“Do not forsake me, oh my Darlin,” on this our wedding day,” who didn’t know the first verse of that song from the radio? A massive hit from the 1952 movie “High Noon,” performed by everybody’s favorite singing cowboy, Tex Ritter.
In 1957, I was eight years old, and on some Saturday nights, I got to tag along with my father to the “Cowtown Hoedown,” a popular live country music show performed at the Majestic Theater in downtown Fort Worth, Texas. My father was the fiddle player in the house stage band, so I was somewhat musical royalty, at least for a kid.
Most of the major and minor country stars played Fort Worth and Dallas as much as they did Nashville, and I was fortunate to have seen many of them at this show. One, in particular, made a lasting impression on my young self.
I was sitting on a stool backstage before the show, talking to a few kids; who, like me, got to attend the show with their fathers.
My father came over and asked me to follow him. We walked behind the back curtain and stopped at a stage-level dressing room. There in the doorway stood a big fellow in a sequined cowboy suit and a 30 gallon Stetson. I knew who he was; that is Tex Ritter, the movie star and cowboy singer. My father introduced me, and I shook hands with Tex. I was floored, shocked, and couldn’t speak for a few minutes. What kid gets to meet a singing cowboy movie star in Fort Worth, Texas? I guess that would be me.
Tex asked my name and then told me he had a son the same age as me. We talked baseball and cowboy movies for a bit, then he handed me a one-dollar bill and asked if I would go to the concession stand and buy him a package of Juicy Fruit chewing gum. So I took the buck and took off down the service hallway to the front of the theater. I knew all the shortcuts and hidey holes from my vast exploration of the old theater during the shows.
I knew nothing of the brands and flavors, not being a gum chewer, but the words Juicy Fruit made my mouth water. Not having much money, what change I did get from selling pop bottles went to Bubble Gum Baseball Cards, not fancy chewing gums.
I purchased the pack of gum for five cents. Then, gripping the change tightly in my sweating little hand, I skedaddled back to Tex’s dressing room. He was signing autographs but stopped and thanked me for the favor. He then gave me two quarters for my services and disappeared into his dressing room for a moment. He handed me an autographed 8×10 photograph of him playing the guitar and singing to the doggies when he returned. I was in country and western music heaven. He also gave me a piece of Juicy Fruit, which I popped into my mouth and began chewing, just like Tex.
Juicy Fruit became my favorite gum, and now, whenever I see a pack or smell that distinct aroma as someone is unwrapping a piece, I remember the night I shared a chew with Tex Ritter.
A recount of my childhood Christmas memories in Fort Worth, Texas.
Photo by: Leonard’s Museum and Ansel Adams
Photo by: Elf -O-Mat Studios
Riding a ceiling-mounted “Rocket Train” to nowhere around the basement of a department store doesn’t seem like a Christmas activity, but that’s what thousands of other Texas kids and I did every year in the 1950s.
Leonard Brothers Department Store occupied two square blocks of downtown Fort Worth real estate and was known as the Southwest’s Macy’s. They offered everything the big shot stores in the East carried and hundreds of items no retailer in their right mind would consider.
If you had a mind to, one could purchase a full-length mink coat with optional mink mittens, the latest women’s high-fashion clothing line from Paris, France, an Italian cut-crystal vile of Elizabeth Taylors spit, James Dean’s signature hair cream, Rock Hudson’s autographed wedding photos, a housebroken Llama, an aluminum fishing boat and motor, a new car, a pole barn, a lovely two-story craftsman home “build it yourself kit” delivered to your lot, chickens, barb wire, hay, horses and cows, a 30-30 Winchester rifle, a 40 caliber autographed General George Custer Colt pistol, a bottle of good hootch and a Ford tractor. That’s about as Texas as it gets.
The Christmas season in downtown Fort Worth was internationally recognized for its innovative and incredible decorations. The righteous and self absorbed city fathers figured the best way to outdo Dallas, a full-time effort, was to line every building with white lights from top to bottom and install large glowing decorations on every lamp pole, street light, and building façade available. If that didn’t make you “ooooh and ahhhh,” then you needed to take a BC Powder and head for the house.
A few days after Thanksgiving, my parents would take my sister and me downtown to see the decorations and visit the Leonard Brothers Department Store. Santa just happened to be in their basement, taking advanced verbal orders from every crumb cruncher who could climb the stairs and climb into his lap.
My sister always asked for the latest doll between screams and crying fits. She was scared senseless of “HO-HO,” but somehow managed to spit out her order. Like clockwork, every year, I asked for a Daisy BB Gun with a year’s supply of stainless silver ammo ( for killing werewolves), a full-size Elliot Ness operable Thompson Sub Machine Gun, or an Army surplus Bazooka with real rockets and a long, razor-sharp Bowie knife encased in a fringed leather holster. It was a 1950s boy thing; weapons were what we longed for. How else could we defeat Santa Anna at the Alamo or win World War II, again? Our neighborhood may have sported the best-supplied “kid army” on the planet, and jolly old Santa was our secret arms dealer; parents non-the wiser. I finally got the BB Gun, but Santa was wise enough to not bring the other request.
