Now, I know that the world is off its axis: Willie Nelson is moving his famous 4th of July Picnic from Texas to somewhere in the Northeast to beat the heat. Look, Willie, the brutal life ending heat, Lone Star longnecks beer, no restroom facilities, drugged crazed hippies and cowboys are what your picnic is about. If Waylon was here, he would kick your scrawny old butt for even considering a relocation to of all places…Yankee land. Kris is still around, so he might just step in and do it. I attended one of his picnics back in the late 70s at Palo Duro Canyon and damn near expired from the hellish heat, no water and very little food. I survived by crawling under a car for shade, which at that point, it didn’t matter, my skin was roasted, and my dark hair bleached white. Around dark, ole Willie steps up to the mic and belts out Whisky River. Trigger, his beat-up Martin guitar was out of tune, his singing was off meter and he was likely higher than a California Redwood, but it was Willie, our Patron Saint of Texas Country Music. We sat transfixed on the hard dirt and rock, fire ants chewing on our legs, Rattle Snakes crawling about begging for a beer, and hundreds of poor passed out folks missing the show they came for. Please, Willie, keep it in Texas. I have confirmation from a good and mostly reliable source that your Saint Hood is imminent. This might screw it up.
Jewish Students Revolt Against Federal Protected Students
There is now a movement on most of the elite university campuses to oust and delete the fake Palestinian protesters. Two groups calling themselves “Jews For Jesus” and “Frat Boys Revenge” are now in place at most of the major universities. Maya Sharona, field correspondent for NPR interviewed a protestor at MIT.
MS: Excuse me, are you a woman or a man, It’s hard to tell with all the scarfs wrapped around your head?
Student: I am neither of those words, call me a new servant of Allah, willing to die for whatever Allah and that woman with the megaphone tells me too. Please film my left side, that’s my best profile. Should I show my molitove cocktail for the camera?
MS: Sorry, there is no camera, this is radio. What exactly are you protesting?
Student: I am not really sure, wait a moment, I must check TikTok and Facebook, all of our information and instructions comes from them. Ahh yes, here we are, (screaming)” Death to Israel, Death to all Jews, and Death to America” we demand Starbucks Latte’s and vegan pizzas, student loan forgiveness, and a free diploma in the curriculum of our choice. That’s a bummer about the no camera, got all dressed up for nothing.
MS: There is a group of frat boys over there by that police car. They look menacing and most of them are twice the size of your comrades. I believe they may be about to kick your butts.
Student: Allah and Papa Biden will protect us, we are the chosen people of Palestine, or maybe it’s Gaza, or Syria. It doesn’t matter, we are protected by the Federal Government, like the tiny fish and the lady-boys with fake boobies.
“So you want to be a rock and roll star? Then listen now to what I say Just get an electric guitar Then take some time and learn how to play”…The Byrds 1967
After the family moved from Fort Worth to Wichita Falls for six painful months and then to Plano, Texas, I met a classmate and fellow guitar player who was also bitten by the “rock-a-rolla” bug. He knew another guy on his block who played guitar and owned a Fender Bassman amp, which automatically made him a band member, and he knew a neighbor across the street who was a drummer with a snare and one cymbal. He also knew a kid with another cheap Japanese guitar that would part with it for $10.00 bucks. I snatched it, bought his Sears amp for another $15.00, and was back in “the biz.” Hours of practice produced twenty songs, which we could repeat at least once or twice if they were shuffled around and changed singers and keys. Our first gig was at the Harrington Park Swimming Pool, Plano, Texas, early summer of 1965.
