Over the years, I’ve spotlighted the storytelling skills of my two late Uncles, Jay and Bill. They remain in good standing and are the best liars and yarn spinners I have met. Each could have been as popular as Will Rogers, but they chose the farmhouse porch as their stage, shunning the spotlight and life as a celebrity.
Around the age of nine, I was convinced that the spirit of Mark Twain had somehow entered my body, and my destiny was one he had lived. My teacher, an older woman of little patience, was convinced that I was dropped on my head during infancy, which led to my outlandish literary behavior. She couldn’t see that I was destined to be a writer of some importance. Mathematics was a mystery I loathed, but I perked up when the curriculum came around to History and English. To me, everything became a story and originated from my grandparents’ farm, my extended street-rat crazy family, or neighborhood antics, and included made-up tales of ridiculous origins. Mrs. Badger, ever the suffering teacher, labeled me an insufferable pathological liar and called my mother in for the dreaded parental meeting, which included my school’s principal, who sat with a wicked wooden paddle in his lap, poised to administer punishment. Mother handled it well until we reached home. There was no butt whooping, but she did corner me in the kitchen, put her face nose to nose with mine and in a seething saliva spewing accusation said,
“You are one of them..my loathsome, worthless brothers have ruined you: I forbid you to associate with them, ever again.” She was right, they had, and I wore that tawdry badge proudly. All those nights sitting on the farmhouse front porch listening to their beer-infused tall tales, yarns, and lies formed me. I was spoiled, but happy goods. My family lacked the foresight needed to distinguish a liar from written fiction. My Aunt Norma, a tarnished angel, is the gal who taught me to read, write, and imagine. She understood my affliction.
Preacher Little, to the left, addresses his small congregation with a firm reminder that the sky is not a-falling and that it’s high time they get a grip on the wild ride we call life. An hour later, a raucous band of Fire Ants laid siege to the squishy Peeps, and thus, the service came to an untimely end. My wise old Grandfather, or maybe it was an old-man neighbor, once opined, “Son, you can’t go traipsing about with your head aimed at the clouds, waiting for a disaster to drop from the sky. Best keep your eyes peeled to the ground, lest you unwittingly find yourself knee-deep in a nest of Fire Ants.”
For my birthday a while back, my wise and thoughtful wife, Momo, gifted me a classic 1970 Underwood 310 manual typewriter. It is a wonderful present I would never have purchased, although I have yearned for one for a while now.
For some time, possibly five years or so, I have been whining and casually threatening to go “old school” with my writing and get away from this demon laptop. It’s too easy to keep on tapping and spit out a page or two of gibberish that has more words than needed and makes no sense. It’s not about speed and what your program does; it’s about the content. A typewriter makes you think before striking that key. The delete button does not exist.
Hemingway would tap for hours on end, and then if he wasn’t pleased with his effort, it went into the waste basket. Using a typewriter to transpose your thoughts to paper is a commitment, and not an easy one.
There was a typewriter in our household when I was a child. It was a large black beast of an Underwood, all pure American heavy metal, requiring a grown man and a hefty child to lift it. I would peck on it for hours and eventually come up with something legible. I never once saw my parents use it, so its presence in our home was a mystery. I heard from my older cousin, Cookie, that it was my grandmother’s when she lived in California, and she spent all of her waking hours tapping away letters and movie script ideas. It caused a good bit of drama and injury within the family, so it was banished to our household for safekeeping. My father wasn’t pleased when he would find me chicken pecking away.
My love of the machine started at an early age, and came into full blossom as a teenager in the 1960s, when I started to write stories. I took typing in high school to sharpen my skills and learn the keyboard. I studied two years of journalism, and learned to love the written word. My teacher was my mentor. She pushed me to excel. It all paid off well. When computers came about in the late 90s, I was a good typist and had no problem adapting.
I will keep you posted on how this “old school” project turns out. I typed a page on my Underwood, and my fingers are throbbing.
