Back in 1985, my father’s band, The Light Crust Doughboys, recorded an album that was meant to focus on Texas music, some present, mostly passed. Country music wasn’t invented in Fort Worth, Texas, but Western Swing was. Bob Wills started as a Light Crust Doughboy, as did most of the great talent from the 1930s onward. I was fortunate to have known every man on this record for my entire life. The members on this album were: Jim Boyd, vocals and rhythm guitar; Jerry Elliot, vocals and electric guitar; my father, Johnny Strawn, fiddle, electric mandolin, and vocals; Bill Simmons- keyboard; Elden Graham, stand-up bass; Marc Jaco, electric bass; Maurice Anderson, pedal steel guitar; Dale Cook-drums; Phil Strawn, five-string banjo; and Gary Murray, announcer. The album was recorded at Sumet-Burnet Sound Studios in Dallas, Texas, in April of 1985. Recording engineers were Bob Sullivan and Bobby Dennis. It was produced by Marvin Montgomery.
Songs on the album, in order, are: Side One 1. The Light Crust Doughboy Theme Song. 2. The Yellow Rose of Texas, 3. When The Bloom Is On The Sage, 4. Texas In My Soul, 5. Beautiful Texas, 6. Waiting For A Train, 7. Old Joe Clark with myself on five string banjo and my father on fiddle, 8.Tumbling Tumble Weeds, 9. You’re from Texas, composed by the legendary Cindy Walker. Side 2, 1. If You’re Gonna Play In Texas You Gotta Have A Fiddle In The Band, 2. Amarillo By Morning, 3. Across The Alley From The Alamo, 4. In The Mood, done the Texas western swing way, 5. Does Fort Worth Evdr Cross Your Mind, 6. Sure ‘Nuf Texan, 7. Texas When I Die, 8. Closing radio them, the song the band has always used since their inception in the early 1930s.
They are inductees into the Western Swing Hall of Fame and the Rockabilly Hall of Fame, and are part of the Country And Western Hall of Fame ( Chet Atkins always decided who would be inducted )
I traveled with these men for many miles, driving their van, loading and setting up their equipment, and playing bass, guitar, and banjo when one of them was ill and couldn’t make the show. Smokey Montgomery made me an official member of the band in 1984, which was the greatest honor any musician could dream of. The one cut from the album included in this post features my father (fiddle) and me (five-string banjo) playing the old 1800s standard, “Old Joe Clark,” with the rest of the Light Crust Doughboy band. We may grow old and die, but our music lives on forever.
Johnny Strawn on the left and Bob Will on the right. The Sunset Ballroom, early 1950s
I was born into music the way some children are born into weather—something that surrounds them before they have words for it. Long before my hands were big enough to hold a wooden neck or find a note on a steel string, the sound was already there, drifting through the rooms like a ghostly wind. A man doesn’t choose a life like that; he’s shaped by it, the way wind shapes a tree on an open plain. Our home pulsed with music, not a 78 RPM record on a Victrola but real instruments played by men, some would become mentors, lifelong friends, and a few I would help carry to their final rest, my hand supporting their coffin. It seemed they were always there, a few feet away or on the front porch and around the kitchen table, drinking coffee, smoking cigarettes, and playing music. My younger sister and I thought it all to be quite normal, but it was so far from that.
My father carried his fiddle the way working men carry their tools—worn smooth by sweat and nights on the road, tuned by the laughter and sorrow of dance halls from Fort Worth to Nashville, Springfield, Tulsa, and to Abilene and then on to California. He played with the great ones, the ones whose names still hang in the air like smoke: Bob Wills And The Texas Playboys, Willie Nelson and Paul English, Milton Brown, Cliff Bruner, Adolph Hoffner, Bill and Jim Boyd, Smokey Dacus, Jake Ghoul, Artie Glenn, Ray Chaney, Smokey Montgomery, Jerry Elliot, Bill Hudson, Red Foley, Grady Martin, Roger Miller, Ted Daffan, Lefty Frizzell, Hank Garland, and the Light Crust Doughboys. Those bands were more than music; they were a kind of moving tribe, stitching the country together one dusty town at a time. And my father stood among them, bow in hand, drawing out the heartbeat of the West. He wasn’t a big man in stature, but when he drew that bow across those strings, he stood as tall as Iowa corn.
But the story didn’t start with him. It ran back through my grandfather, John Henry Strawn, and further still to my great-grandfather, Marion Strawn—men who bent their backs to the land by day and lifted their spirits with a fiddle by night. In those days, a tune wasn’t entertainment; it was survival. A way to keep the darkness from settling too heavily on a man’s shoulders. My grandfather, in his younger days, was a cowboy, but was always that campfire fiddler with a tune poised on his fingertips, as was his father.
So, of course, I was born into it. The first instrument wasn’t wood or wire but a small blue baby rattler, the kind a child shakes without knowing he’s keeping time with the world. I still have it tucked away in a box, along with those tiny shoes from The Little Texan shop in Fort Worth, 1945—leather soft as memory, soles barely scuffed by the earth. My Aunt Norma told me my feet didn’t touch solid ground until I was three or so. Proof that even then, before you could walk, the rhythm was already in your hands.
Some families pass down land, or money, a name carved into a building cornerstone, or a legacy that follows them through generations. Mine is passed down as a sound—a long, unbroken line of strings vibrating against fine old wood.
And so the question was never how I became a musician. The real wonder is how I could not become anything else.
The Great Depression settled on the land, especially the Midwest, from the Dakotas to the bottom of Texas. Misery was in every mouthful of whatever families could scrape together for a meal.
My grandparents loaded their dilapidated car with whatever scraps of a life could be carried, tucking them into corners already crowded with worry. They pulled away from Fort Worth in the hard years of the early 1930s, when work had vanished like water in a dry creek bed, and the dust from the Panhandle settled over the city in a fine, punishing veil. Folks walked with their shoulders bent, not from age but from the heaviness of days that offered little and took much. In those times, every family felt the pinch of hunger and the quiet shame of wanting more than the land and the cities could give. So they turned their eyes westward, toward a place they’d only heard about in stories — a place where the air was said to be softer, and smelled of blossoms, the work steadier, and opportunity flowed like milk and honey for anyone brave enough to chase it. Like the frivolous dancing girls in the unrealistic movies echoed, “We’re In The Money.” Come to California, and all will be healed, my brother, and happiness will be here again. For many, it was their salvation, for even more, it was their Waterloo.