Walking down the stairs to the store’s basement was the thrill I had waited for all year. There, hanging above my head, was the beautiful red and silver tinseled sign, “Toy Land,” kid nirvana, and the Holy Grail all in one room. The smell of burned popcorn and stale chocolate candy wafted up the stairs, and I could hear the cheesy Christmas choir music and the sound the Rocket Train made as it glided along the ceiling-mounted rails. I almost wet my jeans.
Hundreds, if not thousands, of parents jostled down isles of toys, pushing, grabbing, and snarling like a pack of wild dogs fighting for that last toy; the holiday spirit and common courtesy were alive and well. The queue of kids for the Rocket Train snaked through the basement like a soup line.
Sitting on his mini-mountain top perch, sat old red-suited Santa Claus and his elfin apprentices, herding kids to his lap at break-neck speed. Each child got about fifteen seconds, a black and white photograph, and then it was off the lap and down the steps. Kids were fast in those days; we memorized and practiced our list weeks before our visit for maximum impact. “Ho-Ho” had better be writing this stuff down. Kids, don’t forget squat.
After two Santa visits, four Rocket Train rides, and three popcorn bags later, our family unit departed Leonard’s for the new and improved “Leonard’s Christmas Tree Land,” located across the street from the main building. Thanks to the demolition of several wino-infested abandoned buildings, the new lot was now the size of Rhode Island and held enough trees for every person and their dog in the state of Texas.
Thousands of fresh-cut trees awaited our choosing. Father, always the cheapskate, chose a sensible tree; not too big, not too small, yet full and fluffy with a lovely piney aroma. My sister and I pointed and danced like fools for the “pink flocked” tree in the tent, which cost the equivalent of a week’s salary. My parents enjoyed our cute antics. The sensible tree was secured to the top of our Nash Rambler station wagon, and we were homeward bound.
Pulling into our driveway, it was impossible to miss our neighbor’s extravagant holiday display. We had been away from home for 6 hours and returned to a full-blown holiday extravaganza that made our modest home look like a tobacco road sharecropper shack.
Our next-door neighbors, Mr. Mister and his lovely wife, Mrs. Mister, were the neighborhood gossip fodder. The couple moved from Southern California for his job. He, an aircraft design engineer, and she, a former gopher girl at Paramount Studios. The Misters reeked new-found money and didn’t mind flaunting it. They drove tiny Italian sports cars and hired a guy to mow their lawn. His wife, Mrs. Mister, always had a Pall Mall ciggie and a frosty cocktail in one hand. Father said she looked like a pretty Hollywood lady named Jane Mansfield, but Mother said she resembled a “gimlet-assed dime-store chippy.” I got the impression that the Misters were quite popular in the neighborhood.
Mrs. Mister on her fancy sofaMr. Mister contemplating his next invention
Their Christmas display was pure Cecil B. DeMille. A life-size plywood sleigh, with Santa and his reindeer, covered the Mister’s roof, and 20 or more automated Elves and various holiday characters greeted passersby. Twinkling lights covered every bush and plant in the yard, and a large machine spat out thousands of bubbles that floated through the neighborhood. This was far more than Fort Worth was ready for.
The kill shot was their enormous picture window that showcased a ceiling-high blue flocked tree bathed in color-changing lights. There, framed in the glow of their yuletide decor, sat Mr. and Mrs. Mister with their two poodles, Fred and Ginger, perched on their expensive modern sofa, sipping vermouth martinis like Hollywood royalty. This display of pompacious decadence didn’t go unnoticed by my parents.
Father hauled our puny tree into the living room and began unpacking lights for tomorrow evening’s decorating. Mother hurried my sister and me off to bed. Visions of spying Elves, sugar plum pudding, and dangerous weapons danced in my head; Christmas was upon us like an itchy fungus.
Sometime after 10 PM, Father got hungry. Searching for sandwich fixings in the kitchen, he found a bottle of Jim Beam bourbon. Then he found a fresh half gallon of Eggnog, which he enjoyed with the bourbon. While searching for bread to make a ham sandwich, he found two boxes of “Lux Laundry Soap Flake” with a dish towel in each. Then, by chance, he discovered the food coloring. This gave him an idea for our sad little tree.
I awoke with a start. The sun was shining on my face, which meant I was late for school. I ran into the living room and was stopped in my tracks.
Our formally green tree was now flocked in thick pink snow, as were the curtains, the fireplace mantel, two chairs, the coffee table, and my father, who lay on the couch, passed out, with a half-eaten ham sandwich on his chest. My Mother sat a few feet away, sipping her coffee and smoking a Winston; my Louisville slugger lay on her lap. I was reluctant to approach her, but I had to know.
