This is the song that our band recorded at Summit Sounds in Dallas, Texas, in 1968. Produced by Marvin (Smokey) Montgomery and Artie Glen. Both Marvin and Artie were Light Crust Doughboys and record producers. Marvin produced the song ” Hey Paula,” and many of Delbert McClinton’s, and Bruce Channels records. Delbert played harmonica on “Hey Baby”. Artie Glen wrote the famous hit for Elvis, “Crying In The Chapel.” Bob Sullivan was the sound engineer on our record, and he also worked as the sound engineer for the Rolling Stones and a few other famous rock groups that chose to record in Dallas. The original recording featured guitars and organ, but Marvin wrote horn parts and added them later, giving it that Chicago and Tijuana Brass sound, which was just emerging around that time.
After a few months of rehearsals and gigs with our new members, Danny and Marshall, Alice, our manager, announced that she had arranged an audition for a female singer for the band. No consulting the boys on this one; it was full ahead. Alice had good ideas, so we rolled with them. She thought some familiarity would add depth and make us more audience-friendly, since we were a bunch of surly young men with longish hair and the attitude to accompany our looks.
She knew someone who had a neighbor who knew another neighbor of a family who lived next door to a lady who attended church with a woman who had a daughter who sang in the choir at school and did solos at church, so Alice, one step ahead of us, escorted her into the practice room and announced, ” Boys, this is Miss Janelle.”
In walks this teenage girl with a full-grown woman’s head of long hair piled up in a big bump on top, then falling down past her shoulders. She was a dead ringer for Bobbie Gentry. But could she sing?
A TV dinner tray sat by Marshall’s organ, used for drinks and lyric sheets, so the auditioning singer pulled from a Coppertone beach bag a few record albums, a book of lyrics, a TAB cola, and a framed 8×10 autographed photo of Bobbie Gentry. Now we knew why she looked so much like Bobbie Gentry…she dug the gal.
Danny asked Miss Janelle what songs she knew. ”
Do ya’ll know any Dusty Springfield, Petula Clark, Diana Ross, LuLu, Sonny and Cher, Marianne Faithfull, April and the Flowers, Dione Warwick, Lesli Gore, Ronnie Spector?” she asked.
Danny said, “Nope, we are a rock band, not the Ed Sullivan Show.
That kind of busted her bubble a little bit. “Well,” she says, ” How bout some Bobbie Gentry? I just love her, and she is my favorite singer in my whole life.” We had already figured that out from the picture and the hair-du.
Our inquisitive drummer, Barry, interrupted her: “Isn’t that the song where she and the boyfriend throw a baby child off a bridge into the muddy river?”
Miss Janelle whirled around and yelled, ” No, moron, she didn’t throw no itty-bitty-baby off a bridge; it was a bouquet of Mississippi wildflowers to solidify her big love for her man Billy Joe Macallister, but then he got caught dating his auntie’s pet sheep, causing him to jump off the old bridge into the muddy Tallachee River. Bobbie sent me a letter, along with this picture, explaining the whole song, but I promised to keep it a secret. We’re friends, you know.”
She thinks hard for a minute, then says, ” The only Rock-N-Roll song I know is Gracie Slick’s Somebody To Love. Ya’ll know that one?” We sort of knew it, so we gave it a go.
The lass let loose and was jumping around like Tina Turner, hair flying everywhere, strutting and shimmying, doing the Bug-a-loo, the Monkey, the Watusi, and a few others while singing. When we ended the tune, Marshall, our organ player, was staring her down with those big pansy-boy watery Puss-N-Boots eyes. He clearly had a severe case of the “Hubba Hubba’s” for this gal. Danny told us that this happens about once a week, and he will be alright once he gets home and eats his mama’s hot supper. Alice announces she is marvelous and is now part of the band. Okey-dokey.
At the next rehearsal, Miss Janelle comes in with red eyes and mascara trails down her cheeks. All sniffily and weepy, she says, ” My boyfriend said I can’t sing with a bunch of degenerate rock musicians. We are in love, big-time, and I must quit the band now.” Still in the grip of the Hubbas-Hubbas, Marshall puts a consoling arm around her shoulders and tells her, “It can’t be all that bad.”
She barks at him, ” Shut up, Moon Doggy….It’s my party, and I’ll cry if I want to.”
And with that, she packed her Coppertone beach bag with her albums, lyrics book, TAB cola, and the autographed picture of Bobbie Gentry and left, leaving the air heavy with teenage perfume, hair spray, and juicy fruit gum. Then…..More to come in my series.
