Category: 1950s

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One Day After: The Parade Of Slovenly Zombies And The Flannel PJ People


The hype season is upon us. Thanksgiving is in the rear view mirror, and everything is Christmas, and it started in October. Walmart skipped Thanksgiving and Halloween and went from summer to Christmas. Which is fine by me. I only visit that store when forced, and I was forced against my will a few days before Thanksgiving to accompany my wife for prescriptions and a few last-minute grocery items for the Turkey dinner with the family on Tuesday instead of Thursday, which we spent eating lunch with her brother, who is living in a rehab center in Dallas.

Every person in Granbury seemed to be there, thinking they were saving money, which is the big trick that the Waltons pull on the public. They mark some things way-way-bottom down low, and then raise the price on others, tricking the poor shopper into believing they are getting a great deal and saving their hard-earned money, or EBT money, which is really mine and your taxes financing all those overflowing baskets of junk food, hair extensions, and fancy dragon-lady fingernails.

I did notice more young women in full bedtime attire this year: jammy-bottoms and tops, along with fuzzy house slippers; some of them should have at least combed their hair and brushed their teeth. One girl had a long string of toilet paper dragging behind her PJs. What is wrong with women these days? They think it’s fashionable to come to a public place in their sleepwear? They look like morons. One older lady was wearing a Pioneer Woman house robe, a shower cap, and hospital socks, the kind with the little rubber bottoms so you don’t slip and fall. She was pushing a basket full of Pork Rinds and Dr Pepper, which, here in rural Texas, are considered one of the survival food groups, along with coldbeer and baloney.

Thinking back, decades ago, in the mid-1950s, I would accompany my mother to the grocery store, Piggly Wiggly, which was her favorite haunt. I would see women with their hair in rollers, peddle pushers, KEDs, and nice blouses. There was always a cigarette hanging out of their mouth, which made them look a bit sleazy, but back then, everyone smoked and used hair rollers. My mother loved to smoke; she was a world champion and would have a burning one in her mouth and one in each hand, ready to replace the other. She had a lot of big hair, so there would be at least two dozen rollers of all sizes shaping her follicles into a work of art. It seemed that these women all knew each other. They would stop and say, “Look at yeeew, how’s your mama and them? Did you get a new dress, or is that hair color just darlin, makes you look ten years younger and as cute as a Christmas puppy?” This went on for hours, as the ice cream melted and the meat grew dangerous E. coli bacteria, and I lost a large part of my childhood that could never be reclaimed. At least they didn’t wear pajamas.

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A Performance to Remember.. Cookie Becomes A Beatnik


In the fall of 1958, the first Beatnik-style coffee house opened its doors in Fort Worth, Texas. Calling itself “The Cellar.”

Fort Worth did not welcome its presence or the inhabitants it attracted. Conservative city fathers asked, “Where did these people come from? Have they always been here?” It was a cowtown of shit-kicking cowboys, Cadillac-driving oil men, and country club debutants wearing Justin boots. My cousin Carmalita, who preferred the name Cookie, was a perfect fit for the coffee house and secured a job as a waitress at the new establishment.

Being seven- years younger than Cookie, the other cousins and I had limited interaction during her teenage years. Still, I know from the family stories and the “almost out of earshot whispers” that she was a real hellion of a girl. Her mother, a rosary-clutching Catholic, believed her daughter to be mentally disturbed and demon-possessed. She was neither, just a rebellious girl born twenty years too early who refused to fit into the conservative society of the 1950s.

Immersing herself in books by Kerouac and Ginsberg that glorified the new lifestyle of the “beat generation.” Cookie began dressing in the style of “the Beats.” She envisioned herself traveling west with Dean Moriarty and Sal Paradise as they motored their way to New Mexico in search of God and the meaning of life fueled by Marijuana sticks and two-dollar-a-bottle liquor. Jack Kerouac was her hero.

Waist-length black hair and a resemblance to a young Ava Gardner didn’t endear her to the Sandra Dee-loving girls’ club at school. She was labeled an outcast. She dropped out of Paschal High School at sixteen to live in sin with her next-to-worthless greaser-hoodlum boyfriend, a motorcycle-riding teenage hubcap-stealing thief from the north side of town. This decision resulted in her instant banishment from the family.

