The Boy Who Became Sweet Baby Jesus: A Bible School Tale



The year was 1955, and at six years old, by my grandmother’s observation, I was a heathen child, almost feral. Being raised in the big city of Fort Worth on a steady television diet of Popeye, Bugs Bunny, and the Three Stooges, I was living in a religious void. I saw the “good book” as a large decoration on the dining room table and read at Christmas, Easter, and family funerals. Recently, I had been attending a few services at the Poly First Baptist Church with my parents, but the preacher, with his over-animated stage stomping Hell and Damnation rants, scared me more than The Mummy and Frankenstein combined. I was wishing for a fatal disease to strike so I would be bedridden and couldn’t attend.


I had been visiting the farm for six weeks in June and into July, and it was my first time away from my parents. The farmhouse had no television, only a radio. By the third day of no cartoons, I had the shakes and a low-grade fever. I did bring my Red Ryder BB gun and enough ammo for a summer’s worth of popping some of my Grandmothers’s five hundred chickens: the BBs bounced off their thick feathers, so none were harmed. Other than throwing dirt clods at Rattle Snakes, it was all the entertainment I could muster. Granny was a wise Cherokee, medical Shaman, and self-proclaimed Texas Biblical scholar, and she felt a week at the Baptist Church Vacation Bible School would fix me up and assure my acceptance into Heaven. I had no idea where Heaven was or when I would be required to visit, so I trusted my Granny would make my reservations.


Miss Ida Belle Mae and her younger sister, Rita Rose Mae, are the self-appointed teachers of our bible school class of twenty-five children ages six to ten.
Homely as a sack of poultry feed, the two are old maids and prolific spinsters rumored to survive on a tidy income from a single pumping oil well on their farm. It has been a long-standing gambling bet at the Domino Parlor when that gasping little well will give it up. To date, no one has won the wager.
When the holidays come around, the two sisters are rumored to donate a substantial amount of cash to the church. To appease the ladies and keep the money flowing, the kind but timid preacher is forced to let them do what they please. Their pleasure this summer will be teaching bible school. The preacher will regret this decision.


On the first day of Bible School, our class cut, pasted, and signed two hundred and seventy prayer cards for the sick, unfortunate children in Africa; quite a feat for twenty-five kids. Most of us were injured and bleeding from paper cuts and glue poisoning from licking the envelopes. My tongue swelled up the size of a buttery biscuit. The kid beside me glued his lips shut, and Miss Ida had to pry them open with a spoon and a douse of grape Kool-Aid.
Miss Ida sent us outside to lounge under the trees and recover from our stint on her assembly line. There is no recovery; it’s 96 degrees and not a rustle of a breeze, but it’s better than forced child labor.


A black Cadillac sedan stops in front of the church, and an older lady escorts a boy of maybe nine or ten into the main building. The kid wears a black suit, white shirt, and red bow tie. We assume he is here for a funeral or a Baptism but don’t care because it’s too hot to move or think. Miss Ida rings the lunch bell. Yummy peanut butter, grape jelly sandwiches, and lukewarm Kool-Aid await—the usual menu for Bible school attendees.
After we are seated, Miss Ida brings the suited boy to the front of the class. She is beaming like a schoolgirl attending her first prom. In a giddy voice, she addresses us,


” Children, I would like to introduce Master Stewart Sweet. His daddy is the famous tent preaching evangelist and faith healer from San Angelo, the Right and Honorable Doctor I.M. Sweet.
Master Stewart will attend our Bible school and lead the children’s Bible study on Sundays for a few weeks. I can assure you that he is quite capable since he has read the Bible three times, all before he was six years of age, and preaches at his fathers’ tent revivals.” Miss Ida doesn’t know this kid’s back story, nor do we, but it will soon come to light.


As a class, in childish camaraderie, we are not impressed and form an instant dislike for this brat. Will this kid, dressed as a department store dummy, preach to us about sin and saving our little souls? At our young age, the worst thing we could have done is tell a few small lies, steal a cookie, or shoot a chicken with a BB Gun. Hell and Damnation are years away for most of us.
Young Master Stewart steps from behind Miss Ida’s table and slams his ten-pound Bible down on the floor so hard it sounds like a firecracker. A few girls in front are shaken and begin to whimper.
The young preacher Stewart raises his hands to the Heavens and launches into a tirade that can only be considered appropriate for adults designated to luncheon with Beelzebub within the hour.


After ten minutes of our first fiery sermon, we are ready to wrap this kid in scotch tape and send him to Africa with the prayer cards. Suddenly, he stops and begins to bless our food. He bows his head and, in a reverent whisper, says,


” Dear Lord, these children, wretched little hayseeds that they are, cannot survive on the butter of the Peter Pan and the mush of Welches. They need a substantial amount sustenance so they may be healthy to accept your holy spirit. Starting tomorrow, a glorious feast of grilled sausages wrapped in soft buns, the salad of the potato and the ruby-red fruit of the melon will be their manna from Heaven. Amen.”


Miss Ida is speechless. The little preacher-kid has called her food garbage, and she has to sit there and take it. The class is now a bit impressed. This kid is good.
The sisters, rattled by Young Sweets’ blessing, need time to recover and devise a plan to send this kid back to San Angelo as soon as possible. So they send the class outside to suffer in the heat again.


Miss Rita delivers the ice cream freezer and instructs two larger boys to start churning for the afternoon dessert. Allowing us to have ice cream may be the only kindness these two witches grant us.


Twenty-five minutes into the churning, the ice cream remains a pitiful mush. Now impatient for their treat, the class gathers around the freezer, demanding an explanation. We are kids and know nothing about how these machines work. You add ice, salt, liquid, and churn. That’s all we know.
Young Stewart parts the crowd and approaches the ice cream freezer. He kneels and places both hands on the contraption. In a soft, almost inaudible voice, he says a small prayer and violently shakes the machine a few times. He rises and declares, “There shall be delectable ice cream in five minutes.” He is right. This ice cream might be the best we have tasted in our young lives. Little Master Stewart healed the ice cream machine. A girl calls it a miracle.


After ice cream, Miss Ida calls the class for Bible study and a story. Her stories are known to last too long, and kids tend to lose interest and fall asleep. Her voice is that of an older man who smokes two packs of Camels daily — raspy and accentuated by the occasional hack.


Bitsy, the smallest and youngest girl in class, is seated at the front table and is in distress. The new kids in the class are unaware that she has an immobilizing speech defect. She stutters, and her vocabulary is limited to a simple yes or no. The little girl is wide-eyed and squirming in her chair.
Miss Ida knows her problem, and when Bitsy politely raises her hand to request a visit to the bathroom, Miss Ida insists that she must stand and ask aloud in front of the class. Of course, Bitsy, immobilized with fear and embarrassment, wets her pants. Miss Ida snickers and calls her a little baby child. We all knew these two sisters were mean, but now we know they are darn right evil.


Master Stewart comes from the rear of the class and stops in front of Bitsy. He turns and gives the two sisters a “stink-eye” that makes them fall back into their chairs, white with fear.
He bends down, takes Bitsy’s head in his tiny hands, and declares,

” Take this affliction from this small child. Purvey upon her the diction of William Shakespeare and the wisdom of Mark Twain. Let her words flow forth like the singing of Doves on the south wind. She will never again stammer or grasp for words and will someday speak to massive gatherings of people who will clamor to hear her message. Amen.”


The class sits in stunned silence. Healing the ice cream machine was a warm-up compared to this. A girl from the back of the room yells, “Thank you, Sweet Baby Jesus.” And there it is: Young Stewart will now be known as Sweet Baby Jesus.