“So you want to be a rock and roll star? Then listen now to what I say Just get an electric guitar Then take some time and learn how to play”…The Byrds 1967
After the family moved from Fort Worth to Wichita Falls for six painful months and then to Plano, Texas, I met a classmate and fellow guitar player who was also bitten by the “rock-a-rolla” bug. He knew another guy on his block who played guitar and owned a Fender Bassman amp, which automatically made him a band member, and he knew a neighbor across the street who was a drummer with a snare and one cymbal. He also knew a kid with another cheap Japanese guitar who would part with it for $10.00. I snatched it, bought his Sears amp for another $15.00, and was back in “the biz.” Hours of practice produced twenty songs, which we could repeat at least once or twice by shuffling them around and changing singers and keys. Our first gig was at the Harrington Park Swimming Pool, Plano, Texas, in the early summer of 1965.
The Dolphins: left to right: Jarry Boy Davis, Warren Whitworth, Ron Miller, Jay-Roe-Nelson, Phil Strawn
Guitar tuners hadn’t been invented yet, so we used a pitch pipe and got as close as possible to A440, and apparently it wasn’t close enough; we sounded like hammered Raccoon crap on grandma’s china plate. It was a humiliating experience. In my playing frenzy, I broke my B string and had to play with five strings. Then our amplifiers went south because the outside temperature was over 100 degrees and we were in the direct sun. Then, the drummer’s head on his snare split, his cymbal fell over and cracked, and Jerry Nelson, another guitar flanger, tripped on an extension cord and fell flat, damaging his Silvertone guitar. Our third guitar player, Warren, came into contact with water splashed from the pool onto the concrete while touching the strings of his electrified, ungrounded guitar, resulting in a bad electrical shock. Hair frizzed out, smoking from his ears, and burns on his fingers; he finished the gig, not knowing who or where he was. The grand debut ended with sympathetic applause, and the pool manager refused to pay us, even though our contract stipulated free burgers and shakes. Warren, our previously electrocuted guitar player, got into a fight with our drummer, and the two rolled around in the gravel parking lot for a while with no clear victor. We thought Warren was a trooper, considering the amount of electricity that had almost fried him an hour before. Bad music tends to piss folks off. The final curtain was when my pal Jarry discovered his Mustang had a flat tire, so we had to call our parents to rescue us. Welcome to the rock n’ roll music business.
From 1966 into 1967, the band continued with better gear, a new drummer and bass player, and a different name. We were now known as “The Orphans.” A strange pick since we were all middle-class guys with full sets of parents, but Barry Corbett, our drummer, thought it sounded tough and a bit rebellious. Barry may have been the biggest rebel of the four members, listening to Frank Zappa and Spike Jones and teaching himself to play the Sitar. George Harrison’s influence led him into the realm of Indian music, which he fully embraced to the point of obsession. He developed a strange Peter Sellers-type accent, wore a red dot on his forehead, and had two high school girls follow him around town, wearing white robes and playing with small cymbals attached to their fingers. He was also a rudderless musical genius and would soon lead us into the semi-big time and the really big show.
Alice Davis, Jarry’s mother, was now our official manager and did a wonderful job. She knew people and had connections and was not afraid to use them or to press a business contact into hiring her band. We were booked around Dallas and Fort Worth most Friday and Saturday nights. We made some good cash from high school kids, but spent it all on new equipment and clothing. Band members were in constant rotation. Teenage musicians proved to be an unreliable commodity.
Our keyboard and bass player left us for high school football, again, leaving three of us. Calls went out, Alice worked the phones and contacts, and we auditioned two musicians from McKinney, Texas. Danny Goode, a bass player/singer and former member of the Excels, and Marshall Sartin, church organist, classically trained pianist, and blues guitar player. We played a few songs as a five-member band and almost passed out. It was as if the ghost of Phil Spector had brought us into that practice room at this appointed time in the universe, which was strange because Spector was still alive and kicking in Los Angeles.
The Orphans. Left to right front: Jarry Davis, Danny Goode. Left to right rear: Barry “Lil Spector” Corbett, Phil Strawn, Marshal Sartin
Miss Alice was religiously overcome with musical emotion and experienced a spell of the rock n’ roll vapors that led to seating herself with a double Jack Daniels and branch water. Barry, our drummer and musical genius, had an epiphany and went to work on arranging our music and vocal parts, showing Marshall how to play them on his Farfisa Organ, which was another strange thing; Jarry and I didn’t know Barry could play the piano, or, as we soon found out, the guitar, the trumpet, the sax, or the vibes. We dubbed him “Lil Spector” in honor of the famous Wall of Sound producer.