Polled by a phone-in family vote, she was christened the “little trollop.” Her name was not to be spoken at gatherings, and her mother requested all photographs containing images of Cookie be returned to her for proper disposal by fire in the backyard BBQ pit. Her father was brokenhearted by her rejection. Unable to watch her sweet sixteen birthday present, a Ford Fairlane convertible, sit abandoned in his driveway, he sold it. The rebellious type was not tolerated well in the 1950s, especially in Texas and our extended family.

“The Cellar” grew in popularity, and crowds of unwashed self-appointed poets and deep thinkers found their way to the dark, smokey den.

Cookie grew tired of the bland poetry readings from ancient books and tried her hand at writing. Her heart was full of self-induced resentment, and it didn’t take long for her to dish on everyone and everything she felt had “done her wrong.” Her parents were number one on her list. She asked the club owner to let her perform a personal poem about her life, and he agreed.

Saturday evening is reserved for the serious night-dwelling “hip beats.” They convene and hold literary court to anyone who will listen. Mixed groups gather around small tables, arguing about poetry, politics, religion and the meaning of life. Old Crow adds the extra kick to the strong coffee. An occasional strange cigarette might be passed around.

Sensing the time is right, Cookie takes the stage, cradling a cardboard box under her left arm and a large pair of sewing shears in her right hand. She sets the box on the floor next to a tall stool. Tears stream from her eyes, forming dark streams of watery mascara onto her peach-pale cheeks. A thin tinsel string of snot drips from her left nostril, resting on her upper lip, and glitters in the spotlight, bathing her face in an ethereal glow. She sniffs and gags a few times, composes herself, and begins her poem.

She retrieves her favorite childhood doll baby from the box and lays it on the stool top. She grabs a large meat cleaver from the box and beheads the poor toy. A gasp erupts from the crowd. Earlier, for maximum effect, she filled the doll’s plastic head with Heinz Ketchup and potted ham to simulate blood and brains. The ketchup-splattered patrons recoil in horror when the doll’s head is guillotined and bounces onto their table by the stage.

Next, she pulls a beautiful 8×10 glossy photo of her parents from the box and cuts it to shreds with the sewing shears. She pulls a Girl Scout uniform from the box and rips it to pieces, throwing the all-American remnants of the uniform into the audience.

Cookie leans into the microphone, takes a long drag from a Pall Mall, and in a low growl, says, ” I never liked dolls or toys, but you made me treat the little fakes like real people. I fed them imaginary food, bathed them in imaginary water, changed their tiny poopless diapers, and dressed them in stupid clothes, and for that, I hate you and cut my hair.” With that statement, she grabs a chunk of her beautiful lady Godiva’s length hair and removes a six-inch portion with the sewing shears.

She continues, ” I didn’t want to be a Bluebird, but no, I had to be like the other girls on our street, you know, I don’t like the color blue, and for that, I hate you, and I cut my hair.” Then, whack, another large section falls to the stage. ” you hate my boyfriend because he is a bad boy, and he is all that, but I love him and want to spend my life on the back of his ratty-ass motorcycle holding a nursing baby in each arm as we travel west to find the meaning of life.” She then whacks the left side of her hair to within inches of her scalp.

The audience is on the verge of bolting for the door, fearing her next move may sever an artery and expire in front of them. A voice from the back of the room yells, “This chick is crazy, man.”

Cookie ends her act and exits the stage, leaving a pile of black hair mixed with ketchup and photo paper. The crowd of poets and hip cats give her a lukewarm reception. This performance was too unhinged for the normally unshakable.

That performance at the Cellar that night was the debut of what would become known as “Performance Art.”

Cookie got her wish. Less than a year later, with a baby in her arms, she and her boyfriend made their way to California, and that’s another story.

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Facing Cancer: My MRI Experience at UT Southwestern


Back in 2019, this Texan caught myself a case of cancer. It wasn’t contagious like the flu or a Norovirus, but it was a bad case. My first doctor wanted to do the standard treatment, but my wife, a dedicated nurse, did some digging and found a new treatment available only at UT Southwestern in Dallas. We live in Granbury, and I grew up in Fort Worth, so going to Dallas was painful; it’s something we Fort Worth’ians didn’t do back in the 1950s. Fort Worth is where the West begins, and Dallas is where the East peters out; it’s an actual historical fact. So, I had to swallow my family legacy of pride and prejudice and go to Dallas to save my life.