Miss Ida and Miss Rita sit rigidly in their chairs, eyes glazed and staring into nothing. The amount of “stink eye” Stewart, now known as Sweet Baby Jesus, put on them must be compelling.
He approaches the two women, lays his small, soft hands on their wrinkled, sweating foreheads, and mumbles a few words. His back is to the class, so we have no idea what is said. The two evil sisters shiver a few times and awaken from their “stink eye” trance. They stand, gather themselves, and tell the class they are going home. Master Stewart will teach for the duration of the Bible school. They depart the church as if in a zombie trance.


Sweet Baby Jesus takes his Bible, sits on the edge of Miss Idas’ desk, smiles, and says, “Now, let’s hear some real Bible stories straight from the source.” It was a beautiful afternoon full of unexpected laughter and acceptance. For once, we kids found that listening to the word of God from another kid made us feel good, sort of like hot oatmeal on Christmas morning.


The following day, the preacher greets us with the news that young Stewart is back in San Angelo and will teach the class for the remainder of Bible school. Of course, we were sad to see our new Sweet Baby Jesus depart our Bible school. Bitsy, in between constant talking, sniffles and wishes him the best.
The class wrote Sweet Baby a letter thanking him for his kindness to Bitsy and for putting the evil sisters in their place.


I attended the vacation Bible school for another few summers, but it wasn’t the same without Sweet Baby, and I attended my last one at eight years old.
A few decades later, I read that the Right and Honorable Reverend Stewart Sweet, with assistance from his wife, Bitsy, had established an enormous ministry in Africa and healed everything from Beri-Beri to auto engines.
It looks like Sweet Baby Jesus is still doing a great job.

The Miracle Brisket: Tex Styles’ Legendary BBQ Story


Tex Styles grilling in the backyard of his Fort Worth, Texas home

After sixteen-year-old Tex Styles is inducted into “The Sons Of The Alamo Lodge,” and gets his big write-up in the Fort Worth Press and a shout-out on the Bobbi Wygant Television show. His status as a “wonder kid” champion griller is increased by ten-fold. So, naturally, everybody wants a piece of Tex, or at least a plate full of his Brisket and sausage.

 His face is on the cover of Bonn Appetite magazine and Sports Illustrated, thanks to Dan Jenkins. The Michelin Travel Guide lists him as the top meat griller in America and gives him a five-star rating. Julia Childs is fuming mad. 

Queen Elizabeth and Prince Philip are Texas BBQ fans from way back. So, they send Tex an invite to prepare a meat feast at Buckingham Palace; the boy lives in high cotton and cold beer and has not yet graduated high school. 

Upon his graduation from Pascal High School in 1968, the Army drafts Tex and sends him to Viet Nam for a visit. His captain happens to be a Fort Worth boy who knows Tex’s hometown celebrity status, which, in turn, gets Tex a gig as the top generals’ chef. He won’t hold a rifle or fire a shot for his two-years tour. Instead, a smoker grill large enough for thirty steaks and ten briskets is his weapon. A color photograph of his boyhood grill instead of the usual Playboy fold-out hangs next to his cot. The general tells his men that he “loves the smell of smoking brisket in the morning.” Tex is an immediate rock star. 

Tex used his time in Vietnam wisely by learning exotic cooking techniques from the locals. 

For example, a shriveled up old Mama-San educated him on using “Vietnamese Death Peppers,” the hottest pepper in the world. If a man ate one whole, death would occur within twenty minutes, or so the Mama-San said. Tex nibbled a small end piece and was on fire for two days, unable to leave the barracks bathroom, so he figured she wasn’t bullshitting him. 

A month of experimentation’s with the “Death Pepper” resulted in an edible and survivable pepper sauce. Tex called it “Davy Crockett’s Ass Canon,” since he is a “Son Of The Alamo” and all that. 

He found a local business in Saigon to bottle the product, and a local artist produced an excellent illustrated label for the bottle. It pictures Davy Crockett with his buckskin pants around his ankles, torching Mexican soldiers with a massive fiery flame shooting from his buttocks. In addition, the label said it’s a marinade, a pepper sauce, a medicinal elixir, and a hemorrhoid eradicator. All of this is true, so it’s bound to be a huge hit. 

In June 1972, Miss Piddle Sonjair was a nineteen-year-old winner of the “Miss Chigger Bayou Louisiana” contest. Although she is not the prettiest girl entered, she is the only one with a full set of straight white teeth, no baby bump, and doesn’t have a snot-nose kid hanging off her hip, making her the popular winner via unanimous decision.   

Piddle holding her Chigger Bayou trophy and a plate of Tex’s brisket

As the newly crowned “Miss Chigger Bayou,” Piddle Sonjair makes her appearance at the “Shreveport Annual Crayfish, Sausage and Meat Smoking Festival,” where she meets handsome Tex Styles as she awards him the winner’s trophy. 

She is bug-eyed- shaky-legged enamored with his triple-crusty-peppered Angus brisket and his ten-alarm jalapeno wild boar sausage smothered in his secret chipmunk sauce. 

Marriage follows a few months later, then two sons and two daughters round out the Styles family. So naturally, all the kids take to grilling and smoking, just like dear old Dad.  

Tex, Piddle, and the children travel the country in their two custom tour bus’s, pulling a 30-foot smoker and grill for the next twenty years. They smoke, grill, and serve the best meats in the south, winning competitions and elevating Tex to legendary status in the grilling world. 

His Fort Worth boyhood home, listed in the state historic register, is a traffic-jamming tourist attraction. His first Weber grill is cast in bronze and displayed at Will Rogers Auditorium during the “Fat Stock Show.” Men worldwide come and pay homage to “the masters,” sacred covenant. It’s a moving sight to see grown-assed men weep while kneeling and touching the small grill. It’s one of the top tourist attractions in the south. 

Tex is now seventy-two and retired from competitive cooking. The only folks that get a Styles brisket and fixin’s are his select clientele of fifty-plus years and Father Frank, the priest at Our Lady of Perpetual Repentance church of which Tex and Piddle are members in good standing. He has more money than King Faruk, a large home on Lake Granbury, and a cabin in Ruidoso, New Mexico, so he’s in the cooking game for fun. 

Ten days before Christmas, Tex gets a call from his old pal Willie “the Red Headed Stranger,” Nelson. 

Willie, his family, his band, their families, and numerous relatives and hangers-on have planned a “Santa Claus Pick’in and Grinn’in Christmas” shin-dig at Willies Dripping Springs ranch. Willie has a hankering for a Tex Styles holiday meat feast with all of Miss Piddle’s fancy fixins’.

Tex and Willie exchange the usual howd’ys, and then Willie drops his order. 

Expecting around two-hundred-seventy-five people and assorted animals at the shin-dig, Willie needs enough food to satisfy a herd with possible pot munchies and other self-induced disorders. 

Willie’s list is a booger bear, and Tex isn’t sure if he and Piddle can fulfill it in time, so he calls in his two sons and a couple of grandkids for backup. 

Willie needs 38 each of Tex’s 30-pound “Goodnight Irene Ranch Briskets,” 45 each of West Texas spoon-fed bacon wrapped-beer can pork butts, 35 pounds of San Saba wild pig sausage, and 59 educated and certified free-range smoked chickens, with documentation attached. 

All of the sides and fixin’s, are Piddles forte’, and will consist of 175 pounds of “Jacksboro Highway Red Skinned Tater Salad”, 175 pounds of “O.B. Jauns Canobi-Oil Mexican Macaroni Salad”, 120 pounds of high octane Shiner Bock Ranch Style beans, 235 pounds of Piddles special “Nanner Pudding,” 50 gallons of Tex’s secret sweet n’ spicy Chipmunk sauce, and one bottle of ” Davy Crocketts Ass Cannon” hot sauce.

Finally, to wash’er down, 135 gallons of Tex’s unique Dr. Pepper CBD oil-infused sweet tea and 5 commercial coffee urns of Dunkin Donuts Breakfast Blend coffee. The order is too big to ship, so Tex’s fifth grandson and granddaughter will deliver it to the ranch in the Styles family food truck. Money is not a worry for Willie, so he doesn’t discuss cost, which rounds out to be about $18,000 without taxes and tips. 

