texas. He also got to sit down and visit with Buddy Holley’s parents in Buddy’s childhood home, so he has been close to musical royalty. Jordan Welch played with The Coachmen, another great popular band in the DFW area, back in the 1960s.
If you haven’t noticed, I discovered background colors today, so bear with the experimentation. It doesn’t take much to entertain me these days.
Pictured above is my first realistic gun, The Fanner 50. It had authentic steel bullets that took green stickum caps, the cylinder turned as you fired it, and cap smoke belched from the realistic barrel. All my buddies in the neighborhood had them, and we thought we were bad assed cowboys. Billy Roy, one of our buddies who turned into a hoodlum child after hanging out with the “hard guys” across the tracks, attempted to rob our neighborhood grocery store with his Fanner 50. He was arrested and sent to the Dope Farm for a few months. After that, he went on to a stellar life in crime, all because of a cap gun.
Port Aransas, Texas, 1967, My Chevy Impala with a mighty V8, 283 engine, and no air conditioning, loaded with my longboards, ready for the waves. Note all the smashed bugs on the grill and front of the hood. Texas, in the summer, is a buggy place. The board over the driver’s side is my 9 ft 6-inch “Surfboard Hawaii,” and the other is a 9ft. “Hansen”; is perfect for the surf in Texas. Leashes weren’t around yet, so if you lost your board, it was a long swim.
My first rock band, 1965 “The Dolphins.” I can’t remember who came up with that name, but I wanted to use ” Don’t Hit Your Sister,” but it was vetoed by the other members. Jarry and I stayed with the band, but had different members the following year and a new name, “The Orphans.” We were playing a gig at the Harrington Park Swimming Pool in Plano, Texas. Left to right; Jarry Boy Davis, Warren Whitworth, Ron Miller on drums, Jerry Nelson and me with my cheap Japanese electric guitar.
One of my favorite books in grade school. Most of the kids were into “Fun With Dick and Jane” and that dog of theirs, the one that bit everyone in the neighborhood. I liked a more realistic read, like Mickey Spillane’s crime novels and The Grapes of Wrath. My second-grade teacher, Mrs. Badger, confiscated this book and escorted me to the principal’s office, which resulted in me getting a butt-whooping when I got home.
1968, my late cousin, Wandering Star. Pictured here with his wife, Saphron, and their nice little hippie family. They lived in a tepe in a commune in the Colorado Rockies. True to the Indian traditions required in the commune, they named their children after the first thing Wandering Star saw when he stuck his head out of the tent after the children’s natural holistic birth. Left to right are; Morning Rain, Chattering Squirrel, Sunny Morning, and Two Dogs Screwing. I heard that later in life, the kids renamed themselves.
Texas International Pop Festival, August 1969, in Lewisville, Texas. Me and my pal, Jarry Boy Davis, are in there somewhere, as well as my wife, MoMo. A crowd of around 200 thousand kids and some adults attended. It was three days of great music, fatal sunburns, LSD freakouts, giant joints passing through the crowd, no food, no water, no sleep, 100-degree temperatures, and no shade. It was worth it; I met Janis Joplin while standing in line to buy a hot dog. This was at night, and this gal asked to cut in line, so being the gentleman that I was, I let her cut in. She turned, introduced herself as Janis with a hearty handshake, and it was then that I knew who she was. She was a fellow Texan, so we briefly talked about the heat. It was the 60s, so you had to be cool and act like it was no big deal, but I about pissed myself. She was a nice gal who had good music later that night and died too soon. This was also the night that Led Zepplin got on stage, and Jimmy Paige declared they would never return to this Hell Hole of a state because of the heat. A few months later, they played a concert in Dallas and had to eat some humble pie. It wasn’t Woodstock, but damn close.
Bugs and Marvin The Martian, courtesy of Mel Blanc
Since childhood, I knew we were not alone in this universe. A steady diet of space movies on channel 11 made a believer out of me. “The Forbidden Planet” with the robot and that hubba-hubba Ann Francis chick, and “Invaders From Mars,” where kidnapped folks had a red glowing jewel drilled into their neck, became zombies, and were sucked into the Martian cave via sand dunes. Those are the two that gave me screaming assed nightmares but piqued my still-forming juvenile imagination into what it is today. Certain that I saw a UFO over the Gulf of Mexico when I was eight years old, a run-in with small grey alien beings when I was abducted from my warm bed, taken aboard a mother ship, and implanted with a device that tracked my life and gave me superior mental powers over my childhood friends. I was hooked like a crappie on a purple people eater jigamajig spinner.