After the Miss Janelle Bobbie Gentry-infused tenure that ended in a puff of hairspray and perfume, the band took a vote: no females allowed. Marshall was still recovering from a severe case of the Love Fever Hubba Hubba’s, and we needed him in good condition for our upcoming gigs.
Miss Alice grew weary of working the phones, dealing with clubs and booking gigs, her realty business was suffering and needed her attention. She arranged for us to be managed by an upstart agency called Mark Lee Productions of Dallas, Texas. Mark was a go-getter and had more connections than Bell Telephone. His one and only main band, Kenny And The Kasuals, had just released a great 45 that was climbing the charts, so we were excited about working with him. We signed on the dotted line of a ten-page contract that not one of us read. Why bother? We were young and full of piss and vinegar: point us in the direction of the stage and plug us in!
Within twenty-four hours, The Orphans were booked into some of the hottest venues in the DFW: The Studio Club, LuAnns, The Pirates Nook, Phantasmagoria, Teen A-Go-Go, and The Box in Fort Worth. Mark Lee was turning down gigs because he had only two bands. We wouldn’t have Friday and Saturday nights free for two years, and even less free time in the summer, when bookings took up most of each week.
We were booked to play a Christmas party for Parkland Hospital at the famous Adolphus Hotel in downtown Dallas. Pulling up to the front in our 57 Caddie Hearse caused a stir. The bellman politely told us the bodies were picked up at the rear. We got the joke and proceeded to the loading docks. The party turned out to be for the doctors, nurses, and administration folks. In the next ballroom, Braniff Airlines was having its Christmas party, but with no band. It didn’t take long before the airline parties spilled over into the hospital party, and that’s when it got crazy.
These people, supposedly responsible adults, were dancing on the tables, had a conga line going on the bar top, and we had our own go-go dancers on either side of the stage. Three of us were under the age of 18, but that didn’t stop the inebriated partiers from pumping us full of hooch in the form of cute little airline bottles. By the last set, we had gone from charming and talented to stupid drunk and were glad the gig ended. We couldn’t locate our keyboardist, Marshall, so we loaded up his gear and headed out. He showed up a few days later with some dumb-assed story he couldn’t talk about: the Hubba-Hubba’s got him again.
Here in Texas, we have a pickup truck full of local sayings and down-home descriptions, and one of our favorites that covers most of our female-induced situations is called ” A Hot Mess.” Sounds sort of like a hormonal-induced biography of Marilyn Monroe’s or Elizabeth Taylor’s life. What it really means is everything is “FUBAR,” another good one that came out of WWII. My father wouldn’t tell me the real meaning until I was a teenager. F…. Up Beyond Any Repair, you get the drift. All of us kids used it, because all of our fathers served in WWII. We heard it daily.
I can clearly hear those angelic acidic voices of my mother and grandmother talking about an unruly cousin (usually Cookie) or an aunt or uncle, or a neighbor being a “hot mess,” or a situation that is out of their control, which was usually me.
I wasn’t a bad kid; like Sinatra, I did things my way and paid for it in the usual way: a Tupperware, 9″ x 12″ hard plastic cake storage container to the butt. I still have a faint Tupperware emblem scar embedded in my left buttock, a free lifelong birthmark compliments of my sainted mother with the arm strength of an NBL pitcher. Then, to make matters worse, she put my birthday cake in the same container, and I had to suffer the humility of blowing out those candles of that lovely cake sitting atop that cruel instrument of punishment. Dr. Johnson, my pediatric MD, would always ask me about that scar when giving me my monthly penicillin shot in the butt for whatever ailed me. It was a fairly new drug back then, so you got a shot for everything. He would say, “Well, at least she made you a cake.” He was an old Army doctor and smoked unfiltered Camels while he examined me. I think he died young while mowing his lawn.