Tex fires up his 30-foot trailer-mounted smoker and three custom-made “Styles Grills.” The next morning. Grandson number 3 unloads a pickup bed full of Mesquite, Peach, and Oak firewood purchased from the “Little Bobs” wood co-op in Eastwood, Texas. Tex won’t use wood or charcoal that doesn’t come from West of Fort Worth; if he suspects it may have come from Dallas or anywhere East of there, he throws it out. He is a Fort Worth boy to a fault.

At midnight, Tex pulls a tester brisket and carts it into the kitchen for a “slice and chew,” checking for tenderness, aroma, and flavor. 

When he pulls back the foil wrap, he gasps and stumbles a few steps backward. Piddle hears this and bolts to the kitchen, where she finds a “white as a ghost” Tex sitting in a chair. Thinking he is having “the big one,” she dials 911, but Tex stops the call, assuring her he is alright. 

He asks Piddle to join him next to the Brisket, telling her to describe what she sees. After a few seconds, she lets out a hound-dog yelp and crosses herself. 

There, on the kitchen counter, resting in a tin-foil boat of succulent juices, sits a 20-pound brisket perfectly shaped like the Virgin Mary holding her baby Jesus. The contour of the torso, the flowing robe, her angelic face, and the little baby in her arms look as if a great master had carved that hunk of beef. Piddle gets all weepy-eyed and announces that this is a “Christmas Miracle Brisket.” Tex takes a picture with his phone and sends it to Father Frank, telling him to get over here now; we may have a miracle on our hands. 

An hour later, Father Frank and two Nuns from the rectory view the miracle meat in the kitchen. 

Father Frank is skeptical; these things usually happen in Latin America and tend to be the face of Jesus on a tortilla or a piece of burnt toast, not a 20-pound hunk of beef brisket.  

The two Nuns intensely study the Brisket for a good thirty minutes. Then, finally, sister Mary and Sister Madgealyn, renowned experts in miracles of all things holy, inform Father Frank that this is the real deal and he should contact the Vatican, stat. So Father Frank dials the Popes’ secure red phone hotline. The Holy Father answers. 

The conversation is in Latin and lasts for a few minutes. Then, finally, a bit shook, the good Father hangs up and tells Tex that the Vatican’s special investigation team will arrive tomorrow afternoon and to please hire armed guards to protect the miracle meat. Tex agrees. 

Father Frank asks Tex if he might take a tiny slice of the useless burned fat home for religious reasons. Tex cuts a sliver from the back of the meat and wraps it in foil. The nuns, Father Frank, and the miracle sliver depart.

The following day is Sunday, and Tex and Piddle are too busy cooking to attend services. Then, around 1 PM, Father Frank calls Tex and tells him that “we have got a problem.” 

 Seems that the good Father couldn’t resist a tiny taste of the burned miracle fat before bedtime; he said it was the most Heavenly thing he had ever put into his mouth. 

When Father Frank stared into the bathroom mirror this morning, he thought he had died and gone to Heaven. But he was still here, and, instead of a 70-year-old white-haired man in the mirror, a younger version of himself with thick jet black hair and perfect white teeth stared back. His hemorrhoids are gone, his gout is healed, his vision is excellent, his knee’s and hips don’t hurt, he took a dump like a big dog, his skin is as smooth as a baby’s bald head, and he has a woody so hard a cat couldn’t scratch it. This miracle brisket is the real deal for sure. But, Tex senses there is more to the Father’s explanation. So, he presses him for the rest. 

Father Frank comes clean and begins to weep like a teenage girl having her period, telling Tex that the experience is a flat-out-miracle, and he was compelled by the all-mighty to share it with his congregation during mass this morning. So, he told them the whole beautiful story. Tex murmured, sum-bitch, and hung up the phone. 

Before Tex can get really good and pissed at the good Father, his buddy down the street, Mooch, calls and tells Tex to check his front lawn. “It ain’t good little buddy,” was all Mooch said. News travels like wildfire in a small town, especially if it involves religion.  

A hundred or more people sit, lay, stand or take up space in wheelchairs, hospital gurneys, and walkers on the front lawn. The overflow takes up his neighbors front yard. 

The block is a traffic jam, and two news trucks from Fort Worth are parked in his driveway, antenna raised and going live. Last night, the two Nuns accompanying Father Frank are now standing on Tex’s front porch, signing autographs and giving fake communion using Goldfish crackers and Sunny Delite grape drink instead of sacraments. The healing circus just hit town.

Two police officers show up. They demand to see Tex’s permit for a gathering of over fifty people and organizing an outside church service. Tex explains there is no church service, but the two nuns giving fake communion show otherwise. The cops write Tex a few tickets and leave. 

As soon as the cops depart, the Vatican Special Forces arrive. 

Five burly boys in black Georgio Armani suits wearing mirrored aviator sunglasses and sporty Italian Fedoras force themselves into the house. So, naturally, they want the miracle meat. Two black limos with fender flags are parked in front of Tex’s house. The news folks go apocalyptic. Father Frank is curbside giving a live interview to Vatican Television News. It has officially hit the fan.

The main burly boy produces a document printed on expensive Vatican parchment saying that “All Miracles involving God, Jesus, The Virgin Mary, or any relative or likeness thereof on an article of food is the sole property of the Pope and the Catholic Church LLC.” It’s signed by the Pope and has a small picture of him glued next to his signature. 

Tex claims bullshit and tells the Pope’s boys to hit the road. Piddle stands in the kitchen doorway, 9mm in hand. Her look says, “don’t mess with a Coon-Ass gal this Brisket ain’t leaving Granbury, Texas.” 

The Vatican boys, muttering select Italian curse words, leave in a huff. Tex knows what he is meant to do with the Miracle Brisket. 

Willie Nelson sees the news coverage down in Austin and calls Tex on his cell phone. ” I sure could use some of that Miracle Brisket when you deliver my order. The old lumbago and prostate cancer has been acting up and it hurts so bad I can hardly roll a joint or pack my pipe. I’ll be glad to donate a couple of hundred grand to any charity you choose.” Tex says he will send a piece if there is any left. Willie’s word is as good as gold. 

Father Frank rushes into the house, arms waving, screaming like a fainting goat. ” What in God’s name have you done you backwoods cow cooking toothless hillbilly? I’m ruined!” 

It seems the good Father made a sleazy back door deal with the His Popeness for a secret trip to the Vatican and a fancy appointment to some committee if he delivered the Miracle Brisket to Rome. So, Tex tells the good Father, in a non to gentle way, that the meat is staying in Granbury and will do whatever good it can here at home.  

Father Frank yells, ” you double dog crossing sum-bitch,” grabs the two nuns, and they are history. Tex tells them, “don’t let the door hit you in the butt.” He had a feeling that Father Frank was never as holy as he pretended to be, and the nuns were a little flakey.

Tex goes to the kitchen, lays the meat on a cutting board, and slices the Miracle Brisket into tiny slivers, wrapping each morsel in a square of tin foil. He and Piddle then distribute the bites to every person in their front yard that is ill or has an apparent medical condition. He also gives a nibble to his fifteen-year-old dog, McMurtry.

Tex then sends his two sons, his two daughters, grandsons, and granddaughters along with himself and Piddle to every nursing home, mission, physician’s office, memory care facility, hospice, veterinary clinic, and hospital in town with pieces of the Miracle Brisket. 

Tex saves the last sliver for Willie. 