I timidly put my hand on her shoulder and asked, “Mom, is Dad going to be alright?” She took a sip of coffee and a drag from her ciggie and said, “Well, for right now, he will be, but after he wakes up, who knows.”
At seven years old, I learned of my first, but far from the last, Texas legend. The best storytellers and liars I ever knew were my two uncles on my mother’s side of the family, Uncles Bill and Jay Manley. They are the ones who told my cousins and me about Santa Anna’s “Mountain Boomers.” My mother believed the two ruined me and turned me into a liar and teller of tall tales, which is not such a bad thing.
The Mountain Boomers were giant lizards that ran on two legs and came down from their lair on Santa Anna Mountain in search of food. Anything would do, but they were partial to goats, wild pigs, small cows, chickens, and tiny humans. If you were caught outside in the wee morning hours, it was a sure bet a Mountain Boomer would get you. We, kids, were scared shitless of even going out of the farmhouse after dark. Now we had giant lizards and the dreaded Woolly Boogers to deal with.
With no air conditioning in the farmhouse, we were forced to sleep with the windows open and would lay in our beds shaking all night, waiting for the monsters to break through the window screen and carry us away. Our Granny was no help; her standard goodnight to us was ” sleep tight and don’t let the Mountain Boomers bite.”
Summer evenings on the farm were made for sitting on my grandparents’ covered porch, watching lightning bugs dance, listening to the crickets chirp, and catching the faraway howls of an occasional Coyote pack running the creek that passed through the pastures.
The sky was black as pitch, the Milky Way as white as talcum powder, and heat lighting in the West added to the drama of the evening. We kids were ripe for a big one, and my uncles never disappointed. First, homemade ice cream was eaten, then the cooler of Pearl Beer came out, and the stories commenced.
Already that June, my cousin Jerry and I had been to see the hero pig and the three-legged chickens and had learned of the dreaded Woolly Boogers. Hence, we needed a new adventure: our summer was losing air like a punctured tire: we were tiring of shooting chickens with our Daisy BB Guns, then getting our butts switched by Granny.
“Did you kids see that over there in the trees across the road? I think that might have been one of them Mountain Boomers,” says Uncle Bill, in between swigs of Pearl. Then, of course, we strained our eyes to see what he said he saw, but nothing. Then, a few moments later, “There it goes again, I tell you kids, that was one of them sumbitches running on two legs carrying a wild pig in its teeth.”
He had us firmly hooked and reeled in. Then he starts in on the story. Uncle Bill took a swig of Pearl and said,
” Right down this road here, about twenty years ago, a family’s car broke down, ran out of gas, I think. The daddy, a man I knew well, walked into town to find some help. He left his wife and small son in the car. It was late at night, so he figured they would sleep until he returned with some gas. The little boy got out of the car to pee alongside the road. His Momma heard him scream and came out of the car in a hurry: a 7-foot-tall Mountain Boomer was standing there with the little kid in its mouth. The poor boy was already almost chewed in half. His guts were hanging out and dragging on the ground. The big lizard took off running with the Momma chasing it. Another of them, Boomers, was hiding in the scrub brush and got her, too. A few days later, the sheriff found their bloody remains up on the mountain. They knew a Mountain Boomer had gotten them because they found their tracks. That’s why we never go outside after midnight around here.” My other cousins and I were almost pissing our pants.
When we stayed at the farm, I don’t believe any of us ever slept well again after that night. But, even after we were adults, my uncles swore the legend and the story were true. I still dream of them.
I’m a 50s kid. That means I was born in 1949 at Saint Josephs Hospital in Fort Worth, Texas, and grew up in the lean and mean Eisenhower years. My hometown was different back then, as most of our hometowns are today. But, change is inevitable, and it happens at the oddest times; while we sleep or mow our lawn. Progress is sneaky.
First, it’s a few new buildings downtown, then a slick freeway cutting through quiet neighborhoods, and maybe a landmark building demolished to make way for a new hospital. Then, out of nowhere, a train full of people from the West or the East is arriving, and the pilgrims try to make it “not so Texas.” It’s a gradual thing, and most of us are too occupied or young to notice until it bites us in the rear.
My grandfather was old-school Fort Worth from the late 1800s, a cow-puncher who rode the cattle drives and sang cowboy songs to the little doggies. He loved his city to a fault. The word “Dallas” was not to be spoken in his home or his presence. Violaters usually got punched or asked to leave. The old man was a tough Texan and a supporter of Amon Carter, the larger-than-life businessman that put Fort Worth on the map and started the rivalry between the two cities.
