Category: Granbury Texas

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Repost From PowerPop…An Eclectic Collection of Pop Culture


The A.T.N.T. Cobblestone Street

A friend of mine in the blogverse is a music historian. Max Gower has a blog on WordPress called PowerPop An Eclectic Collection of Pop Culture. Max and me have been trading emails and post for over two years and I greatly enjoy his side trips into the 60s music scene covering bands that maybe weren’t all that well known. Max has been writing about Texas rock music for a while now and found a few old interviews I gave many moons ago. I appreciate the shout out and hope you all enjoy his post as much as I do. Thanks again, Max.

A few weeks ago I posted about Mouse and the Traps, a Texas band formed in the 1960s. I thought my fellow blogger friend Phil from Notes from the Cactus Patch may have known them. He did…. so I thought…I would like to write about Phil’s 1960s band. I first heard of Phil from Hanspostcard… he sent me THIS link to Phil’s post about meeting John Sebastian in Texas in the sixties along with the other Lovin Spoonful. He also briefly met Janis Joplin when she cut the food line at the Texas International Pop Festival.  ” I survived one-hundred-degree temperatures for three days and got to meet Janis Joplin one late night when this nice gal with a Texas twang asked me if she could cut in line as I was waiting to buy a hot dog. It took a minute for me to realize it was her, but I was cool; it was the sixties, man. That night, ole Janis “took a little piece of my heart, now baby.”

I’m get most of the info from this post. I urge you to read that because he tells a more complete story.  Phil’s Dad, Johnny Strawn played with the Light Crust Doughboys so Phil was surrounded by music when he grew up. He went through a few bands on the way. He formed his first band in 1964 and they were called The Dolphins and in late 65 they became The Orphans. The Orphans lasted until 1967 and the members were Johnny Strawn, vocals and lead guitar –  Jarry Davis, vocals and rhythm guitar-  Danny Goode, lead vocals and bass –  Marshall Sartain, vocals and keyboards- Barry Corbett, drums and vocals.

The music they played was all over the place and everything that kept people on the dance floor.  The music they played was Soul Music, Beatles, Bee Gees, Rascals, Hendrix, Doors, Steppenwolf, Cream, Stones, Vanilla Fudge, and Jefferson Airplane.  They played all over Texas and parts of Oklahoma…and some of the clubs he mentioned were The Studio Club, LuAnn’s, Strawberry Fields, Phantasmagoria, The Cellar, The Box, and more. This was when three of the band were still in high school. 

Phil Strawn:  We used to do a lot of double bills at The Studio Club and LuAnn’s; that was a big thing back then. I remember playing a lot of them with Southwest F.O.B. We were playing at LuAnn’s one weekend when during the Jimi Hendrix song Fire, our drummer put lighter fluid on his cymbals, lit his drum sticks, then hit the cymbals and ignited them. It got a little out of hand and it burned up his drums. That kind of stuff wouldn’t fly nowadays, but back then, we didn’t think of the repercussions. The crowd loved it, sort of like The Who, only with real fire and smoke. Miss Lou Ann was not pleased and banned us from the club for about six months. We eventually worked our way back into her good graces. Ron Chapman the famous DJ on KLIF and KVIL remembered us as the band that nearly burned down LuAnn’s. Some legacy.

They met a guy named Mark Lee who became their manager. After they signed with him their gigs increased. They even opened up for Iron Butterfly at a place called Strawberry Fields. The Orphans committed a cardinal sin by learning an Iron Butterfly song called Possession and nailed it while opening for Iron Butterfly. Lee put them up to it because he knew it would get under Iron Butterfly’s skin…and it did! They ended up swiping Phil’s Vox Wah Wah pedal and a velvet Nehru suit from their drummer. 

In 1968 they had to change their name. The drummer, Barry Corbett, had a friend, Jerry Deaton who wanted to manage them but they were happy with Mark Lee. The guy went out and had “The Orphans” copyrighted and told the band he would sue them if they continued so they changed their name. Phil said: “We liked ATNT {Alice talks “n” talks} and Jerry’s mother was the inspiration for that name. Later, we found out that he had managed another band called the Orphans for a while, so that was the reason for all the drama. He copyrighted the name so we had to change.”

Check out this 1968 Flower Fair entertainment. ATNT played and look at the other artists as well. Spencer Davis, Jimmy Reed, Mitch Ryder, The Lemon Pipers, and Neil Diamond. The Doors were going to play but they had scheduling conflicts. 