Round two of my cancer diagnosis commenced on May 13th, 2019 at 3:45 pm. Going to UT Southwestern Oncology for treatment was a no-brainer: it’s the best. Their staff radiates positive vibes, so naturally, I feel better. It is battling this evil little demon that has invaded my beloved earthly form with its sights set on the destruction of my body that keeps me focused. This course of action is my main goal and will receive my full attention for the near future.

Today is the ” oh so” specialized 3RDT MRI. I’m amused at the Star Wars comparison to R2D2. At least R2 would show me a hologram of Princess Lea for my entertainment. As with any procedure, it is inserting the word “specialized” into the mix that assures the method will be expensive and painful. I was right.

My bright eyed and bushy tailed MRI nurse accompanies me to my changing room, where I change into a scratchy blue hospital gown accented by yellow non-skid socks. After my wardrobe makeover, he inserts an IV pic into my arm and leaves.

A young woman, maybe twenty-one or so, also wearing the blue gown sits down next to me. She has two IV pics in one arm and appears scared. At this age, my shyness with strangers is minimal, so I ask her, ” first MRI?”.
Without looking over, she says, ” no sir, this is my sixth one, and there’s more to come. It’s Cancer.”
She looks at me and asks, ” how about you.” At this point, I feel like this young girl needs a laugh, even at my expense.
In a deadpan voice, I say, ” complications from the Racoon Flu. My entire body is pulsing with it. Never saw a garbage can I didn’t love. She knows this is total BS and laughs. I crack myself up.

Ten minutes later I lay on the MRI table, IV in place, earplugs inserted, headphones on, and the nurse/tech leans over and tells me “this might be a little uncomfortable.” He smiles and snickers as he says it.
I ask, ” how big is this thing you are inserting into my earthly temple.”
He laughs and says, ” not too big, just enough to get close to the subject and light you up with some good old Radiation.”
I plead, ” let me see it, and I’ll be the judge of that. What kind of Radiation are we talking here?”
Rather proudly he exclaims, ” this is the good old American stuff, came straight from Los Alamos Labs. The same material used to build “the nuke back in 1945. It’s so pure that Dr. Oppenhimer personally endorses it. Its the bomb.”

From behind his back, he produces a probe that looks like a 1/24th scale model of the Hindenburg Blimp. Attached to the business end is an evil pigtail coil that is glowing green. This contraption is right out of the Spanish Inquisition playbook of torture, and it’s going inside of me? Fortunately, for my mental stability, the relaxation drugs I took an hour ago have kicked in, so I am defenseless to attempt escape. I accept fate and brace for the assault.

When the nurse, Mr. Smiley inserts the “little Hindenburg” into my backside, I was convinced I was either in the throes of childbirth or expelling an alien creature from my abdomen. I will never again doubt the painful stories of Alien abductees or women birthing children as “no big deal. ” I am squirming like a brain-hungry zombie, begging for mercy, offering money to end the agony, anything to stop the immobilizing pain. Then, in an instant, the suffering was gone, and I was human again. Listening to some awful hillbilly music, I drifted into La-La land.

I drift back into consciousness hearing George Jones sing ” He Stopped Loving Her Today,” possibly the saddest damn country song ever written. I choke back a tear, then realize where I am and why I’m here. Nurse Smiley congratulates me on a job well done, helps me to my feet and back to the dressing room.

Heading for the waiting room, I realize that scenarios like this will be my life for months to come. I think of a song from The Grateful Dead: I will get by, I will survive. Catchy little tune. Everyone needs a theme song.

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The Journey to Fort Worth: A Story of Hope and Sacrifice


The continuing story of Jesus Got A Mainline
the Manley Family: Front from left, Jasper, Marcy, Lavelle. Standing, from left, Mozelle, Jay, and Catharine

Leaving home to forge a new life can be an exhilarating journey or a regretful mistake, depending on the circumstances of the departure. My mother, Mozelle, saw it as a journey that must be made; there would be no regret or sadness. The days of laboring in the fields and chopping cotton were behind her now. She would never again grip the wooden handle of a hoe.