In the 1950s, if you asked Fort Worth residents what they thought of Dallas, they would most likely tell you it’s a high-on-the-hog East Coast wanna-be big-shot rich-bitch city. We didn’t sugarcoat it. That rivalry was always in your face and at times vicious. My father was a country musician, and when his band, The Light Crust Doughboys, had to play in Dallas, his extended family heaped misery upon him for weeks.
In October, Dallas has the “State Fair of Texas,” and Fort Worth has the “Fat Stock Show” in February. I didn’t attend the State Fair until I was ten years old, and even then, it was in disguise, after dark, to the fair and back home, hoping no one in our neighborhood noticed we had crossed enemy lines. Unfortunately, I let my secret visit slip around my buddies, and they banned me from playing Cowboys and Indians for a week. Even us kids were tough on each other.
Three things got us kids excited: Christmastime in downtown Fort Worth, Toyland at Leonard Brothers Department Store, and The Fat Stock Show. But, unfortunately for us, the rest of the year was uneventful and boring. Summer was pickup baseball games, old cartoons on television, and blowing up the neighborhood with cherry bombs, our pyrotechnics of choice.
60 years ago, the winters in Texas were colder and more miserable. February was the month we froze our little gimlet butts off, and of course, that is the Stock Show month. Wrapped up in our Roy Rogers flannel pajamas under our jeans, boots, and cowboy hats, we kids made the best of it as we visited the midway, the cattle barns, and animal competitions. The rodeo was for the real cowboys, and it was too expensive; the free ticket from our grade school only went so far. We were kids and had not a penny to our name. It wasn’t the flashy affair that Dallas put on, but it was ours, and we loved it. I still have a round metal pin I got at the Stock Show, a lovely picture of Aunt Jemimah promoting her flour, something that would get me canceled, or worse, in today’s clown world. I’ve often thought of wearing it to my local H.E.B. grocery store to see the reaction. Maybe not.
For those of us who were born and grew up there, Fort Worth, Texas, is where the west begins, and Dallas is where the East peters out. Nothing has changed.
The hype season is upon us. Thanksgiving is in the rear view mirror, and everything is Christmas, and it started in October. Walmart skipped Thanksgiving and Halloween and went from summer to Christmas. Which is fine by me. I only visit that store when forced, and I was forced against my will a few days before Thanksgiving to accompany my wife for prescriptions and a few last-minute grocery items for the Turkey dinner with the family on Tuesday instead of Thursday, which we spent eating lunch with her brother, who is living in a rehab center in Dallas.
Every person in Granbury seemed to be there, thinking they were saving money, which is the big trick that the Waltons pull on the public. They mark some things way-way-bottom down low, and then raise the price on others, tricking the poor shopper into believing they are getting a great deal and saving their hard-earned money, or EBT money, which is really mine and your taxes financing all those overflowing baskets of junk food, hair extensions, and fancy dragon-lady fingernails.
I did notice more young women in full bedtime attire this year: jammy-bottoms and tops, along with fuzzy house slippers; some of them should have at least combed their hair and brushed their teeth. One girl had a long string of toilet paper dragging behind her PJs. What is wrong with women these days? They think it’s fashionable to come to a public place in their sleepwear? They look like morons. One older lady was wearing a Pioneer Woman house robe, a shower cap, and hospital socks, the kind with the little rubber bottoms so you don’t slip and fall. She was pushing a basket full of Pork Rinds and Dr Pepper, which, here in rural Texas, are considered one of the survival food groups, along with coldbeer and baloney.
Thinking back, decades ago, in the mid-1950s, I would accompany my mother to the grocery store, Piggly Wiggly, which was her favorite haunt. I would see women with their hair in rollers, peddle pushers, KEDs, and nice blouses. There was always a cigarette hanging out of their mouth, which made them look a bit sleazy, but back then, everyone smoked and used hair rollers. My mother loved to smoke; she was a world champion and would have a burning one in her mouth and one in each hand, ready to replace the other. She had a lot of big hair, so there would be at least two dozen rollers of all sizes shaping her follicles into a work of art. It seemed that these women all knew each other. They would stop and say, “Look at yeeew, how’s your mama and them? Did you get a new dress, or is that hair color just darlin, makes you look ten years younger and as cute as a Christmas puppy?” This went on for hours, as the ice cream melted and the meat grew dangerous E. coli bacteria, and I lost a large part of my childhood that could never be reclaimed. At least they didn’t wear pajamas.
In the fall of 1958, the first Beatnik-style coffee house opened its doors in Fort Worth, Texas. Calling itself “The Cellar.”
Fort Worth did not welcome its presence or the inhabitants it attracted. Conservative city fathers asked, “Where did these people come from? Have they always been here?” It was a cowtown of shit-kicking cowboys, Cadillac-driving oil men, and country club debutants wearing Justin boots. My cousin Carmalita, who preferred the name Cookie, was a perfect fit for the coffee house and secured a job as a waitress at the new establishment.