ATNT Scedule

In 1966 they recorded a song that Phil wrote called “Leader of My Mind” which was a Byrds-type song with harmonica but no one can find any copies. In 1968 they recorded two songs called “No One Told Me About Her” with the flipside Cobblestone Street. 

They also did a couple of appearances on Mark Stevens TV Show which they lipsynced to their songs. Phil quit in the late sixties because of a disagreement with the rhythm guitar player. He had to make a choice and his final exams were coming up and Phil decided to study rather than just practice with the band. 

After that, Phil said he didn’t play much until around 1974 when he started to play in the progressive country music scene in Austin and Dallas. I played with various people around town and some in south Texas and did some pick-up and studio work. I joined the Trinity River Band in late ’79 and played with them until ’85. I also played with The Light Crust Doughboys from time to time and did some studio work on the five-string banjo. I was fortunate to play on the Light Crust Doughboys album, ” One Hundred-Fifty Years of Texas Music.” 

The A.T.N.T. Discogs page. 

Phil Strawn: The A side is “Cobblestone Street,” written and sung by myself and our drummer Barry Corbett. The B side is ” No One Told Me About Her,” written and sung by our lead singer and bass player, Danny Goode. The two producers, Marvin Montgomery and Artie Glenn, suggested we add horns to get a Chicago Transit Authority sound. Before the brass was added, Cobblestone Street was loud and raw with loud guitars and organs. After adding the horns, we returned to the studio and tweaked the cuts. I purposely untuned my Gibson 335 a bit to give the guitar break a bit of an out-of-tune carnival sound. Marvin, who went by the name of Smokey, was a member of the Light Crust Doughboys since the 1930s and played with Bob Wills. He produced Paul and Paula and Delbert McClinton. Artie Glenn wrote the famous Elvis hit “Crying In The Chapel” and many others; he was also a Light Crust Doughboy western swing musician. These two men were top-shelf record producers, so we listened when they suggested

Phil Strawn: It was absolutely the best time of my life. How could you not enjoy being a teenager in the ’60s and playing in a popular rock band? The people we met and played with, the experience that we will all carry with us the rest of our lives. It was just a part of life that helped shape us into what we are now – being part of that change in our country, that decade. It was a time of turmoil, but it was also the last year of the innocence we grew up with. Teenagers these days are so hardened. The music then was happy and said a lot. It would move you, whether you played it or danced to it. The music now has a meaner, harder edge, and reflects the times we live in.

Phil Strawn: I am a project manager in commercial construction, and do a lot of painting and artwork – mostly Texas art. After 35 years, Danny Goode, who I played with in ATNT and the Orphans, called me and asked me to be part of their group, The American Classics. I joined them about two years ago and that’s what we do nowadays. The band consists of Danny Goode, bass and lead vocals; John Payne, lead guitar and keyboards; Jordan Welch, drums; and me on rhythm guitar and vocals. We play about once a month or so around Dallas Fort Worth, mostly private parties. We recently played in Deep Ellum, and will probably be back down there soon. We stick to mostly ’60s music – it’s what we know well. It’s good to still be playing rock music at this age. You really never outgrow it.

I love the horns in this song but I would also love to hear what it sounded like with loud guitars as well. 

…

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Author: Badfinger (Max)

Power Pop fan, Baseball, Beatles, old movies, and tv show fan. Also anything to do with pop culture in the 60s and 70s… I’m also a songwriter, bass and guitar player. View all posts by Badfinger (Max)AuthorBadfinger (Max)Posted onCategories1960s, Bands, Garage, Music, SinglesTagsA.T.N.T., Cobblestone Street, Phil Strawn

39 thoughts on “A.T.N.T. – Cobblestone Street”