When Your Dog Goes Political: The Tale of Giblet


Most years, when I remember, I invite my old buddies to a Christmas lunch at Whataburger. Imagine my surprise when I stopped off for a Number 1 meal, with extra pickles and a Dr Pepper, and ran into my old pal Mooch. I had planned on calling him, but the sticky note fell off the fridge, and Momo sucked it up with her third appendage, also known as a cordless vacuum. I can’t survive a day without sticky note reminders. Plug in the coffee percolator, take meds, wash your face, turn off the burglar alarm system, feed the birds, etc. Life is easier when you have a yellow note lighting the way.

I joined Mooch in our usual booth, third from the entry door, chipped formica on the front edge, and “Jose loves YaYa” carved into the tabletop. Mooch looked all hangdog down in the mouth, which is his usual mood, but his personal pity party didn’t hinder him from stuffing his face with a double order of french fries and a Dr Pepper shake. I knew better than to inquire about his misfortune, but my mouth over-rode my sensible brain, and I asked what was wrong.

Mooch’s troubles stem from his wife, Mrs. Mooch, his son, Mooch Junior, or his foul little demon Chihuahua dog, Giblet. Today, Giblet had the man in a hand-wringing fit of despair. He brushed back a tear with his ketchup-covered napkin and let loose,

” That damn little dog has gone MAGA on me. Now, I kinda like Trump, but I always write in my vote for Ross Perot. The dog watches Fox News on his little TV all day, and some way, he got hold of my credit card number and ordered an official Trump hair piece from the RNC website. My wife sent a picture of him in his little wig to President Trump, and now he’s coming to Granbury to meet the mutt and take him to Chick Fil-A for a lunch visit. The guy from the Presidents office called and said that Trump may have a slot for Giblet in his administration, so now me and Mrs. Mooch will have to move to Washington and put up with all that crap.” I just had to ask him… didn’t I.

The Weight of Goodbye: Johnny’s Regretful Return Home


Chapter 17

Having made the painful choice to journey back to Texas, Johnny found himself in a heart-wrenching struggle, surrendering the opportunities that lay before him—holdings that promised riches within a decade. With a heavy heart and resolute spirit, he cast aside dreams of wealth, fully aware that the path behind him had irrevocably vanished, leaving only the words of “what have been.”

The lots on the edge of downtown Honolulu vanished in a few days to a dodgy speculator, who offered a fire sale price. The used car lot was sold to a former commanding officer with a firm handshake and a promise that money would follow when the last existing vehicles found new homes. Now, he was left with nothing but the relic of a pawn shop fiddle, a token of better days. He returned the instrument to the old Korean man, who was less than friendly, still smarting from the failed romance between his granddaughter and Johnny. He offered a few dollars, which was silently rebuked. Confident that his father had cared for his prized violin, it would be waiting for the bow’s stroke across the strings.

Johnny made his rounds to bid farewell. The Royal Hawaiian staff had treated him kindly despite his being a Haole. The folks at the Pearl City News and the companions of his musical venture each received a heartfelt goodbye.

On his last night in paradise, Johnny dined alone. Over the years, The Brass Monkey Tavern and its delicious seafood had comforted him. Pika, the native Hawaiian bartender, produced a special bottle from the top shelf. Tonight, there would be no cheap hooch for his valued Haole friend.

The bitterness of his embattled relationship with his mother touched every part of his soul. He knew full well that forgiveness, if it ever came, would be a long, winding road marred by the shadows of contrived intent. Knowing that his father was faltering added to his haste in his departure.

The troop ship to California was packed with weary yet hopeful servicemen returning from their duties. A loud hum of excitement hung thick in the air. For many, it was a moment to rekindle the flame of old lives or to carve out new paths. Yet Johnny was lost to his sadness and felt no thrill. His thoughts drifted to Blind Jelly Roll, Sister Aimee, and Le Petite Fromage, now back in Chigger Bayou. Their presence in his life had brought him great joy. He felt obliged to give them one final visit, knowing it would be the last in his lifetime.

Blind Jelly Roll, aware that his days were numbered, was grateful for the visit. His humor was intact, and he asked Johnny if he would like to ride in his new sedan, touting that his driving skills had improved since their last visit. Pancho Villa, the tiny demon dog, had only taken a soft nip on Johnny’s hand, but his lack of front teeth made the nip more of a gumming affair. Sister Aimee, angelic as ever, had transformed into a maternal figure for Jelly and promised Johnny that the old bluesman would find a nurturing and loving home until his final hour. Even that cantankerous dog would be cared for. Johnny saw something in her eyes; the looks she cast on the old man were more than motherly; he detected an inner fire that fueled her commitment. Farewells were exchanged. There were strong hugs, a few tears, and some laughs. The final, out-the-door goodbye was punctuated by promises to write.

That evening, Johnny boarded the Super Chief bound for Chicago, with a stop in Fort Worth. The journey would take three days and arrive in the morning light. He kept his arrival a secret from his family, anticipating the thrill of surprise. He sat cradling a cup of coffee on a wooden bench in the train station. He had gotten it from the diner. The lady behind the counter, dressed in a waitress uniform, reminded him of his sister. He missed Norma and was troubled by her not writing in almost two years. He knew something was wrong and would make it all right today. The night stretched long. He had come to find peace in books. He thought of Thomas Wolfe’s words, “You can’t go home again.” But could he? Would he be met by a marble angel on the porch or find only a locked door at the end of his journey?

The Quirky Side of Christmas Shopping at Walmart


I was in Walmart a few days ago. The Christmas season is the best time to observe humanity at its finest and lowest and street-rat-crazy humans.

All the usual suspects were there. People dressed in bathrobes, onesie pajamas, and rabbit-eared bedroom slippers. One lady squeezed herself into an Elf costume four or five sizes too small. Her husband looked like Edger Alan Poe; all that was missing was the stuffed Raven on his shoulder. Another old lady had her grocery basket full of Mountain Dew and Pork Rinds, which is considered a food group in Appalachia and now in Granbury, Texas. Two little girls absconded bicycles from the toy department and were speeding down the isles terrorizing shoppers: their mother watched with an adoring smile as her little angels wreaked havoc: they likely received a small trophy when they got home. A crazed woman was ripping into the poor Pharmacist because he wouldn’t fill her prescription for Oxycodone; she clearly needed her medication; pulling her hair out in fistfuls didn’t help her cause.

One family, mom, pop, and the three kids pushed baskets with a flat-screen television for each member. What is the fascination with large televisions? Are we the only society that is addicted to electronics? The kids looked undernourished but had to have that TV instead of healthy food.

A lady and her young daughter, maybe five, passed by. They were both on their cell phones. Mama was engrossed in a personal conversation that should have been private, and the little girl was jabbering into her pink Barbie smartphone. I assumed the kid on the other end was about the same age since I couldn’t understand her words. Five-year-olds appear to have a unique language used to communicate with other children. When did giving a child barely out of diapers a smartphone become acceptable? As the song says, ” Only In America.”

Exiting the store, I looked for the Salvation Army and their red kettle. None to be found. The greeter lady said they should be showing up any day. I have childhood memories of my mother dropping change into that kettle as the kindly lady stood ringing her bell. In some years, it was a quarter; in better years, it might have been a dollar. She always had a change in her coin purse to help the less fortunate. I’ve continued that tradition every year of my adult life, stuffing a few dollars into that slot and hearing a “Merry Christmas and God bless you.” That’s when I knew it was Christmas time.

Repost From PowerPop…An Eclectic Collection of Pop Culture


The A.T.N.T. Cobblestone Street

A friend of mine in the blogverse is a music historian. Max Gower has a blog on WordPress called PowerPop An Eclectic Collection of Pop Culture. Max and me have been trading emails and post for over two years and I greatly enjoy his side trips into the 60s music scene covering bands that maybe weren’t all that well known. Max has been writing about Texas rock music for a while now and found a few old interviews I gave many moons ago. I appreciate the shout out and hope you all enjoy his post as much as I do. Thanks again, Max.