Being seven- years younger than Cookie, the other cousins and I had limited interaction during her teenage years. Still, I know from the family stories and the “almost out of earshot whispers” that she was a real hellion of a girl. Her mother, a rosary-clutching Catholic, believed her daughter to be mentally disturbed and demon-possessed. She was neither, just a rebellious girl born twenty years too early who refused to fit into the conservative society of the 1950s.
Immersing herself in books by Kerouac and Ginsberg that glorified the new lifestyle of the “beat generation.” Cookie began dressing in the style of “the Beats.” She envisioned herself traveling west with Dean Moriarty and Sal Paradise as they motored their way to New Mexico in search of God and the meaning of life fueled by Marijuana sticks and two-dollar-a-bottle liquor. Jack Kerouac was her hero.
Waist-length black hair and a resemblance to a young Ava Gardner didn’t endear her to the Sandra Dee-loving girls’ club at school. She was labeled an outcast. She dropped out of Paschal High School at sixteen to live in sin with her next-to-worthless greaser-hoodlum boyfriend, a motorcycle-riding teenage hubcap-stealing thief from the north side of town. This decision resulted in her instant banishment from the family.
Polled by a phone-in family vote, she was christened the “little trollop.” Her name was not to be spoken at gatherings, and her mother requested all photographs containing images of Cookie be returned to her for proper disposal by fire in the backyard BBQ pit. Her father was brokenhearted by her rejection. Unable to watch her sweet sixteen birthday present, a Ford Fairlane convertible, sit abandoned in his driveway, he sold it. The rebellious type was not tolerated well in the 1950s, especially in Texas and our extended family.
“The Cellar” grew in popularity, and crowds of unwashed self-appointed poets and deep thinkers found their way to the dark, smokey den.
Cookie grew tired of the bland poetry readings from ancient books and tried her hand at writing. Her heart was full of self-induced resentment, and it didn’t take long for her to dish on everyone and everything she felt had “done her wrong.” Her parents were number one on her list. She asked the club owner to let her perform a personal poem about her life, and he agreed.
Saturday evening is reserved for the serious night-dwelling “hip beats.” They convene and hold literary court to anyone who will listen. Mixed groups gather around small tables, arguing about poetry, politics, religion and the meaning of life. Old Crow adds the extra kick to the strong coffee. An occasional strange cigarette might be passed around.
Sensing the time is right, Cookie takes the stage, cradling a cardboard box under her left arm and a large pair of sewing shears in her right hand. She sets the box on the floor next to a tall stool. Tears stream from her eyes, forming dark streams of watery mascara onto her peach-pale cheeks. A thin tinsel string of snot drips from her left nostril, resting on her upper lip, and glitters in the spotlight, bathing her face in an ethereal glow. She sniffs and gags a few times, composes herself, and begins her poem.
She retrieves her favorite childhood doll baby from the box and lays it on the stool top. She grabs a large meat cleaver from the box and beheads the poor toy. A gasp erupts from the crowd. Earlier, for maximum effect, she filled the doll’s plastic head with Heinz Ketchup and potted ham to simulate blood and brains. The ketchup-splattered patrons recoil in horror when the doll’s head is guillotined and bounces onto their table by the stage.
Next, she pulls a beautiful 8×10 glossy photo of her parents from the box and cuts it to shreds with the sewing shears. She pulls a Girl Scout uniform from the box and rips it to pieces, throwing the all-American remnants of the uniform into the audience.
Cookie leans into the microphone, takes a long drag from a Pall Mall, and in a low growl, says, ” I never liked dolls or toys, but you made me treat the little fakes like real people. I fed them imaginary food, bathed them in imaginary water, changed their tiny poopless diapers, and dressed them in stupid clothes, and for that, I hate you and cut my hair.” With that statement, she grabs a chunk of her beautiful lady Godiva’s length hair and removes a six-inch portion with the sewing shears.
She continues, ” I didn’t want to be a Bluebird, but no, I had to be like the other girls on our street, you know, I don’t like the color blue, and for that, I hate you, and I cut my hair.” Then, whack, another large section falls to the stage. ” you hate my boyfriend because he is a bad boy, and he is all that, but I love him and want to spend my life on the back of his ratty-ass motorcycle holding a nursing baby in each arm as we travel west to find the meaning of life.” She then whacks the left side of her hair to within inches of her scalp.
The audience is on the verge of bolting for the door, fearing her next move may sever an artery and expire in front of them. A voice from the back of the room yells, “This chick is crazy, man.”
Cookie ends her act and exits the stage, leaving a pile of black hair mixed with ketchup and photo paper. The crowd of poets and hip cats give her a lukewarm reception. This performance was too unhinged for the normally unshakable.
That performance at the Cellar that night was the debut of what would become known as “Performance Art.”
