Tall Tales and Ripping Yarns from The Great State Of Texas
Author: Phil Strawn
I'm a 7th generation Texan and write about growing up in this great state. Tall tales and ripping yarns are what Texas is about, and I will oblige my readers with these. Most stories are true, some are a total fabrication, and others are a bit of both.
I am posting a picture of the legendary Texas western swing band, The Light Crust Doughboys, in memory of National Country Music Day. Top L to R; Jerry Elliot and Bill Simmons, bottom L to R; Smokey Montgomery, Johnny Strawn ( my father), and Jim Boyd.
As a small child growing up in Fort Worth, Texas, these men were part of my life until I helped carry some of them to their final rest. Texas, country music, and I are better because of them.
In 1968, the rock band I was in signed a management contract with the top agency in Dallas, Texas; Mark Lee Productions. We had been together since 1967 and played all over Texas, but once we hitched on to Mark Lee, we entered another level. Friday and Saturday nights were booked for the next year, and we made more money than our fathers. Pretty good for a bunch of teenagers in Texas.
That was the year that rock music exploded in Dallas and Fort Worth. Forget Los Angeles and New York, we had more bands and better music right here in Texas. American Blues, which would soon be ZZ Top, Felicity that would become the Eagles, Delbert McClinton, Roy Orbison, B.W. Stevens, Michael Martin Murphy, Ray Wylie Hubbard, Jimmy Vaughn, Stevie Ray Vaughn, Doyle Bramhall, Southwest F.O.B that would birth England Dan and John Ford Coley, Kenny and The Kasuals, Kenny Rogers and the First Edition, Sly Stone, The Jackals, The Nova’s, and our band, The ATNT. We didn’t think much about the East or West coast; there was too much happening here.
A rock band out of San Diego, California, was making some noise with a 45 that was getting some airplay on KLIF AM radio in Dallas. The Iron Butterfly was unknown outside of California but was starting to make some noise in our neighborhood. With the release of their 45 and the following album, they hit the tour circuit playing smaller venues in the Southwest.
Mark Lee informed us that the band would be coming through Dallas in a month and if we would like to do a few dates with them at a local music club called “Strawberry Fields” and “The Phantasmagoria.” It was a go. We got their 45 and really dug their music, so we learned the two tunes and added them to our set-list. Folks liked them even though the songs were much heavier than what our local bands were playing.
The night of the first show at Strawberry Fields, we set up first then the Butterly arrived and added their gear to the stage, making it darn tight, so we agreed to let them use some of our equipment. In the dressing room, they were quiet, talking among themselves and not much to us. We were teenagers, 16 being the youngest and 19 the oldest. They were in their mid-twenties or older, hardcore and mysterious rock musicians from the west coast.
Before we went on, our manager, Mark Lee thought that it would be nice if we did one of The Iron Butterly’s songs; an adoring shout-out of sorts. We were young and stupid, so we agreed to do their song “Possession.” If we had massacred the song, it would probably have gone unnoticed, but we nailed it to the wall and plastered it with gold stars. We finished our set and were met by the pissed-off members of the Butterfly. The keyboardist and the elder leader, Doug Engle, tried his best to keep his band members from kicking our butts. He understood what we had done and didn’t take offense to our gaff. Our illustrious manager thought the entire event was hilarious and was laughing his ass off. Feelings were soothed, tempers lowered, and we finished the gig and on to the next club where, by the end of the evening, we were all buddies, exchanging phone numbers and promises to keep in touch after we all made the big time rock scene.
This is a true story that I have been itching to recount since 1966. Better late than never.
April 1st, 1966, found my friends and fellow bandmates Jarry Boy Davis and Warren Whitworth lollygagging around White Rock Creek, just off Parker Road in lovely Plano, Texas. Exciting it wasn’t.
Plano was the epitome of small-town Texas; one red light, a Dairy Queen, two police officers, and one high school with a state championship football team. We could have been fodder for a Larry McMurtry novel.