If I’m seeing things right, this country is in a “hot mess.” We got ragheads with missles and exploding drones blowing up large oil filled ships sitting in bean bag chairs working their Gameboy controllers, I-ugh-atolla’s killing all the young folks that want a normal life, crazy ass socialist trying to take over our governement, and are succeeding, a smiling sleezy-assed commie mayor of New York trying to turn one of our greatest cities into a third-world shithole, a million Somali’s ripping off us taxpayers and driving around in Lamborginis and Porsches, Lake Wobegon has gone to hell, and all the strong women and good looking men and above average children have left and moved to Texas and Florida, even old Garrison split for New York and is now trying to escape from Madison Ave to somewhrere where he can go for a walk without hearing a call to prayer five times a day on a sound system bigger than Lynard Skynner’s. I’m telling you folks, we are in a “Hot Mess.” One thing about Texas is, we all have guns, ammo, lots of coldbeer and pork rinds, HEB frozen pizzas, and we are pissed off most of the time because it’s so hot, so the “Hot Mess” the rest of the world is in doesn’t faze us that much. Governor Abbott already issued hunting tags for all the terrorists we want to shoot; limits don’t apply, and the taxidermy mounting fee is fifty percent off.
Don’t get me wrong, we still have a “hot mess” down here, but ours isn’t as bad as it is where you are. So, if it gets unbearable in your hometown, come on down to Texas; we’ll watch out for ya.
This picture is only partially AI-generated. Me, the hair, the hat, the background, and the Mandolin are real; the suit is taken from Porter Waggoner. I hate AI.
Being a native Texan is a damn challenge, and not every one of us can pull it off without a series of small nervous breakdowns, panic attacks, and, of course, a few bottles of coldbeer (it’s considered a form of cultural blasphemy to pronounce it as two words in Texas). So, we tend to meld our words into one; it makes it easier to speak without sounding like a high roller walking around in high cotton. We do have our own language down here in the Lone Star State.
I consider writing my job now, perhaps my trade. So far, I’ve not made a nickel for any of my literature, possibly because it’s about Texas, my childhood, country music, and all the characters I’ve met along my journey on the lone prairie. There is a book of short stories in the works, but an addled mind has a problem picking out twenty of the four hundred I’ve written over the decades.
Gardening was a passion for a while; I became a master gardener and imagined my landscape to equal George Harrison’s Friar Park or Martha Stewart’s backyard. It’s too hot in this part of Texas to keep anything alive, so all of my plants are expiring, begging for me to put them out of their misery. I had a small service for two purple Salvias this morning, and last night, I saw another Rat at our bird feeder. Momo would cook for the little Avians every morning if I didn’t stop her.
Music would be my other pursuit of happiness. Still, I mostley play with our church band, which is primaraly worship songs: ain’t no Amie, The Weight, or Like A Rolling Stone getting played in the sanctuarary, even though we have the intrumentation to pull it off, and some of the musicians actually can play that type of music, mostley myself since I am the oldest old codger on stage and the rest of the bunch is in their 40s, and that leaves me as the “old relic from another era, the Woodstock generation, that played Hendrix and The Band, and tried to change the world, but failed miserably and had to go back home with our collective tails between our legs. Our parents laughed, “See, you stupid ass, we told you so.” They were half-right.
My main interest now is Mandolin: bluegrass, jazz, country, the music played by Ricky Skaggs, Sierra Hull, Mike Marshall, Sam Bush, Molly Tuttle, and Billy Strings, and of course Bill Monroe.
When I was a wee child, maybe five, my father brought home a tater-bug mandolin, likely given to him by a musician friend. I learned four or five two-finger chords, and then grew bored with the instrument: Cartoons were more interesting. My father was a professional country fiddle player, so he should have whooped my butt and made me stick with it, but my mother intervened. One musician in the home was more than enough. Now, that I’m older and bored with the guitar I’ve been playing since the age of twelve, I’ve gone back to the Mandolin and fiddle. I’m much too far down that rabbit hole to stop, and Momo, my wife, says it’s the only thing, except a trunk full of medications, keeping me alive: she is always right. If I stopped playing, within twenty-four hours I would assume room temperature and the paramedics would have to bag me and haul me away. So, I keep playing and writing. It’s a vicious circle, one that I created for myself. There is no escape, and I can’t take it with me when I go, and neither can any of you reading this. Everything stays here except your new suit and no shoes.
We are taking a road trip to Mount Rushmore in September, and I hope that seeing those big faces, Custer’s Last Stand, and maybe Yellowstone will revive us and add a few more years on our punch card. I plan to watch Not by Northwest before we go, so I can see how I could climb on Teddy Roosevelt’s nose and not fall off. I also have plans to run with the Bison, which is the newest form of self-destructive dopamine hits that old folks do these days. I’ve always wanted to pet a Buffalo, or a wolf, so this will be my chance.