Cookie got her wish. Less than a year later, with a baby in her arms, she and her boyfriend made their way to California, and that’s another story.
Back in 2019, this Texan caught myself a case of cancer. It wasn’t contagious like the flu or a Norovirus, but it was a bad case. My first doctor wanted to do the standard treatment, but my wife, a dedicated nurse, did some digging and found a new treatment available only at UT Southwestern in Dallas. We live in Granbury, and I grew up in Fort Worth, so going to Dallas was painful; it’s something we Fort Worth’ians didn’t do back in the 1950s. Fort Worth is where the West begins, and Dallas is where the East peters out; it’s an actual historical fact. So, I had to swallow my family legacy of pride and prejudice and go to Dallas to save my life.
Round two of my cancer diagnosis commenced on May 13th, 2019 at 3:45 pm. Going to UT Southwestern Oncology for treatment was a no-brainer: it’s the best. Their staff radiates positive vibes, so naturally, I feel better. It is battling this evil little demon that has invaded my beloved earthly form with its sights set on the destruction of my body that keeps me focused. This course of action is my main goal and will receive my full attention for the near future.
Today is the ” oh so” specialized 3RDT MRI. I’m amused at the Star Wars comparison to R2D2. At least R2 would show me a hologram of Princess Lea for my entertainment. As with any procedure, it is inserting the word “specialized” into the mix that assures the method will be expensive and painful. I was right.
My bright eyed and bushy tailed MRI nurse accompanies me to my changing room, where I change into a scratchy blue hospital gown accented by yellow non-skid socks. After my wardrobe makeover, he inserts an IV pic into my arm and leaves.
A young woman, maybe twenty-one or so, also wearing the blue gown sits down next to me. She has two IV pics in one arm and appears scared. At this age, my shyness with strangers is minimal, so I ask her, ” first MRI?”.
Without looking over, she says, ” no sir, this is my sixth one, and there’s more to come. It’s Cancer.”
She looks at me and asks, ” how about you.” At this point, I feel like this young girl needs a laugh, even at my expense.
In a deadpan voice, I say, ” complications from the Racoon Flu. My entire body is pulsing with it. Never saw a garbage can I didn’t love. She knows this is total BS and laughs. I crack myself up.
Ten minutes later I lay on the MRI table, IV in place, earplugs inserted, headphones on, and the nurse/tech leans over and tells me “this might be a little uncomfortable.” He smiles and snickers as he says it. I ask, ” how big is this thing you are inserting into my earthly temple.” He laughs and says, ” not too big, just enough to get close to the subject and light you up with some good old Radiation.” I plead, ” let me see it, and I’ll be the judge of that. What kind of Radiation are we talking here?” Rather proudly he exclaims, ” this is the good old American stuff, came straight from Los Alamos Labs. The same material used to build “the nuke back in 1945. It’s so pure that Dr. Oppenhimer personally endorses it. Its the bomb.”
From behind his back, he produces a probe that looks like a 1/24th scale model of the Hindenburg Blimp. Attached to the business end is an evil pigtail coil that is glowing green. This contraption is right out of the Spanish Inquisition playbook of torture, and it’s going inside of me? Fortunately, for my mental stability, the relaxation drugs I took an hour ago have kicked in, so I am defenseless to attempt escape. I accept fate and brace for the assault.
When the nurse, Mr. Smiley inserts the “little Hindenburg” into my backside, I was convinced I was either in the throes of childbirth or expelling an alien creature from my abdomen. I will never again doubt the painful stories of Alien abductees or women birthing children as “no big deal. ” I am squirming like a brain-hungry zombie, begging for mercy, offering money to end the agony, anything to stop the immobilizing pain. Then, in an instant, the suffering was gone, and I was human again. Listening to some awful hillbilly music, I drifted into La-La land.
I drift back into consciousness hearing George Jones sing ” He Stopped Loving Her Today,” possibly the saddest damn country song ever written. I choke back a tear, then realize where I am and why I’m here. Nurse Smiley congratulates me on a job well done, helps me to my feet and back to the dressing room.
Heading for the waiting room, I realize that scenarios like this will be my life for months to come. I think of a song from The Grateful Dead: I will get by, I will survive. Catchy little tune. Everyone needs a theme song.
the Manley Family: Front from left, Jasper, Marcy, Lavelle. Standing, from left, Mozelle, Jay, and Catharine
Leaving home to forge a new life can be an exhilarating journey or a regretful mistake, depending on the circumstances of the departure. My mother, Mozelle, saw it as a journey that must be made; there would be no regret or sadness. The days of laboring in the fields and chopping cotton were behind her now. She would never again grip the wooden handle of a hoe.
Her mother’s parting tears left a permanent stain on the shoulder of her best dress. Her father’s apathy and refusal to hold her pierced her heart.
The bus ride to Fort Worth stretched into the night, giving her time to reflect and to shed her tears in the dark.
