Category: 1950s

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Texas Lore And Legends


The Jackalope

I first learned of the “Jackalope” from my late Uncle Bill Manley. Summer nights on the porch of my grandparent’s farmhouse were ripe for spinning yarns and swapping lies. Uncle Bill was a masterful storyteller; my cousins and I were young and ready to believe anything he dreamed up.

The Jackalope is part Jack Rabbit and part Antelope and is a staple of Texas lore; is it real or a yarn? No one knows for sure, but many have claimed to have seen one, Uncle Bill among them.

After three or four ice-cold Pear beers, he begins his recount.

His voice lowers an octave; he leans over, rests his elbows on his knees, and begins,

” Back in 1948, when myself and the missus were visiting down from Chicago to this here farm, I was looking for my doggy that escaped the screened-in porch. It was almost dark, and I was walking through the back pasture, making my way into a grove of Mesquite trees, and there it was, sitting, chewing on a big blade of Johnson grass. He was a big critter, about the size of a big old lazy dog. His horns stuck up like a West Texas Antelope, his eyes glowed ruby red, and his pupils were yellow like a big summer squash. I was scared the varmint was going to gore me with those big horns, but I stayed real still and began to talk to the critter. I knew it was a Jackalope right away. The more I talked, the critter seemed to like what I was saying, and it began inching closer to me. I went on for a while, and when I took a break, the varmint was right next to me, looking up at my face with those crazy eyes. Then he did something funny; he nuzzled me with his head, and not knowing what was up, I reached out and scratched him behind his long ears. He made a funny sound, sort of a cat purring. I knew we were buddies now.” Wow, what a story! My cousins and I were delighted; we wanted more, so I asked, ” Uncle Bill, what happened to the Jackalope?”

Uncle Bill always had a dramatic end to his tales; this one was no different. He takes a giant slug of his Pearl Beer and says,

” There was a pack of wiley Coyotes roaming around the farm making a ruccus and killing Granny’s chickens. I went out hunting them one night and found the Jackalope all chewed up over behind the hen house; the Coyotes got him. He put up a good fight because there was two dead Coyotes laying beside him, all gored up from the horns. I took him to the taxidermist in Brownwood and had his head mounted, and that’s him hanging on the wall of the Biscuit Cafe.” Twenty years later, I stopped at that cafe, and the Jackalope was still there.

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Back In The Saddle Again


My good friend John Payne was raised in West Texas, and I have, with his permission, used his antics as a teenager to inspire my favorite character, Ferris Ferrier. This story was inspired by John.

Ferris Ferrier lives in Happy Texas. It’s 1958, and he is as happy as a resident can be. He reads an article in the Amarillo newspaper about a movie soon to be filming in Fort Worth, and the company is auditioning for cowboys who can sing and play guitar while riding a horse.

Ferris plays guitar a bit and has some fancy cowboy duds, and his father has Ole’ Rip, the family ranch cutting horse, so he’s convinced he could give this a shot. His parents give him their blessing, and it’s arranged that his cousins Jimmy Jam and Mary Meredith will take him and Ole Rip to the casting call.


Ferris isn’t nervous about the singing and playing but more about Ole’ Rip getting spooked and bucking him off. Ole’ Rip is a working horse used to cattle and his pen, and he’s pretty unpredictable, but he’s the only horse on the farm, so Ole Rip it is.
Jimmy Jam suggests that Ferris and Ole Rip give a practice performance in the upcoming Christmas Parade next week. “Give the folks in Happy a preview of their soon-to-be movie star,” says Jimmy. Ferris agrees, and plans are made for his debut.


On the day of the parade, Mimi Jo Musson, the coordinator, moves Ferris and Ole’ Rip to the front of the show, right behind the baton twirlers.

“Might as well give our new movie star a plug, right?” she said. Ferris is nervous as hell.

Why right in front of the high school band? Ole’ Rip is bound to have a meltdown once that loud music starts. He explains to Mimi Jo the scenario that will likely happen.

Mimi Jo says, “It will be fine; all horses love music.”


At noon, the parade is lined up in the alley between the Prairie Bank and the Big Biscuit Café. Baton twirlers, Ferris and Rip, the drum major and high school band, and six floats, followed by a stagecoach driven by Gabby Roy Parnell, where Santa Claus rides and throws candy to the children.