Her mother’s parting tears left a permanent stain on the shoulder of her best dress. Her father’s apathy and refusal to hold her pierced her heart.

The bus ride to Fort Worth stretched into the night, giving her time to reflect and to shed her tears in the dark.

Sharing an apartment with her sister, Lavelle, she found work at Consolidated Aircraft Corporation, where she built B-24 bombers as part of the war effort. She was now the girl on the famous poster, with her sleeve rolled up and a polka dot headscarf. Her life was all work with little time for a social life.

In a letter from home, her father demanded that she and her sister send him a percentage of their paychecks, as their departure from the farm had forced him to hire labor and change crops that yielded less money. They complied, albeit unwillingly, for the sake of their mother. They learned that the Preacher and his family had come one last time, and with no cotton to pick, returned to San Angelo, where he passed a few months later. His sons carried on the church. She never forgot Preacher and his mainline to Jesus.

Her brother, Jay, wrote frequently to his sisters from his ship in the Pacific theater. He was a gunner on a destroyer and participated in the invasion of Iwo Jima. He was one of my two uncles who were the best liars and spinners of yarns and tall tales, and he passed that treasure on to me.

The front porch of the family farm house was his stage, and I would sit for hours absorbing his tales, some true, some as tall as the oak tree growing in the front yard. Give the man a few Pearl Beers and he could orate as well as Will Rogers. I felt he missed his calling to be a writer or a stage personality. In later years, the stories had darker undertones, and he became a world-class alcoholic who, after two stays in a state hospital, beat the demon and lived a sober life until his passing in a car accident in 1968, a head-on collision caused by, of all things, a drunk driver. She believed the war affected him deeply and led to his drinking problem. Today, we call it PTSD. My mother loved him dearly, and she was the force that convinced and aided him to seek help. His death affected her deeply, and I believe she grieved him for the rest of her life.

As a young girl, my mother wrote poetry and was quite good; she won an award in grade school. Her handwriting was exquisite. She and a fountain pen became one, and a sheet of lined school paper became her canvas.

Reading the great poets of her time and writing her own poems was her idea of a proper education, and she dreamed of one day publishing her own book. There were hundreds of pages of poems, squirreled away in a drawer, for someday. The poems were lost, and so was the day with them.

After the war ended, she and her sister worked on drawing maps. There was more time for a social life, and the two enjoyed dancing, so that led them to nightclubs at Crystal Springs on Lake Worth, Belknap Street, and Jacksboro Highway. She wasn’t looking for a boyfriend or a husband, but was swept off her feet by a good-looking, dynamic young fiddle player in one of the bands. The attraction was immediate and intense, and both of their backs were chock-full of Cupid’s arrows. That nice young man, a native of Fort Worth, a veteran, and recently relocated from Hawaii, would become my father.

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The Curious Case of the Bobblehead Dog


On a rainy morning not long ago, while searching for Christmas decorations, I stumbled across a box of family photographs. When I opened the lid, the room filled with that distinct smell of “old memories.” Black and white images of family members long deceased, smiling into the Brownie camera, knowing that they would never be a minute older than that particular moment.

One particular, faded picture, made me smile. My late Uncle Ray leaned against the trunk of his 1957 Cadillac, dressed in his best Sunday suit, holding a shotgun, and a can of Pearl beer. I’m not sure how those odd ingredients came together for that picture, but it was nice to see his face again. He smiled a lot-and drank more Pearl than anyone I have known.

As I studied the photo, remembering Uncle Ray and the joy his car gave to him, a small object sitting on the rear deck caught my eye. It was barely visible and obscured by the sun’s reflection on the glass, so I placed my magnifying glass over the picture, and it popped into clarity. There it was, Uncle Ray’s long lost Bobble Head Dog – Mr. Pooch.

Ray loved that plastic mongrel as much as that Detroit battleship of a car, a fact that his eight ex-wives grudgingly affirmed.