  1. Pingback: A.T.N.T. – Cobblestone Street – MobsterTiger
  2. Carl Benson, Jr.says:What a ‘bill’ that was! I would’ve gone to see Mitch Ryder & his band & Neil Diamond.Liked by 2 peopleReply
    1. Badfinger (Max)says:It does sound like a great one. That was the time to grow up for music…LikeReply
      1. Carl Benson, Jr.says:Ya’, I was 4 years old then or going on 4 but I have always loved that era of ‘Pop’ music. I love that debate on what decade was the best & the 60’s are up there…I think the 80’s myself, but I’m biased lol.Liked by 1 person
      2. Badfinger (Max)says:I was weird Carl…I grew up in the 80s….turned 13 in 1980…I didn’t like the synth stuff and the fake drums….they still drive me up the wall… I was mostly listening to the 60s during the 80s….Now…thats not to say that I don’t like many songs from the 80s….I liked the Heartland Rockers like Mellencamp, Springsteen, Petty, and others…along with The Replacements, REM and Prince….in other words…bands and artists with guitars!Liked by 1 person
      3. Carl Benson, Jr.says:Awesome…I think that I mentioned before that when I was a kid my Dad was in the music business when after we moved to Ft. Wayne in ’67 & my little brother was born later in that year. Both of my parents were college graduates from ’63 & ’64 so they were hip parents. They put a radio & a television in my brother & I’s room (bunk beds) so we could chose what we wanted to watch & hear. He had a television show on what became the PBS station which was a 1-hour music show (R&B) & he & a fraternity brother owned a nightclub & were managing groups. So I got to hear a lot of R&B as a young kid & meet some of those folks who did his show. But, I always had an earl for ‘Pop’ music & when we moved to Idaho in ’74 my buddies were into the other side of ‘Pop’ & of course guitar based ‘Rock & Roll’. I graduated from high school in ’82 & had been listening to a lot of 60’s music (& funk) my jr. & sr. years & then I got the bug for synthetic dance ‘New Wave’ music. Thompson Twins, The Human League, The Talking Heads, The Tom Tom Club, The B-52’s etc., I was always a ‘Minneapolis Sound’ dude. I always heard from my musician friends that they hated ‘Tech’ back then with the electronic drums & stuff & I can appreciate that Max. I generally loved the ‘Moog’ sound then…I was into dancing back then.Liked by 1 person
      4. Badfinger (Max)says:See I liked The Talking Heads and The B-52s…so there were a few I liked…yea the Minnesota sound was huge…Prince, The Replacements and others came out of there.
        Also Carl…it’s normal for teens to like the era they grow up in….so like I said…I was wierd…I liked the timeless sound.
        You grew up in the perfect time Carl! You got to experience the best of the 60s – 80s in real time! Plus your parents sound great dude.Liked by 1 person
      5. Carl Benson, Jr.says:Ya’, I remember that they had ‘hippie’ friends that were white folks before we moved to Idaho when I was 10 in ’74. My little brother & I had an unusual childhood for a couple of black kids in our era Max. That’s why my musical tastes are so eclectic Max.Liked by 2 people
      6. Badfinger (Max)says:And that is a great thing Carl! I think it’s rewarding to be eclectic.Liked by 2 people
      7. Carl Benson, Jr.says:Dig it Max…you too…sometimes it is…lol.Liked by 1 person
  3. newepicauthorsays:One of your longer posts Max and I thought it was interesting learning about this obscure group.Liked by 1 personReply
    1. Badfinger (Max)says:Yes I usually don’t go this long but Phil was in some interesting spots and bands. He knew a lot of those Texas bands that did have some hits…plus I was in one of those local bands two decades later…heck…may do mine one day!Liked by 1 personReply
  4. glyn40wiltonsays:Light Crust Doughboys was a great name for a band. I liked the list of the groups they played songs of in their set.Liked by 1 personReply
    1. Badfinger (Max)says:Thanks Glyn…they were a country band legend.Liked by 1 personReply
  5. Davesays:Great post Max! It’s so cool that one of our online friends has such a great musical history. I’ve heard that ‘Cobblestone Street’ before…it’s very ’60s but very agreeable. Sounds very British Invasion to me, I wouldn’t have pegged it as being from Texas. Phil makes a good point about how rock, and teens, then were so much more optimistic than nowadays.
    Phil, good job and if you have the b-side, hope you let us hear it!Liked by 2 peopleReply
    1. Badfinger (Max)says:I loved when they opened for Iron Butterfly and then played one of their songs! LOL. That takes guts and I’m glad they did it.LikeReply
    2. obbversesays:Agree with all you say here Dave. And I really do believe for a lot of the kids teen years (these days) are more a journey of joy and learning than a rite of passage.Liked by 1 personReply
    3. obbversesays:Sorry Dave, less joy, more passage! Doh! (Note to self; Proof read, O.)Liked by 1 personReply
  6. randydafoesays:Well I knew a bit of Phil’s musical past and this post is a great enhancement. I agree with Dave on that British Invasion sound for sure.Liked by 1 personReply
    1. Badfinger (Max)says:I played 2 decades later but I can relate to this…I mean every successful band usually starts out like this…sometimes it just works out but most of the time it doesn’t as far as the big time….but it keeps music alive in communities across the globe with local bands….yes it’s very sixties.Liked by 1 personReply