I’m no travel writer or influencer, so don’t expect anything spectacular or even interesting when we return. I may do a Podcast full of rants, but that would be it. God Bless the Alamo and Texas.
If Frank were still around, he would be giving his mafia buddies a call to do something about this grinning commie Rat-bastard who got himself elected mayor by the young nepo-elitist children of the rich democrats. Frank was a Dem, but from a different era, when it meant love of country and, of course, JFK, Jackie, Marilyn, and Ava. I read today that the old handsy storyteller from Minnesota, Garrison Keillor, is pissed that his taxes on his multi-million dollar townhouse are going to be doubled, so he is going back to his cozy little Lake Wobegon, that mythical magical place where all the women are strong, the men good-looking, and the children above average. Sounds like a tidy place to reside.
Give New York City a year, and all the party girls will be covered in Burkas, the single Beta-sexual men will be dating goats, and the Build A Bear stores will be converted to “Build A Bomb” stores for all the newly indoctrinated child terrorists. Sounds like we need Supergirl, Superman, Super Dog, Cat Woman, Soupy Sales, the Fantastic Four, and maybe Batman to fly into Laguardia. My son and his family briefly visited there on their way to Niagara Falls, and he thinks his DNA may have been damaged.
So this is what our nation has come down to: Socialists, communists, foreigners, and non-citizens calling the shots, and we sit back and do nothing while they steal our country and tax money from us. If you are a Democrat and read my blog, I’m calling you out. It’s nothing personal, only the way 88 million more Americans and I feel.
Let me rub some more Gulf of America sea salt into our gaping national wound: guess what! Hollywood is as dead as a Rat that just ate a piece of yummy bait inside the guts of my hot tub. Fort Worth, Cowtown, home of the shit-kicking, rodeo-riding, pickup-driving, cowboy-boot-wearing country music playing and listening boys and girls, is now the new Hollywood, thanks to a real cowboy-turned-producer, Taylor Sheridan. The girls here in Fort Worth don’t need Ozempic; they look quite nice in their Wrangler jeans and Justin boots, and they live off of Mexican food, Whataburgers, and Shiner Bock.
It would be nice if old Blue Eyes could come back for one more concert at Madison Square Garden, now that Taylor Swift is a has-been and Ella Langley, a true country artist, has outsold Mariah Cary and the long-gone Whitney Houston for fourteen straight weeks with “Choosing Texas.” Yeah, take that LA music machine.
None of this is political; it’s just how I feel most of the time. Hold my beer and watch this, hide and watch, and get off of my lawn.
Is It Really This Damn Hot In Texas, Or Did I Accidentally Set Myself On Fire With A Cherry Bomb?
I recently read that only two of the original members of The Grateful Dead are still breathing, which is a feat in itself considering all the drugs and other things they ingested, not that they remember any of it. Now, are they ‘truly grateful they are not dead quite yet?’ Old musicians are the biggest whiners. Springsteen is now a competent politician and is glad to tell you about his breakdown, when he isn’t trying to remember which chords to play on his out-of-tune Telecaster, which doesn’t say much for him, since there are no competent politicians and he is no musician. He can’t sing anymore, not that he ever could; hell, even Bob Dylan sounded better than him, and at least Joanie could harmonize with Bob, and The Band did all the heavy lifting.
I was outside for a short while yesterday and came back in with brown, crusted skin akin to homemade bread left in the oven a few minutes too long. It was 106 degrees in the shade, and 138 degrees in the sun. My hair is at least two shades whiter thanks to the sun bleaching. Momo believes I suffered a mini-sun-stroke, or something similar, but it’s actually early onset Dementia, or Oldtimers, and my neurosciencetist comedian doctor gave me some cute little pills to take care of it, says in two months I’ll be 25 percent better as long as I continue to play my instruments, which stimulate my brain and keep me focused on something other than sitting by the window and waiting for the postwoman to deliver the junk mail. I asked him if, if I upped the dose, I would be 50 percent better in four months. He has a nice laugh and drives a Tesla. Momo is a retired RN, so she knows he’s full of shit.
Now I sit in my music room, play my mandolin all day, and write nonsense on my computer. Soon, I will embark on my podcast adventure using my Garrison Keillor whisper voice combined with the folksiness of Walter Brennan talking to Pepito about driving the tractor through the living room of the farmhouse. Of course, being a Texan, you won’t be able to understand my accent, so I’ll attach a scrolling screen of the words I speak for those of you who don’t speak Southern. How in the hell did Terry Southern, Larry McMurtry, and Truman Capote ever make it through life with their Southern affliction? I believe Taylor Sheridan would appreciate my unique vocabulary in one of his many TV shows that are filmed around our town.