The journey was a gritty trial; more than once, my grandparents’ aspirations lay shattered within the confines of the bloated car. Harsh words, blame, and unforgiveness forced the old Ford to veer back Eastward, yet practicality prevailed, and the road West stretched ahead once more. Route 66 transformed at times into a mere gravel-and-dirt dog track, its ruts so profound they could swallow a child, never to be seen again. Just beyond the Border Patrol in Needles, California, my grandfather—clad now in the worn label of an “Okie”—picked up an elderly blind bluesman and his tiny Chihuahua, supposedly his seeing eye dog. Still, the dog possessed one good eye, so his loyalty only went so far. They were fleeing from the shadows of Deep Ellum in Dallas, Texas, where the blind bluesman, in a pay dispute, had shot six folks in a bar at the aimining direction of the small dog, all the patrons were wounded, and the wrongdoer escaped unharmed. That chance encounter would shape the souls of all within that car, threading their lives together in an unbreakable bond forged by hardship and hope.
After depositing the old blues singer, Blind Jelly Roll Jackson, at Sister Amiee McPherson’s downtown Los Angeles Mission Church, my grandfather encountered a couple who sensed the need and subtle transformation within him. I have always believed that angels walk among us most days, though they sometimes take a leave of absence for their own reasons. In that moment of serendipity, my grandfather’s guardian angel appeared in the passenger seat beside him, illuminating the path with a chance encounter that offered help and guidance from above. He forged a friendship, secured an unimaginable job, found a modest home to rent, and within weeks, he bestowed upon his family the very gifts of life he had only dared to dream. God is awesome, but he sometimes requires his Angels to carry that extra pat of butter in their rucksack for special times.
Around the age of ten or eleven, my father, Johnny, expressed interest in learning the instrument. My grandfather showed him the basics, then handed him off to a retired high school music teacher on their block, who gave him violin lessons in exchange for mowing, weeding, and odd jobs. A $5 pawn-shop violin was purchased, and tutelage began. Within a few weeks, he could read music, had learned the notes on the fretboard, and could play a few simple tunes. Most nights, grandfather would sit on their front porch and play his father’s old 1812 German-made fiddle while spinning yarns to anyone who would listen. He was a master of Texas Dichos, and with each jig he played, there would be a life’s lesson or a tall tale to accompany the tune. Many nights would find a dozen folks sitting on the front lawn listening to his fiddle and his tall tales. All of it seemed to fit in life’s complex package. Every fiddle carried the tales of heartache and hope: real or imagined.
Around the age of thirteen, my father found himself among a group of schoolboys who, in their youthful exuberance, formed a string band that echoed the sounds of their dreams: they wanted to be country musicians like the ones they listened to on KUZZ, the famous country radio station out of Bakersfield, California. My father wielded the fiddle, the others accompanied with a stand-up bass, a tenor banjo, and a guitar perpetually missing a string, creating an element of embarrassment and laughter.
None of the young lads had the gift of a soothing voice to uplift their spirits, so my grandfather, with the wisdom of a man with a good musical ear, recalled the old black blues man he had once deposited at Sister Aimee’s Mission in downtown L.A.
A few calls were made, a meeting set, and the boys were graced by the presence of Blind Jelly Roll Jackson, accompanied by his loyal Chihuahua, Giblet, whose single keen eye began to see beyond the darkness. Blind Jelly, with the patience and kindness of a seasoned mentor, accepted their earnest offer to perform, insisting that a young Cajun girl from the church choir that he had grown fond of join them, a girl whose voice could lift the very rafters off their hinges. Le’ Petite Fromage, though barely five feet tall, could sing with a strength that belied her tiny stature. As they gathered on the Strawn’s front porch for their first rehearsal, the band realized they needed a name. “Le’ Petite proposed ‘Blind Faith,’ inspired by Blind Jelly’s newfound devotion to Jesus and the church, and his obvious disability.” Sister Aimee, her spirit both stern and forgiving, had an off-kilter sense of humor and deemed the name tinged with a slight touch of blasphemy, yet offered her blessing, recognizing the earnestness in their hearts. The band was born. A new type of country, Texas-style Cajun-infused Jesus music had arrived, without an organ or big hair, an edgy choir, and it hit Los Angeles like a Super Chief express train from Fort Worth.
Word of their talent reached every corner of the church community, a bustling hive of activity every weekend, filled with the laughter of children at birthday parties, the fierce spirit of chicken fights, the tender moments of school dances, and the somber gatherings of a few funerals; on lazy Sunday afternoons, they would often spill out onto the sun-warmed corner outside the church, entertaining any who would stop for a listen.
Le’ Petite’s father, Baby Boy Fromage, a nickname given to him because of his stature, brought his band “The Chigger Bayou Boys,” to Los Angeles, driven by an urgent need to escape the depression drought of paying jobs in Louisiana, Texas, and Oklahoma; he hoped that the burgeoning migration to Bakersfield might present a new opportunity. His unique blend of Cajun country, alligator tunes, skeeter-swatting antics, and the camaraderie of beer drinking seemed to resonate with the Californian spirit, and for a time, it flourished. Meanwhile, Le’ Petite found her own path, joining Sister Aimee’s church choir, which divinely led to a deepening friendship with Blind Jelly Roll. This bond blossomed into the formation of their band, Blind Faith, as if fate itself had conspired to align their destinies just right.
Bob Wills, a spirited and legendary member of The Light Crust Doughboys from Fort Worth, Texas, traversed the country in a bus, on a well-financed quest to promote the finest flour known to man, Light Crust Flour, milled in Fort Worth, Texas. It was Baby Boy Fromage, father of’Le’ Petite, who journeyed with his band from the marshy Chigger Bayou, Louisiana, to Bakersfield, where the heart of California’s country music pulsed with life. He orchestrated a thirty-minute live radio broadcast for this budding ensemble, cleverly pocketing the majority of the earnings. It was during this very broadcast that my young teenage father encountered the legendary Bob Wills, whose band had just wrapped up their own live radio performance. United by their Texas roots, they met and ignited a bond, with Bob assuring my father that, upon his return to Fort Worth, he could count on him to swing open the doors to the world of music. Johnny cherished that promise, as did Bob, both forever marked by the fleeting good grace of opportunity. A life-long mentorship had been formed.