Ferris is freaking out. His throat is dry as sand, he has to pee, and Ole’ Rip cuts one fart after the other, a sure sign he is unhappy. As the parade turns the corner from the alley onto the main street, Ferris starts to play and sing, and Ole’ Rip is doing fine. Then, the drums start, the band kicks into Jingle Bells, and Ole Rip loses it. It is the first time Ferris has seen him rear up on his back legs like Trigger, and is, for a moment, impressed…until the horse makes a hard right turn and runs into Miss Honey’s Beauty Parlor.

As Ferris and Rip enter the business, Ferris hits his forehead on the top door jamb and spews blood like a fountain. Ole Rip manages to demolish half the parlor before turning around and heading out the front door. They travel a few stores down, running parade watchers off the sidewalk.

The next stop, Western Auto and Rip, is doing a similar demo job on the best store in town. Ferris is bleeding, his guitar is smashed, and the saddle is beginning to slide sideways. As they exit Western Auto, there are three vacant lots until you reach Bramwell’s Feed Store. Ole’ Rip, smelling horse feed, picks up speed and heads for the feed store lot.

As they enter the lot, Rip is smelling oats and makes a beeline for the warehouse, where he abruptly stops in front of an open bin and proceeds to chow down.

The saddle slips sideways, and Ferris is on the ground.

He is a sorry sight, with a bloody face, torn clothes, and his precious Harmony acoustic guitar smashed to kindling, and then Margie Lou, his secret crush, shows up. She is so excited she can barely speak.

” Good God, Ferris, I have never seen a demonstration of horsemanship like that in my whole life, and I’m a rodeo queen. That was fabulous and sensational,” she screams. Ferris picks himself up and thanks Margie Lou.


She adds, ” and next week you are going to audition for that movie, you should be so excited.”

Ferris says, “You know Margie Lou, I think I’ll do my guitar playing on the ground from now on. Who knows, in a few years, I might start a band. By the way, that’s a good idea for a name, The Fabulous Sensations, and I’ll keep that in mind.”

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Just A Little Off The Top, Please


If you were a kid in the 1950s, there is a good chance you had to endure the “home haircut.”

My father, also known as “Mr. Cheapass,” became a barber almost overnight. A friend had given him a pair of worn-out electric barber clippers, and he saw a way to save that $1.50 flat top haircut I received once a month. My mother, bless her heart, tried to intervene and save her only son from the humiliation of the shearing, but the old man won the battle, and I found myself sitting in our kitchen with two phone books under my butt, just like the real barbershop.

No cape, no tissue around my skinny neck, no talcum powder, no Lucky Tiger Hair Tonic, just a worn-out towel with a clothespin holding it in place. My mother sat at the kitchen table, misty-eyed, crossing herself despite being a Baptist.

My father tried to act like a “real live barber” by making small talk, asking me about my baseball team, the weather, and my dog. It didn’t work; I knew I was in for a massacre.

He didn’t know which guide to use, so naturally, he picked the wrong one, flipped the switch, and tore into my nice, thick seven-year-old hair. Gobs of dark hair were spilling onto the towel and the floor. My mother sat there with a shocked look on her face. The more he buzzed me, the worse it got. Finally, he removed the guide and put the clippers on my scalp, rendering me bald except for a tuft of hair in front for the application of Butch Wax.

The deed was done. I was scalped, mutilated, disfigured, and humiliated. Lucky for me, it was summer, and by the start of school, I would have a normal head of hair. My father was rather pleased with his handiwork and strutted around the house for an hour or so. I happened to catch my mother tossing the clippers into the garbage can in the alley the next day. When school started, she took me to my regular barber and paid half the buck from her grocery stash.

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The Little Buckaroo


The Little Buckaroo, early 1950s

I was young, barely talking, so I couldn’t say Trigger. It came out as Twigger. The other little buckaroos in the neighborhood mocked my speech impediment. I was three years old, so what. I rode the wilds of Sycamore Park, ducking under low branches, hearing Indians in the trees and Buffalo calling. I rode the banks of the swollen creek, watching turtles feed on the carcass of a carp. I was, in my intended element, a cowboy. Then, the owner of the Little Pony Picture Service lifted me off and put the pony in the trailer. Bummer.