Our not-yet-famous rock band, The Blue Dolphins, at the time was in transition. A few weeks back, our drummer, Ron Miller, had been dragged by his parents kicking and clawing back to San Diego, so we were now a three-piece act in need of a percussionist.
Bored with wading in the creek, we sat on Jarry’s 1965 Mustang coup trunk that was parked on the gravel road. A great little pony car, yellow as a ripe banana with 160 horses under the hood. It was great being 16 and cool. Actually, we were bored and decided we would go to the Beach Boys concert in Dallas that night.
Next to our favorite creek spot, there was a party ranch or a dude ranch here in Texas. People rented it out for parties, horseback riding, and BBQs.
As we were getting into Jarry’s car to leave, we spotted a line of horses plodding down the gravel road from the direction of the ranch. We decided to stick around for a few and say howdy to the visitors and horses.
As the group of riders got closer, we couldn’t believe our young, healthy eyes. Warren yelped, “holy crap, that’s the Beach Boys.” Indeed it was, riding single file on a horse. Behind them came Chad and Jeremy, two British singers, and batting cleanup was The Lovin’ Spoonful at the end. We were almost wetting ourselves.
The Beach Boys rode by, we said howdy and got the stink eye from Mr. Pleasant, Mike Love. Chad and Jeremy looked scared to death being on a horse and were extremely sunburned. One of the Lovin Spoonful stopped, dismounted, and started a conversation with us. How cool is that? He introduced himself as John and wanted to know about Plano and what we did in a one-horse town. I figured he was milking us for a song idea about hicks in the sticks. We gave him the rundown and were flabbergasted when he asked us to show him the town. You betcha we would.
The social hub of Plano was, of course, The Dairy Queen, so we figured John would like an ice cream cone. Lining up in the drive-thru, no one knew who he was, just some long-haired hippie guy in Jarry’s car. We kept mum, not wanting to create a scene by being uncool. John got his cone, shared a few music and band stories, said he liked small-town Texas, and we took him back to the dude ranch. He asked us if we would be attending the show that night, and we said yep, see ya there.
The three of us were reluctant to tell of this encounter for fear of being labeled liars and lunatics, so we kept it quiet for all these years. No camera, no cell phone, just our recount.
Thanks to our retro-cowboy movie-loving governor and the state of Texas, the famous gunfighter ballad ” Big Iron On His Hip” made popular by cowboy singer Marty Robbins in the late 1950s is now an “in your face reality.”
I ran into Mooch a few days after the open carry bill went into effect. I was walking into my favorite H.E.B and he waddled out the front entrance doing his best John Wayne walk. It was impossible to miss that he was wearing a Colt six-shooter on his hip and a genuine “The Duke” knock-off cowboy hat and fast draw holster. He was the epitome of the Texan that all of Europe imagines us to be.
“How are ya Mooch, sure like your piece,” I say.
He replies, ” yep, I figure now all the good guys will have pistola’s so the bad guys better watch out.” Point well taken.
Mooch, I say, ” if all the good guys can wear a gun, then so can all the bad guys and that will lead to a shoot-out over the last Red Baron pizza at the old H.E.B.” He was clearly thinking this one over.
“Well little buddy,” he says, ” all of us’un true blue Texans teach their kids to shoot, so we’ll give guns to the little buckaroos. If that doesn’t work, then we’ll arm our dogs too. Problem solved.”
I may be getting my groceries delivered from now on.
Isn’t it amazing how much General Fubar Milly Vanilli looks like John Goodman? At this point, I believe John Goodman would be a better leader of our Armed Forces.
This is student pilot Abdul Abagawaweenie III, in the cockpit of a C 17 Cargo plane that Joe Biden gifted the Taliban when the US pulled out of Afghanistan. He’s a bit challenged since the only machinery he can operate is a Toyota pickup and a motorbike. He plans to use the Billion Dollar plane to fly his buddies to parties around Kabul.