When the Japs bombed Pearl Harbor, every high school boy in the country wanted to enlist to fight them and Hitler. Three of Blind Faith joined up, then Johnny, with my grandfather’s consent, because he was seventeen, enlisted in the Navy. That left Blind Jelly Roll, Giblet, and Le’Peetite, who was sweeter by the day, on a sax player in the church orchestra. In a hurried wedding performed by Sister Amiee, the two returned to Chigger Bayou to start their family of ten children.
In 1954, my father, in a sweating fit of entrepreneurship, purchased a club on Jacksboro Highway, the Sunset Ballroom. Between the fights, the Fort Worth mob, making it their newest hangout, and the payoffs, he soon sold it and went back to playing the circuit.
After serving in the Navy in World War 2 and returning from Hawaii to Fort Worth, drawn by the unrelenting trysts of his alcoholic mother, attempting and failing to be in the nightclub business, Johnny was desperate but hesitant to bother Bob. After marrying my mother, he did contact him. As good as his word, Bob put his size-12 cowboy boot in many doors that led to the beginning of my father’s father’s, one of the best country fiddle players in the nation.
The fiddle he played was the very same his father had procured from a pawnbroker’s in Los Angeles; though it possessed a certain charm, it lacked the warmth and volume of a fine-made instrument. In a generous gesture, Bob often invited Johnny to perform with the Playboys and, in turn, gifted him a fiddle crafted by an esteemed Luthier from Fort Worth, Joseph H. Stamps, in November of 1947. Bob, ever the pragmatist, rarely ventured without two or three backups, ever mindful of the fragility of strings. His hands, though skilled, bore testament to a life of rough play, leaving this instrument with its fair share of scars—gouges and scrapes that contributed an unrefined but slightly brutal beauty to its sound. One gouge near the bridge was never repaired because it may have affected the tone, which, to a fiddle, is its purpose. I have preserved a few sepia-toned photographs of him and Bob weaving harmonies on twin fiddles, and that particular instrument, worn yet noble and soaked in history, remains in my care; I am now, even at the old age of seventy-seven, revisiting its strings, having been sidetracked by the allure of guitar since I was twelve and discovered rock n’ roll music. I was like most boys, wanting to be Elvis Presley or Carl Perkins, and neither of them played a fiddle. Young men make foolish decisions, yet my father let my folly continue.
Eventually, Bob approached my father, inviting him to join the Texas Playboys as his second twin fiddle. Without a moment’s hesitation, he accepted this incredible offer, much like a weary traveler might grasp at the hope of a warm meal or a sidewalk found wad of cash rolled in a rubber band.
My mother, embodying the spirit of countless wives of musicians, shared whispers with the other wives, and the tales spun on the circuit painted Bob and his crew as a band of unfettered ruffians and rapscallions ahead of their time. Yet, reality was far from those fabrications; Bob placed strict boundaries on his band, allowing only a few swigs of hooch on the bus after a show, to ease their restless hearts during long nights of travel. It was mere gossip, yet it fueled a storm within her; she planted her feet firmly, unleashing a tempest of emotion, declaring that if he chose that path, she and I would be far away when he returned. My father, grappling with the weight of his choice, made his decision, and there were tears in both men’s eyes as he told him that he must prioritize family, even though such a venture would have freed us from the clutches of borderline poverty by giving him fame and fortune. Bob chose another young fiddle player from Tyler, Texas, Johnny Gimble, who was eventually inducted into the Country Music Hall of Fame posthumously in 2018. In later years, as adults, Father and I would share a scotch while he told me stories from his life on the road as a musician. I sensed that deep within him, he never quite forgave my mother for forcing an imagined and selfish decision on him. I believe that her having to deal with his addicted mother was the only reason for her reluctance.
Through the late forties and fifties, the old fiddle led the way, weaving melodies through the life of a musician. There were evenings filled with the long hours of playing for a thousand dancers with Ted Daffan’s band at Ted Daffan’s Crystal Springs Ballroom on Lake Worth, the beer joints on Jacksboro and Belknap Highway, and the Big D Jamboree in Dallas. where the laughter of dancing feet accompanied the day’s tunes. Western swing was more popular than Benny Goodman.
The stork left me on the front porch in September of 1949, so time was of the essence for a young man of talent to mark his spot in life’s grass.
Then came a call from an old friend in Nashville, the renowned guitarist Grady Martin, who rang in with an invitation to join Red Foley’s national television show, The Ozark Jubilee, cast in the heart of Springfield, Missouri, on ABC every Saturday night. Those were the transformative years for country music in the mid-1950s. We packed our lives into the car and found ourselves in Springfield in less than twenty-four hours, eager and wide-eyed, ready to embrace the unknown that awaited us. Grady and my father became fast friends, as did their wives. On the days they didn’t rehearse for the weekend show, Grady and he would drive to Nashville and do studio work for the top recording stars of the day. Grady brought my father into the tight fold of the A-Team, the country music version of The Wrecking Crew in L.A. He was not a full-time member yet, but since he and Grady were tight friends and his musicianship carried him, he was accepted. The old fiddle sensed the importance and, as always, pulled through. Grady worked on all of Marty Robbins’ records, as well as Patsy Cline’s, Loretta Lynn’s, Johnny Cash’s, The Browns, Hank Snow, Eddy Arnold’s, and almost every popular artist in Nashville. Chet Atkins ran the show like a drill sergeant, with no tolerance for unprofessionalism. I was a child and met most of these famous musicians and singers, but my memory is worn out. I can’t recall who or when, though I do recall the famous country singer Wanda Jackson cleaning my ears with a napkin and her spit, and standing in the wings of the Grand Ole Opry stage, watching the performers of the day weave their magic.
In no time, the sporadic phone calls and daily letters from my grandmother reached Springfield. She had ensnared my father in this manner throughout his existence; he was her chosen instrument of enablement, and escape was merely a mirage. The dosing of the popular medicines had now changed to hard-core hooch, and her demons were back livelier than ever. His older sister had flown the frazzled nest by marriage early on, but was now a raging hypochondriac who harbored every fatal disease known to humanity. I knew little of the contents of those missives, yet I recall their power, enough to unravel his career through mental grief and dismantle his bond with Grady.