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Strawn, Texas, My Little Town


Strawn, Texas Depot, back when there was a train running

Strawn, Texas. Yep, same name as mine and a distant relative in the family food chain. We visited the town last Saturday for a day trip and lunch. Founded in the late 1800s and soon to be the gateway to our newest Texas state park, “Palo Pinto Mountains State Park.” A 5,400-acre rough and rustic layout that includes a lake, a river, a creek, mountains, trails, rocky escarpments as big as a house, and every kind of critter imaginable. The main entrance is through the town, which is in need of a shot in the arm to boost the economy. 80 percent of the downtown buildings are vacant. The Paramount Plus, Taylor Sherriden-driven television show “1883 The Bass Reeves Story” wrapped filming in the town last March and, at the request of the city fathers, left many of the sets and changes made to the abandoned 1800-style buildings. The little town has seen better days, but no one can remember when.

The Strawn Greyhounds are the winningest six-man football team in history, with numerous state championships. Mary’s Cafe, the famous eatery written up in food magazines and Texas Monthly for her large Chicken Fried Steaks, was left in its original condition because Mary and her gals fed the film crews good ole’ high-calorie Texas vittles; Chicken fried everything and topped off with gallons of white gravy, and to finish up, with a lot of sugary pie, iced tea, and coldbeer ( all one word in Texas).

Fake front movie set left by the 1883 crews
Old Hotel repurposed for the series

I’m no stranger to Strawn. My affiliation with the village goes back to 1958 when my father purchased a lot on Lake Tucker, the town’s source of drinking water and a beautiful small body of water formed by a creek when the dam was built by the PWA in the 1930s. The lot itself was steep and rocky, backing up to a massive hill and rock escarpment with boulders the size of a single-family home and a Buick. There was a dwelling of sorts, a small plywood one-room fishing shack with a tar paper roof. It had running water, a bathroom, a window unit, a hotplate for cooking a few cots, and a small dock. My mother was appalled but captive and had to rough it; she couldn’t walk out and darn sure couldn’t swim back to the dam. The place was crawling with Rattlesnakes, Copperheads, and Coral Snakes, and that was just the vicinity of the shack. Down at the dock, by our flat-bottom aluminum boat, the only transportation to the shack unless you could rock climb, the Water Moccasins were as thick as mosquitos. My mother, holding my baby sister in a parental death hug, damn near had a nervous breakdown as my father and I set about chopping the heads off of every venomous reptile we could find with a sharpshooter-shovel and a chunkable bolder. The Rattlers were the most fun; they would strike the shovel and break a fang before they were guillotined. I got to remove and keep the rattlers for later use in scaring the kids in my neighborhood. I could have been bitten many times over if I had thought about being scared, but I tackled the task with glee and abandon. I was a feral boy in my element.

The second night in the shack, during the wee hours before dawn, my mother heard something sniffing and clawing at the door. It could have been a Coyote, a Mountain Lion, a Bobcat, a Bear, or the dreaded Sasquatch. That was it for her, and we packed and left the next morning. She never went back.

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Riding The Range To Nowhere


Every visit to the grocery store found me hounding my mother for a nickel or two so I could ride the stationary pony to nowhere. She always gave in and handed me a few nickels to keep me riding the range while she shopped. In my kid’s mind, the wilds of Texas stretched before me, Indians around every corner, wild critters stalking me on my trusty steed. When the coins ran out, I would sit quietly on Twigger until my mother fetched me. I missed my pony, but I was glad when she changed stores, and the new one had a rocket ship to nowhere.

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A Visit To The Old Jacksboro Highway


A surprise from old buddy Mooch…

A Typical Beer Joint on Jacksboro Highway, photo by a local Wino

I’ve known old buddy Mooch for around fifty years and thought I knew everything about the man, but now I know I don’t

I rode with Mooch to Fort Worth to pick up a load of mulch. It’s one of those places where a tractor drops a bucket full in the bed of your pickup truck. Cheap and efficient. When Mooch picked me up, I assumed his Chihuahua, Giblet, would be in the front seat next to Mooch. Giblet was in the back seat strapped into a child carrier wearing Apple Air Pods, held in place with scotch tape. I didn’t want to appear stupid, so I said nothing about a dog using Air Pods. I did ask what Giblet was listening to. Mooch said, “He likes those Tibetian Dog Chants; it keeps him soothed, and he doesn’t break out in hives or crap in the seat. Chihuahuas are a nervous type, you know.” He’s right; the little shit has bitten me numerous times; once, while trying to steal my Whataburger, he bit my bottom lip, and I needed stitches. The dog is so damn old; he’s probably broken some kind of Chihuahua life record.