An old friend of mine passed a few months ago. We had been apart for years, yet he held a distinct place in my thoughts. I sometimes borrowed fragments of his vivid life for my short stories, which pleased him. His name was simply Junior. He believed a last name was of no consequence and cared little for family ties.
In 1957, he opened a coffee house in the heart of downtown Fort Worth, Texas. Although they will tell you that “The Cellar” was the first, the “Hip Hereford” came first by a full year.
Junior was born to be a cowboy. His father, grandfather, great-grandfather, and all the uncles and cousins wore the same boots and lived by the code of the West. There were more cowboys in his bloodline than in a John Wayne film. It should have been his fate. But then, his favorite horse, Little Bill, kicked him hard in the head. After that, he turned his back on the rugged ideals of the West. He became the owner of a coffee house club, a renaissance man, a poet, and a man who lived life like a Stetson-wearing beatnik. He said a life spent on a sweaty saddle, inhaling the stench of cattle farts, was not the life he dreamed of.
The opening night for the coffee house was Halloween 1957. Junior hires two street winos to help run the door and do odd jobs. They were reluctant to give him their birth names, so he christened them Wino 1 and Wino 2. They were good to go as long as Junior paid them and kept the booze flowing. The following is an excerpt from the unfinished story.
Around 7:15, Wino 2 informs Junior that the first performer has arrived and takes the stage for the introduction. He steps to the mic and, in that pleasant voice, says, “Ladies and gents, please welcome to the stage, Mr. Blind Jelly-roll Jackson and his nurse Carpathia.”
An ancient black man with hair as white as South Texas cotton, holding a guitar as old as himself, is helped to the stage by a prim female nurse dressed in a starched white uniform. The old man wears a red smoking jacket, a silver ascot, and black trousers. Dark sunglasses and a white cane complete his ensemble. The old fellow is as blind as Ray Charles.
The nurse gently seats the old gentleman in a chair provided by Wino 1 and lowers the large silver microphone to a height between his face and his guitar. She then stands to the side of the stage, just out of the spotlight. Blind Jelly Roll starts strumming his guitar like he’s hammering a ten-penny nail. Thick, viscous down strokes with note-bending riffs in between. His frail body rocks with every note he coaxes out of his tortured instrument. He leans into the mic and sings,
“We’s gonna have us a mess o’ greens tonight…haw..haw..haw…haw…gonna wash her down with some cold Schlitz beer..haw..haw..haw..gonna visit ma woman out on Jacksboro way…gonna get my hambone greased”. This was Texas blues at its best.
On cue, his nurse steps into the spotlight, extracts a shiny Marine Band harmonica from her pocket, and cuts loose on a sixteen-bar mouth-harp romp. Her ruby-red lips attack that “hornica” like a ten-year-old eating a Fat Stock Show Corndog. The crowd loves it. They dig it. When Blind Jelly Roll finishes his song, Wino 2 passes a small basket through the group for tips. Jelly Roll and his nurse take their kitty and depart. He’s due back at the old folk’s home before midnight.
Momo and I are gearing up for our yearly trip to the Texas Bermuda Triangle: Marfa, Fort Davis, and Alpine. Strange lights, strange people, and a weird town full of characters out of a 1950s sci-fi western movie. We love the place. So in honor of our love for this quirky village, I’m revisiting a post about our last journey into the Chihuahuan Desert, the twilight zone of Big Bend, Texas.
In the days of COVID-19, when darkness, despair, and lemming-like stupidity seemed to envelop the world, every soul, human and animal alike, found themselves confined to their homes, forbidden to roam: even the wandering Buffalo was home-bound. It was then that Momo and I made a pact to evade the restrictions and set out on a clandestine journey to the remote Chihuahuan Desert, with our sights set on the enigmatic and quirky town of Marfa, nestled in the vast expanses of big sky West Texas. We had no idea that a small blurb of a village in the middle of the desert would be so ghosted. It was eerie in an Alfred Hitchcock movie way. We did find a small burrito hut, grabbed a few, and returned to Granbury. The trip was an utterly bummerited loss.