The Dolphins: left to right: Jarry Boy Davis, Warren Whitworth, Ron Miller, Jay-Roe-Nelson, Phil Strawn
Guitar tuners were not invented yet, so we used a pitch pipe and got as close as possible to A440, and apparently not close enough; we sounded like hammered Racoon crap on grandma’s china plate. It was a humiliating experience. In my playing frenzy, I broke my B string and had to play with five strings, and then our amplifiers went south because the outside temperature was over 100 degrees, and we were in the direct sun. Then, the drummer’s head on his snare split, his cymbal fell over and cracked, and Jerry Nelson, another guitar flanger, tripped on an extension cord and fell flat, damaging his Silvertone guitar. Our third guitar player, Warren, came into contact with water splashed from the pool onto the concrete while touching the strings of his electrified, ungrounded guitar, resulting in a bad electrical shock. Hair frizzed out, smoking from his ears, and burns on his fingers; he finished the gig, not knowing who or where he was. The grand debut ended with sympathetic applause, and the pool manager refused to pay us, which, per our contract, was free burgers and shakes. Warren, our previously electrocuted guitar player, got into a fight with our drummer, and the two rolled around in the gravel parking lot for a while with no clear victor. We thought Warren was a trooper, considering the amount of electricity that had almost fried him an hour before. Bad music tends to piss folks off. The final curtain was when my pal Jarry discovered his Mustang had a flat tire, so we had to call our parents to rescue us. Welcome to the rock n’ roll music business.
From 1966 into 1967, the band continued with better gear, a new drummer and bass player, and a different name. We were now known as “The Orphans.” A strange pick since we were all middle-class guys with full sets of parents, but Barry Corbett, our drummer, thought it sounded tough and a bit rebellious. Barry may have been the biggest rebel of the four members, listening to Frank Zappa and Spike Jones and teaching himself to play the Sitar. George Harrison’s influence led him into the realm of Indian music, which he fully embraced to the point of obsession. He developed a strange Peter Sellers-type accent, wore the red dot on his forehead, and had two high school girls follow him around town wearing white robes, playing with small cymbals attached to their fingers. He was also a rudderless musical genius and would soon lead us into the semi-big time and the really big show.
Alice Davis, Jarry’s mother, was now our official manager and did a wonderful job of it. She knew people and had connections and was not afraid to use them or to press a business contact into hiring her band. We were booked around Dallas and Fort Worth most Friday and Saturday nights. We made some good cash for high school kids but spent all we made on new equipment and clothing. Band members were in constant rotation. Teenage musicians proved to be an unreliable commodity.
Our keyboard and bass player left us for high school football, again, leaving three of us. Calls went out, Alice worked the phones and contacts, and we auditioned two musicians from McKinney, Texas. Danny Goode, a bass player/singer and former member of the Excels, and Marshall Sartin, church organist, classically trained pianist, and blues guitar player. We played a few songs as a five-member band and almost passed out. It was as if the ghost of Phil Spector had brought us into that practice room at this appointed time in the universe, which was strange because Spector was still alive and kicking in Los Angeles.
The Orphans. Left to right front: Jarry Davis, Danny Goode. Left to right rear: Barry “Lil Spector” Corbett, Phil Strawn, Marshal Sartin
Miss Alice was religiously overcome with musical emotion and experienced a spell of the rock n’ roll vapors that led to seating herself with a double Jack Daniels and branch water. Barry, our drummer and musical genius, had an epiphany and went to work on arranging our music and vocal parts, showing Marshall how to play them on his Farfisa Organ, which was another strange thing; Jarry and I didn’t know Barry could play the piano, or as we soon found out; the guitar, the trumpet, the sax, or the vibes. We dubbed him “Lil Spector” in honor of the famous Wall of Sound producer.
After the Miss Janelle Bobbie Gentry-infused tenure that ended in a puff of hair spray and perfume, the band took a vote: no females allowed. Marshall was still recovering from a severe case of the Love Fever Hubba Hubba’s, and we needed him in good condition for our upcoming gigs.
Miss Alice grew weary of working the phones, dealing with clubs and booking gigs, her realty business was suffering and needed her attention. She arranged for us to be managed by an upstart agency called Mark Lee Productions of Dallas, Texas. Mark was a go-getter and had more connections than Bell Telephone. His one and only main band, Kenny And The Kasuals, had just released a great 45 that was climbing the charts, so we were excited about working with him. We signed on the dotted line of a ten-page contract that not one of us read. Why bother? We were young and full of piss and vinegar: point us in the direction of the stage and plug us in!