Since we were near Jacksboro Highway, Mooch asked me how about dropping by his favorite bar for a beer. Sounded good to me, it was over a hundred degrees, and there’s nothing like a dark, cold bar in the summer.

Only a few bars are left on the old Hell’s Highway; they’ve all been dozed, and shopping centers and fast food joints have taken their place. We drove until we were in the country, then pulled into a gravel parking lot in front of Big Mamu’s Bar And Grill.

” This is my favorite bar in my whole life,” says Mooch. ” I’ve been coming here since I was of legal age to drink beer. This is where I got my first taste of the nightlife and other things I can’t discuss.” We ambled in, sat at the bar, and a female bartender brought us two ice-cold Lone Star longnecks. Mooch introduced her as Little Mamu. Her mama, Big Mamu, sold the place to her some years ago and retired back to Chigger Bayou, Louisiana, her hometown. Little Mamu and her husband, Budraux, run the business. Little Mamu, after a closer look, was darn rough. She’s seen some action in her bar years, probably shot or cut a few folks and busted some heads. Bottle blond hair and a hefty figure with arms like Popeye, I wouldn’t want to mess with her. The songs say the gals look better at closing time, but I doubt Mamu would improve by 2 am.

This bar was right out of the 1950s. Red naugahyde booths with little jukeboxes at each table. The rest of the furnishings looked to be original as well. The old Wurlitzer JukeBox in the corner was an antique but was pumping out Merel Haggard like a champ. The neon and backlit beer signs were old and likely worth a fortune. The Ham’s Beer bear was there, the Miller High Life man fishing for trout, and a revolving Jax Beer sign. This was a man’s bar. It dripped dive and beer joint like a dimestore Siv.

Mooch pulled a small flashlight from his pocket and sat on the bar. ” You about ready, Little Mamu?” he says. Mamu grabbed a step stool, climbed onto the bar, and walked over to where Mooch and I sat. I didn’t know if she would do a Hoochi Coochi dance or drop-kick one of us in the face. Mooch turned on the flashlight; Little Mamu raised her skirt a bit, and Mooch shined the light up her dress, bent over, and took a peek upward. ” Yep, everything looks just fine, gal,” he says, handing her a twenty-dollar bill. ” When did you start wearing those Fruit of The Loom underwear? ” Little Mamu didn’t miss a beat, ” I would have worn my Fourth of July ones if I had known you were coming; you haven’t been here in months,” she says. I’m not sure what I just saw; Mooch looking up a woman’s dress with a flashlight? I’ve seen some things, but this is the best one yet. We finished our beer and left.

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Intriguing News From The Cactus Patch


Some Of My Favorite Things…sort of like Julie Andrews sang about in that movie with all the singing kids

One of the better albums from 1960s Japan. Godzilla does a jam-up job on his Yokohamafuchi electric guitar, although when he attempted to sing ” It’s Hard To Say I Love You When I’m Breathing Fire,” with his backup singers “The Hiroshima Sisters,” he hiccuped and accidentally incinerated the girls, along with most of the studio musicians.

Kids with a few dollars in change will buy anything. I was one of the little suckers for these ads in the back of comic books. Charles Atlas training manuals, tea-cup monkeys, live sea horses, tiny submarines that ran on baking soda, and the above X-Ray Specs. I sent my five quarters in an envelope and a month later received my prize. They were more like those cheesy 3-D glasses than real glasses. Georgie, my buddy, was my test specimen. Nope, nothing there, still Georgie in his baseball cap, no bones, innards, or X-Ray vision. I should have ordered the genuine Super Man glasses. I tried them on a few of the tom-boy girls in the neighborhood. After I told them I could see their bones and guts, they beat me with a hula-hoop; although I tried to tell them I was kidding, the beating continued; I barely got away. I handed them to my mother; she put them on, looked at me, and said, ” I see you’re still wearing yesterday’s underwear.”