A few weeks ago I posted about Mouse and the Traps, a Texas band formed in the 1960s. I thought my fellow blogger friend Phil from Notes from the Cactus Patch may have known them. He did…. so I thought…I would like to write about Phil’s 1960s band. I first heard of Phil from Hanspostcard… he sent me THIS link to Phil’s post about meeting John Sebastian in Texas in the sixties along with the other Lovin Spoonful. He also briefly met Janis Joplin when she cut the food line at the Texas International Pop Festival.  ” I survived one-hundred-degree temperatures for three days and got to meet Janis Joplin one late night when this nice gal with a Texas twang asked me if she could cut in line as I was waiting to buy a hot dog. It took a minute for me to realize it was her, but I was cool; it was the sixties, man. That night, ole Janis “took a little piece of my heart, now baby.”

I’m get most of the info from this post. I urge you to read that because he tells a more complete story.  Phil’s Dad, Johnny Strawn played with the Light Crust Doughboys so Phil was surrounded by music when he grew up. He went through a few bands on the way. He formed his first band in 1964 and they were called The Dolphins and in late 65 they became The Orphans. The Orphans lasted until 1967 and the members were Johnny Strawn, vocals and lead guitar –  Jarry Davis, vocals and rhythm guitar-  Danny Goode, lead vocals and bass –  Marshall Sartain, vocals and keyboards- Barry Corbett, drums and vocals.

The music they played was all over the place and everything that kept people on the dance floor.  The music they played was Soul Music, Beatles, Bee Gees, Rascals, Hendrix, Doors, Steppenwolf, Cream, Stones, Vanilla Fudge, and Jefferson Airplane.  They played all over Texas and parts of Oklahoma…and some of the clubs he mentioned were The Studio Club, LuAnn’s, Strawberry Fields, Phantasmagoria, The Cellar, The Box, and more. This was when three of the band were still in high school. 

Phil Strawn:  We used to do a lot of double bills at The Studio Club and LuAnn’s; that was a big thing back then. I remember playing a lot of them with Southwest F.O.B. We were playing at LuAnn’s one weekend when during the Jimi Hendrix song Fire, our drummer put lighter fluid on his cymbals, lit his drum sticks, then hit the cymbals and ignited them. It got a little out of hand and it burned up his drums. That kind of stuff wouldn’t fly nowadays, but back then, we didn’t think of the repercussions. The crowd loved it, sort of like The Who, only with real fire and smoke. Miss Lou Ann was not pleased and banned us from the club for about six months. We eventually worked our way back into her good graces. Ron Chapman the famous DJ on KLIF and KVIL remembered us as the band that nearly burned down LuAnn’s. Some legacy.

They met a guy named Mark Lee who became their manager. After they signed with him their gigs increased. They even opened up for Iron Butterfly at a place called Strawberry Fields. The Orphans committed a cardinal sin by learning an Iron Butterfly song called Possession and nailed it while opening for Iron Butterfly. Lee put them up to it because he knew it would get under Iron Butterfly’s skin…and it did! They ended up swiping Phil’s Vox Wah Wah pedal and a velvet Nehru suit from their drummer. 

In 1968 they had to change their name. The drummer, Barry Corbett, had a friend, Jerry Deaton who wanted to manage them but they were happy with Mark Lee. The guy went out and had “The Orphans” copyrighted and told the band he would sue them if they continued so they changed their name. Phil said: “We liked ATNT {Alice talks “n” talks} and Jerry’s mother was the inspiration for that name. Later, we found out that he had managed another band called the Orphans for a while, so that was the reason for all the drama. He copyrighted the name so we had to change.”

Check out this 1968 Flower Fair entertainment. ATNT played and look at the other artists as well. Spencer Davis, Jimmy Reed, Mitch Ryder, The Lemon Pipers, and Neil Diamond. The Doors were going to play but they had scheduling conflicts. 

ATNT Scedule

In 1966 they recorded a song that Phil wrote called “Leader of My Mind” which was a Byrds-type song with harmonica but no one can find any copies. In 1968 they recorded two songs called “No One Told Me About Her” with the flipside Cobblestone Street. 

They also did a couple of appearances on Mark Stevens TV Show which they lipsynced to their songs. Phil quit in the late sixties because of a disagreement with the rhythm guitar player. He had to make a choice and his final exams were coming up and Phil decided to study rather than just practice with the band. 

After that, Phil said he didn’t play much until around 1974 when he started to play in the progressive country music scene in Austin and Dallas. I played with various people around town and some in south Texas and did some pick-up and studio work. I joined the Trinity River Band in late ’79 and played with them until ’85. I also played with The Light Crust Doughboys from time to time and did some studio work on the five-string banjo. I was fortunate to play on the Light Crust Doughboys album, ” One Hundred-Fifty Years of Texas Music.” 

The A.T.N.T. Discogs page. 

Phil StrawnThe A side is “Cobblestone Street,” written and sung by myself and our drummer Barry Corbett. The B side is ” No One Told Me About Her,” written and sung by our lead singer and bass player, Danny Goode. The two producers, Marvin Montgomery and Artie Glenn, suggested we add horns to get a Chicago Transit Authority sound. Before the brass was added, Cobblestone Street was loud and raw with loud guitars and organs. After adding the horns, we returned to the studio and tweaked the cuts. I purposely untuned my Gibson 335 a bit to give the guitar break a bit of an out-of-tune carnival sound. Marvin, who went by the name of Smokey, was a member of the Light Crust Doughboys since the 1930s and played with Bob Wills. He produced Paul and Paula and Delbert McClinton. Artie Glenn wrote the famous Elvis hit “Crying In The Chapel” and many others; he was also a Light Crust Doughboy western swing musician. These two men were top-shelf record producers, so we listened when they suggested

Phil Strawn: It was absolutely the best time of my life. How could you not enjoy being a teenager in the ’60s and playing in a popular rock band? The people we met and played with, the experience that we will all carry with us the rest of our lives. It was just a part of life that helped shape us into what we are now – being part of that change in our country, that decade. It was a time of turmoil, but it was also the last year of the innocence we grew up with. Teenagers these days are so hardened. The music then was happy and said a lot. It would move you, whether you played it or danced to it. The music now has a meaner, harder edge, and reflects the times we live in.

Phil Strawn: I am a project manager in commercial construction, and do a lot of painting and artwork – mostly Texas art. After 35 years, Danny Goode, who I played with in ATNT and the Orphans, called me and asked me to be part of their group, The American Classics. I joined them about two years ago and that’s what we do nowadays. The band consists of Danny Goode, bass and lead vocals; John Payne, lead guitar and keyboards; Jordan Welch, drums; and me on rhythm guitar and vocals. We play about once a month or so around Dallas Fort Worth, mostly private parties. We recently played in Deep Ellum, and will probably be back down there soon. We stick to mostly ’60s music – it’s what we know well. It’s good to still be playing rock music at this age. You really never outgrow it.

I love the horns in this song but I would also love to hear what it sounded like with loud guitars as well. 

