Part 1 of a series about becoming a rock n roll musician in the 1960s

Every boy fondly remembers his first; be it a gun, an armpit hair, a pimple, a girlfriend, a school dance, a beer, his first shave, a car, or his first electric guitar. Well, maybe most boys never got an electric guitar, or there would be no Beatles or Beach Boys, and there would not have been anyone hearing or dancing to the music because all the teenage musicians would be on the stage playing for each other; just an opinion. Not me; I did receive one, much like the Japanese-made instrument in the picture. I remember mine had maybe one more pickup and a few more knobs that did nothing, as well as three of the pickups. But it looked so darn cool.
I had graduated from a Gibson J 45 acoustic to needing an electric guitar and amp so I could become the American equivalent of George Harrison: thanks to Ed Sullivans having the Fabs on his variety show and tricking me into believing mere mortal teenagers could replicate the lads from Liverpool. Having been in the music biz, my father knew others who owned music stores. He procured me a nice-looking Japanese-made instrument, along with a Sears amplifier. The neck had no truss rod, so within a week, it warped; a case would have been nice, but nope, it might cost a few bucks. My pop wasn’t known as Mr. Cheap-O because he was a philanthropist. The amp was pure junk: five watts of power on a good day, a 10-inch speaker, which blew out in a few weeks, and it stopped working completely after a month, leaving me to bang away with no sound. It didn’t matter; the strings were a good 1/4 to 1/2 inch from the fretboard, so I could only play for a few minutes before my fingers spasmed and locked up. My left arm had the muscles of Popeye.
Duane Eddy I was not, nor anything near George Harrison. My father, upon examining the condition of my gear, realized his frugal ways may have bitten him and me in the butt. He apologized, sent the guitar to a shop, procured me an even worse amp and the cheesy guitar returned in the same condition. I saw the reflection in my crystal ball, accepted my defeat, and went back to the acoustic, which I couldn’t find, and was told my father had loaned it to one of his cousins for a while. The guitar was missing. It seems the cousin thought it was a gift and sold it to a friend, who sold it to another, and so on. I was now stuck with an unplayable doorstop. Some years later, I did track the J45 down and got it back, only to lose it again in an unfortunate accident involving the Gulf of Mexico. More on that later.
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Somebody we know should be writing those memoirs. And you got MoMo to keep you honest.
Off and on worked ten minutes or so to become then next Klapton. Had an F-hole Gisbson (of dubious provenance) someone had modified to be electric. Sold it to a nutcase just before he jumped out of a second floor barracks window and got DD-shopped home certified. Left me the guitar which I sold again to a bona fide Libbie (even back then I knew) who now has it in Tacoma, I guess. Sure hope that Gibson doesn’t find me again. At my age, couldn’t suffer the shredded fingertips.
You keep writin an I’ll keep readin (and enjoying).
Later. Here comes Ward.
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The Hardy Boys could’ve solved the mystery of your missing acoustic guitar long before its demise. I’m eager to learn it’s fate! 🙂
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Will cover the mystery in an upcoming post about my days and nights in the rock n roll biz back in the day ( 1960-70).
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Nancy, the fate of the poor guitar will explained in a few more post of this series. I still have dreams of that guitar and it’s dastardly demise.
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I like the look of some of those Japanese guitars with knobs, switches, and everything else but…no truss rod is not a good thing. My first guitar was an Epiphone acoustic…a decent guitar…my first electric was a 1976 Fender yellow Musicmaster which I still have and is hanging beside me right now.
That guitar went everywhere with me… That sucks that you got that acoustic back and then lost it.
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An upcoming post about my induction into the lodge of rock n roll. It didn’t meet a good end.
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I love the stories…Oh I left my email on last night’s post…
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Bought my first acoustic guitar in the 50s, a no-name thing. Learned four chords and dreamed (dream dream dream) of becoming the third Everly brother. Had a uke during my Army days ’cause it fit better in my locker and I was more into the Kingston Trio by then. Did some campfire chording on another acoustic when I was a youth leader at church. Never did progress much beyond the four chords, and a few “fake” ones. Finally gave the last acoustic away to my grandson, who can actually make music with anything he puts his hands on.
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One thing about a guitar, if you know three or four chords, you can play almost any tune. Taylor Swift knows 4 chords and does alright. I have a uke that my wife gifted me, I play it sometimes and also my mandolin.
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You’ve hooked me on this one Phil. CB loves a good guitar story. My fret boarding is on par with El Kabong and the Honkey Tonk Man.
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Wish I would have kept that guitar, those old Japanese ones from the 60s are worth a fortune because of the hot pickups they used.
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