An alcoholic parent can lay waste to a child, wielding either fists or cruel words, leaving scars that echo in the silence. The line of love and hate is often melded into one, and there is no choosing which to cross.
I awoke in the back seat of our worn car, under the gaze of the night sky, the hum of tires on asphalt a constant reminder of our hurried retreat from Springfield, leaving behind Grady, Red Foley, and even the unpaid milkman without a proper farewell. The weight of unspoken words lingered in the air, a testament to the unbearable tension that had twisted my father’s heart. Once again, his spirit was broken by his mother and her addictions. My mother knew this brutal betrayal was the worst yet, and it permanently dissolved the artificial, fragile peace with her mother-in-law into a hatred that would never be repaired.
Upon returning to Texas, the Light Crust Doughboys arrived with a proposition that seemed even more enticing than that of Bob Wills and his esteemed band. They would travel, but only for a few days each week, keeping most of their appearances local in the heart of Texas. My father, with his fiddle and mandolin, joined and played with them until 1994, when the cruel hand of brain cancer compelled him to step away from the music he so loved. Whenever the opportunity arose, I would accompany them, driving the band van, assisting with equipment, and playing bass or my five-string banjo. In the mid-1980s, Smokey Montgomery honored me as a member of the Light Crust Doughboys. He gave my father and me a chance to record a cut of Old Joe Clark on the album, “One Hundred Fifty Years of Texas Music.” This recognition, to this day, still leaves me breathless, profoundly aware of the historical gift bestowed upon me. That old fiddle, now repaired, sits in the warmth of its case, waiting for me to catch some of the magic my father left me.
The Texan on his first typewriter that took two adults and a child to lift….Note the resemblance to Earnest Hemingway
Down Home Often Correct Advice And Old School Teachings For Folks That Live In Other States And Want To Move Here…Please Don’t. We Already Have Too Many Californians and New Yorkers, and There Is No Parking Left at Walmart or H.E.B.
After a rousing set of worship songs yesterday at our Generations Church, myself on my little mandolin, Eric on bass, Momo singing with Isabella and Ester vocals and acoustic guitar, Larry on Sax and Clarinet, Sandy on Cello, Ephraim on drums, and his daughter Victoria on keys, Monday morning is always a let down, coming off of a great set of worship music and Pastor Alan lighting up the church, like a Texas A&M bonfire, plus the spaghetti lunch and bake sale for the youth. I’m plum wore out and already need another nap.
Then I turn on the news, and reality hits me in the face like a Soupy Sales cream pie distributed by White Fang or Black Tooth. For those too young for real comedy, Soupy had a live TV show back in the early 1960s that actually was funny and made us laugh, much like the Three Stooges poking each other in the eyes. I almost blinded my best buddy, not knowing that Moe poked Curley in the forehead, not his real eyes. I am still amazed I made it to this age without being disabled or permanently disfigured. Momo says I still have time left to accomplish both.
World War 3 is in full swing and living color, minute-by-minute coverage of what Iran is planning for Israel and the rest of the Middle East, not to mention the good old USA, which is just a short missile hop from Tehran. Does the current Ayatollah think that he is safe from a smart drone missile that has more brain power than his entire staff of twelfth-century Zealots?
Maya Sharona, the on-site news person for NPR, was interviewing Iranians on the street. One group of young women was without their head-to-toe tents with eye holes, long hair flowing, full face makeup, smoking cigarettes, drinking a beer, and cursing the current regime. Ms. Sharona asked one of them whether they were excited that the current Ayatollah was on the run and that Iran might be free again. The young lady replied, ” We are ecstatic that we may return to the 70s again, we all have our Sony Walkmans and bell-bottom jeans ready, and Jane Fonda workout tapes are on sale at the bookstore, and oh yes, Death To America, but we really don’t mean that, it’s what we were taught to yell in school. God bless the USA and Sydney Sweeney. “
There is an old Texas saying that I still use to this day: “Hide and Watch.” Which, according to my late, late, late, and wizened old grandfather, meant hide behind a rock or a wagon and watch what happens when a few cowboys or a group of Indians on ponies try to attack a bunch of pioneers armed with Winchester repeating rifles. Sometimes it’s just best to peek over the edge of the rock and wait for the results before you get involved in the fray. I’ve got the Winchester and the pistols, and there are a lot of rocks around my hilly, rocky mountain home, so Momo has the Jiffy Pop ready, and we are stocked up on Dr. Peppers. Stay tuned, and Paul Harvey used to say, “Good day.”
When I was young and started to read books, real books, not the comics my friends read, and I had no interest in, I discovered Mark Twain. I thank my late aunt Norma, my father’s older sister, for that. She gently guided me into a world of imagination through a masterful author. She taught me to read and write at the age of five. She was an avid reader of great literature: Mickey Spillane and Mike Hammer were her favorites, as was any trashy romance novel available. Armed with a book-smart, salty vocabulary, I was king of the neighborhood, and it didn’t take long for the mothers to come knocking on our door. My mother threw a world-class hissy fit and demanded Aunt Norma change my reading material. That’s how I discovered Mark Twain.
After reading The Adventures of Tom Sawyer and Huckleberry Finn, I knew what I wanted to be when I grew up. I was going to be Mark Twain. It didn’t matter to me that almost a hundred years earlier, he had already been Mark Twain; I was set on becoming him, me, a six-year-old with limited writing ability. However, I did have a colorful imagination, so that was a good start.
It wasn’t that I couldn’t write; by the age of eight, I wrote exceptionally well for my age, but I didn’t possess the mind of Mr. Twain. I hadn’t known Tom Sawyer, or Jim, or Huckleberry, or lived on the banks of the mighty Mississippi River. I was a landlocked kid stuck in Fort Worth, Texas, with a dozen Big Chief Tablets and a handful of No. 2 pencils.
I read other authors as well, but they weren’t Mr. Twain. Jack London was a bit scary, and there were too many wild animals that I imagined living under my bed. John Steinbeck was a masterful storyteller, and I did make it through most of The Grapes of Wrath, which mirrored what my grandparents and father had lived through. I continued to write on my tablet. I didn’t knowingly plagiarize any author, but they did give me good ideas and taught me to group words into a story.
I busied myself writing childish exploits of myself and my neighborhood gang of friends. I was certain that the Fort Worth Press would give me a column and perhaps a few bucks for my stories. I churned them out at a fevered pace, sending one a week to the publisher. A year passed, and I gave up. I still wrote, and my editor, my mother, filed them away in a drawer.