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Author: Badfinger (Max)

Power Pop fan, Baseball, Beatles, old movies, and tv show fan. Also anything to do with pop culture in the 60s and 70s… I’m also a songwriter, bass and guitar player. View all posts by Badfinger (Max)AuthorBadfinger (Max)Posted onCategories1960sBandsGarageMusicSinglesTagsA.T.N.T.Cobblestone StreetPhil Strawn

39 thoughts on “A.T.N.T. – Cobblestone Street”

  1. Pingback: A.T.N.T. – Cobblestone Street – MobsterTiger
  2. Carl Benson, Jr.says:What a ‘bill’ that was! I would’ve gone to see Mitch Ryder & his band & Neil Diamond.Liked by 2 peopleReply
    1. Badfinger (Max)says:It does sound like a great one. That was the time to grow up for music…LikeReply
      1. Carl Benson, Jr.says:Ya’, I was 4 years old then or going on 4 but I have always loved that era of ‘Pop’ music. I love that debate on what decade was the best & the 60’s are up there…I think the 80’s myself, but I’m biased lol.Liked by 1 person
      2. Badfinger (Max)says:I was weird Carl…I grew up in the 80s….turned 13 in 1980…I didn’t like the synth stuff and the fake drums….they still drive me up the wall… I was mostly listening to the 60s during the 80s….Now…thats not to say that I don’t like many songs from the 80s….I liked the Heartland Rockers like Mellencamp, Springsteen, Petty, and others…along with The Replacements, REM and Prince….in other words…bands and artists with guitars!Liked by 1 person
      3. Carl Benson, Jr.says:Awesome…I think that I mentioned before that when I was a kid my Dad was in the music business when after we moved to Ft. Wayne in ’67 & my little brother was born later in that year. Both of my parents were college graduates from ’63 & ’64 so they were hip parents. They put a radio & a television in my brother & I’s room (bunk beds) so we could chose what we wanted to watch & hear. He had a television show on what became the PBS station which was a 1-hour music show (R&B) & he & a fraternity brother owned a nightclub & were managing groups. So I got to hear a lot of R&B as a young kid & meet some of those folks who did his show. But, I always had an earl for ‘Pop’ music & when we moved to Idaho in ’74 my buddies were into the other side of ‘Pop’ & of course guitar based ‘Rock & Roll’. I graduated from high school in ’82 & had been listening to a lot of 60’s music (& funk) my jr. & sr. years & then I got the bug for synthetic dance ‘New Wave’ music. Thompson Twins, The Human League, The Talking Heads, The Tom Tom Club, The B-52’s etc., I was always a ‘Minneapolis Sound’ dude. I always heard from my musician friends that they hated ‘Tech’ back then with the electronic drums & stuff & I can appreciate that Max. I generally loved the ‘Moog’ sound then…I was into dancing back then.Liked by 1 person
      4. Badfinger (Max)says:See I liked The Talking Heads and The B-52s…so there were a few I liked…yea the Minnesota sound was huge…Prince, The Replacements and others came out of there.
        Also Carl…it’s normal for teens to like the era they grow up in….so like I said…I was wierd…I liked the timeless sound.
        You grew up in the perfect time Carl! You got to experience the best of the 60s – 80s in real time! Plus your parents sound great dude.Liked by 1 person
      5. Carl Benson, Jr.says:Ya’, I remember that they had ‘hippie’ friends that were white folks before we moved to Idaho when I was 10 in ’74. My little brother & I had an unusual childhood for a couple of black kids in our era Max. That’s why my musical tastes are so eclectic Max.Liked by 2 people
      6. Badfinger (Max)says:And that is a great thing Carl! I think it’s rewarding to be eclectic.Liked by 2 people
      7. Carl Benson, Jr.says:Dig it Max…you too…sometimes it is…lol.Liked by 1 person
  3. newepicauthorsays:One of your longer posts Max and I thought it was interesting learning about this obscure group.Liked by 1 personReply
    1. Badfinger (Max)says:Yes I usually don’t go this long but Phil was in some interesting spots and bands. He knew a lot of those Texas bands that did have some hits…plus I was in one of those local bands two decades later…heck…may do mine one day!Liked by 1 personReply
  4. glyn40wiltonsays:Light Crust Doughboys was a great name for a band. I liked the list of the groups they played songs of in their set.Liked by 1 personReply
    1. Badfinger (Max)says:Thanks Glyn…they were a country band legend.Liked by 1 personReply
  5. Davesays:Great post Max! It’s so cool that one of our online friends has such a great musical history. I’ve heard that ‘Cobblestone Street’ before…it’s very ’60s but very agreeable. Sounds very British Invasion to me, I wouldn’t have pegged it as being from Texas. Phil makes a good point about how rock, and teens, then were so much more optimistic than nowadays.
    Phil, good job and if you have the b-side, hope you let us hear it!Liked by 2 peopleReply
    1. Badfinger (Max)says:I loved when they opened for Iron Butterfly and then played one of their songs! LOL. That takes guts and I’m glad they did it.LikeReply
    2. obbversesays:Agree with all you say here Dave. And I really do believe for a lot of the kids teen years (these days) are more a journey of joy and learning than a rite of passage.Liked by 1 personReply
    3. obbversesays:Sorry Dave, less joy, more passage! Doh! (Note to self; Proof read, O.)Liked by 1 personReply
  6. randydafoesays:Well I knew a bit of Phil’s musical past and this post is a great enhancement. I agree with Dave on that British Invasion sound for sure.Liked by 1 personReply
    1. Badfinger (Max)says:I played 2 decades later but I can relate to this…I mean every successful band usually starts out like this…sometimes it just works out but most of the time it doesn’t as far as the big time….but it keeps music alive in communities across the globe with local bands….yes it’s very sixties.Liked by 1 personReply
      1. randydafoesays:Yes I am sure this is very close to home for you. I probably mentioned by oldest brother is a bass player and while he did play with some recording artists he never ended up on one himself. He has played in bands for over 50 years and still does, but he does it for himself, because he loves it. So these stories are in some ways a vicarious look that scene.Liked by 1 person
      2. Badfinger (Max)says:I tell people…once you learn music you keep it for the rest of your life. You don’t have to be famous…but no one can take it away from you. The only recording artist I played on the same bill with? The Royal Guardsman in the late 80s early 90s…lol…but hey it still counts! Our claim to fame was outdrawing Richard Sterban (singer for the Oak Ridge Boys) at a theater….we played a week later….lol.Liked by 2 people
      3. randydafoesays:Hey you take what you can get Max!Liked by 2 people
      4. obbversesays:Max mentioning the Royal Guardsmen- Christmas and ‘Snoopy’s Christmas’ must be on the horizon!Liked by 1 person
      5. Badfinger (Max)says:It’s gotta be! I never thought of posting that one…but I must now.Liked by 1 person
  7. obbversesays:Love these ‘I was there’ bits of history. Phil sure got around, and what a great decade to grow up in. And as for Phil- letting Janis grab what should have been his hot dog, rubbing shoulders with John S, rubbing Mike Love the wrong way- great stories.Liked by 1 personReply
    1. Badfinger (Max)says:Yes they are… I can’t imagine meeting those people especially Janis…he said she was really tiny in person…
      Opening up for Iron Butterfly…pretty cool and having your wah wah pedal stolen by their crew…not cool!Liked by 1 personReply
      1. obbversesays:Well, with Iron Butterfly, they weren’t exactly your easy-going peace love and pass the reefer 60s band, or so I’d imagine, going by their sound. (PS, I’ll be mentioning ‘Snoopy’s Christmas’ in an upcoming musically related post soon. Music and Christmas carols based? Yes. Harmonious and in the best spirit of Christmas? Nooooo.)Liked by 1 person
      2. Badfinger (Max)says:Cool… I will soon echo Snoopy…
        I would not expect any other from you…I would be quite dissapointed if you showed too much cheer…obbverse sellout? Never.Liked by 1 person
  8. cincinnatibabyheadsays:I’ll echo Dave and say “Great post”. Phil covers a lot of territory (He’s from Texas. Makes sense). I’m sure I could spend an evening hanging with Phil and be entertained on a lot of levels. Lots I like, his sense of humor not the least. Enjoying the listen. Blue ribbon post Max and PhilLiked by 1 personReply
    1. Badfinger (Max)says:Thanks CB…it’s much longer than I wanted but to get everything in it had to be. Hanging out with Phil for a while would be really cool.Liked by 1 personReply
  9. Christian’s Music Musingssays:It sounds like Phil Strawn has met many interesting artists and has some intriguing stories to tell. “The Cobblestone Stone Street” is a great song. Perhaps not surprisingly, I had never heard of A.T.N.T. before.Liked by 1 personReply
    1. Badfinger (Max)says:Yea…Phil has some great stories… his story about meeting the Lovin Spoonful is great…and opening up for Iron Butterfly was really cool as well.Liked by 1 personReply
  10. Phil Strawnsays:Max, thank you for the great write up and kind words. It does my old heart good to hear from so many of your followers that dig the 60s sound. I happened to be in the right place at that time and it all fell into place. My friend, Danny Goode who I played with back in the 60s and again in the 2000s lives in Granbury too. We hung up the axes in 2019 after a 19-year run with The American Classics Band, doing much of the same music we played back in “the day.” Thanks again, Max.Liked by 2 peopleReply
    1. Badfinger (Max)says:Phil, I just hope I got it mostly right for you. I want to thank you for letting me do it. I had a good time writing it. We might not have been in huge bands that had a lot of hits, but we entertained a lot of people and that is what matters plus the the adventures we got out of it. Thanks again, Phil.Liked by you and 1 other personReply
      1. Phil Strawnsays:You are welcome kind sir. We all have to admit that after doing live shows for a while, it brings out the hambone in all of us. I can’t recall a time that I was nervous onstage except the time my Fender amp blew a fuse and I didn’t have a spare, now that was scary.Liked by 1 person
      2. Badfinger (Max)says:I wasn’t nervous either except for my first gig but it went away quickly. THAT would be scary. Our lead guitar player’s amp went out so I plugged him into mine and we shared…not a great sound…but the show went on.Like
  11. Nancy Homlitassays:Your music bio of Phil Strawn was a thoroughly enjoyable read, Max. Of course, I’m partial to 60’s music and can appreciate how good “Cobblestone Street” is compared to other songs in that genre. You did a good job making Phil appear to be a focused and serious musician. We both know he’s a crazy fun-loving hoot! 🙂LikeReply
  12. Aphoristicalsays:I like the Iron Butterfly story!Liked by 1 personReply