I wrote an unkind, snarky post about our Marfa visit in my hour of exasperated, irritated, and agitated gloom. The older I get, the more the little things in life send me into a combat zone of petulant whining and unforgiveness. So we were both surprised that, having a cocktail on our patio one evening, we decided to give little ole’ Marfa a second chance. We plotted a trip that would take us into the Chihuahuan Triangle, which, from what I have read, is a dry land version of the one-off of Bermuda. Marfa, Alpine, and Fort Davis make up the Texas twilight zone. Ghostly lights in the mountains, shooting stars that stop and change directions, and strange-looking young people wearing Keep Austin Weird tee-shirts that wander the streets at night searching for live music: it’s all there.
Hotel Piasano
Being a fan of the great Texas movie “Giant,” the Hotel Piasano, where the cast stayed during the 1955-56 filming, was our only historical option. Arriving in the afternoon, the lady at the check-in desk was gracious and friendly. She gave us the “classic” room, which in the hotel language means one that had not been renovated since the 1930s. That’s fine with us; we are interested in the historical value and feel of the place. I noticed some of the rooms were the star suites, so I asked about those. The concierge told us that the Rock Hudson room is available for around half a grand a night and includes a lighted display cabinet featuring the original book of wedding photos from his make-believe marriage. We passed. The Liz Taylor suite was priced the same and included a small lighted curio cabinet showcasing a dainty Italian crystal decanter filled with her spit. Momo said no. The James Dean suite showcased his favorite toiletry in a glass cabinet, his comb, and a half-used tube of Brylcream. No, on that one, too. The concierge did say that our room is rumored to have been the one that Chill Wills occupied, so we gave it a go. She added that the entire hotel is extremely haunted, so beware of ghostly appearances and personal items being relocated.
Liz, Rock, and Houston in Marfa 1955
Considering all the warnings about ectoplasmic phenomena, we unpacked in our classic room, which includes a 1930s-style bathroom with a corner shower and a drain in the sloped tile floor. I know damn well that Chill Wills could not have got his big ole Texas boy butt into this shower. French doors opened to a private walled patio with an outside stucco fireplace. How nice is that? I could picture Chill and Dennis Hopper sharing a whiskey by the fire. We enjoyed a cocktail while observing a thunderstorm roll over the mysterious mountains.
Our dinner at Jett’s Grill was nothing to text back home: My pork chop was too pink, and Momo’s chicken surprise lived up to its name; she was surprised it tasted like cardboard and cost thirty dollars. I enjoyed a Jameson Irish Whiskey on the rocks for almost twenty dollars, and Momo had a whiskey with ginger ale for twenty-one dollars; they charged her for the ginger ale. After paying the check, we felt a bit violated. We spent the rest of our evening in the classic room, waiting for another distant thunderstorm from over the mysterious mountains.
Planet Marfa
Local Marfites at Planet Marfa enjoy a brew, and Sagebrush Sonny is seated far left.
Planet Marfa became our next foray into the Big Bend Twilight Zone. The place took up half a city block. Inside was a genuine transcendental Indian meditation TePee, a full-size school bus dedicated to dogs, a modest kitchen offering the renowned Red Barron Pizza, and a bar bustling with locals partaking in their afternoon meet-and-greet. I found myself at the bar’s edge, ready to place an order, when I noticed an elderly gentleman perched on a stool beside me. Out of a sense of camaraderie, I motioned to the bartender to pour the old man another beer, my treat. He acknowledged the gesture gratefully, and we exchanged pleasantries as we shook hands and introduced ourselves. Resembling a character straight out of a Gabby Hayes movie, he embodied the quintessential oddity one might encounter in Marfa. Sagebrush Sonny Toluse, as he called himself, had called Marfa home for nigh on sixty years, having relocated from Presidio, Texas, a town situated right on the Mexico border and reputed to be the hottest spot in Texas.
I noticed Sagebrush Sonny had a wooden peg leg where his right-side human leg would normally be. He noticed me staring and felt compelled to explain his missing appendage. He asked if we were planning to visit the desert and view the famous Marfa lights. I said yes, we intend to do that tonight. He said they were quite a sight, but he warned me not to get caught out there after midnight: bad things happen in the desert.