      1. randydafoesays:Yes I am sure this is very close to home for you. I probably mentioned by oldest brother is a bass player and while he did play with some recording artists he never ended up on one himself. He has played in bands for over 50 years and still does, but he does it for himself, because he loves it. So these stories are in some ways a vicarious look that scene.Liked by 1 person
      2. Badfinger (Max)says:I tell people…once you learn music you keep it for the rest of your life. You don’t have to be famous…but no one can take it away from you. The only recording artist I played on the same bill with? The Royal Guardsman in the late 80s early 90s…lol…but hey it still counts! Our claim to fame was outdrawing Richard Sterban (singer for the Oak Ridge Boys) at a theater….we played a week later….lol.Liked by 2 people
      3. randydafoesays:Hey you take what you can get Max!Liked by 2 people
      4. obbversesays:Max mentioning the Royal Guardsmen- Christmas and ‘Snoopy’s Christmas’ must be on the horizon!Liked by 1 person
      5. Badfinger (Max)says:It’s gotta be! I never thought of posting that one…but I must now.Liked by 1 person
  7. obbversesays:Love these ‘I was there’ bits of history. Phil sure got around, and what a great decade to grow up in. And as for Phil- letting Janis grab what should have been his hot dog, rubbing shoulders with John S, rubbing Mike Love the wrong way- great stories.Liked by 1 personReply
    1. Badfinger (Max)says:Yes they are… I can’t imagine meeting those people especially Janis…he said she was really tiny in person…
      Opening up for Iron Butterfly…pretty cool and having your wah wah pedal stolen by their crew…not cool!Liked by 1 personReply
      1. obbversesays:Well, with Iron Butterfly, they weren’t exactly your easy-going peace love and pass the reefer 60s band, or so I’d imagine, going by their sound. (PS, I’ll be mentioning ‘Snoopy’s Christmas’ in an upcoming musically related post soon. Music and Christmas carols based? Yes. Harmonious and in the best spirit of Christmas? Nooooo.)Liked by 1 person
      2. Badfinger (Max)says:Cool… I will soon echo Snoopy…
        I would not expect any other from you…I would be quite dissapointed if you showed too much cheer…obbverse sellout? Never.Liked by 1 person
  8. cincinnatibabyheadsays:I’ll echo Dave and say “Great post”. Phil covers a lot of territory (He’s from Texas. Makes sense). I’m sure I could spend an evening hanging with Phil and be entertained on a lot of levels. Lots I like, his sense of humor not the least. Enjoying the listen. Blue ribbon post Max and PhilLiked by 1 personReply
    1. Badfinger (Max)says:Thanks CB…it’s much longer than I wanted but to get everything in it had to be. Hanging out with Phil for a while would be really cool.Liked by 1 personReply
  9. Christian’s Music Musingssays:It sounds like Phil Strawn has met many interesting artists and has some intriguing stories to tell. “The Cobblestone Stone Street” is a great song. Perhaps not surprisingly, I had never heard of A.T.N.T. before.Liked by 1 personReply
    1. Badfinger (Max)says:Yea…Phil has some great stories… his story about meeting the Lovin Spoonful is great…and opening up for Iron Butterfly was really cool as well.Liked by 1 personReply
  10. Phil Strawnsays:Max, thank you for the great write up and kind words. It does my old heart good to hear from so many of your followers that dig the 60s sound. I happened to be in the right place at that time and it all fell into place. My friend, Danny Goode who I played with back in the 60s and again in the 2000s lives in Granbury too. We hung up the axes in 2019 after a 19-year run with The American Classics Band, doing much of the same music we played back in “the day.” Thanks again, Max.Liked by 2 peopleReply
    1. Badfinger (Max)says:Phil, I just hope I got it mostly right for you. I want to thank you for letting me do it. I had a good time writing it. We might not have been in huge bands that had a lot of hits, but we entertained a lot of people and that is what matters plus the the adventures we got out of it. Thanks again, Phil.Liked by you and 1 other personReply
      1. Phil Strawnsays:You are welcome kind sir. We all have to admit that after doing live shows for a while, it brings out the hambone in all of us. I can’t recall a time that I was nervous onstage except the time my Fender amp blew a fuse and I didn’t have a spare, now that was scary.Liked by 1 person
      2. Badfinger (Max)says:I wasn’t nervous either except for my first gig but it went away quickly. THAT would be scary. Our lead guitar player’s amp went out so I plugged him into mine and we shared…not a great sound…but the show went on.Like
  11. Nancy Homlitassays:Your music bio of Phil Strawn was a thoroughly enjoyable read, Max. Of course, I’m partial to 60’s music and can appreciate how good “Cobblestone Street” is compared to other songs in that genre. You did a good job making Phil appear to be a focused and serious musician. We both know he’s a crazy fun-loving hoot! 🙂LikeReply
  12. Aphoristicalsays:I like the Iron Butterfly story!Liked by 1 personReply