Now, all of these decades later, our slippery when-wet government confirms that the spaceships and little green men are real, and we have many of these crafts in our possession. I am relieved to know my beliefs were correct. The next time I drive through Roswell, New Mexico, which will be next month on our way to Ruidoso for some mountain air and horse racing, I will feel relieved that I was right all along. May the force be with you, and all that goes with it.
White House First Dog Bites 6 Secret Service Agents
” It’s Cocaine Dog”
The Secret Service, after being bitten six times by the new First Dog, confirms the dog found another baggie of the white powder on the front lawn. It appears the First Dog ingested a large quantity of the drugs before going on a biting spree through the president’s private residence. Agent 86 confirms the dog has been spending a lot of his off time with first son, Hunter.
My father, Johnny Strawn, on the left, playing twin fiddles with Bob Wills
In the early fifties, my Father, Johnny Strawn, owned the Sunset Ballroom, just a stone’s throw off Jacksboro Highway in West Fort Worth, Texas. A country fiddle player by profession, he soon realized that trying to play nightly gigs at other clubs and managing his own business didn’t work, so he hired, as his club manager, his childhood running buddy, best friend, and my God Father, Dick Hickman.
Dick and my Father had grown up together in depression era Fort Worth and remained best friends to their last day. Decades later, they often reminisced, over a good glass of scotch, that “they didn’t know they were poor because everyone had the same amount of nothing that they did.”
Dick, besides being the new manager, was also pulling double duty as the club’s bouncer. A job he deplored but accepted and performed well when required. Being a family man and a peaceful sort, he soon became weary of kicking unruly customer’s rears every night, so my father, in a lapse of good judgment, hired one of the local tough guys to take Dicks place as the official bouncer and security, A mean little cat, that went by the name of “Toes Malone.” If he had another first name, he kept it a secret.
Toe’s was a likable two-bit-north side thug that had experienced one too many run-ins with the Fort Worth mob. The boys in the mob liked him and thought he was a funny guy to be around, so when Toe’s tried to horn in on their action or crossed them in any way, instead of just killing him outright like anyone else, they would shoot, or remove a body part to teach him a lesson.
After a few major discussions in a back ally with his admirers and the loss of an ear, three fingers, and an arm, “Toe’s” got his new name.
He didn’t give up being a tough guy. Being the mean little son-of-a-gun that he was, he had the local boot shop install two small pen knife blades into the toes of his Justin cowboy boots.
He was pretty agile for a one-armed cat and could carve you up like a Winn Dixie rib-roast before you knew what happened to you.
No one messed with Toes. He was the original Bad Leroy Brown of the South.
The patrons loved Toes so much that they would ask him to show his little “toe knives” to their wives just for laughs. He would gladly hoist his boot up on their table, proudly display his shiny little blades to anyone who asked, and tip a buck or two. The wives, giggling like school girls, would open their pack of Lucky Strikes on his boot tip blades.
He was part of the entertainment, sort of a hoodlum head waiter that would kill you if you complained about anything.
My father said his presence increased business, so he kept Toe’s own despite his reputation. In later years, he admitted that firing Toe’s would have likely led to his own early demise.
Toe’s, being a hoodlum to the core, couldn’t help himself and finally crossed the mob boys one too many times. On a cold December night in 1953, out by Crystal Springs Ballroom, they blew him in half with a shotgun blast.
My Father, saddened by the grisly demise of his entertaining employee, was relieved that he didn’t have to fire him.
Toes had no true friends to speak of, so it was that the memorial drew only a sparse gathering of musicians, the very mobsters whose hands bore the stain of his demise, and a handful of patrons from the Sunset.
On top of his casket sat his little knife boots and a nice framed picture of a 10-year-old Toe’s. A very fitting end. And once again, Dick had his old job back.
The Sunset, as the legend goes, was where the famous Roger Miller goosing incident occurred.
It’s been said it happened at Rosas or any number of clubs in Fort Worth, but I have it from two witnesses, my father, and Dick, that it happened at the Sunset.