He said he got caught out there after midnight about thirty years ago after his truck broke down. He decided to walk to town since he was close enough to see the glow of town lights, and that’s when a large pack of mongrels set upon him. He asked me if I had ever wondered why the desert was called the Chihuahuan Desert. I had no idea, so he explained. After the atomic bomb was built, the Army needed a place to dump the nuclear waste, so they chose a spot way out there, stashed some drums of goop, and left them to the elements. Over in Mexico, a fella was breeding Chihuahua dogs, and two of them got lost in the desert; of course, they found the nuclear waste site and lapped up some of the contaminated oozes, which did some crazy things to their DNA. Doing what dogs do, they had some pups, and then the pups met up with some Coyotes and had some more pups. The dogs kept on breeding until there were three or four thousand of the critters, except they weren’t regular dogs. They were all muscled up with shark-like teeth, and some had a fifth leg that allowed them to run like a greyhound dog. The mutts were still small, like a Chihuahua, but they were mutants and mean as hell. That’s how I lost my leg. A pack of them set upon me out there in the dark. I was trying to run, dragging some of them that had hold of my dungeree’s and then they started chewing my right leg. Since they were small, they could only reach up to my knee, and that’s where they stopped eating on me. A highway patrol came along and shot a few of the stragglers and took me to the hospital over in Presidio, where the doctor amputated what was left. That’s why I have the peg leg, and they are the reason it’s called the Chihuahuan Desert. The story alone made the trip a success.
My grandfather, in 1917-18, served in the Army and the war to end all wars: World War 1. He fought in the mud and bacteria filled trenches in France: wounded twice and gassed once. He killed Germans in close hand to hand combat with a bayonet and a knife, never forgetting the look on the faces. He lost friends in vicious battles. There was no time to grieve or pay respects. That would come later in life.
Looking back through my childhood relationship with him, he likely suffered from what we now call PTSD. My Grandmother said he was a different man after that war, and at times, not a good one.
He refused to talk about the fighting and killing until I was around ten-years-old, and he was dying from Lymphoma cancer. His doctors at the VA Hospital said it was caused by the gassing he received in the war. He knew that I might someday go to war, so he wanted to let me know it was not like the movies.
We sat for a many hours one afternoon a few weeks before his passing. His descriptions of battle and the things he had done for his own survival was beyond anything I could imagine. I was young, and war to me was black and white movies. James Cagney in “The Fighting 69th,” or John Wayne and a host of others playing army, like my neighborhood friends and I did. No one really died, and when shot, there was no blood or screaming.
The last few days of his life were spent in and out of reality, reliving those battles as he lay in a veteran’s hospital in Dallas. My father, a veteran himself, was the recipient of my grandfathers last horrors. Those days my father sat by his bed, listening to the nightmare his father had carried for all those years, had a profound effect on him.
John Henry Strawn made sure I knew what real honor and duty were about. It followed him for a lifetime.
Chapter 19: The continuing saga of the Strawn family and the challenges of living in Texas during the 1930s and 1940s.
Johnny Strawn around 1948, Fort Wort,h Texas
My grandfather, John Henry, walked to his job at the furniture shop. Years ago, the same place had closed down, driven by the Depression, forcing him to move his family to California for work. Now, twelve years later, he has taken giant steps back, from a good job in Los Angeles to once more building furniture for an hour’s wage. Defeat weighs heavily in his heart. Middle age has come, and the future is murky. So, doing what men do, he keeps walking, counting his steps to nowhere. There are many to blame, but he alone bears the burden of his failures.
The iced ground crunches under his shoes. The cold goes to his bones. His jacket is no match for this weather. He favors the feel of the ground beneath his feet over the Ford sedan in the garage, which is idle most of the time and now a home for mice and other wandering critters.