Photo courtesy of The Lone Ranger
As of September 1st, 2021, Texans can carry a firearm in public without a license or permit. Pictured above is my 15th cousin, Lilly Ann Oakley confronting a punk after he took her parking spot at Walmart. Just saying, it’s going to be the Wild Wild West all over again.
7th Century Demons from Hell, Photo by Jeanie the Genie
A reminder that 7th-century Zeleots, woman beating, boy raping, beheading murderous pieces of camel crap Demons from Hell pictured above defeated the best army the world has ever known with Toyota pickup trucks, knock off Japanese motorbikes, and shitty Chinese rifles. Our president thinks they are ok dudes. “Awww come on man, we can trust them.”
Thirteen brave young United States soldiers in flag-draped caskets were carried from a cargo plane to their grieving families. Thirteen times, our president checked his watch after each casket passed. Did he have something more important to do? This photo should say it all. If you voted for this man, you have some explaining to do.
Nancy Pelosi has partnered with those two wokie, snowflake, pansy assed antisemites, Ben and Jerry to produce her own brand of ice cream. Pictured above is her first flavor of the month.
The newest Baseball Card from “Upper Deck” collectibles.
Arizona can now legally sell weed in neighborhood grocery stores. Tom Bagger, spokesman for Safeway Food Stores says there is a state-wide shortage of Twinkies and Ding Dongs in all of the stores.
Fifteen years ago I ran across an article in “Texas Monthly Magazine” touting Marfa, Texas as the next “big deal” in the art universe. The author gushed on about Donald Judd, a prolific artist based in New York City who had moved his home base and all his toys to dusty little Marfa. Up until he arrived, Marfa was known as the backdrop for the 1956 movie “Giant.” After the article hit, van loads of weirdo artists from Austin showed up and claimed the town as their own. “Keep Austin Weird” was now “Keep Marfa Weird.” The mostly Hispanic population thought the gates for Hell had opened and released its hipster demons on their quiet township
For reasons I can’t recall, I became a bit obsessed with visiting this desert town and made myself a little Marfa bubble that grew larger with the passing years. I am also an artist and figured there was something life-altering in Marfa I needed to experience. The lure of the Big Bend desert kept calling. Time marches on and I forget about Judd and his art colony until a few years ago. I figured it was time to make the trip to Marfa.
My wife and I decided that after our summer vacation in Ruidoso, New Mexico, we would drive down to Marfa and scratch one item off of my bucket list. At my age, every trip becomes a bucket list item because my shelf life could expire any day now.
Five hours of driving through the Chiuauan desert landed us in Alpine Texas and the 1950s era motor hotel “The Antelope Lodge.” Retro doesn’t begin to describe this place. Very little updating has been done since the 1950s and the stucco cabins reek of the halcyon years of family road trips in large station wagons. I believe that the Cleaver’s may have stayed here. I can imagine The Beaver and Wally sitting in the courtyard eating Moon Pies and drinking RC Cola in the 100 degrees heat.
Marfa is a short hop from Alpine so the next morning we are on the road early, planning to catch breakfast in Marfa. I’m thinking about bacon, eggs, and pancakes Texas-style while Maureen is wanting fluffy biscuits and sausage gravy. Yum Yum.
Driving into town, the scenery is not what we expected or what I had found online. Dilapidated house trailers surrounded by broken down rusted cars line the highway on both sides. Not the best greeting for visitors. My bubble just sprang a leak.
Once in town, we realize that everything is closed. The art gallery is open on Saturday only, the Hotel Paisano lobby is closed until 5 PM, the Hotel St. George lounge doesn’t open until evening, the square is deserted and the only signs of life are some foreign tourists taking selfies in front of a boarded-up hardware store. My bubble is leaking air big time.
Now officially starving, we search for food, and found “Marfa Burritos,” the only restaurant open, and calling it a restaurant is a stretch.
Marfa Burrito dining area
A burrito is $7.00 and a warm can of Coke is a buck. What the hell, it’s food. The kitchen is located inside a ramshackle frame house; peeling paint and rotted siding give it that weathered west Texas appeal.