Within twenty-four hours, The Orphans were booked into some of the hottest venues in the DFW: The Studio Club, LuAnns, The Pirates Nook, Phantasmagoria, and Teen A-Go-Go and The Box in Fort Worth. Mark Lee was turning down gigs because he had only two bands. We wouldn’t have a Friday and Saturday night free for two years, and even less free time in the summer when the bookings took up most of each week.
We were booked to play a Christmas party for Parkland Hospital at the famous Adolphus Hotel in downtown Dallas. Pulling up to the front in our 57 Caddie Hearse caused a stir. The bellman politely told us the bodies were picked up at the rear. We got the joke and proceeded to the loading docks. The party turned out to be for the doctors, nurses, and administration folks. In the next ballroom, Braniff Airlines was having their Christmas party, but with no band. It didn’t take long before the airline partiers spilled over into the hospital party, and that’s when it got crazy.
These people, supposedly responsible adults, were dancing on the tables, had a conga line going on the bartop, and we had our own go-go dancers on either side of the stage. Three of us were under the age of 18, but that didn’t stop the inebriated partiers from pumping us full of hooch in the form of cute little airline bottles. By the last set, we had gone from charming and talented to stupid drunk and were glad the gig ended. We couldn’t locate our keyboardist, Marshall, so we loaded up his gear and headed out. He showed up a few days later with some dumb-assed story he couldn’t talk about: the Hubba-Hubba’s got him again.
After reading all the glowing, foot-kissing reviews of Swifter’s new album, “The Tortured Poet’s Department,” I take back a few of the skews I gave her, but only a few. I had no idea the poor dear had lived such a sad life. I doubt her feet touched the ground until she was five years old, and every spoon in the house was pure silver. A downtrodden, entitled little rich girl confined to her Barbie bedroom writing little kid songs on her half-size Martin guitar. She never played in a bar, a club, or anywhere for that matter, except for her doll babies. Pop’s paid millions to get her into that Nashville brotherhood, which shows us how far that once holy ground has slipped. Did the poor waif have ever have a decent relationship with a male, not counting her current knuckle dragger? Doubt it, so the tortured poet title might fit her, even though what she writes is far from good poetry.
There have been many before her who qualified for the title: Harry Nillson, John Lennon, Bobbie Gentry, James Taylor, and Willie Nelson are a few. The original Homeric tortured poet, Bob Dylan, still holds the title: Swifter is no more than a grifter.
After a few months of rehearsals and gigs with our new members, Danny and Marshall, Alice, our manager, announced that she had arranged an audition for a female singer for the band. No consulting the boys on this one; it was full ahead. Alice had good ideas, so we rolled with them. She thought some femaliaty would add depth and make us more audience-friendly, since we were a bunch of surly young men with longish hair and the attitude to accompany our looks.
She knew someone who had a neighbor who knew another neighbor of a family who lived next door to a lady who attended church with a woman who had a daughter who sang in the choir at school and did solos at church, so Alice, one step ahead of us, escorted her into the practice room and announced, ” Boys, this is Miss Janelle.”
In walks, this teenage girl with a full-grown woman’s head of long hair piled up in a big bump on top and then down past her shoulders. She was a dead-ringer for Bobbie Gentry. But could she sing?
A TV dinner tray sat by Marshall’s organ, used for drinks and lyric sheets, so the auditioning singer pulled from a Coppertone beach bag a few record albums, a book of lyrics, a TAB cola, and a framed 8×10 autographed photo of Bobbie Gentry. Now we knew why she looked so much like Bobbie Gentry…she dug the gal.
Danny asked Miss Janelle what songs she knew. ”
Do ya’ll know any Dusty Springfield, Petula Clark, Diana Ross, LuLu, Sonny and Cher, Marianne Faithful, April and Nino, Dione Warwick, Lesli Gore, Ronnie Spector?” she asked.
Danny said, “Nope” we are a rock band, not the Ed Sullivan Show.
That kind of busted her bubble a little bit. “Well,” she says, ” How bout some Bobbie Gentry? I just love her and she is my favorite singer in my whole life.” We had already figured that out from the picture and the hair-du.
Our inquisitive drummer, Barry, interrupted her, ” Isn’t that the song where she and the boyfriend throw a baby child off a bridge into the muddy river?”