After the upsetting homecoming with his father, Johnny walked a few blocks to the small neighborhood grocery store to call his best friend, Dick Hickman. His father remained firm in his decision about the telephone, vowing to never have one in the house. The old man viewed the contraption as a rattlesnake in a bag. Lousy news reached him in time enough; no reason to expedite misery.
Two sisters from Germany ran the store, always open, even when the ice storm howled outside. They preferred work to idleness; a dollar was worth more than knitting by the stove. They missed their homeland, but not the darkness that had settled under Hitler’s shadow. Johnny walked in and felt the warmth; they had known him since he was a boy. Following a few hearty hugs and cheek kisses, he was offered a mug of coffee, hot and strong with bourbon and a hint of cinnamon, a taste of what once was.
Dick and Johnny had forged a bond on the playground one morning; Dick was trapped by older boys, their intentions were dark, and Dick knew he was in for a ruckus. Johnny, a full head smaller than Dick, added his small fist for ammunition. A few busted lips and a bloody nose ended the altercation, and the boys would be bound for life by bloody noses and skint knuckles.
Dicks mother, a woman of stern Christian resolve, lived simply, her heart full of faith. Father Hickman was a ghost of a man, suddenly appearing from nowhere, then off again to somewhere. Mother Hickman, as she was called, gave what little extra money they had to Preacher J. Frank Norris, the charismatic leader of the First Baptist Church of Fort Worth. Nice clothes were a luxury during the Depression, and most children at R. Vickery’s school wore hand-me-downs or worse. Dick wore the yellow welfare pants distributed by the Salvation Army, a sign that his folks were poor. Mother Hickman saw nice clothing as a sign of waste, except when it came to her Sunday fashions. Johnny had a pair of those detestable canvas pants but refused to wear them; the old dungarees with patches did just fine.
Both boys felt the weight of loss when the Strawn family left for the promised land. They exchanged a few postcards during the years in California. Nevertheless, they adhered to the unspoken rule that young men did not write to one another. This was a relic of manly notions of the time. A line or two every six months was enough. Both joined the Navy around the same time, meeting briefly in Pearl Harbor. Then came the seriousness of war. Young sailors, they carried on.
Dick arrived at the two sisters’ store to fetch Johnny. His transportation was a rattle-trap Cushman motor scooter. It refused to stop on the icy street. The scooter slid on its side into the curb and threw Dick off of the beast. The ride to Dick’s apartment was a jolt, far worse than the taxi. Johnny vowed to buy a car when the weather cleared, maybe one for his buddy, too. He held a tidy wad of cash from Hawaii.
A brotherly deal was struck. Johnny would share Dick’s large apartment on Galveston Street, splitting the rent and bills evenly. They were friends again, but now men, and they had different thoughts, dreams, and needs. Dick was courting a young woman from Oklahoma and doing a miserable job of it. Still, marriage lingered in the air, heavy like the rich aroma of brewing coffee, the kind they both drank too much of. Dick took his poison with cream and sugar; Johnny preferred his black and strong.
Johnny’s goal was to play music for a living, and this was the right city to make that happen. He joined the musicians’ union and sent a message to Bob Wills that he was back in Fort Worth.
Wills was now the celebrated band leader of the western swing band, The Texas Playboys. He remembered that meeting at the radio show in Bakersfield, California, long ago. The boy stood out. It was no small feat because Wills was the finest fiddle player in country music.
Bob Wills was not a man known for kindness. He could be brash and indifferent to fans and bandmates alike. Yet, for Johnny, he made an exception. Bob took the young man under his wing, becoming a mentor to my father. A few calls were made, and the boot was in the door. Johnny secured auditions at some of Fort Worth’s best clubs, and each went well. Bob invited him to rehearse with the Playboys. It was there he met men who would soon be legends in country music. A few years later, he would find himself in that circle.
The farm. Santa Anna, Texas. July of 1955. My two uncles, Jay and Bill, need more to occupy their time. I need them away from me. I’m a six-year-old kid, and their influence is ruining my childhood. They told me Howdy Doody is not real, Santa Claus is dead, and Captain Kangaroo hates kids. I cried for days.