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PowerPop… An Eclectic Collection of Pop Culture Blog at WordPress.com.

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Moving To A Place Where No One Knows My Name


Not Momo or Me or a celebrity

Don’t misunderstand me; Momo and I are happy with the election result. I feel bad for all the self-serving celebrities who publically promised to move from this country because of the election. Where will they go? Canada or Europe may be their only hope for survival. If they were smart, and there are plenty of them that are not, they would seek to find the magical land of Nirvana. You know, the elusive country hidden in the Tibetan Mountains, a stone’s throw from Xanadu, which would also offer a safe harbor.

Of course, there would be drawbacks. The Monks who run these places don’t care much for Hollywood folks. There wouldn’t be movie studios, movie houses, fancy restaurants, Mercedes dealerships, or elections. In fact, there would be no work for them at all except for pruning the bushes and flowers. They might find true inner peace and illumination by spending the rest of their days there, wearing a flowing white robe as they stroll the mystical gardens accompanied by a mystical grasshopper.

Momo and I gave it some serious thought. Moving to Nirvana or Xanadu sounds warm and fuzzy, like new Christmas pajamas. After many nights of kicking the idea around, she announced that there is no way she can move to a place that doesn’t show “The Wheel of Fortune” and doesn’t have her H-E-B.

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The Great Pumpkin Made Me Do it, 2.0


I wrote this post some years back, but I want to share it again with my faithful blogging friends. Halloween is not just for kids.

I did something last night that surprised me, and that’s always good. I watched ” Its The Great Pumpkin Charlie Brown,” the proverbial 1960s Halloween show.

Seeing the old Peanuts gang looking so healthy and young was comforting. Pig Pen and Linus are still my favorites. Charlie Brown has a defeatist attitude, so I never got into him. While watching that program, I told my wife, Maureen, that it rejuvenated my interest in Halloween and trick-or-treating. Things are going to be different this year, I declared.

As a child, I fondly remember the anticipation of Halloween. When October 1st arrived, the kids in my neighborhood counted the days until Halloween. Back in the day (the 1950s), we celebrated Halloween on the actual date and did our begging on that evening, in the dark, even if it was a school night. We were tough kids back then, staying up late and going to school the next day. We didn’t need a weekend to recover and didn’t know what a safe room was. Trick-or-treating was damn serious stuff for us, and we were good at it.

In a fit of nostalgia, I announced to my wife that I would go trick-or-treating this year. She is going along with the idea as if I am joking. I tell her I am not, and she can hide and watch. As for a costume, I will wear a black t-shirt, a black jacket, jeans and sneakers, and possibly a Texas Rangers ball cap if the weather is inclement. I will not carry a glow stick or a flashlight; that’s for babies. If I can’t find a group of kids to walk with, I will trudge on by myself. I am determined to experience one last Halloween before that tall, robe-wearing dude with a sickle knock on my door. This has evolved into a bucket list thing, and I must see it through.

I have given this some thought and have worked out the perfect plan accepted in today’s society. When I ring the first doorbell, and a smiling man or woman answers, I will say trick-or-treat, holding their candy bowl. Their first reaction will be to say, “where’s your grandkid, or what the hell is this.” Either one, I’m ready. I will look them straight in their parental eye and say, ” I identify as a 6-year-old.” I will come home with a full bag of goodies or bond out of jail. It’s going to be a good Halloween this year.

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When Northeastern Mobsters Hold Our Country Hostage


Rantings Of an Elderly Man That Has lost all filters and doesn’t give a damn if I ever get them back….

Let me set this writ straight from the start: I am not a union supporter and never have been. When I was building multiple projects at the Mall Of America in the early 90s, the local labor unions threatened me and my family with death numerous times. Tires slashed late-night phone threats and everything you could imagine if my employer, a Texas company, and I did not comply with their Nazi commands. This was in Minneapolis, Minnesota, supposedly America’s friendliest state; if you believe that whispering downhome wolf in a sheepskin suit, Garrison Keillor, the hometown boy, made good, then exposed as the unvirtuous butt-pinching bad boy of small-town America.