The day my class let out for Christmas vacation, my teacher asked the class to share what we wanted to be when we grew up. It wasn’t a serious exercise, only one to kill the last 30 minutes of the school day.
The usual vocations for our age group were doctors, firemen, policemen, and some girls who wanted to be teachers or nurses. When my turn came, I stood up and announced, with all seriousness, that I was Mark Twain. Mrs. Badger, my teacher, promptly informed me that there was already a Mark Twain, and that he had been dead for a while now.
I answered, “Yes, I know, but his spirit requires that I continue on with his writings and wit. So I am the reincarnation of Mark Twain.” I was in the principal’s office within a few minutes. The principal, a kindly old fellow, understood my affliction, and because I was earnest about it, he backed off a bit when administering the paddle. My teacher, bless her old-maid heart, never cared for me after that and treated me like a leper. To make myself feel better, I blew up her mailbox with a cherry bomb.
My aunt Norma was overjoyed when I told her of my plans and my new affliction. She went so far as to make me a tailored white linen suit and gave me one of my uncle’s large cigars to complete the ensemble. My parents weren’t thrilled; my mother blamed my father since his extended family was street rat crazy from drinking homemade hooch, and she was certain I inherited this malady from him. She seemed to have forgotten that her two brothers had turned me into a habitual liar and teller of tall tales. There were some whispered discussions about doctors and bad family genetics, but I paid no attention to that adult chatter.
After a few months, I discovered Earnest Hemingway. I never became Mark Twain, except in my daydreams or nightmares, but I did learn to appreciate good writing and stories.
My grandfather, John Henry Strawn, was a Dichos, a storyteller, a bearer of folklore, and a master weaver of tales who could grip the heart of any listener. By the time I came to appreciate his art, he had become an old man, his form hunched and weary from years of living, yet his spirit gave his narratives power. I would sit cross-legged on the floor, close beside his rocking chair, absorbed in the stories that spilled from his lips, losing myself in the world he painted with words. Ever so often, he would pause, lift his fiddle from its case next to the rocker, and play a few licks to accentuate his tales. Folks like him didn’t bother to write; they told their stories around a campfire or in front of a fireplace on a cold winter day. Those were the days I cherished most. When he told me this story, he was in his last days, suffering from cancer caused by getting gassed in World War 1. He passed away a month or so later, but he did manage to leave me with some of the best parts of his life to write about.
A small group of cowhands is sitting on the porch of a bunkhouse on a night without a breeze. The coal oil lamp was placed out in the front dirt yard of the shack to draw the bugs away. The ranch they worked was west of Mineral Wells, Texas, way out yonder in the low mountains of the Palo Pinto rough country.
The white-haired visitor sitting to Rufus’ left had been quiet throughout Del’s story; staring at his boots and showing no emotion. So, Rufus, trying to be hospitable, asked him if he had something to say.
The way he wore his hat, all cockeyed and sweat-stained, was sad. He was in dirty clothes, worn-out boots, and no woman miserable. Del, had just finished his story about fighting a gang of Mexican outlaws down on the Rio, and he wasn’t sure he wanted to hear about anything this old codger had to say, but he is a guest, so he gets to speak.
The visitor opened a Pearl, drank it all in one swig, gathered himself for a minute, and said, “My name’s William; my friends call me Will. I grew up around Kennedale and fought in the Great War back in 1917 over there in France. I ain’t never told anyone about this, but I’m getting old, and the angels are coming to visit me in my dreams at night, so I figure it’s about time to let this out.” A few of the men moved closer to the visitor.
“I joined up in the Army over in Fort Worth in 1917. Then I got sent to Kansas for training and was then shipped over to France on a boat. When I got there, my Captain, knowing I was from Texas, put me in charge of the caissons and the mules that pulled them. He figured if I was from Texas, I was a cowboy. I never told him differently. At least I was stationed back from the worst of the fighting, taking care of the stock. I was okay with that. It saved my sorry ass. I got pretty fond of those mules, and it hurt me a lot when one of them got killed. I always fed them more than needed. They were happy, critters. I liked my job; I loved being alive.
One cold miserable muddy morning these three German boys come walking across the battlefield holding a white hanky. They were giving up. Some of the boys wanted to shoot them, but our Captain said that wouldn’t be right to kill an unarmed man. Captain was funny that way. He was a preacher back in Oklahoma, so he tried to live by the word. Even in war.
Those Kraut boys were pitiful. No coats, dirty and scared, they were a mess. We fed them some grub and gave each a blanket and a tin of hot coffee with a bit of brandy. They were grateful. One boy sobbed a bit, and then, in pretty good English, thanked us for not killing them. His name was Frank. I liked that young fella.
After a week with us, the men didn’t bother watching them anymore. Those boys helped with chores and even did KP for us. They were nice boys who didn’t want any part of this war, but like us, they were doing their duty. They were our prisoners, but we treated them like they were one of us.
I asked Frank if he wanted to help me with the stock, and he was happy to oblige. He said that back in Bavaria, his family raised farm horses for a living, so he knew horses. I was glad to have him help. I never imagined I would become friends with a German soldier, in a damned old war, but that’s what happened. Frank and I became best of buddies. We exchanged addresses and such, so when the war was over, we could keep in touch.
After a while, he and the other two got moved to a town in France and turned back over to the Germans when the war was over. I didn’t know if I would ever hear from him, but I hoped I would. I never had many friends, except for a couple of dogs and my horse.
A year after I got home to Waco, my Momma brought me a letter from Germany. Frank, in his best English, wrote to me about him coming home, getting the horse ranch and farm going again, and marrying his girl. A baby was coming soon. He closed his letter asking me to sail over to Bavaria and work with him on his farm. He wanted to make me a partner. I didn’t have anything going on in Texas, so I told my Momma that I was moving to Germany. I wrote him back and said I would come to Bavaria and be his pard. We exchanged a few more letters, and he writes that a boat ticket has been purchased for me to sail from New York next April. He also said that he has a cute cousin that might be interested in meeting me. Hot dog! I was going to live in Germany and marry a little alpine princess. Whooooo-weeee.