Back before we had NPR and educational television, we kids had Shari Lewis and Lambchop, Howdy Doodie ( who was a real kid with strings tied to his body), Mickey and Amanda, the mud turtle and Opossum, Soupy Sales, and White Fang and a dozen more. This album was somewhat educational, in a Dave Gardner, Rusty Warren adult party sort of way. The gal that sings songs about puppets is Shari Lewis’s half-sister, which tried to horn in on Shari’s gig by coming up with two repulsive puppets calling them “Clam Chop” and “Devil Baby.” My cousin Jok loaned me the album. He’s the one that blew up everything with cherry bombs and shot my other cousin, Ginger, in her butt with an arrow. He was not the best influence.

A picture of my Christmas display in my front yard from six years ago. I saw nothing wrong with having a rubber T-Rex and a few Raptors eating Santa and Barbie for Christmas dinner. I had colored solar lights at night, which looked like a professional display. I was feeling pretty darn good about it until a few old ladies in my neighborhood, the ones that drove Cadillacs, sported blue hair, and wore prune faces, complained to the association office, and under threat of arrest and seizure of my home, I removed the display.

Yep…I had one of those too. Imagine giving a kid a toy gun that shoots hard plastic bullets, and they hurt at close range. In the 1950s, folks didn’t see the harm in giving us kiddos potential leather weapons. Everything was good until my cousin, a little cherry bomb kid, forced a 22-caliber bullet into my rifle and blew the thing to pieces. I also possessed a real sharp full-size Jim Bowie knife and a WW2 Army Surplus hand grenade.

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Baseball, Balloon Tires and Cap Pistols


I first met Billy Roy on a Monday morning in September of 1957 when Mrs. Edwards, our third-grade teacher, introduced him to our class. He stood next to her, arms crossed with a sour-ball look on his face.

I knew this kid was trouble. He hadn’t done a thing to anyone yet, but he had that weaselly look about him; beady eyes, no chin, partially bucked front teeth, and a bad haircut giving him the appearance of a hillbilly.

Our teacher says he is from Hamburg, Germany, and his father is an officer out at Carswell Air Force Base. Billy Roy, she says, is a German and an American citizen but doesn’t speak good English quite yet. So then, what is he, an all-American boy or a Nazi transplant? We, kids, knew all about those guys, watching World War II movies on channel 11 and playing war with our BB guns. We always whopped the Nazis and the Jap’s. We also took care of the Mexican army when we defended the Alamo.

As luck would have it, Billy Roy now lives in my neighborhood, three houses down from my best buddy, Skipper, so after school, the gang calls an emergency meeting to figure out how to deal with this infiltrator.

It’s decided to give the “new kid” a chance to prove his salt; he would be allowed to hang with us until deemed worthy or fell flat on his face.

Our parents got word of our secret plan and told us, “We had better be nice to Billy Roy, or we would wind up at the “Dope Farm.” Someone ratted us out; most likely, it was Georgie; he’s afraid of everything and can’t keep a secret. He is also a known titty-baby.

“The Dope Farm” is a juvenile detention institution that our parents use as a threat when we act up. It keeps us in line. The stories about the place give us nightmares; it’s Sing-Sing for children. One of my older cousins spent some time there, and later when he was supposedly rehabilitated, he robbed a Piggly Wiggly dressed as a woman.

Saturday came our day to ride our bikes to Forest Park diamonds for pick-up baseball games. Our group of eight departed from Skipper’s house at 8:30 am. Billy Roy is standing on the sidewalk as we approach his house.

Skipper stops and asks Billy Roy if he has a bike and a glove; in broken English, he states he has neither of those items.

Georgie, the titty-baby, then says in a snarky tone, “if you don’t have a bike and don’t play baseball, you can’t be part of our gang.” The word’s spoken, the gauntlet laid. It looks as if Billy Roy might be out. Everyone gives him “the look” as they ride by. I feel a little bad for the kid.

Billy Roy keeps to himself during the next school week, eating his sack lunch alone and staying inside during recess. We can care less. He can’t tote his salt.

Saturday morning, 8:30 am, the same scenario. We leave Skippers’ house on bikes, heading for the ball diamonds. As we approach Billy Roys’s house, he comes flying out of his garage on a brand-spanking-new Schwinn Hornet bike. A chrome headlight and taillight adorn the bright red and white bike—the sun’s reflection off the chrome fenders that cover the white sidewall balloon tires is blinding. Hanging on the handlebars is a new double-stitched  “Plug Redman” Rawlings baseball glove, and sitting on his little head is a genuine New York Yankees ball cap.