The longshoremen are shutting down the country because a forklift driver’s six-figure income is insufficient. The average income for a hardworking American is 58K. And a man driving a forklift on a dock is worth over three times that? Since when did our country go full “batshit crazy?”I would guess it was around when the sainted Franklin D. Roosevelt was crowned president for what he envisioned as a lifetime. An elitist northerner sporting a lilted half-European accent that smoked his ciggies in a pearl holder and humped more willing women than JFK could dream of. He was a cad, but considering the almost canine looks of his genius wife, I could throw him a bone: Sorry for the apparent cheap joke.

Momo and I are trekking to the HEB tomorrow to stock up on whatever is left. The panic buying is upon us like a flock of city park Ducks on a single Junebug.: my condolences to the dearly departed ducks in Springfield Ohio. Ordinary women in far-too-skin-tight leggings fight in the aisles over toilet paper, face moisturizers, wine, Mountain Dew, and Rice A Roni, the San Francisco treat. Down here in Texas, we won’t put up with that crap in the Northeast. We have plenty of farms with fresh produce, hordes of cows, pigs, and fish, feral pigs, feral cats and dogs, and feral people, and if we don’t have it, we will invade Mexico and take it. Why not? They have already invaded us.

Did I say too much? Probably. If you have any significant complaints, call me at BR-549 and ask for Junior.

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Taking A Knee For The Right Reason


I’ve always believed in the raw strength of prayer. A small child kneels by the bed. A grown man kneels beside a dying parent. God listens. He may not grant all our prayers. There are reasons for this. A dying parent approaches the end, no cure in sight. It is time. We all have our moment.

Momo and I found ourselves at a prayer gathering in the park a week ago. The turnout was sparse, the heat oppressive, the air thick with discomfort. Yet, amid it all, the holy spirit lingered among us. Men, women, and children knelt, some on one knee, others prostrated on the pine needles, indifferent to the thoughts of strangers. The older ones were weighed down by age, needing to rise again; I understood. What struck me was the number of young folks present: teens and those in their twenties, engulfed in faith. I thought, why should I be surprised? This faith is not merely for the old; it is for the young, from the cradle to the grave and beyond. It filled me with a quiet hope against the dark forces that assail our nation—a small, emerging army ready to stand, bolstered by the strength of Michael, the Archangel. Change is coming; stay tuned.

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The Way I See It In The Cactus Patch…And It Ain’t Always Pretty


I realize my thoughts might carry as much weight as a thimble in a swimming pool, but at 75, I’ve witnessed more ups and downs than a cheap roller coaster. Lately, though, it feels like our dear old blue planet has taken a wrong turn and is spinning like a top on a greased floor, sending everything straight into a comical disaster!

Momo whisked me away to a swanky birthday supper at a place called 1890—how fancy! We had previously visited there, of course, but on that occasion, our wallets had us seated in the bar, indulging in a drink and a wedge salad that could barely fill a mouse’s stomach. This time, however, we plopped ourselves into the big boy chairs adorned with linen tablecloths and sparkling silverware that made us feel like we were pretending to be someone important. Our waiter—his name was a puzzler, something foreign that I couldn’t grasp, yet I distinctly recall his well-groomed beard and a whiff of patchouli oil wafting about him. It took me back to our youthful days as hippies in the 70s when that scent was all the rage with the hairy-legged hippie chicks. Momo went for a steak that could challenge a cow in size while I, with an empty wallet echoing my woes, settled for saltines slathered in butter and Tabasco—gourmet, I assure you! As we departed, stomachs full and wallet depleted, we spotted a black Greyhound-style bus parked at the courthouse. We mused that perhaps a country band was visiting our quaint township for a hearty meal. But lo and behold, when the door flung open, cats erupted like confetti, scattering everywhere—hundreds, I’d wager, taking over the square as if they owned the place. Nuns, dressed in their required uniform, handed out squeaky toys, kitty litter, and catnip to placate the new arrivals. Curious, I asked the driver what on earth was happening. With a grin, he informed me that the SPCA was orchestrating a rescue mission, whisking away all the cats and some distressed dogs from Springfield, Ohio, to Texas. It was, he said, a noble endeavor backed by a contingent of single cat ladies and a handful of purified nuns forever wed to their feline friends.