I got my affairs in order. Sold my horse and saddle, found a home for my dogs and such, and was counting the days until I rode the train to New York City. It was never meant to be. In early March, I received a letter from Frank’s wife, Liese. She told me Frank had died in a farm accident a month or so back. She said I could still come, and she could sure use the help running the place.
I couldn’t do it, not with Frank being dead and all. I sent her a telegram saying I wouldn’t be making the trip and I was sorry about Franks passing.
I was devastated. It changed my life, and not for the better. I had a second chance to do something other than being a dirty cowhand, and it was jerked right out from under me. I was a real, bitter man for a long time. I drank too much whiskey and did some bad things to people. I was a horrible person at times. I didn’t know myself anymore, but I did know enough that if I didn’t change, the good Lord was not going to be calling my name on judgment day.
I sometimes did odd jobs for an old Mexican fellow named Pepe. He saw the demons on my back and talked me into coming to his church to worship with him and his family. I never was a church person, but I went just to shut him up. I never saw any of what happened until it hit me. When I walked into that little Mexican church, the demons lifted off my back. I accepted the Lord into my sorry life, and he led me to salvation. Imagine that.
I went around and apologized to everyone if I ever did any wrong. I wrote to Franks’s widow and apologized for not coming over to help her. I enclosed a separate letter for her to put on Frank’s grave. There it is. I’ve said it all. Feels good to get that off my chest after all these years.”
The two of us sat in silence for a while; grandfather finished his warm beer, and I my Coke. He rose from his chair, put his beer and my Coke bottle in the trash can, and gave me a goodnight hug. It was only after I got in bed and awoke in the night that I realized that the man in his story had been himself.
Keeping with the spirit of Christmas, I am posting a few tales of personal Holiday experiences growing up in the 1950s in Fort Worth, Texas.
The hundreds of hours I wasted thinking about Santa Claus, where he lived, and whether he was happy. Did Mrs. Claus make him hot cocoa and cookies? Does his reindeer live in a lovely barn? How do they fly? Is Rudolph the leader of the pack? Did he get my letters? Was I on the nice or naughty list? Is his spying Elves watching me? These were questions that required an answer. My parents were no help, they would smile and pat my little flat top haircut head.
Santa consumed my life from 4 years old until I turned 9. I was a true believer, a young pilgrim to the point of becoming a child Santa Evangelist. Anyone said something terrible about Santa; it was put up your dukes time or a come to Santa prayer meeting. My younger sister was also a firm believer, but then, she was brainwashed by me, and I was programmed by my parents, grandparents, and the rest of the family.
On Thanksgiving Day, the trickery commenced around our household. First, my mother, the master of deceit, would warn us about the naughty list and what would happen if we were on it. Then it was, ” The Elves are watching you through the windows to see if you’re good.” That’s the one that got to me the most. I had a plan to catch them.
After lights out, I slinked out of bed under the cover of my darkened room. Crawling on my belly like a soldier, I made my way to the nearest window. Back against the wall, I slid up and moved the blinds in a flash, hoping to catch the little guys. Failing to catch one spying on me didn’t deter my mission: I knew they were there and faster on the draw. Santa and his gang were tricky ones.
The annual Christmas visit to Leonard Brothers Department Store in downtown Fort Worth was the ultimate Santa experience. Toyland was akin to holiday Nirvana for us kids. A rocket ship monorail glided around the basement ceiling, kids packed in like sardines on a rocket train to nowhere. Parents rush to purchase presents while the kids are busy, hiding them under their coats or in bags and lying to their innocent children with straight faces.
Santa held his court in the middle of Toyland. His throne was 10 ft. off the ground, with stairs leading up and down. A majestic sight if there ever was one. Sitting in a velvet chair fit for a king while his Elfin helpers lifted the crumb crunchers on and off his lap, it was pure excellence. A line of snot-nosed kids snaked around the room, waiting for their chance to place their order, up the stairs, on the lap for 15 seconds, then off the lap, and down the stairs. The visit was over before you knew what had happened. It was the same routine for years, and I loved it. I could spit out my order in under 10 seconds. Santa and his helpers were impressed.
I asked Santa for a bicycle when I was 9 years old. A red and white machine with side mirrors, streamers, a headlight, and white-side-wall balloon tires. I also asked for a new BB Gun, a larger Cub Scout knife, and a Fanner 50 cap pistol with green stick-um caps. My sister asked him for a doll that was larger than she was and a dollhouse.
Christmas Eve arrived, bedtime rolled around, and we hit the sack. Hot Ovaltine and cookies put me out like a light. Then, sometime after midnight or later, I had to pee. I didn’t want to get up, but the Ovaltine was causing me some discomfort. Half asleep, shuffling down the hallway, I looked into the living room as I passed the doorway. With a Schlitz beer in his hand, my father sat by the tree, assembling a red bike like the one I expected from Santa. My mother was working on a cardboard dollhouse, and the giant doll my sister wanted was standing under the tree, looking creepy.
I convinced myself that Santa must have run out of time and had recruited my parents to complete his work. The reality of the sight escaped me.
My father looked up and saw me standing there; our eyes met, and he smiled like a raccoon caught in a trash can. The jig was up. The big lie was exposed, and my childhood imploded right there in the hallway. Daddy was Santa, and Mom was Mrs. Claus. I peed and made my way back to bed, not comprehending what I had witnessed.
I awakened at daybreak, our usual Christmas morning routine. I was thankful to be awake and away from the nightmare that had gripped me most of the night. I was relieved that it was all caused by the Ovaltine. The gifts were under the tree, and life was good. I loved the bike and the BB Gun, but my sister feared the enormous lifelike doll.
After breakfast, I was lying under the Christmas tree, building an army fort with my plastic soldiers. That’s when I found a Schlitz beer bottle, assembly instructions for a bike, and a few tools.
“Do not forsake me, oh my Darlin,” on this our wedding day,” who didn’t know the first verse of that song from the radio? A massive hit from the 1952 movie “High Noon,” performed by everybody’s favorite singing cowboy, Tex Ritter.
In 1957, I was eight years old, and on some Saturday nights, I got to tag along with my father to the “Cowtown Hoedown,” a popular live country music show performed at the Majestic Theater in downtown Fort Worth, Texas. My father was the fiddle player in the house stage band, so I was somewhat musical royalty, at least for a kid.