As family stories are told, I recall the night a wandering opportunist, broke into his Cadillac and stole his precious Mr. Pooch; leaving a loaded shotgun and a cooler of Pearl beer in favor of the faded plastic ornament. Uncle Ray, beyond consolation, moped for days, sitting at his dining room window, stalwart, praying that the thief would find remorse and return Mr. Pooch. His hope diminished by the hour, and that happy reunion never materialized, Uncle Ray, saddened to his last bone, mourned his Mr. Pooch until his end day.

That evening, I made a trip to the pharmacy to collect a prescription. My errand accomplished, I turned for home, and while stopped at a traffic signal, found myself staring at the rear end of a well preserved 1957 Cadillac. I marveled at the rocket tail-fins aerodynamic design, the beefy rear bumper, dual tailpipes, and the glaring chrome appointments. An excellent machine representing the best efforts of an era past. Seeing that old car reminded me of Uncle Rays cherished Caddie and the lost bobble head dog, Mr. Pooch.

As I followed the Caddie in the slow traffic, I glimpsed something odd, sitting in the car’s rear window. Pulling closer, I identified the object like a small brown dog, happily shaking its head, perched on the back deck. The driver, worried that I was following too close, tapped the breaks to warn me off, and, with that warning, the dog’s eyes “flashed” like red lasers. Startled, I slowed and gave the Caddie a wider berth.

After a few blocks, my curiosity won over safety, and again, I closed the gap between our vehicles. Mesmerized by the dogs blinking eyes, I failed to notice the old Caddie had stopped, and I rear-ended the beautiful machine.

At 20 mph, you can’t do much damage to an old tank like that, but my “thin-skinned” foreign auto was in poor shape.

Gazing through the cloud of steam that spewed forth from my radiator, I saw the door to the Cadillac swing open and a “white-haired gal” way shy of five feet, exited the car.

“Dressed to the nines” in designer duds, all the way down to the required white Rockport’s, she was the perfect poster girl for “Sun City.” My golfing buddies had warned me about these old gals. “Little Pit Bulls with lipstick,” as they were known, and they all had at least one offspring that was an attorney.
I concluded I might be in big trouble.

Exiting my ailing vehicle, hat, and insurance firmly in hand, I attempted a half-baked explanation for the accident. The dog with the piercing red eyes, the memory of my Uncle Ray, and his long lost Bobble Head Dog- Mr. Pooch, my poor driving skills. The more I rattled on, the more it sounded like “mental ward gibberish,” so I ceased the blabber and politely inquired if she and her little dog were alright?
She said she was excellent, and the dog, absolutely “felt no pain.” All was well and good. Minor damage, no harm done.
I noticed the collision had un-seated her little dog, and he was feet up on the rear deck.
“I really think your little dog may be hurt, he’s not moving,” I said.

She chuckled, and explained that: her old dog, “Giblet,” had been dead for 20 years or more, and that her late husband Murray, who had been an electrical engineer with an “off-kilter” sense of humor, missed the little guy so much, he had the mutt stuffed. Then as a nod to his own electrical wizardry, he installed red lights in the dogs’ eyes that light up when you mash on the car breaks. I suppose my Murray turned my little Giblet into a real-life bobblehead dog.”

Her story was so outrageous, I couldn’t control my laughter, and neither could she. Crazy people laugh the loudest.

Relieved that she was uninjured, I accompanied her back to her car to exchange insurance information. Finishing the exchange, she opened the car door, and there, in the passenger seat, illuminated by the dome light, sat and an older gentleman. Startled, I asked, if her passenger was okay, did “he” need to see a doctor? She shushed me off with a wave of her hand, and she exclaimed that he, “didn’t feel a thing.”
Now, having just heard that morbid explanation regarding old Giblet, I asked,” why didn’t he feel a thing?”

With a twinkle in her eyes and a saucy wink, she replied, “oh, that’s just Murray, he and Giblet go everywhere with me.”

On that parting note, the little gal gunned the Caddie, pulled into traffic, and faded away, while I stood staring at the departing Bobblehead dogs red eyes blinking back at me.