Skipper skids to a stop, and the rest of our bunch almost wrecks our bikes, trying to miss him. What is going on here?

The gang is in awe and more than a tad envious. This kid’s been here two weeks, doesn’t play baseball, can’t speak English, is likely a German spy, and here he is riding the Cadillac of bikes and now sports new ball equipment. Some snot-nose in our neighborhood is as rich as King Faruk, and it isn’t us.

Skipper, the wise leader of our bunch, surveys the scene, then tells Billy Roy that he can come along with us to the baseball diamonds since he now has the required items. So he rides at the end of our pack and struggles to control his expensive bike. He crashes a few times but catches up. Unfortunately for our intern, things don’t go well at the ballpark.

After educating Billy Roy on holding and swinging a bat, he’s bonked square in the forehead with a 40-mile-per-hour hardball. He’s out like a corpse.

The umpire, some kid’s father, drags him over to the bleachers and pours a cup of cold water on his head. Billy Roy wakes up, staggers for a minute, and acts like nothing happened. We are impressed; he’s tougher than we thought.

Around the fourth inning, Billy Roy tells us that he is going home. He’s a bit dizzy and wobbly after his bonk and can’t participate in the rest of the game. We get it. He departs, driving his fancy bike from curb to curb like a blind drunk.

After the game, which we won, we gathered our stuff left in the dugout.

Stevie says he can’t find his Cub Scout knife. Freckled Face Bean can’t find his Roy Rogers watch, and Skippers’ decoder ring is missing. My almost new pack of Juicy Fruit is also gone. Good Lord! There’s a thief amongst us. Georgie, the titty-baby, is the likely culprit; but he says he can’t find his dental retainer, so he’s cleared. That makes Billy “the Nazi” Roy, the perpetrator. There is an ass-whoopin’ brewing. With retribution in our hearts, we haul ass to Billy’s house.

Mrs. Roy answers their door. We demand to see Billy, so she brings him to face us. He stands behind the screen door for protection. But, of course, he denies it all until Skipper tells him to step onto the porch so he can whoop him. Billy steps onto the porch, but before Skipper can get a lick in, Billy pulls a switchblade knife from his pocket. He pops the blade and waves it at Skipper. Yikes! Not only is the little Nazi a thief, but he’s also a West Side Story hoodlum. We leave the porch and the guilty Billy Roy to his young life of crime.

After the incident, Billy Roy, to us kids, is a fart in the wind.

Having ruined his reputation in our neighborhood, he starts hanging with some older hoodlum boys from across the railroad tracks; we call them “The Hard Guys.” We are sure they will wind up at “The Dope Farm” sooner or later, and now young Billy will join them.

Billy Roy has been missing from school for almost a week, a few days before Christmas vacation. We figure he has the bird flu or polio.

The next day, a rumor around the neighborhood, and now our school, is that Billy Roy and two of the “Hard Guys” were pinched for holding up our small neighborhood grocery store with a Mattel Fanner 50 cap pistol.

We all agreed that the bonk from the baseball injured his kid’s brain and turned him into a criminal. Last we heard, Billy and the two “hard guys” were off to the “Dope Farm.”

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“The Truth Is Out There; We Are Not Alone. See… I Told You So!”


Bugs and Marvin The Martian, courtesy of Mel Blanc

Since childhood, I knew we were not alone in this universe. A steady diet of space movies on channel 11 made a believer out of me. “The Forbidden Planet” with the robot and that hubba-hubba Ann Francis chick, and “Invaders From Mars,” where kidnapped folks had a red glowing jewel drilled into their neck, became zombies, and were sucked into the Martian cave via sand dunes. Those are the two that gave me screaming assed nightmares but piqued my still-forming juvenile imagination into what it is today. Certain that I saw a UFO over the Gulf of Mexico when I was eight years old, a run-in with small grey alien beings when I was abducted from my warm bed, taken aboard a mother ship, and implanted with a device that tracked my life and gave me superior mental powers over my childhood friends. I was hooked like a crappie on a purple people eater jigamajig spinner.

Now, all of these decades later, our slippery when-wet government confirms that the spaceships and little green men are real, and we have many of these crafts in our possession. I am relieved to know my beliefs were correct. The next time I drive through Roswell, New Mexico, which will be next month on our way to Ruidoso for some mountain air and horse racing, I will feel relieved that I was right all along. May the force be with you, and all that goes with it.