The chaw of Red Man chewing tobacco behind the smokehouse was the last straw. Seeing a kid puking for two hours seemed funny to them.
My grandfather told the two grown kids that a man in Coleman has a pig that won the ” Purple Paw” award. Every year, the governor of Texas bestows the prize on an animal that has performed a heroic act. Who knew there was a hero nearby?
Of course, my two uncles have to see this pig, so they head for Coleman with my cousin Jerry and me in tow. Arriving in Coleman, we stop at the feed store for directions and a Coke. The owner tells my uncles to be very respectful of the pig since he saved the farmer and his family’s lives. In appreciation, the farmer named the pig “Little Audie Murphy,” after the famous World War 2 hero and movie star. I am more than impressed. This pig is the real deal.
Arriving at the farm, we are met at the gate by the proud farmer. My uncle Bill has a $10.00 bet with Jay that this is a load of bullcrap. They never stop.
Jay wants to hear the pig’s story, so the farmer is more than happy to recount.
The farmer takes a chaw of Red Man and begins, ” I was plowing one day, and my old tractor hits a stump and tips over, trapping me underneath. I’m yelling for help for an hour, and finally, my old pig shows up. The pig grabs a timber and scoots it underneath the tractor, then stands on it so’s the tractor tilts up, and I can scoot out. That porker saved my life.” I can tell by the look on my uncle’s faces that they think this is B.S. The farmer continues, ” about a week after that, I’m in town at the domino parlor, and my house catches on fire. My wife and kids are knocked out by the smoke, and the pig pulls them out of the burning house and revives them—a true porcine hero, that pig.” Now my uncles are impressed. I see a tear trickle from Bill’s eye. I got a lump in my throat.
At this point, we want to see this pig for ourselves, so the farmer takes us to the barn. He stands outside the corral and yells, ” Little Audie, come on out.”
A huge Yorkshire pig wearing a ribbon and gold medal around its neck makes its way out of the barn. I’ve seen pigs before, and this wasn’t any normal pig. He was missing an ear and a front and back leg. Where the legs had been, the pig now sported a homemade wooden prosthesis. He seemed to walk fine and was friendly.
My uncle Jay was shocked and asked the farmer what the hell had happened to the poor pig.
The farmer took a minute to answer that question. Then he smiled and said, ” well, a pig this special, we can’t just eat him all at once.”
There is a school system on the East Coast that is changing its grading system so every student can “feel better” about themselves. This smells suspicious, and is likely extracted from the same rotten education bag as “everyone gets a trophy.” Every letter grade is now lowered by five points, promoting a grade of “C” to a “B” and so on. Who benefits from this PC madness?
From personal experience, I can tell you that bringing home a low grade on your report card does have negative consequences. The younger you are, the fewer repercussions from your Mother since you are still her baby. As you age, the fear factor increases.
There is nothing that scares a kid more than bringing home the dreaded “F” or even the slightly better “D.”
You slow-walk your way home, looking for every excuse to prolong the firestorm that the small piece of cardboard will create. You’re begging God to intervene and miraculously change that red “F” to an acceptable, blue “C.” Nothing changes, and you accept your fate. God is likely a teacher on the side. With the end nearing, I take a moment to notice the blue sky, the chill of autumn in the air, and the singing of the birds. Even the neighborhood dog that always gives chase sits with sad eyes as I pass. Little things that may be my last moments of life.
With a cheesy fake smile on my face, I hand the report card to my mother, hoping for leniency.
Everything is fine until she sees that miserable sixth letter of the alphabet. Her happy smile fades, and her squinty-eyed mom’s stare paralyzes me.
My young life flashes before my eyes; I’m a goner. In desperation, I blame everything except my own stupidity. I fall to my knees, crawling across the kitchen floor, squeezing out fake tears, begging for forgiveness. She has none of it. The mom court is adjourned. I await my sentence.