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Why Every Writer Deserves to Call Themselves an Author


A while back, an obnoxious blogger that fancied herself a serious author said that writers are not authors, and real authors are those that have been published and cut their teeth in academia, meaning a teacher or a professor of sorts. The rest of the poor souls plodded on through pages of typos and third-rate editing. I know that Hemingway, Steinbeck, and Capote would likely not agree with her observation.

Being the smart-ass that my mother raised well, I challenged the blogger on her assessment of the current literary scene and its “wink-wink” secret membership.

I knew she was a teacher right away because the following lecture and browbeating reminded me of high school. Much high-handed rhetoric and pontification without explaining anything. Sound familiar?

My measured response was that you must first be a writer to become an author. A writer is anyone that puts to paper a story of fact or fiction. It matters not if anyone ever reads your effort; it’s done and sealed. If your writing makes it to a publishing house or a website, you may call yourself an author, but you are still a writer. Nothing changes but a definition and perhaps a fat check.

My first writing was around ten years old and was on a Big Chief tablet. I was working my way to being the second coming of my beloved Mark Twain.

My uplifting teacher at the time had no problem telling me I would likely become a writer. Of what, I asked? She said maybe a book or a novel or a newspaperman; she thought I had a knack for the genre. She did encourage me to learn typing, which I did on a 1930s-era Underwood that occupied my parent’s dining room table. I was the only kid in our neighborhood that knew typing. My friends were google-eyed envious as if I had broken the enigma code or figured out the Orphan Annie decoder ring. I did gloat a bit, but not too much.

At 76 years old, I consider myself a writer; with over 200 short stories and interviews to my name, they attest to my efforts.

I have, over the years, been published a few times; Interviews about the rock scene in the 60s and early country music, so even though I received little to no money, I could, if I wished to, call myself an author. But it’s all a wordplay around egos. So, until I can come up with something as serious as Thomas Wolfe, Harper Lee, Truman Capote, or my beloved Mark Twain, I will remain a humble writer.

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The Comedic Side of Childhood Baptisms: Learning To Swim In The Holy Waters


I was a Southern Baptist kid, not by choice of my own, but by my mother and father’s doing. I was a feral six-year-old, and my sister was a swaddled titty baby along for the ride. My father had not yet been dunked, but my mother had been many times at the First Baptist Church in Santa Anna, Texas. I was a captive, unable to escape, so I had no choice but to enter the holy tub of East Fort Worth’s unfluoridated river water.

The good Reverend Augustin Z. Bergeron, our illustrious chain-smoking, iced-tea-drinking preacher from the bayou of Louisiana, was a world champion baptizer. He could hold a body under the water for a good minute while orating the word of God to the congregation on why this sinner had found their way to his tub of holy water. I was a kid, I didn’t know sin, or lying, or anything, I was just a dumb little fart that was dragged to church every Sunday and fell asleep in my own sweat-covered pants sitting on oak wooden pews, holding my feet high so I wouldn’t be dragged to the depths of Hell through the hot wooden floor of the church. My sainted mother thought it was time for me to take the dunking, which marked the start of a once-a-year ritual that would last for half a decade. I was baptized so many times that’s how I learned to swim. It was that or drown. My skin was permanently wrinkled, my scalp was free of Brylcream and dandruff, my skin was soft, and I smelled of Trinity River holy water most of the school week after my Sunday dunking. I may have been the cleanest and holiest kid in school. My teacher, Mrs. Edwards, a strong Christian lady of faith, always knew on Monday morning that I had been cleansed; she treated me better than the other little heathens in our class. I got two towels to lie on at nap time. I rather liked my status.

I remember my first baptism. I was barely six years old. My mother cornered the good reverend and demanded I be cleansed. My cousins, all a few years older, were considered world-class professionals, having been dunked every Sunday for two years. Mother, not wanting to be outdone by her sister, needed me to catch up. Reverend Z was hesitant because I had not been a regular attendee at Sunday School, but that didn’t deter my mother; she was determined to pursue her mission. He finally agreed over a glass of iced tea while my mother smoked three Camel cigarettes while nursing my sister and making her point.

The big-haired church ladies sang the usual hymns, a few of the overly faithful fainted and were carried out of the church. Reverend Z preached his usual knock-down-drag-out sermon, complete with rolling on the floor, smoking a half-pack of Lucky Strikes, and drinking a gallon of iced sweet tea. Not a hair on his coiffed head was out of place, and his suit was creaseless. He was a holy mannequin of God, in a good way, of course. The good Lord appreciates a snappy dresser.