Most of the major and minor country stars played Fort Worth and Dallas as much as they did Nashville, and I was fortunate to have seen many of them at this show. One, in particular, made a lasting impression on my young self.
I was sitting on a stool backstage before the show, talking to a few kids; who, like me, got to attend the show with their fathers.
My father came over and asked me to follow him. We walked behind the back curtain and stopped at a stage-level dressing room. There in the doorway stood a big fellow in a sequined cowboy suit and a 30 gallon Stetson. I knew who he was; that is Tex Ritter, the movie star and cowboy singer. My father introduced me, and I shook hands with Tex. I was floored, shocked, and couldn’t speak for a few minutes. What kid gets to meet a singing cowboy movie star in Fort Worth, Texas? I guess that would be me.
Tex asked my name and then told me he had a son the same age as me. We talked baseball and cowboy movies for a bit, then he handed me a one-dollar bill and asked if I would go to the concession stand and buy him a package of Juicy Fruit chewing gum. So I took the buck and took off down the service hallway to the front of the theater. I knew all the shortcuts and hidey holes from my vast exploration of the old theater during the shows.
I knew nothing of the brands and flavors, not being a gum chewer, but the words Juicy Fruit made my mouth water. Not having much money, what change I did get from selling pop bottles went to Bubble Gum Baseball Cards, not fancy chewing gums.
I purchased the pack of gum for five cents. Then, gripping the change tightly in my sweating little hand, I skedaddled back to Tex’s dressing room. He was signing autographs but stopped and thanked me for the favor. He then gave me two quarters for my services and disappeared into his dressing room for a moment. He handed me an autographed 8×10 photograph of him playing the guitar and singing to the doggies when he returned. I was in country and western music heaven. He also gave me a piece of Juicy Fruit, which I popped into my mouth and began chewing, just like Tex.
Juicy Fruit became my favorite gum, and now, whenever I see a pack or smell that distinct aroma as someone is unwrapping a piece, I remember the night I shared a chew with Tex Ritter.
A recount of my childhood Christmas memories in Fort Worth, Texas.
Photo by: Leonard’s Museum and Ansel Adams
Photo by: Elf -O-Mat Studios
Riding a ceiling-mounted “Rocket Train” to nowhere around the basement of a department store doesn’t seem like a Christmas activity, but that’s what thousands of other Texas kids and I did every year in the 1950s.
Leonard Brothers Department Store occupied two square blocks of downtown Fort Worth real estate and was known as the Southwest’s Macy’s. They offered everything the big shot stores in the East carried and hundreds of items no retailer in their right mind would consider.
If you had a mind to, one could purchase a full-length mink coat with optional mink mittens, the latest women’s high-fashion clothing line from Paris, France, an Italian cut-crystal vile of Elizabeth Taylors spit, James Dean’s signature hair cream, Rock Hudson’s autographed wedding photos, a housebroken Llama, an aluminum fishing boat and motor, a new car, a pole barn, a lovely two-story craftsman home “build it yourself kit” delivered to your lot, chickens, barb wire, hay, horses and cows, a 30-30 Winchester rifle, a 40 caliber autographed General George Custer Colt pistol, a bottle of good hootch and a Ford tractor. That’s about as Texas as it gets.
The Christmas season in downtown Fort Worth was internationally recognized for its innovative and incredible decorations. The righteous and self absorbed city fathers figured the best way to outdo Dallas, a full-time effort, was to line every building with white lights from top to bottom and install large glowing decorations on every lamp pole, street light, and building façade available. If that didn’t make you “ooooh and ahhhh,” then you needed to take a BC Powder and head for the house.
A few days after Thanksgiving, my parents would take my sister and me downtown to see the decorations and visit the Leonard Brothers Department Store. Santa just happened to be in their basement, taking advanced verbal orders from every crumb cruncher who could climb the stairs and climb into his lap.
My sister always asked for the latest doll between screams and crying fits. She was scared senseless of “HO-HO,” but somehow managed to spit out her order. Like clockwork, every year, I asked for a Daisy BB Gun with a year’s supply of stainless silver ammo ( for killing werewolves), a full-size Elliot Ness operable Thompson Sub Machine Gun, or an Army surplus Bazooka with real rockets and a long, razor-sharp Bowie knife encased in a fringed leather holster. It was a 1950s boy thing; weapons were what we longed for. How else could we defeat Santa Anna at the Alamo or win World War II, again? Our neighborhood may have sported the best-supplied “kid army” on the planet, and jolly old Santa was our secret arms dealer; parents non-the wiser. I finally got the BB Gun, but Santa was wise enough to not bring the other request.
Walking down the stairs to the store’s basement was the thrill I had waited for all year. There, hanging above my head, was the beautiful red and silver tinseled sign, “Toy Land,” kid nirvana, and the Holy Grail all in one room. The smell of burned popcorn and stale chocolate candy wafted up the stairs, and I could hear the cheesy Christmas choir music and the sound the Rocket Train made as it glided along the ceiling-mounted rails. I almost wet my jeans.
Hundreds, if not thousands, of parents jostled down isles of toys, pushing, grabbing, and snarling like a pack of wild dogs fighting for that last toy; the holiday spirit and common courtesy were alive and well. The queue of kids for the Rocket Train snaked through the basement like a soup line.
Sitting on his mini-mountain top perch, sat old red-suited Santa Claus and his elfin apprentices, herding kids to his lap at break-neck speed. Each child got about fifteen seconds, a black and white photograph, and then it was off the lap and down the steps. Kids were fast in those days; we memorized and practiced our list weeks before our visit for maximum impact. “Ho-Ho” had better be writing this stuff down. Kids, don’t forget squat.
After two Santa visits, four Rocket Train rides, and three popcorn bags later, our family unit departed Leonard’s for the new and improved “Leonard’s Christmas Tree Land,” located across the street from the main building. Thanks to the demolition of several wino-infested abandoned buildings, the new lot was now the size of Rhode Island and held enough trees for every person and their dog in the state of Texas.
Thousands of fresh-cut trees awaited our choosing. Father, always the cheapskate, chose a sensible tree; not too big, not too small, yet full and fluffy with a lovely piney aroma. My sister and I pointed and danced like fools for the “pink flocked” tree in the tent, which cost the equivalent of a week’s salary. My parents enjoyed our cute antics. The sensible tree was secured to the top of our Nash Rambler station wagon, and we were homeward bound.