Short of having my butt whipped with a Tupperware cake holder, or being sent to the “Dope Farm,” my mother’s go-to threat, I get off well and alive. I cannot watch cartoons for two weeks, play outside for a week, have Hostess cupcakes and Ovaltine, or play Saturday baseball for a month, which is alright; it’s winter, and I am in hibernation mode.
My next report card showed a vast improvement—not one failing grade. The specter of personal failure and my mother’s watchful eyes loomed large, shaping my educational journey. It’s a curious thing, our human desire for high marks—some students hustle and toil beneath the weight of those lofty expectations. But if we lower those standards, those who might shine will find themselves unfairly penalized, while those who merely coast by will come to view diligence as a nuisance.
If you were a kid in the 1950s, then you knew who Captain Kangaroo and his sidekick Mr. Greenjeans were. Their television show was broadcast five days a week in glorious black and white and viewed by millions of kids on tiny television screens. ” Don’t sit too close to that TV, you’ll go blind.” That was the stern warning from every mother, and here we are today, all wearing glasses or blind. How did you expect us to see the Captain and Greenjeans on an 8-inch screen?
The burning question we all had was, did Mr. Greenjeans wear “green jeans?” We were kids, with no color sets, it made us crazy. Was this man green?
A few months ago, I took a shortcut through a Fort Worth neighborhood to avoid road construction and noticed a weirdly dressed man using a hand pump sprayer to paint his yard a deep shade of Kelly green. I stopped and watched him walk from the curb to the house. Long, even strokes coat the brown grass to imitate spring’s favorite color. It was then I noticed his house was green, the cars in the driveway were green, his clothes and skin were green, and a small dog sitting on the porch was also green. What the hell? The man saw me staring and motioned me over.
I parked my car and walked up to the fellow, feeling a bit foolish for interrupting the work of a stranger. I introduced myself and complimented him on his handy work. He thanked me, extended his hand to shake, and said, “names Levi, Levi Greenjeans, nice to meet you.”
” That’s an unusual name, sir. The only time I’ve heard that last name was on Captain Kangaroo, and that was seventy years ago,” I said.
The green fellow laughed and said, ” That’s the family name. Mr. Greenjeans was my pop. My sister and I grew up in a green world, so this is pretty natural for us. Dad’s been fertilizer for a good many years now, so it’s up to me to carry on the family brand.” I agreed; he looked pretty good for an old green guy.
I didn’t want to pry or be too forward, but I asked, ” Sir, what might the family brand be?”
“Call me Levi,” he said. ” You know that song ” The Jolly Green Giant? I wrote it and collect mucho royalties. That Tom Jones song about the green-green grass of home wrote that one, too. The Green Giant food brand, that’s mine; also, copyright infringement made them pay up. Home Depot has a Green Jeans color named after Dad. I get change from that, and I get a shiny penny from YouTube for the Captain Kangaroo videos.” This dude has turned green into green cash.
I am impressed and honored to be in the presence of one of the famous Greenjeans family, but now is the chance to get the answers to my childhood questions. I am afraid of coming off like a six-year-old Duffus, but I asked, ” did your dad wear green jeans and did he have a green face, and was the captain a nice man, and why did he have a big mustache, and did your dad really have a farm? There, I spat it out, and I am an idiot.
Levi chuckled and said, “Dad wore green jeans, and his face was green from stage makeup. The captain, bless his dead heart, was not too friendly. He wore a mustache because, on the first live show, a little kid threw a Coke bottle at him and split his lip; the stash hid the scar, and that’s why he disliked kids. He carried a small cattle prod under his sleeve, and if the kids got too close, he would shock them. Pretty funny stuff to see them jump. And the final answer is yes, Dad had a farm and grew veggies and raised prize-winning Llamas. Recently, my sister Denim planted forty acres of butt-kicking pot that we will sell in our “Mr. Greenjeans Apothecary Co-op in Denver.”
I thanked Levi for his kindness and started to leave when he stopped me. Extracting a green Sharpie from his pocket, he signed his name on the front of my white Eddie Bauer Polo shirt. “Hang on to that shirt, brother. It’ll be worth some cash one day.”
Notes From The Cactus Patch 