My buddy, Mooch, is turning 80 next month, and wants he and I to get together for one last songfest on our guitars. He can’t remember the lyrics, I can’t remember the chords, and neither of us can carry the heavy equipment, and our drummer is reduced to playing Ricky Ricardo bongos (without Lucy), so it is bound to be entertaining. We had our rock days back in the sixties, so it deserves one final suck on the oxygen tank and a geriatric version of Inna Gadda Da Vidda, Wagon Wheel, and Blackbird.
It has to be me, or the results of my brain injury from five years ago: but have you noticed, the times have changed, and Dylan knew it was coming, and it started about the time he was swapping spit and writing prolific pot inspired lyrics with Joan Baez. Sitting in that crappy New York apartment, plucking on that old Martin guitar with a bowed neck and rusted strings. Bob was poor as a hobo with no soup can, and couldn’t afford new guitar strings, so Joan boiled them in water and vinegar, and he got a few more months out of them. That trick actually works; I’ve tried it, and it’s good for your finger calluses as well.
Dylan knew the Beat crowd was old history, at least everyone but Kerouac and Ginsberg. He knew the Commies were already here and planning to ruin our youth with their pious speil, and now their spawn has taken up the red flag of Mao. Pete Seeger told Bob about Woodie Guthrie and his Fascism killing guitar, and he thought, “well, if Woody can do it, so can I,” and he did. Joan was far too clingy and wrapped him in her musical web, so, of course, he had to ditch her after the Newport Folk Festival, at Johnny Cash’s insistence. ” Walk the line boy, get yourself a gal with some meat on her bones and can cook a pot roast with carrots and taters, and your song writing will soar” says ole Johnny C. Bob was as obstinate as a politician, and didn’t heed the advice, but he did spit out some more tunes, had a motorcycle wreck and met a group of musicians from Canada, and one from Arkansas, that fit his style. He made them as famous as himself.
The Beatles had already come over the pond and changed folk-loving young folks into mop-top-dancing fools. Spectors wall of sound still ruled the studio, and Brian Wilson was writing as fast as he could in between nervous breakdowns. Whose hand were we supposed to hold? That hair across my forehead gives me pimples. Chubby Checker had a conniption fit because the Fabs stole his song about the twist and added a shout to the title. Nobody did the twist anymore; that was for parents’ martini parties at the country club and basement parties in New Jersey.
The times started to change. I got an electric guitar, ditched the mandolin my father gave me, ditched the violin, and he loaned my Gibson J45 to a relative who never returned it, so the times changed for me. Kennedy was still in office for a few more months before our deep state took him out, and Nikita was pounding and breaking everything with his size 10 Gucci leather shoe. A breathy speaking Jackie invented Camelot, JFK was humping Marilyn, and the world was on the brink of a nuclear war as Castro was rolling cigars for Nikita. I kept playing my electric guitar; it didn’t faze me in the least. But Bob, he was writing songs about all of this Alice in Wonderland, Fantasia-inspired world his head was in. The times had changed in a matter of months. Was it history, or did Bob inspire it? Maybe a bit of both.
Then, Dylan picked up a Fender Strat, plugged into a Fender Super Reverb amp, and Al Kooper made the Hammond B3 church organ into a legend. The world was aghast. Peter Paul and Mary had a collective breakdown, and Joan was history, still writing those tired songs and whining about a long dead Joe Hill.
Russia was on the move. Their young folks wanted Dylan, and the Beatles, but Nikita wouldn’t let them in, so they became good little Communist and toed the line, much like our own good little socialist commies are doing today. With an Ivy League education, you get two worthless degrees, one that wont do you a damn bit of good, and the other is a masters in socialism. Nikita would be proud of New York City these days. A Commie Islamist smiling Devil for a mayor, my-my, Dylan knew it was coming. He warned us as Pete and Woody had before. We didn’t listen to the music close enough.
Momo and I are creatures of habit, wandering through the peculiar tapestry of our country, mainly the desert southwest and the mountains of far West Texas. Drawn like a moth to a porchlight, time and again to the whimsical embrace of a certain town.