Pulling into our driveway, it was impossible to miss our neighbor’s extravagant holiday display. We had been away from home for 6 hours and returned to a full-blown holiday extravaganza that made our modest home look like a tobacco road sharecropper shack.
Our next-door neighbors, Mr. Mister and his lovely wife, Mrs. Mister, were the neighborhood gossip fodder. The couple moved from Southern California for his job. He, an aircraft design engineer, and she, a former gopher girl at Paramount Studios. The Misters reeked new-found money and didn’t mind flaunting it. They drove tiny Italian sports cars and hired a guy to mow their lawn. His wife, Mrs. Mister, always had a Pall Mall ciggie and a frosty cocktail in one hand. Father said she looked like a pretty Hollywood lady named Jane Mansfield, but Mother said she resembled a “gimlet-assed dime-store chippy.” I got the impression that the Misters were quite popular in the neighborhood.
Mrs. Mister on her fancy sofaMr. Mister contemplating his next invention
Their Christmas display was pure Cecil B. DeMille. A life-size plywood sleigh, with Santa and his reindeer, covered the Mister’s roof, and 20 or more automated Elves and various holiday characters greeted passersby. Twinkling lights covered every bush and plant in the yard, and a large machine spat out thousands of bubbles that floated through the neighborhood. This was far more than Fort Worth was ready for.
The kill shot was their enormous picture window that showcased a ceiling-high blue flocked tree bathed in color-changing lights. There, framed in the glow of their yuletide decor, sat Mr. and Mrs. Mister with their two poodles, Fred and Ginger, perched on their expensive modern sofa, sipping vermouth martinis like Hollywood royalty. This display of pompacious decadence didn’t go unnoticed by my parents.
Father hauled our puny tree into the living room and began unpacking lights for tomorrow evening’s decorating. Mother hurried my sister and me off to bed. Visions of spying Elves, sugar plum pudding, and dangerous weapons danced in my head; Christmas was upon us like an itchy fungus.
Sometime after 10 PM, Father got hungry. Searching for sandwich fixings in the kitchen, he found a bottle of Jim Beam bourbon. Then he found a fresh half gallon of Eggnog, which he enjoyed with the bourbon. While searching for bread to make a ham sandwich, he found two boxes of “Lux Laundry Soap Flake” with a dish towel in each. Then, by chance, he discovered the food coloring. This gave him an idea for our sad little tree.
I awoke with a start. The sun was shining on my face, which meant I was late for school. I ran into the living room and was stopped in my tracks.
Our formally green tree was now flocked in thick pink snow, as were the curtains, the fireplace mantel, two chairs, the coffee table, and my father, who lay on the couch, passed out, with a half-eaten ham sandwich on his chest. My Mother sat a few feet away, sipping her coffee and smoking a Winston; my Louisville slugger lay on her lap. I was reluctant to approach her, but I had to know.
I timidly put my hand on her shoulder and asked, “Mom, is Dad going to be alright?” She took a sip of coffee and a drag from her ciggie and said, “Well, for right now, he will be, but after he wakes up, who knows.”
At seven years old, I learned of my first, but far from the last, Texas legend. The best storytellers and liars I ever knew were my two uncles on my mother’s side of the family, Uncles Bill and Jay Manley. They are the ones who told my cousins and me about Santa Anna’s “Mountain Boomers.” My mother believed the two ruined me and turned me into a liar and teller of tall tales, which is not such a bad thing.
The Mountain Boomers were giant lizards that ran on two legs and came down from their lair on Santa Anna Mountain in search of food. Anything would do, but they were partial to goats, wild pigs, small cows, chickens, and tiny humans. If you were caught outside in the wee morning hours, it was a sure bet a Mountain Boomer would get you. We, kids, were scared shitless of even going out of the farmhouse after dark. Now we had giant lizards and the dreaded Woolly Boogers to deal with.
With no air conditioning in the farmhouse, we were forced to sleep with the windows open and would lay in our beds shaking all night, waiting for the monsters to break through the window screen and carry us away. Our Granny was no help; her standard goodnight to us was ” sleep tight and don’t let the Mountain Boomers bite.”
Summer evenings on the farm were made for sitting on my grandparents’ covered porch, watching lightning bugs dance, listening to the crickets chirp, and catching the faraway howls of an occasional Coyote pack running the creek that passed through the pastures.
The sky was black as pitch, the Milky Way as white as talcum powder, and heat lighting in the West added to the drama of the evening. We kids were ripe for a big one, and my uncles never disappointed. First, homemade ice cream was eaten, then the cooler of Pearl Beer came out, and the stories commenced.
Already that June, my cousin Jerry and I had been to see the hero pig and the three-legged chickens and had learned of the dreaded Woolly Boogers. Hence, we needed a new adventure: our summer was losing air like a punctured tire: we were tiring of shooting chickens with our Daisy BB Guns, then getting our butts switched by Granny.
“Did you kids see that over there in the trees across the road? I think that might have been one of them Mountain Boomers,” says Uncle Bill, in between swigs of Pearl. Then, of course, we strained our eyes to see what he said he saw, but nothing. Then, a few moments later, “There it goes again, I tell you kids, that was one of them sumbitches running on two legs carrying a wild pig in its teeth.”
He had us firmly hooked and reeled in. Then he starts in on the story. Uncle Bill took a swig of Pearl and said,
” Right down this road here, about twenty years ago, a family’s car broke down, ran out of gas, I think. The daddy, a man I knew well, walked into town to find some help. He left his wife and small son in the car. It was late at night, so he figured they would sleep until he returned with some gas. The little boy got out of the car to pee alongside the road. His Momma heard him scream and came out of the car in a hurry: a 7-foot-tall Mountain Boomer was standing there with the little kid in its mouth. The poor boy was already almost chewed in half. His guts were hanging out and dragging on the ground. The big lizard took off running with the Momma chasing it. Another of them, Boomers, was hiding in the scrub brush and got her, too. A few days later, the sheriff found their bloody remains up on the mountain. They knew a Mountain Boomer had gotten them because they found their tracks. That’s why we never go outside after midnight around here.” My other cousins and I were almost pissing our pants.
When we stayed at the farm, I don’t believe any of us ever slept well again after that night. But, even after we were adults, my uncles swore the legend and the story were true. I still dream of them.
Notes From The Cactus Patch 