Roger Miller, one of future “King of the Road” fame, grew up around Fort Worth and Oklahoma and, like many stars, struggled many years in the joints before making it big in Nashville. He was worse than a half-assed fiddle player but a promising songwriter, scraping out a living by frequenting the Sunset Ballroom, Rosas, Stella’s, The Crystal Springs Ballroom, or any other club that would let him sing and play for a few bucks.
One August night at the Sunset, he sang a few tunes onstage and tortured his fiddle for the less-than-appreciative crowd. The dance floor was full of sweaty “tummy rubbing” dancers doing their best to “not pass out” from the oppressive Texas heat that saturated every corner of the un-air-conditioned joint.
An attractive couple took to the floor, the lady in her fitted peddle pushers moving her backside with a careless grace that drew the attention of the young musicians on stage.
She got that jiggling backside near the edge of the stage, and Roger Miller, being the pre-Icky Twerp idiot that he was, couldn’t resist reaching out with his fiddle bow and goosing her tush.
She jumped.. pushed her dance partner away, and slugged him in the nose. Under the influence of numerous whiskey and cokes, the injured fellow stumbled and fell into a table full of visiting mob boys who turned out to see Roger torture his fiddle and sing a few tunes.
The ensuing brawl lasted a good ten minutes, clearing out the club. Dick carried the fighters out by the collar, two at a time. The mob boys “whooped up” on most everyone within a three-table area, and the rest of the people just whooped each other. The Fort Worth police came in, assessed the situation, sat at the bar, had a free Coke, took their pay-off money, and left.
Roger was banned from playing his fiddle at the Sunset, and soon after that incident, he went on to Nashville and started writing better tunes and working in better joints.
My Mother, fed up with my father’s teetering on the fringe of certain death, finally told him to sell the place or he would be living there by himself.
Dad sold it to Dick, who, after a few months, realized the nightclub business was not for him. He sold it to a steady patron with a questionable reputation, and the club, after becoming an illegal gambling joint in the late fifties, finally ceased to exist and was demolished in the mid-seventies.
Despite its well-deserved reputation, most of the great entertainers did manage to play there; Lefty Frizzle, Marty Robbins, Bob Wills and The Texas Playboys, Bill Boyd and the Cowboy Ramblers, Willie Nelson, The Lightcrust Doughboys, and a long cast of other impressive country music acts.
One Saturday night, a few weeks before Dad sold it to Dick, Bob Wills, and his band had a show in Weatherford, Texas, that was canceled due to bad weather. Not wanting to make the night a complete loss, he stopped at the Sunset on his way back into town. Being good friends with my Dad and his mentor, Bob took the whole band on stage and did a knocked-out impromptu show. Word on the Jacksboro Highway spread fast; within an hour, the place was packed to capacity. I have an old 8×10 black and white picture of Bob and Dad playing twin fiddles on San Antonio Rose. It was a night he was profoundly proud of and, over the years, spoke of it often.
The old place may have carried a less than stellar reputation, but that long demolished building hosted some of the greatest musicians in country music.
It was too hot to play pick-up baseball games unless my buddies and I got to the Forest Park Ball Diamonds before 8 am, and the city pool was closed because of the Polio scare; my mother kept a picture of an iron lung taped to the icebox to remind me what would happen if I disobeyed her orders. Boredom set upon us, we had too much free time on our grimy little hands, so the six of us that comprised our neighborhood coterie did what any gang of young boys would do; we went feral. It was two full months of constant butt-whoopings, loss of cartoon time, and other parental vs child warfare. My buddies and I agreed it was our best summer so far.
Mr. and Mrs. Mister, our next-door neighbors and mentors, attempted to reel us in, which worked for a short while. Mrs. Mister, a wonderful mom substitute who resembled the movie starlet Jane Mansfield, would let us sit under their backyard Mimosa tree. At the same time, she served chocolate chip cookies and Grape Kool-Aid to control our restless young spirits. Fred and Ginger, her twin white Poodles, would join us and beg for cookies. Mr. Mister, when his wife wasn’t looking, would let us have a sip or two of his ice-cold Pearl beer. We were bad assed and nation-wide.