Sharing an apartment with her sister, Lavelle, she found work at Consolidated Aircraft Corporation, where she built B-24 bombers as part of the war effort. She was now the girl on the famous poster, with her sleeve rolled up and a polka dot headscarf. Her life was all work with little time for a social life.
In a letter from home, her father demanded that she and her sister send him a percentage of their paychecks, as their departure from the farm had forced him to hire labor and change crops that yielded less money. They complied, albeit unwillingly, for the sake of their mother. They learned that the Preacher and his family had come one last time, and with no cotton to pick, returned to San Angelo, where he passed a few months later. His sons carried on the church. She never forgot Preacher and his mainline to Jesus.
Her brother, Jay, wrote frequently to his sisters from his ship in the Pacific theater. He was a gunner on a destroyer and participated in the invasion of Iwo Jima. He was one of my two uncles who were the best liars and spinners of yarns and tall tales, and he passed that treasure on to me.
The front porch of the family farm house was his stage, and I would sit for hours absorbing his tales, some true, some as tall as the oak tree growing in the front yard. Give the man a few Pearl Beers and he could orate as well as Will Rogers. I felt he missed his calling to be a writer or a stage personality. In later years, the stories had darker undertones, and he became a world-class alcoholic who, after two stays in a state hospital, beat the demon and lived a sober life until his passing in a car accident in 1968, a head-on collision caused by, of all things, a drunk driver. She believed the war affected him deeply and led to his drinking problem. Today, we call it PTSD. My mother loved him dearly, and she was the force that convinced and aided him to seek help. His death affected her deeply, and I believe she grieved him for the rest of her life.
As a young girl, my mother wrote poetry and was quite good; she won an award in grade school. Her handwriting was exquisite. She and a fountain pen became one, and a sheet of lined school paper became her canvas.
Reading the great poets of her time and writing her own poems was her idea of a proper education, and she dreamed of one day publishing her own book. There were hundreds of pages of poems, squirreled away in a drawer, for someday. The poems were lost, and so was the day with them.
After the war ended, she and her sister worked on drawing maps. There was more time for a social life, and the two enjoyed dancing, so that led them to nightclubs at Crystal Springs on Lake Worth, Belknap Street, and Jacksboro Highway. She wasn’t looking for a boyfriend or a husband, but was swept off her feet by a good-looking, dynamic young fiddle player in one of the bands. The attraction was immediate and intense, and both of their backs were chock-full of Cupid’s arrows. That nice young man, a native of Fort Worth, a veteran, and recently relocated from Hawaii, would become my father.
On a rainy morning not long ago, while searching for Christmas decorations, I stumbled across a box of family photographs. When I opened the lid, the room filled with that distinct smell of “old memories.” Black and white images of family members long deceased, smiling into the Brownie camera, knowing that they would never be a minute older than that particular moment.
One particular, faded picture, made me smile. My late Uncle Ray leaned against the trunk of his 1957 Cadillac, dressed in his best Sunday suit, holding a shotgun, and a can of Pearl beer. I’m not sure how those odd ingredients came together for that picture, but it was nice to see his face again. He smiled a lot-and drank more Pearl than anyone I have known.
As I studied the photo, remembering Uncle Ray and the joy his car gave to him, a small object sitting on the rear deck caught my eye. It was barely visible and obscured by the sun’s reflection on the glass, so I placed my magnifying glass over the picture, and it popped into clarity. There it was, Uncle Ray’s long lost Bobble Head Dog – Mr. Pooch.
Ray loved that plastic mongrel as much as that Detroit battleship of a car, a fact that his eight ex-wives grudgingly affirmed.
As family stories are told, I recall the night a wandering opportunist, broke into his Cadillac and stole his precious Mr. Pooch; leaving a loaded shotgun and a cooler of Pearl beer in favor of the faded plastic ornament. Uncle Ray, beyond consolation, moped for days, sitting at his dining room window, stalwart, praying that the thief would find remorse and return Mr. Pooch. His hope diminished by the hour, and that happy reunion never materialized, Uncle Ray, saddened to his last bone, mourned his Mr. Pooch until his end day.
That evening, I made a trip to the pharmacy to collect a prescription. My errand accomplished, I turned for home, and while stopped at a traffic signal, found myself staring at the rear end of a well preserved 1957 Cadillac. I marveled at the rocket tail-fins aerodynamic design, the beefy rear bumper, dual tailpipes, and the glaring chrome appointments. An excellent machine representing the best efforts of an era past. Seeing that old car reminded me of Uncle Rays cherished Caddie and the lost bobble head dog, Mr. Pooch.
As I followed the Caddie in the slow traffic, I glimpsed something odd, sitting in the car’s rear window. Pulling closer, I identified the object like a small brown dog, happily shaking its head, perched on the back deck. The driver, worried that I was following too close, tapped the breaks to warn me off, and, with that warning, the dog’s eyes “flashed” like red lasers. Startled, I slowed and gave the Caddie a wider berth.