A young man and woman are ordering their burrito from the cook. They smell like incense and the girl has more armpit hair than the guy. I figure they must be from “El Cosmico,” the transcendental hipster enclave of yurts and vintage travel trailers that everyone online is raving about.
The outside dining area needed a little attention. A feral cat was munching on a half-eaten burrito that fell from an overflowing trash bin, and ants and flies are everywhere. I’m thinking Marfa doesn’t have a health inspector.
After breakfast, we decide to visit the Prada exhibit, which the Marfa website says is located just outside of town. Some years ago, two German artists constructed a small building full of Prada handbags and shoes in the middle of the desert, and it became the main tourist attraction for Presidio County. The other attraction is the Marfa Lights; twinkling orbs that dance around in the mountains east of town. The locals claim the lights are Aliens or maybe disgruntled Indian spirits. Some of the older folks believe they are the ghost of James Dean, Rock Hudson, and Elizebeth Taylor, the long-departed stars of the Giant movie.
We drive for twenty-minuets and no Prada. We check Google maps and find it is another half-hour’s drive to Prada. To hell with that, so we turn around and motor back to Marfa. My fifteen-year-old bubble just popped. We decide to return to Alpine, pack our gear, and head for home. No more bubbles for me.
Last week was our annual summer trip to Ruidoso New Mexico. High in the Sacramento Mountains at 6500 ft. above sea level, the temperature was a pleasant 75 degrees in the daytime and a chilly low in the 50s at night compared to our 98 degrees high in Granbury Texas. I didn’t break a sweat for a week and didn’t worry about a damn thing that was happening back in Texas, although the national news covering the Afghanistan debacle gave my wife and me a few restless nights. A couple of iced tumblers of Tullamore Dew while sitting on the covered deck took the jangle off of our nerves.
Like most villages in the New Mexico mountains, Ruidoso has a large population of Deer, Elk, and wild Mustang horses. Pictured above is a local four-legged resident that took a liking to my watermelon and granola cereal. The small Doe was going gaga over the gluten-free granola, eating large handfuls from my palm. When I fed her bites of cold watermelon, well, she almost danced with glee. I was surprised how dainty her mouth was, and her gentle nibbles showed no sign of biting. She and I experienced a small mind meld and came away with a better understanding of the complicated relationship between man and wild beast. I have the food, she likes the food, I feed her the food and she likes me, and I like her too. It was illuminating, to say the least.
The picture above is when she tried to take the bowl of watermelon from my hand, or possibly give me a kiss of appreciation. Either way, she was a sweetie, and I named her Sweetface. I considered naming her Marfa, after the west Texas town we visited a few days later, but I am glad I didn’t because Marfa was a complete letdown and bubble buster. More on that experience later.
In World War II, our servicemen had a favorite word and phrase, that summed up every situation that went off the rails; “FUBAR,” or “F..ked Up Beyond All Recognition.” Of course, in most cases, it applied to commanding officers and their incompetence that tended to get soldiers killed in battle, but it was also a favorite term used for President Roosevelt and most of Washington DC politicians. 1944 was much like 2021.
Does our military still use this term? Most likely not, since anyone caught saying it would be assigned sensitivity training or booted from service. It’s a sure bet trigger word that would send any lib worth their salt into crying gaging convulsions.
I haven’t heard the word since the movie Saving Private Ryan, and my childhood. My father a WW II vet used it excessively when I was a kid, and I never knew what it meant until I became an adult. It’s a sneaky clean way of cussing without actually saying ” the word.” As a six-year-old, I threw it around a few times and received a butt whooping from my Mother, who used the word as much as my Father but considered it unfit for my vocabulary.
Let’s see how this sounds; Joe Fubar Biden, Kamala Fubar Harris, Nancy Fubar Pelosi, General Fubar Milley, Anthony Fubar Blinken, Barrack Fubar Obama, and the list could go on for pages because the phrase fits what our politicians have done to our country.