Miss Janelle whirled around and yelled, ” No, moron, she didn’t throw no itty-bitty-baby off a bridge; it was a bouquet of Mississippi wildflowers to solidify her big love for her man Billy Joe Macallister, but then he got caught dating his aunties pet sheep, causing him to jump off the old bridge into the muddy Tallachee river. Bobbie sent me a letter, along with this picture, explaining the whole song, but I promised to keep it a secret. We’re friends, you know.”
She thinks hard for a minute, then says, ” The only Rock-N-Roll song I know is Gracie Slick’s Somebody To Love. Ya’ll know that one?” We sort of knew it, so we gave it a go.
The lass let loose and was jumping around like Tina Turner, hair flying everywhere, strutting and shimmying, doing the Bug-a-loo, the Monkey, The Watusi, and a few others while singing. When we ended the tune, Marshall, our organ player, was staring her down with those big pansy-boy watery Puss-N-Boots eyes. He clearly had a severe case of the “Hubba Hubba’s” for this gal. Danny told us that this happens about once a week and he will be alright once he gets home and eats his mama’s hot supper. Alice announces she is marvelous and is now part of the band. Okey-dokey.
The next rehearsal, Miss Janelle comes in with red eyes and mascara trails down her cheeks. All sniffily and weepy, she says, ” My boyfriend said I can’t sing with a bunch of degenerate rock musicians. We are in love, big-time, and I must quit the band now.” Still in the grip of the Hubba-Hubba’s, Marshall puts a consoling arm around her shoulders and tells her, “it can’t be all that bad.”
She barks at him, ” Shut up, Moon Doggy….It’s my party, and I’ll cry if I want to.”
And with that, she packed her Coppertone beach bag with her albums, lyrics book, TAB cola, and the autographed picture of Bobbie Gentry and left, leaving the air heavy with teenage perfume, hair spray, and juicy fruit gum. Then…..More to come in my series.
Part 1 of a series about becoming a rock n roll musician in the 1960s
Every boy fondly remembers his first; be it a gun, an armpit hair, a pimple, a girlfriend, a school dance, a beer, his first shave, a car, or his first electric guitar. Well, maybe most boys never got an electric guitar, or there would be no Beatles or Beach Boys, and there would not have been anyone hearing or dancing to the music because all the teenage musicians would be on the stage playing for each other; just an opinion. Not me; I did receive one, much like the Japanese-made instrument in the picture. I remember mine had maybe one more pickup and a few more knobs that did nothing, as well as three of the pickups. But it looked so darn cool.
I had graduated from a Gibson J 45 acoustic to needing an electric guitar and amp so I could become the American equivalent of George Harrison: thanks to Ed Sullivans having the Fabs on his variety show and tricking me into believing mere mortal teenagers could replicate the lads from Liverpool. Having been in the music biz, my father knew others who owned music stores. He procured me a nice-looking Japanese-made instrument, along with a Sears amplifier. The neck had no truss rod, so within a week, it warped; a case would have been nice, but nope, it might cost a few bucks. My pop wasn’t known as Mr. Cheap-O because he was a philanthropist. The amp was pure junk: five watts of power on a good day, a 10-inch speaker, which blew out in a few weeks, and it stopped working completely after a month, leaving me to bang away with no sound. It didn’t matter; the strings were a good 1/4 to 1/2 inch from the fretboard, so I could only play for a few minutes before my fingers spasmed and locked up. My left arm had the muscles of Popeye.
Duane Eddy I was not, nor anything near George Harrison. My father, upon examining the condition of my gear, realized his frugal ways may have bitten him and me in the butt. He apologized, sent the guitar to a shop, procured me an even worse amp and the cheesy guitar returned in the same condition. I saw the reflection in my crystal ball, accepted my defeat, and went back to the acoustic, which I couldn’t find, and was told my father had loaned it to one of his cousins for a while. The guitar was missing. It seems the cousin thought it was a gift and sold it to a friend, who sold it to another, and so on. I was now stuck with an unplayable doorstop. Some years later, I did track the J45 down and got it back, only to lose it again in an unfortunate accident involving the Gulf of Mexico. More on that later.