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Dreams of Europe: A Haunting War Reflection


Last night, I dreamed of Europe, teetering on the brink of war, reminiscent of those haunting days of the 1940s. It was not a nightmare but rather a sepia-toned memory, grainy like an old newsreel flickering in a rundown theater, the air thick with the scent of buttered popcorn and sticky sodas clinging to the soles of my worn Tom McCann wingtips. Beside me, my wife, Momo, sat elegantly in her gabardine dress, her silk scarf accentuating her perfect neck. A picture of quiet strength amidst the storm brewing outside. Somehow, as if a magical spell, we knew of war, maybe because our fathers had participated, not reluctantly like some, but dutiful, knowing their presence would make a difference in the outcome.

We found ourselves seated amid a crowd, the air thick with the scent of Old Spice, a memory of times past. Momo leaned forward; her senses caught Chanel No. 5 drifting languidly alongside us while cigarette smoke curled upwards, smothering the flickering images that danced on the screen. An army advanced in unyielding formation, each soldier a cog in an unfeeling machine ready to unleash mayhem upon a peaceful country. A lone figure stood poised for inspection; within his eyes, a cold emptiness lingered, reminiscent of a predator—those soulless eyes of a waiting shark. At first, I thought he might be Hitler, a returned demon from the depths of Hell. I was wrong. A Russian, short in stature, long on evil, intent on destruction. The shark now has legs and walks among us. I awakened, sweating and gasping. Momo sleeping peacefully, unaware of the dream we shared. We left without seeing the movie.

Johnny’s Journey: From War to Healing in Hawaii


Chapter 16: Johnny Didn’t Come Marching Home

Foreword: Usually by another writer or friend. Excuse the breaking of tradition. These chapters reveal my struggle with the truths of my family. As a child and later as an adult, I saw the darkness of alcoholism and how it grips every soul within a household. I wished for families like those in a Norman Rockwell painting, gathered at the table with Grandfather carving the turkey, but life shattered that image. AA was just beginning to rise, and the word “enabler” had not yet marked the shadow of alcoholism. Bleeding in a public arena is not pretty.

The island of Hawaii held its charm, still untouched by the war. A year after the conflict with Japan, a few tourists arrived by boat, drawn to its beaches and emerald water. The men and women in uniform returned home, demobilized from the military. Johnny chose differently. He stayed, nurturing the holdings he had acquired over two years. Luck had favored him; he owned land in downtown Honolulu, not the best area, but one that would grow over the years and be worth hundreds of times what he paid. California held no interest, Texas even less. He would again be under the veil of his mother’s demands and secrets. The more time away he had, the more he saw that the extended family of her sisters and cousins was more toxic than nurturing. The arrangement with the old Korean had soured; there would be no marriage to his granddaughter, a relief to Johnny. He would take his chances to either flourish or fail in Hawaii.

Near the end of his first year after leaving the Navy, once again, the missives from home arrived almost daily. They were often the same—repetitive and sharp. Nothing had changed; Sister Aimee’s cures were lost like smoke in the wind. His father did not write, making Johnny feel like he was not there or had no strength to fight. The family had returned to Fort Worth. He now knew that something dire had transpired.

A letter from his sister Norma came with bad news. His beloved dog, Lady, had passed peacefully in her sleep at the age of eighteen. John Henry was not doing well; a depression had set upon him soon after they returned to Texas from California. His leaving a prestigious job and salary and returning to the furniture shop, working for a pittance of his former wage, caused him great stress. He would go days without speaking to anyone, lost in his sadness, reluctantly accepting the fact that he was now an older man and he had left his best life out west. PTSD was not yet diagnosed, but his behavior had all the signs of the illness. Killing another human, even in the ugliness of war, will take a piece of a man, leaving him un-whole and susceptible to the whispers of the Demons that await. John Henry had many to fight.

Johnny’s mother had become a mean, spiteful woman full of hatred for anyone other than her precious sisters in arms; they were all swimming in alcohol for the better part of each day. The reality of life was a concept they didn’t grasp; the party came first, and to hell with the rest of it.

Norma was planning to leave and join her brother in Hawaii but was reluctant to leave their father in his fragile state. Guilt washed over Johnny for not being there for his dog, Lady; she had been his faithful companion for his entire life. He was ashamed that he was more broken up over her death than the tribulations of his parents; they were adults who occupied their own prison. They could deal with it themselves. He wanted nothing to do with any part of their perils. Still, the missives came daily, now more frantic and cruel than ever. He was teetering, trying to stay positive and not give in to the dark web woven by his mother’s disease. It was impossible to fight. In anguish, he gave into her cruelty, hating himself for his weakness. Arriving in Hawaii, a boy, then becoming his own man, now again, a boy dragged across the Pacific Ocean by a three thousand-mile umbilical cord.

The Legend of A. Dillo: Austin’s Musical Muse


I wrote this story in 2012 after a visit to Threadgill’s on Barton Springs Road. During the Armadillo Headquarters days, I often went in and out of Austin and knew many of the musicians responsible for its progressive music scene. No one can remember who, what, or how it started, so why not make it an Armadillo?

A. Dillo influenced a generation of Texas musicians and tunesmiths. On a scorching Saturday in September 1970, a group of dazed and confused hippies found this precocious little Armadillo digging for grubs on the lawn of the state capitol. They were lounging on the grass, sunning themselves, drinking Lone Star beer, and smoking pot, recuperating from a busy week of doing absolutely nothing, which was what they did best.

He was a sad Armadillo, lost and searching for his family unit after being separated from them in Zilker Park a few days earlier during a vicious thunderstorm and a frog-floating flood. A happy reunion was not to be. His mother and father were tits-up on Congress, and his siblings had been lunch for a pack of wild dogs. He was an orphan.

The dazed but kindly hippies were drawn to the friendly little tank. They took him back to their pad just off Congress and raised him as one of their own. He was christened A. Dillo.