After a few blocks, my curiosity won over safety, and again, I closed the gap between our vehicles. Mesmerized by the dogs blinking eyes, I failed to notice the old Caddie had stopped, and I rear-ended the beautiful machine.
At 20 mph, you can’t do much damage to an old tank like that, but my “thin-skinned” foreign auto was in poor shape.
Gazing through the cloud of steam that spewed forth from my radiator, I saw the door to the Cadillac swing open and a “white-haired gal” way shy of five feet, exited the car.
“Dressed to the nines” in designer duds, all the way down to the required white Rockport’s, she was the perfect poster girl for “Sun City.” My golfing buddies had warned me about these old gals. “Little Pit Bulls with lipstick,” as they were known, and they all had at least one offspring that was an attorney. I concluded I might be in big trouble.
Exiting my ailing vehicle, hat, and insurance firmly in hand, I attempted a half-baked explanation for the accident. The dog with the piercing red eyes, the memory of my Uncle Ray, and his long lost Bobble Head Dog- Mr. Pooch, my poor driving skills. The more I rattled on, the more it sounded like “mental ward gibberish,” so I ceased the blabber and politely inquired if she and her little dog were alright? She said she was excellent, and the dog, absolutely “felt no pain.” All was well and good. Minor damage, no harm done. I noticed the collision had un-seated her little dog, and he was feet up on the rear deck. “I really think your little dog may be hurt, he’s not moving,” I said.
She chuckled, and explained that: her old dog, “Giblet,” had been dead for 20 years or more, and that her late husband Murray, who had been an electrical engineer with an “off-kilter” sense of humor, missed the little guy so much, he had the mutt stuffed. Then as a nod to his own electrical wizardry, he installed red lights in the dogs’ eyes that light up when you mash on the car breaks. I suppose my Murray turned my little Giblet into a real-life bobblehead dog.”
Her story was so outrageous, I couldn’t control my laughter, and neither could she. Crazy people laugh the loudest.
Relieved that she was uninjured, I accompanied her back to her car to exchange insurance information. Finishing the exchange, she opened the car door, and there, in the passenger seat, illuminated by the dome light, sat and an older gentleman. Startled, I asked, if her passenger was okay, did “he” need to see a doctor? She shushed me off with a wave of her hand, and she exclaimed that he, “didn’t feel a thing.” Now, having just heard that morbid explanation regarding old Giblet, I asked,” why didn’t he feel a thing?”
With a twinkle in her eyes and a saucy wink, she replied, “oh, that’s just Murray, he and Giblet go everywhere with me.”
On that parting note, the little gal gunned the Caddie, pulled into traffic, and faded away, while I stood staring at the departing Bobblehead dogs red eyes blinking back at me.
A while back, an obnoxious blogger that fancied herself a serious author said that writers are not authors, and real authors are those that have been published and cut their teeth in academia, meaning a teacher or a professor of sorts. The rest of the poor souls plodded on through pages of typos and third-rate editing. I know that Hemingway, Steinbeck, and Capote would likely not agree with her observation.
Being the smart-ass that my mother raised well, I challenged the blogger on her assessment of the current literary scene and its “wink-wink” secret membership.
I knew she was a teacher right away because the following lecture and browbeating reminded me of high school. Much high-handed rhetoric and pontification without explaining anything. Sound familiar?
My measured response was that you must first be a writer to become an author. A writer is anyone that puts to paper a story of fact or fiction. It matters not if anyone ever reads your effort; it’s done and sealed. If your writing makes it to a publishing house or a website, you may call yourself an author, but you are still a writer. Nothing changes but a definition and perhaps a fat check.
My first writing was around ten years old and was on a Big Chief tablet. I was working my way to being the second coming of my beloved Mark Twain.
My uplifting teacher at the time had no problem telling me I would likely become a writer. Of what, I asked? She said maybe a book or a novel or a newspaperman; she thought I had a knack for the genre. She did encourage me to learn typing, which I did on a 1930s-era Underwood that occupied my parent’s dining room table. I was the only kid in our neighborhood that knew typing. My friends were google-eyed envious as if I had broken the enigma code or figured out the Orphan Annie decoder ring. I did gloat a bit, but not too much.
At 76 years old, I consider myself a writer; with over 200 short stories and interviews to my name, they attest to my efforts.
I have, over the years, been published a few times; Interviews about the rock scene in the 60s and early country music, so even though I received little to no money, I could, if I wished to, call myself an author. But it’s all a wordplay around egos. So, until I can come up with something as serious as Thomas Wolfe, Harper Lee, Truman Capote, or my beloved Mark Twain, I will remain a humble writer.
Notes From The Cactus Patch 