Football players are often regarded as the dimmest bulbs in the grand carnival of manly athletics, a parade of brawn where a surplus of testosterone is the secret sauce for getting through the heavy lifting of life. Picture, if you will, poor Travis Kelce, relegated to the bench like a discarded plaything, wearing the kind of woeful hang-dog expression that could bring tears to a Confederate statue. Ah, but even Neanderthals have their emotions, and it seems the Swift One is tucked away in her plush hotel suite, likely crafting a breakup ballad that might just capture the essence of their fleeting romance, a tale as old as time and yet as fresh as a morning breeze. Young love is a fleeting aura that departs on the fickle winds of gastronomical flatulence. He should have taken the strenuous advice of friends and whisked her off to a tar paper shack in deep Appalachia and kept her barefoot and pregnant with annoying little swifties playing small plastic Ukelales.

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Throwing Things At My Television


Tonight, I discovered that my pitching arm doesn’t work anymore. Listening to the debate, I couldn’t tell who deserved my ire. Trump could have done better, and Harris surely had the questions, possibly weeks in advance, so it wasn’t really a debate but a corrugated yuk-yuk party. I started scanning my den for objects to hurl at my flat screen. My Dallas Cowboys honorary brick would go through the set and possibly the wall, so that was out. Maybe a vinyl record album, but then I like them too much. A music CD, nope, I like them too. Maybe a sandal, nope, might ruin the footwear. So I threw an old Texas Highways magazine, and it bounced off: no power in my throwing arm anymore. Trump did bring up the Haitians eating people’s pets, which got a yuk from the moderators, but folks, that is true. I read that one Ohio grandmother watched a hungry Haitian eat her little Yorkie while she still held the leash. Haitians have a new dish, Kitty Tacos, which we’ve likely eaten before if you lived in Texas. I can’t take any more politics, so this will be my last post about the subject. Chapter 10 on Wagons Ho to California is about in the can, so stay tuned for that. May the force be with you…well, maybe not; Luke Skywalker likes Harris. Why did he have to go and ruin my Star Wars memories?

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Chapter 5. Life In California And Jelly Roll


Moving day from the migrant camp fell on a Saturday. There wasn’t much to transport apart from the car and the personal belongings they had brought from Texas. Knowing that John Henry had very little, the landlord had left behind some furniture: a kitchen table, an icebox, two beds, and a well-worn couch. The screened-in back porch extended across the entire width of the house. In one corner, a roll-away bed and a standing lamp stood, and it was there that Johnny made his claim to the porch as his bedroom. Meanwhile, Lady ventured out to explore the expansive backyard, complete with an Eucalyptus tree that was home to a resident squirrel.

My grandmother Bertha had come across newspaper stories about the firebrand woman preacher, ‘Sister Aimee, ‘ holding court at her downtown church. She aimed to grace the Sunday service, eager to unravel the mysteries that had stirred up such a commotion among the camp folks. Ever the agreeable sort, John Henry consented to accompany her and young Johnny, perhaps harboring a hope to cross paths with Blind Jelly Roll Jackson and Pancho Villa.

The faithful congregations formed a line that stretched down the block, twisted around, and continued for another block. It seemed this preacher lady possessed a special magnetism to draw such a crowd. As they reached the doors, they discovered the church was once a theater with a plush red carpet and a winding stairway leading to the balcony. Climbing the stairs, they found seats near the balcony’s edge. With an eagerness to feel the Holy Ghost passing through her, Bertha was in stark contrast to John Henry, who simply yearned for a cup of black coffee and a nap.

The house lights dimmed, and the red velvet stage curtains slowly drew back to reveal an orchestra and a singing choir, all adorned in purple velvet robes. The orchestra boasted horns, a piano, violins, and a drummer, and right up front sat Blind Jelly Roll holding a shiny black guitar. His seeing-eye dog, Pancho Villa, was seated on a chair next to him, wearing a small matching robe. In a moment of confusion, Johnny, unaware of his surroundings, called out Pancho’s name, causing the dog to excitedly tumble off the chair. Jelly, recognizing the voice, offered a warm smile and a friendly wave as he reseated Pancho.

A slender woman with short blonde hair stepped into the center of the stage, enveloped by the spotlight’s glow. She was draped in a white silk robe, and a sizable golden cross hung at her breast, casting a mesmerizing reflection across the congregation. In that divine light, she took on an ethereal quality, almost angelic, as if transported from the pages of a biblical tale.