One of the more studious hippie chicks in the house was majoring in animal behavior and journalism at the University of Texas and saw a spark of something in the wee critter. Wading into uncharted territory, the twinkle in his tiny red eyes caused the two of them to connect magically. After a few weeks of sputtering starts and misses, she was soon tutoring the ardent little critter in reading and writing.

Within six months, A. Dillo had mastered penmanship and was writing prose. Within a year, he wrote short stories and speeches for the university’s professors and a host of prolific student protesters who hung around the house.

He experimented with strange illicit substances and began hanging out with artist types and deep thinkers, writing about current events, political science, theology, and music with the best of them. He was, in a sense, humanized.

A. Dillo’s popularity grew, and he was invited to give readings of his work at weekend hootenannies, parties, and student gatherings. He was the critter version of Alan Ginsburg.

Being an Armadillo, he had no clothing, only his armored shell, so he employed an artist friend to decorate his tough covering to resemble a fashionable tie-dye t-shirt. He then wore round rose-colored sunglasses and various pins and peace symbols. He was beyond incredibly cool and a perfect fit for Austin. A problem arose within the house. A few of his adopted Bohemian family members harbored a bone of jealousy. Though quietly envious of the little fellow, they accused him of selling out to “the man.” Perplexed and hurt, he asked his tutor who this “man” he sold out to was. She shushed him, explaining it was anyone who did anything better than themselves.

The bad vibes from his former adoring family were a downer, so unable to create and win back their adoration, he packed his few belongings in a Piggly Wiggly grocery bag and returned to Barton Springs and Zilker Park for peace and tranquility among the Oak trees and dancing waters.

While shuffling down Barton Springs Road, he happened upon a recently opened venue called The Armadillo World Headquarters. Delighted to find a place that openly celebrated his kind, he scurried through a hole in the fence and took up residence beneath the beer garden stage, enjoying the clamorous musical atmosphere and the continual supply of spilled Lone Star beer that flowed through the cracks of the wood floor.

A group of guitar-picking musicians who frequented the club’s beer garden befriended A.Dillo, and soon, he was anointed as the “official mascot” of the headquarters. He was cool again but didn’t understand this new scene where long-haired Hippie types wore cowboy hats and listened to country music. He kept copious notes, sensing that a reversal of attitudes was happening. Cowboys and Hippies learning to fraternize in a peaceful manner.

The little poet was inspired by his energizing surroundings and began putting his thoughts and prose to paper. In a moment of trusting innocence, he exposed his talent and shared his library of work with a few of the beer garden musicians, hoping for a morsel of recognition.

The coterie of musicians was so impressed with his talent that, without asking permission, they confiscated his poems and lyrics and made them their own. That this library of written work came from an Armadillo seemed utterly reasonable. After all, it was Austin in the early 70s, and it’s a well-documented fact that if you remember that time, you weren’t really there.

Within a few months, the musicians and wailers at the headquarters were singing songs about Austin and everything Texas. A handful of local artists were drawing A. Dillo’s likeness on their concert posters to promote the rapidly changing musical landscape. The times were a-changing.

Willie Nelson and Waylon Jennings took up residence at the headquarters and became the shaggy royal ambassadors of Austin music. It was a heady time for Texas music.

A. Dillo was heartbroken. He had been bamboozled by the “love your brother and sister” preaching musicians, who were scoundrels, thieves, and false profits. His trust had been violated. The soaring soliloquies, his enlightening prose, his ramblings about Texas, all stolen and plagiarized with no hope of recovery. One cruel musician blatantly took his favorite poem and made a song about “Going Home With The Armadillo.” That was the deepest cut of all. He was a broken critter. ” Oh, the pain of it all,” he wailed.

He soon left the headquarters, again packing his Piggly Wiggly bag and stealing away into the night.

A. Dillo returned to his home burrow in Zilker Park. He reconnected with the inhabitants, giving nightly readings of his new poetry to an enthusiastic and adoring crowd. He was elevated to Homeric status among the park’s animal population, and his name was known to all creatures. He was at peace with himself and his life.

A. Dillo was the unappreciated spark of inspiration for Austin’s progressive music scene of the 1970s. Without his influence and the spread of his stolen words, tunesmiths, musicians, and vocalist all over Austin would still be writing and singing those dreary Three-chord hillbilly songs or tripping out to psychedelic brain fuzz. Jerry Jeff, Willie, Waylon, and the boys would have needed to seek inspiration elsewhere, and the city would not have evolved into Austin as we know it today.

Tall tales have it that some years later, on a stormy night similar to the one that started his journey, A. Dillo was hit by a vehicle while attempting to cross Barton Springs Road.

An elderly lady living in the Shady Grove trailer park scooped up his remains and fed them to her two Chihuahuas. She used the decorated shell as a planter, adorning the steps of her Air-Stream trailer.

The small shell’s bright colors faded over time and sat on the steps of that old trailer for decades. Couples with gray hair walking to one of the many restaurants on the street, grandchildren and dogs in tow, would sometimes notice the shell full of colorful flowers and pause to take a photo. Austinites who had known the little poet or knew the legend would approach the unassuming shrine and pay homage, explaining to their grandchildren the true story of the “real father” of Austin music.

Unraveling the Vanishing Girl of Marfa


Marfa, Texas, is one leg of the infamous Texas Triangle. Alpine, Fort Davis, and Marfa make up the redneck Bermuda Triangle and all the oddities that spring from its lands.

Momo and I have visited the quirky town a few times and plan another trip, perhaps in December. On our last trip, sitting in Planet Marfa, sipping a Lone Star beer and listening to the locals spin yarns and tall tales about the goings-on around the Chihuahuan Desert. We learned of nuclear-crazed killer Chihuahua dogs, strange lights in the mountains, the ghosts of James Dean and Liz Taylor at the Piasano Hotel, and enchanted horned toads that grant wishes. The young’uns that have relocated from Austin only add to the weirdness of the place.

The one story that folks were reluctant to rattle about was the young girl who vanished from her family’s desert home in 1965. She strolled into the desert behind their home to collect grasshoppers and other insects for a science project and never returned, and not a smidgen of evidence was ever found. A few days later, the parents noticed her prized acoustic guitar was missing from her bedroom, and their pet Longhorn steer, Little Bill, was missing from his stall. The girl often led him out into the desert to graze on the clumps of tasty grasses and plants. Lawman worked to solve the case for two decades, but no leads or culprits were found. Word around town was that space aliens had abducted her and the steer for scientific purposes or worse. No one thought much about the theory since Marfa loved that nonsense.

Sagebrush Sonny Toluse, the Grand Pooh-Bah of all things Marfa, tells the best version of the story. He said to a group around the bar,

I was walking my old doggy for his nighttime constitution. I live just outside of town, nearly in the desert, and that’s how I like it. The moon was full, so Rufus and I walked a little farther than usual. I hear guitar music from somewhere. It’s not a loud electric guitar but a soft one, like a Mexican guitar. It’s getting closer, and now I hear singing, the floating voice of a young girl. I stop, turn around, and passing by me; no more than ten feet is this little girl riding a Longhorn steer, playing the guitar, and singing an odd song I didn’t know, something about a Kay Serra or something like that. Behind her, sitting on the steer, is a giant grasshopper about half the size of the girl. I know we have big bugs here in Texas, but this critter was massive, about the size of old Rufus, my dog. The trio rode past me into the fading desert, never paying any attention to us. I was troubled by the encounter, so I went and asked the older sister, who is now an old woman, about the young girl who vanished so long ago. I told her about the ghostly encounter in the desert. She said her sister often rode the Longhorn steer like a horse and would play her favorite tune while sitting atop the beast. It was a Doris Day song, and she sang a bit. “Que Sera Sera, whatever will be, the future’s not ours to see, Que Sera Sera. “