Jacksboro Highway and Memories of the Sunset Ballroom

By Phil Strawn

In the early fifties, my Father, Johnny Strawn, owned the Sunset Ballroom, just a stone’s throw off Jacksboro Highway in West Fort Worth, Texas. A country fiddle player by profession, he soon realized that trying to play nightly gigs at other clubs and managing his own business didn’t work,  so he hired, as his club manager, his childhood running buddy, best friend, and my God Father, Dick Hickman.

Dick and my Father had grown up together in depression era Fort Worth and remained best friends to their last day. Decades later, they often reminisced, over a good glass of scotch, that “they didn’t know they were poor because everyone had the same amount of nothing that they did.”

Dick, besides being the new manager, was also pulling double duty as the club’s bouncer. A job he deplored but accepted and performed well when required. Being a family man and a peaceful sort, he soon became weary of kicking unruly customer’s rears every night, so my father, in a lapse of good judgment,  hired one of the local tough guys to take Dicks place as the official bouncer and security, A mean little cat, that went by the name of “Toes Malone.” If he had another first name, he kept it a secret.

Toe’s was a likable two-bit-north side thug that had experienced one too many run-ins with the Fort Worth mob. The boys in the mob liked him and thought he was a funny guy to be around, so when Toe’s tried to horn in on their action or crossed them in any way, instead of just killing him outright like anyone else, they would shoot, or remove a body part to teach him a lesson.

After a few major discussions in a back ally with his admirers and the loss of an ear, three fingers, and an arm, “Toe’s” got his new name.

He didn’t give up being a tough guy.  Being the mean little son-of-a-gun that he was, he had the local boot shop install two small pen knife blades into the toes of his Justin cowboy boots.

He was pretty agile for a one-armed cat and could carve you up like a Winn Dixie rib-roast before you knew what happened to you.

No one messed with Toes. He was the original Bad Leroy Brown of the South.

The patrons loved Toes so much that they would ask him to show his little “toe knives” to their wives just for laughs. He would gladly hoist his boot up on their table, proudly display his shiny little blades to anyone who asked, and tip a buck or two. The wives, giggling like school girls, would open their pack of Lucky Strikes on his boot tip blades.

He was part of the entertainment, sort of a hoodlum head waiter that would kill you if you complained about anything.

My father said his presence increased business, so he kept Toe’s own despite his reputation. In later years, he admitted that firing Toe’s would have likely led to his own early demise.

Toe’s, being a hoodlum to the core, couldn’t help himself and finally crossed the mob boys one too many times. On a cold December night in 1953, out by Crystal Springs Ballroom, they blew him in half with a shotgun blast.

My Father, saddened by the grisly demise of his entertaining employee, was relieved that he didn’t have to fire him.

Toes had no true friends to speak of, so it was that the memorial drew only a sparse gathering of musicians, the very mobsters whose hands bore the stain of his demise, and a handful of patrons from the Sunset.

On top of his casket sat his little knife boots and a nice framed picture of a 10-year-old Toe’s. A very fitting end. And once again, Dick had his old job back.

The Sunset, as the legend goes, was where the famous Roger Miller goosing incident occurred.

It’s been said it happened at Rosas or any number of clubs in Fort Worth, but I have it from two witnesses, my father, and Dick, that it happened at the Sunset.

Roger Miller, one of future “King of the Road” fame, grew up around Fort Worth and Oklahoma and, like many stars, struggled many years in the joints before making it big in Nashville. He was worse than a half-assed fiddle player but a promising songwriter, scraping out a living by frequenting the Sunset Ballroom, Rosas, Stella’s, The Crystal Springs Ballroom, or any other club that would let him sing and play for a few bucks.

One August night at the Sunset, he sang a few tunes onstage and tortured his fiddle for the less-than-appreciative crowd. The dance floor was full of sweaty “tummy rubbing” dancers doing their best to “not pass out” from the oppressive Texas heat that saturated every corner of the un-air-conditioned joint.

An attractive couple took to the floor, the lady in her fitted peddle pushers moving her backside with a careless grace that drew the attention of the young musicians on stage.

She got that jiggling backside near the edge of the stage, and Roger Miller, being the pre-Icky Twerp idiot that he was, couldn’t resist reaching out with his fiddle bow and goosing her tush.

She jumped.. pushed her dance partner away, and slugged him in the nose. Under the influence of numerous whiskey and cokes, the injured fellow stumbled and fell into a table full of visiting mob boys who turned out to see Roger torture his fiddle and sing a few tunes.

The ensuing brawl lasted a good ten minutes, clearing out the club. Dick carried the fighters out by the collar, two at a time. The mob boys “whooped up” on most everyone within a three-table area, and the rest of the people just whooped each other. The Fort Worth police came in, assessed the situation, sat at the bar, had a free Coke, took their pay-off money, and left.

Roger was banned from playing his fiddle at the Sunset, and soon after that incident, he went on to Nashville and started writing better tunes and working in better joints.

My Mother, fed up with my father’s teetering on the fringe of certain death,  finally told him to sell the place or he would be living there by himself.

Dad sold it to Dick, who, after a few months, realized the nightclub business was not for him. He sold it to a steady patron with a questionable reputation, and the club, after becoming an illegal gambling joint in the late fifties, finally ceased to exist and was demolished in the mid-seventies.

Despite its well-deserved reputation, most of the great entertainers did manage to play there; Lefty Frizzle, Marty Robbins, Bob Wills and The Texas Playboys, Bill Boyd and the Cowboy Ramblers, Willie Nelson, The Lightcrust Doughboys, and a long cast of other impressive country music acts.

One Saturday night, a few weeks before Dad sold it to Dick,  Bob Wills, and his band had a show in Weatherford, Texas, that was canceled due to bad weather. Not wanting to make the night a complete loss, he stopped at the Sunset on his way back into town. Being good friends with my Dad and his mentor, Bob took the whole band on stage and did a knocked-out impromptu show.  Word on the Jacksboro Highway spread fast; within an hour, the place was packed to capacity.  I have an old 8×10 black and white picture of Bob and  Dad playing twin fiddles on San Antonio Rose. It was a night he was profoundly proud of and, over the years, spoke of it often.

The old place may have carried a less than stellar reputation, but that long demolished building hosted some of the greatest musicians in country music.

The Sunset Ballroom, Forth Worth, Texas

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