This was the summer we declared war on our school tormenters, the older boys across the tracks known as “the hard guys.” And thanks to Mr. Mister and his military and engineering experience, we successfully implemented a detailed plan and defeated our nemesis. Sidewalk biscuits with implanted cherry bombs and a small Roman Catapult designed by Mr. Mister played a role in the defeat. Instead of feeling remorse for injuring our schoolmates, the battle made us insufferable and meaner, fueling our summer of feral behavior.
Our parents and Mrs. Mister were shocked and bewildered. Fifty or so butt-whoopings with everything from a belt, switch, and a Tupperware pan, didn’t phase me or my gang. The three girls in our neighborhood, our classmates, were all tomboys, and they said we were now “too mean” for them to associate with. Cheryl, our center fielder, the only girl we would allow to play on our team, called us “mean little shits.” Those are pretty sophisticated words from a seven-year-old gal, although we knew some of the good ones we heard from our fathers.
Skipper, or resident math wiz and duly elected gang leader, had the “Hubba-hubba’s” for Cheryl and gave her his tiny Mattel Derringer cap pistol as a sign of affection. He found it on his front porch one morning with a note from her mother that read, ” stay away from my daughter, you mean little shit.” Now we know where her scoffing comments came from. He was crushed, of course, but he was young and felt much better after he blew up Mr. Rogers’s mailbox with a cherry bomb. Firecrackers and high-powered fireworks secretly supplied by Mr. Mister played a big role in our feralivious behavior. The two neighborhood garages that caught fire were blamed on us, and Georgie, with his love of matches and lighter fluid, may have had something to do with those fires, but he wouldn’t admit to it.
My parents started taking Miltowns, an early pill similar to Xanex, and most other parents began drinking more than normal. Mr. Mister was called in to negotiate a truce, but secretly, he was on our side. He felt boys should have the right to cut loose and show their young oats, even though we didn’t have raging hormones, underarms, or pubic hair, which we anxiously awaited.
Our parents had enough of our feral behavior, and one Saturday evening, there was a hot dog party in our backyard. All my gang was there, as were their parents. Ice cream and a cake were served along with burnt wieners, and the Misters were there with Fred and Ginger. It was a downright ambush, the predecessor to the popular “intervention.” Our parents let us know that the next stop for us was “The Dope Farm,” an institution where malcontents and little hoodlums were sent to do time. We knew the stories about the place. It was out of a horror movie, and Father Flannigan wouldn’t be there to save us. It was time to clean up or be locked up doing hard labor and eating maggot-infested gruel. No more baseball, cartoons, or Mrs. Mister’s cookies and Kool-Aid. We huddled, agreed amongst ourselves, and promised our parents we would walk the righteous path of the good child. We did for the most part, but we hid our stash of cherry bombs for the next summer.
The Devil’s oven has descended on our renowned small town of Granbury. It’s hot, so there is no reason to piss and moan. It’s July, so we get over it, mostly.
Every year, the 4th of July weekend brings thousands of folks to the square looking for something they don’t have in Fort Worth, Dallas, Waco, or somewhere in rural Texas. The lake itself is a big draw. It borders downtown, and at least two thousand overloaded pontoon boats and jerk kids on jet-powered crotch rockets, ripping up the water.
Throngs of folks in SUVs and expensive pickup trucks show up and wander around the square, drinking beer in clear plastic cups. A few of the restaurants sell it in pop-up minibars along the streets. Men with a cup of beer in each fist, and women with their cups of white wine, walking, stumbling into shops, buying up everything they can find; great for the merchants, tough on the locals who want to enjoy some of the festivities.
We have a square that is the epitome of the old west. White rock buildings were constructed in the 1800s, with narrow streets and quaint shops. The Paramount television series 1883 was filmed in our town square and the countryside around us. Being voted the best small historic town in the country for four years has much to do with the invasion. I am noticing more young folks now than in years past, and that’s a good thing. The old folks are too tired to walk around in the heat, and they don’t spend much money and tend to only drink one beer if that.
MoMo and I sat at our usual picnic table at the Brew Drinkery on Pearl Street, enjoying a craft beer, some chips, and people-watching. Young folks, and old folks dressed in red-white-and-blue attire, some with hardly any attire, some with too much attire, dogs with clothes, dogs with shoes, big dogs pulling small people around, folks with too many kids to corral, and everyone has a clear plastic cup of beer. Cheers and a happy Fourth of July from Granbury, Texas, and the Cactus Patch.
Notes From The Cactus Patch 