The singer, whom everyone now recognized as ‘Sister Aimee,’ suddenly turned into a musical whirlwind, belting out a heartfelt religious hymn that could make even the angels jealous. How did this powerful voice project from such a small woman? The orchestra performed as if they were on a mission from above, and the choir sounded so otherworldly that even the congregation wondered if they were in the presence of celestial beings. As tears flowed freely and some brave souls rose to join her in song, Bertha found herself on the verge of a melodramatic meltdown; young Johnny was bored and on the verge of sleeping, while poor John Henry remained steadfast in his pursuit of a good nap. It seemed like the lengthy two hours ahead were shaping into a divine comedy of sorts.

After two more songs just as rousing as the first one, Sister Aimee spoke.

” Dear Hearts, recently, a lost soul came to our church. He had wandered in the wilderness for years. Blind since birth and led by his small seeing-eye dog, he came to me seeking repentance and personal guidance. He is now walking the straight and holy path of our Lord. A formidable blues guitarist and singer, he has agreed to share one of his songs of atonement. Please welcome Blind Jelly Roll Jackson.” The crowd applauded.

A stagehand stationed a large silver microphone before Jelly. The spotlight shone on his hair, white as an East Texas cotton field. He tugged and twisted his guitar through eighteen bars of mournful blues without a moment’s pause. The audience was spellbound, the majority never having encountered a blind black bluesman. Leaning towards the mic, he growled deeply as he sang,

” I gots me a woman, haw-haw-haw-haw, she don’t mean a thang, squeezes my lemon picks my peaches from my trees, gonna go see that gal and get my hambone greased, haw-haw-haw-haw.”

Sister Aimee lunged for the microphone, but a stagehand beat her to it. He grabbed the microphone and carried it away. Jelly Roll was still singing and playing when the stage curtain closed. Blind Jelly Roll Jackson’s official California debut was history.

Don’t touch that dial or turn that computer off; there is more to come in Chapter 6

California Dreamin’ Chapter 6
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Ob-La-De-Ob-La-Da Life Goes’ On Brah…La-La-How The Life Goes’ On


Yes, Dear Hearts, as the Beatles say, life does go on. As of today, I’m five years cancer-free. I’m expecting a face time phone call from Sir Paul and Ringo anytime now.

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Comedy Gone A ‘Foul


I love Mark Twain. I revered him to the point that when I was a child of ten, becoming Mark Twain was my life’s ambition. Sadly for me, it didn’t work out, but he still inspires me to this day, not only with his witty writing but his keen eyes focused on the human race. Not much has changed since his days on the big river, or so I thought.

I attempted, and somewhat succeeded, to watch portions of a streaming salute to the black comedian Kevin Hart on Netflix. Filmed at the bastion of liberal theater, the elitist government-funded “The Kennedy Center.” He was being awarded with the Mark Twain Prize for American Humor.

I like Kevin Hart; he’s a funny guy who is not afraid to dig into squeamish subjects. But he is strictly adult comedy: crude, foul-mouthed, racist, and mean at times. He has his place in clubs, streaming specials, and R-rated movies, not on the stage of the “Sacred Cow Kennedy Center” in front of a mixed audience of wealthy Hollywood folks jiggling their jewelry and rich old ladies who were clearly put off by the humor he and his roasting guest comedians spat out. The F word seemed to be the most favored of the night, and they all used it for maximum value.

Jerry Seinfeld, the king of clean comedy, introduced the show and praised Kevin for his body of work. Kevin, in the king and queen box, yuked it up, kissed his kids and wife, and wiped away a few tears; it was a touching tribute until Seinfeld left the stage, and that is when the show went to comedic hell in a “Jackie O Handbasket.”

I know how to cuss, learning it from my father’s side of the family and from my sainted Cherokee mother, who could string some of the better words into a formidable tirade. The F word and a few more, are in my vocabulary, and lately, watching the maddening news on television, I find myself screaming adult language at my set. But that is in my home, in front of Momo, who can cuss as well as I can, sometimes better. We don’t dare say bad words in public or in mixed company or around our family, especially the grandkids. So why is filthy, foul-mouthed thuggish language acceptable for an audience at “Jack’s Palace?” You could see Jerry Seinfeld cringe when the camera panned to him. I’m certain he has used those words, especially dealing with Kramer, Newman, and maybe the Soup Nazi.

When Hart finally took the stage to thank everyone and show his stuff, it was a recitation of F you, F this, F that, and so on: all his comedy buds in the box seats roared with approval, showing me that you can be funny, make a butt-load of money and have folks idolize you, but you that doesn’t give you class.

Hollywood and its ilk have taken what was once a reverent, respected, cherished, and Homeric award and turned it into another cheap-assed participation trophy, like the Oscar. Mark Twain deserves so much better.