After the two-hour sermon with four or five cigarette breaks, the line of folks to be baptized was down to me. Dressed in my best pants and a starched white shirt, Snap-On tie, and my new Timex kids’ watch, I was somewhat stylish for a boy my age. The young girls in the congregation gave me their toothless grin of approval. I had no idea what awaited me when the good reverend called my name to approach the pulpit and the holy tub. It was a quick affair. Reverend Z lifted me into the water, shoes, watch and all, said a few words, held me under until my legs kicked, and then raised me up, gasping for air. I was terrified. If the holy ghost had entered my body or wrapped their arms around me, I was unaware. I gagged and couldn’t catch my breath. The good reverend, seeing I was in holy distress, slapped me on the back, causing my breakfast to hurl into the holy water, which in turn made the congregation gasp in horror. This dumb-assed kid puked into the baptismal water, blaspheming and ruining the whole experience. I had eaten biscuits and gravy that morning, so the volume and solidity of the puke were rather disgusting. Reverend Z literally threw me out of the tank, lit a cigarette, took a swig of tea, and continued with a remarkable recovery sermon, saying I had rebuked the devil. The mess in the tub was the demon I expelled. It was a brilliant recovery, a saving grace for both of us. I went on to participate in many more Baptisms over the years and improved with each one, learning to hold my breath and refrain from eating before church.

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Why I Missed My Calling as a Writer


I was born too late to meet my calling as a writer. Instead of being birthed in 1949, I should have appeared in 1931, no later than 1933, then I may have had a fighting chance. By the time I began writing about serious topics, I was in high school, in the mid-1960s. We had the Vietnam War, Hippies, rock music, and pot to contend with. Writing about Hippies held no interest for me, but the war, music, and politics did, and so I wrote a few things for my high school paper and journalism class that brought instant grief my way. My mentor and writing coach, Mrs. Mischen, chastised me for the language I used, which, in retrospect, was a bit crude and too hip for a high school paper. However, she also gave me an “atta-boy” for having the courage to put myself out there. I wasn’t anti-establishment, anti-war, or anti-Hippie; I wasn’t anti-anything: only a rock musician playing in a popular band, and that’s about all I had to offer the world at that point. That’s why I should have been a writer in the 1950s, hanging out in the Village with Kerouac and Boroughs, and even Hemingway and Steinbeck in late-night bars, smoking unfiltered cigarettes, drinking whiskey, and arguing about the fate of America after the two recent wars that had led to a drastic shift in our country. I would have been a perfect cohort. Instead, I spent my childhood years writing in a Big Chief Tablet about neighborhood shenanigans and mailing my articles to the Fort Worth Press, hoping for a spot in the Sunday news, all the time, believing I was the incarnation of Mark Twain. Now, I’m too damn old to be the incarnation of anyone, and can’t remember what to write, and can’t find my notebooks full of ideas.

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The Old Time Revival Inspired by Charlie Kirk’s Memorial: A Soliloquy For Young Believers


It’s been a few weeks since Charlie Kirk was assassinated, and a few days since his memorial, which was a landmark television event in itself. Yes, many folks of high standards and lofty ideals spoke in eloquent tones, delivered soaring soliloquies on the life of a young patriot taken too soon. It was somber for the most part, but like any television production, it utilized technology to connect with the audience.

My wife, Momo, and I shed a few tears, moved by the words spoken by government officials that professed their Christianity to the world, and didn’t hold back. Near the end, when Charlie’s widow, Erika Kirk, spoke with humility and eloquence, I knew she had been chosen to lead a new revival of young men and women to Christianity and conservatism. She will lead them to reclaim our country as envisioned by the founding fathers.