Marfa, Texas, stands as a solitary beacon of floating lights in the mountains amidst the vastness, nestled alongside its mysterious neighbors—Alpine and Fort Davis—forming a curious landlocked Bermuda Triangle of odd happenings in the Chihuahuan high desert. Strange lights, ghostly apparitions floating around town, young hipsters from Austin that migrated to the new Nirvana, only to find out that it costs more than they can afford to live there, and who will buy their third‑rate art and used clothing? The local folks call them “Marfa Surfers.” Either the surf is up or down, and then on to the next beach. The average shelf life for these young gypsies is around three to six months: then it’s back to Austin, where their air of weirdness is commonplace.
Each visit finds us returning to the Hotel Paisano, a historic haunt where the stars of the film “Giant” once breathed in the same desert air, their whispers still echoing through the adobe walls, reminding us of the historical stories that linger in this town.
There exists an ever-growing assembly of characters, primed to share the local tales intertwined with a potpourri of exaggerations, all while maintaining a devilish demeanor as they weave their narratives, and Planet Marfa appears to be their favored stage.
Sagebrush Sonny Toluse was my favorite from our last visit. Sporting a long white beard and a wooden leg, courtesy of a large desert dump of toxic nuclear waste from the 1945 Atom Bomb. The waste was eaten by a group of escaped Chihuahuas from a breeder in Persideo, which turned them into vicious, mutated killer mongrels, which in turn relieved him of his right leg. I believed most of it, but truthfully, he’s full of crap, but it was fun crap. I was hoping to run into him again, ply him with beer, and hear a few more stories.
As luck has it, he was at his usual seat at the end of the bar, looking much worse for wear than two years ago. The dry desert air is supposed to preserve one like an Egyptian mummy, but Sonny may be the exception. He looked as if he had been vacationing in Hell and just arrived home that day. His drinking a case of beer a day is not considered medicinal or practical, and he was smoking two cigarettes at a time with a third sitting in a classic Hotel Paisano glass ashtray, ready to be lit. I didn’t see money on the bar, so the kind young bartender likely lets him drink for free these days.
I saddled up beside him, and he remembered me:
“You’re the fella from Fort Worth who liked my stories,” he says.
“Yep, that’s me,” I reply. Mister gullible, but interested enough to listen and use what he tells me, even though much of it is a tall tale, and I do know something about that genre.
I ask the bartender to bring Sonny two beers, on me. He appears to have had more than a few already, but I can sense he is ready to orate a few of his tales. It’s then that I notice he is wearing a black patch over his left ear, and his left arm is missing: his shirt sleeve is held in place at the shoulder by a safety pin, and there is a large area of his scalp on the left side that is bare of hair. The poor man looks like a wreck, so I ask if he was in a car accident. He drinks his beer in one gulp, lights his third cigarette, and I can sense he is going to explain his ghastly appearance. Momo is sitting under a canopy, enjoying a beer, texting, and taking a few pictures. A light rain has started to fall.
Sonny wastes no time and begins his story.
He speaks in between deep draws of his cigarette and swigs of his fourth beer, ” Back about a year ago, I was driving on the highway over by El Cosmico, you know that bunch of hippies from Austin that live in those tents and trailers. There was this 1960s Fairlane station wagon with the hood up, spewing steam, and a family standing by the side of the highway, so I stopped to help. The man said they were from Minnesota and were looking to set up camp in the desert, but couldn’t afford to rent a space in El Cosmico. They were a ragged-looking bunch, three kids, all wearing boxer shorts and sneakers, long hair with fishing lures woven into it. The wife, who called herself Sassy, was cute, but kind of a smart ass. The guy, Tiberius, was really nice. I told them there’s an old abandoned campground about ten miles out that might fit their need, and it has a little pond the kids can swim in. After I put some water in their radiator, they followed me to the spot, which is way out yonder in the desert. When we got there, they were excited to see a few Yurts that were still livable, so after I got rid of the rattlesnakes, they moved right in. It was getting dark, so they asked me to stay for supper and spend the night. I had a cooler full of beer, and they fixed up some beans and weiners and sat around the campfire swapping stories. That’s when I told them about the toxic killer Chihuahuas that roamed the desert at night, and that’s why I have a wooden leg cause they chewed the other one off. They thought I was full of crap and got a big hoot over my story, which was really a warning: this place ain’t safe at night. They laughed so hard, the wife wet her shorts, and they thought I was telling a tall tale. Around midnight, we all said goodnight and hit the hay.