Those small-town kids that made up our greatest generation and the most feared ass-kicking military in the world sure knew how to turn a phrase.
The demented old man occupying the white house mumbles, gaffs, and orders our military to leave Afghanistan. Pack it up, leave the keys in the visor and get the hell out, pronto. Yet, the Taliban, those crazy well-organized army of zelotes, demon processed devils from Hell with 12th Centaury Muslim beliefs, are taking back their country at record speed.
Did the United States believe that we could save the Afgan people from their history and fate? Did we learn nothing from the Vietnam War and our ill-fated escape in 1975? Someone, please show the current administration some newsreels from that time. Is John Kerry advising Biden?
As a teenager in the 60s, the real, and “living color” Vietnam war show came on every night at 6 PM, and Ken Burns (bless his heart) had nothing to do with this production. Nevertheless, it was the staple for all news shows from 1967 until its end in 1975.
NBC, ABC, and CBS ruled the airways. Cigarette smoking, bourbon drinking mad-men. Groomed and over-paid talking heads spitting out controlled information for our curiously horrified consumption. Lester Holt didn’t invent this type of journalism, but he damn sure paid attention and learned from his predecessors.
The grand wizard from Texas, LBJ, and his Washington DC cronies kept a tight reign on their messaging. As a result, American casualties were deflated, and Viet Cong deaths were inflated. But, of course, none of that crap mattered, except that we were losing our young American men at an alarming rate.
Television had not yet discovered that death and gore, like sex, sells to the viewing audience. We were holding on to our 1950s values by a single frazzled thread.
The assassination of Kennedy was the beginning of the end of our Ozzie and Harriet-induced innocence. Vietnam was JFK’s war-baby; and his downfall. Good old Texas boy, LBJ, found a way to energize the economy and re-stock the Washington coffers using the war as his vehicle. My father was a home builder at that time and he said he never made as much money as he did between 1966 and 1970. The guns were blazing, and the times were amazing.
Daily films of dead young American soldiers weren’t good for ratings or advertisers. “Wonder Bread” and “Proctor and Gamble” couldn’t compete with dead Americans on television, so, the war footage was heavily edited for family viewing. It was all about optics and fending off the exploding protest from the anti-war hippies, coddled and protected college students, and eventually, plaid shirt Bermuda shorts, mini-dress wearing suburbanites. 2021, in a sense, is much like 1975.
Take the words “Vietnam” and insert the phrase “Middle East,” and you will see that we are repeating history.
Above is a picture of my 16th cousin removed, Alice B Token, taken at the famous Woodstock Arts and Music Fair in 1969.
She was working for Wavy Gravy and The Hog Farm at the time, so she was used to serving large numbers of hungry, stoned, and confused flower children.
She was the only wait staff left, after her co-workers dropped the brown acid that Wavy warned everyone not to take, so her three days of peace and harmony were a living hell; you can only serve so many needy hippies in a day.
Not one to put up with shit from anyone, she personally kicked John Sebastian’s whiny gimlet ass for saying “Wow” for twenty minuets, and pulled Grace Slicks falsies off during a cat fight over a ham sandwich. Things around the stage got a bit intense. David Crosby grabbed her ass and she whopped him with the closest weapon she could find, which wound up being Neil Young’s Martin acoustic, which was a total loss after connecting with Crosby’s head. That’s why he didn’t play with Crosby,Stills and Nash, and is not in the film. The girl grew up in Texas and was a total bad-ass; enough said.
In this pic, she is delivering sandwiches to the bands at the rear of the stage, and appears not too happy about the whole situation.
Joe Cocker, that fidgety spastic Brit dude, had requested a spam and cheese sandwich on a toasted English muffin, while Janis Joplin ordered a cheeseburger, fries and a fifth of Southern Comfort. Celebrities are so damn picky.
This is where she met up with her future husband, Arlo Guthrie, who memorialized her in his song “Alice’s Restaurant.” The one thing she came away from Woodstock with was, “those worthless smelly Hippies don’t tip shit, they don’t have any money.”