Then, in a flashback, uninvited moments I often have as I grow older, I envisioned it as something entirely different. In crystal-clear black and white, it evoked the memory of an old-time 1950s Texas Christian revival I attended as a young child, held in a weathered circus tent in a field of drought-stricken grass near Santa Anna High School. Unlike the sturdy Baptist Church in town, there were no pews or wooden floors; only hard wooden folding chairs and a foot-trampled, grassy floor, harboring insects that crawled up my legs and delivered vicious bites. I yelped, and my mother smacked me on the back of my tiny, crew-cut-wearing head. “Be respectful,” she sternly whispered, “God is using the preacher as his lightning bolt.” No matter how hot the weather and the misery caused by pestilence, I obeyed. Pretending to listen to the droning sermon, half asleep from the heat and boredom, I would rather have been anywhere but that tent. My grandparents sat behind us, their hands holding heavy black Bibles that would leave a mark when connected to an insulant child’s behind. I could feel the searing stare of my grandmother’s laser eyes on the back of my neck. I looked straight ahead in fear, knowing that if my chin dipped half an inch or I wavered sideways, a bump from the good book would remind me why I was there. I was six years old and a reluctant, ignorant, bordering on a Christian at best. I yearned in silence to follow my older cousins; they were washed in the blood of the Lamb, bathed in the Holy Spirit, and had been dipped like spring sheep in a trough of holy water. I was just a young kid with no spiritual compass to guide me. It took some time, too slow to my mother’s liking, but I eventually came to Jesus in my own terms. Making me kiss the casketed, heavily perfumed body of my dead great-grandmother set me back a few years, from trauma alone. But God did find me, and I found him. It wasn’t the lightning bolt jolt from above, but a slow and gentle process that fitted my preciousness.

The memorial service in Arizona was similar, but in a larger way. Thousands gathered in air-conditioned comfort, with cold drinks and hot dogs served to feed the masses. Clean restrooms, paved parking, and ushers were on hand to help you find your seat. Believers and those seeking to become believers gathered to pay respects to a young man who will likely become the unofficially appointed sainted leader of the next Jesus Revolution, similar to the one started by Pastor Greg Laurie in the early 1970s in California. Take away the stadium, put the masses in a tent with no air conditioning, a grass floor, a rural setting, and a grieving, electrifying widow instead of a hellfire and brimstone preacher delivering the word of God, and you have today’s equivalent of an old-time tent revival. And, it’s about time.

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Is This The Real Life? Is This Just Fantasy? Caught In A Landslide, No Escape From Reality


Me Before I Quit Smoking

Perhaps Sal Paradise and Dean Moriarty had it right? Drive a beat-up car across the country, searching for the real America; find that touchable and believable reality. The young Marylou is along for the ride; she adds the angst to their search: a real woman, one to drive the two of them mad. Three is a tangled mess. Two recovering Catholic boys question their upbringing. Harsh realisms, self-flagellating, pot smoking, cheap liquor guzzling, teetering on becoming a criminal or a saint.

Roughians, hooligans, hipsters, Bohemians, and rapscallions. These were the self-educated beast shaped by the great depression that taught us that America isn’t perfect and never can be as long as flawed and greedy people make decisions for the masses. Lords and Cerfs; Alms for the poor, sir?

The late 1940s was a time of realism. Fantasy was for the dreams of children. The recent brutal world war ended the tragic depression years, and sacrifices and loss of human life in far-off lands all played out in real-time, not on a roll of film. There was no “escape from reality.”

The coterie of Bohemian writers and artists was forming. Jackson Pollock was dripping paint, Picasso was mutilating women on canvas, and Papa Hemingway, John Steinbeck, Alan Ginsberg, William Burroughs, Neal Cassady, and Jack Kerouac sat around small tables in dingy cafes and bars slamming down hooch, and writing the real stuff that made us smile, think, cry, or recoil in disgust. They took the American reality from the 1930s and 1940s and gave it to us with a backhanded slap to the face. It awakened some of us, the ones that paid attention.

Jack Kerouac and the rest of his group weren’t meant for literary sainthood; they were too stained, too fallible, and over-baptized. America was real; life was not always the astringed family of mom and pop, two kids, and a cocker spaniel. Sometimes it hurt. More often than not, it was damned good. Men were riddled with imperfections but still knew how to be male, and women were as perfect as they were created to be.

Somewhere on this trip, along the road, America lost its reality, and people turned to fantasy. Now, we are lost in a landslide, with no escape from a warped reality. The road goes on.