I ordered him two more beers and a fresh pack of cigarettes, and he continued, ” I was sleeping in my truck, and during the night I had to pee, so I hobbled a few feet away from the truck, because at night, I take my wooden leg off to give my stump a rest. That’s when the little demon Chiuauas jumped me. They had been hiding under the pickup, waiting for me. The little demons got me down, chewed off my left ear and most of my left arm, and took a good part of my scalp and hair, which was sparse already. The family woke up after the attack, piled me in the car, and drove me to the hospital over in Alpine, and the doc saved my life, cut off the rest of my arm, and sewed up what was left of my ear and scalp. I was there for a week or so, and when I returned to Marfa, the family had packed up and gone back to Minnesota. They were too weird for me anyway.” I looked at the bartender, and he gave me a smile and a nod, as if to say, It’s all true.
Four boys joyfully play a spirited rock-throwing game in a gritty urban alleyway.
When I was a child in the 1950s, one of our favorite forms of retaliation against our enemy, the small group of hoodlum kids we called the ‘hard guys,’ from across the tracks, was the infamous rock fight.
As kids, we didn’t possess the strength to propel a stone fast enough to kill an enemy, but they hurt, especially when one pops you on the forehead or the back of your flat top haircut-wearing head while retreating from the fracas.
We were all masters of rock chucking and knew which rocks were the best for throwing: the larger gray stones that lined the railroad tracks across the field from the back of our house. The railroad furnished us the perfect weapon for rock fights, just the right size and weight, and hard edges that would raise a welt on young tender skin.
Georgie, our neighborhood firebug and the biggest titty baby of our gang, took one rock to the nose and had to have stitches, so our parents, after a series of butt-whoopings, ended that form of warfare. We still had BB guns, so that replaced the rocks, but presented a greater danger of shooting one’s eye out, like the classic 1984 movie, ” A Christmas Story. Not a one of us, or our enemy, lost an eye, but those BBs did sting through our jeans and T-shirts.
That description of past juvenile antics brings me to this point: we, meaning the American public and families, are still chucking rocks at each other, not actual stones, but words and actions driven by, news paper articles, television news, social media platforms, and the newest form of ammunition is the smartphone text; they’re all the same, and they hurt more than a small rock to the head and sometimes the wound never heals.
Political and religious tribalism is the newest and the worst form of family alienation. I know firsthand, because I go through it daily, and so does my wife, Momo. Our children and a few fair-weather friends and relatives are liberal Democrats, and we are conservative Christians, so we are easy accessible targets for alienation from their La La land of beliefs and ideology. We are not pious Bible beaters, and, sure, we drink cocktails and wine and beer, and we were teenagers with long hair, rock band playing fools, and a bit wild back in the 1960s. We weren’t real Hippies, but more of a middle-class version that bathed every day and didn’t hang out with the Manson family. We didn’t care for the Vietnam War, but we darn sure didn’t burn buildings, assault the police and citizens, and cheer on socialism like the younguns of today do so freely without guilt.
My grandfather once told me that to get along with family, never talk politics or religion, and he was correct. My father’s extended family on his mother’s side all lived in Fort Worth, within a few blocks of each other. During summer cookouts, a few of them always got into rabid arguments over politics and sometimes religion. Most of them were good, hard-drinking, night club dancing Baptists, but a couple were Catholic, so it was bound to happen. Fists flew, beer bottles zipped by our heads, and uncles and cousins rolled in the grass until one gave up. But that was the end of the disagreement; it didn’t go past the backyard fun, at least not until the next get-together. I cringe at using the term ” back in the day, and the good old days, but that’s when we were civil to each other and didn’t alienate family and friends.
Today, it’s a different world that I don’t recognize. Indoctrination and tribalism go hand in hand. The political tribalism goes both ways; each party is its own, and you insert religion and lack of belief in God and Jesus into the encampments, and it becomes a toxic mix that has ruined many a family gathering and destroyed relationships.
Now, we have texting, which is the worst form of communication. I will admit we use it to communicate with our church’s music ministry, friends, and family. It’s so easy, so non-committing, so bland, so lacking in tonality and reality that a simple few phrases can be taken as an insult or call to arms. It also signals that ” I don’t want to have a real conversation because that requires actual interaction and brain power to think about what you are talking about.” Texting is the newest form of ignoring human interaction; it says I’m too busy to have a conversation or what you have to say is not worth my valuable time. Texting is here to stay unless Elon Musk invents a brain chip implant that lets us communicate our thoughts via Starlink.