Momo made me promise to write less politically charged posts, and for the better part of a year, I have struggled but accommodated her request. There have been maybe two that I sneaked in under the radar during the wee morning hours under my assumed name, which I can’t divulge for fear of repercussions or worse. Only Mooch and Hi-Ho Steve-A-Reeno know my secret squirrel identity. A few of my blog non-regular readers ratted me out via the WordPress comments boxes, threatening to reveal my real name and where I live. The address on my blog, personal information, and stats are fake, so take your best shot, little Deputy Dogs. I will admit that since I have become a political newt, I sleep better when I manage to sleep. My appetite has returned to my favorite diet of tomato soup and chocolate pudding, so there is an upside to depriving myself of the joy of skewering, defaming, harassing, extorting, and embarrassing all politicians, especially the ones in my home state of Texas.
I watched the State of The Union sitcom tonight, one eye covered, no hearing aids, and a triple Jim Beam on the rocks. I was hoping for at least forty-five minutes of ranting, lying, clenched fists, frothing, spitting, and deranged behavior, but I was surprised when I got a one-hour and seven-minute performance that met my recently lowered expectations. The gal from Georgia, the blonde that is fit, with a cutting witt, and possesses Bull of the Woods size gonads, was a breath, or maybe it was a yell of fresh air. Over the decades, I’ve watched many of these “rah-rah” pep rallies, and this one took the tiny trophy of being the most pitiful and lamest of them all. The newest, so far, Speaker of the House may have a career in comedy when he leaves politics. His facial expressions were brilliant, with Lenny Bruce’s reincarnated sense of timing. The man has sad eyes, bright eyed bushy tailed eyes, rolling eyes, smirky smiles, sad teary trembling lip smiles, hang-dog head down, side glances, serial killer stares; Yoda, the force is with me smiles, and drill baby drill looks into the back of old Joe’s hair plugged head; he’s the best I’ve seen. Plus, he is a coon-ass from Louisiana…ahhh yeee.
I felt bad for the Supremes, sitting there, all dressed in their tailored black gowns, looking all professional and deliciously judicious. If looks could maim a man, then all nine of them had the same expression for old Joe when he told them he was going to reverse their constitutional decisions, scolding them like naughty schoolchildren caught cussing on the playground. Hey, Joe, those folks know where you and Hunter live, and now they are pissed off.
Why did most of the Democratic women representatives wear white pantsuits? Are they now re-born virgins? Are they Hulu Hand Maiden’s? Anna Rittenour should phone and remind them you aren’t supposed to wear white after Labor Day; I’m an old guy, but I know that bit of fashion sense. And why are these youngish, sour-faced women holding little personal cardboard signs to their chests when the camera pans them? I thought that behavior and personal protest were prohibited in the chamber. Well, I guess since Rummy Eyed Ice Cream Queen Pelosi tore up an official State of the Union address, which I believe is against some sort of arcane law, any type of behavior is acceptable. If so, the house speaker should have set off a cherry bomb behind old Joe and see how long it would take for Jill and the clean-up crew to make it to the podium. Now that would have been funny.
I figure I’ve got about four or maybe five summers left, then it’s adios, little doggies, and I’m heading to the last roundup up there in them-thar clouds. Momo and the rest of my extended family will have to understand when something as good as we watched tonight comes along, I gotta do what I do. I promise, no more politics until at least November.
The Mississippi Delta was shining like a National guitar
I am following the river down the highway
through the cradle of the Civil War
I can’t think of a better opening lyric than the first verse of Paul Simon’s song, Graceland, from his acclaimed album of the same name. I’m a Simon fan from way back in the caveman days when he and Art Garfunkle made all the hippies and folkies stop and listen to their lyrics. Simon and Garfunkle were cerebral before it was cool or hip; holdovers from the coffee house Greenwich Village days. One guitar and two voices, no feedback, no pounding drums or wall of sound, just pure, beautiful talent. One could say that Paul and Art ” knew their groceries.” An old Beat term used by the hep-cats.
I’ve played a National Guitar, and it’s a tough hombre. Made from shining chromed steel with a resonator instead of a sound hole, the instrument is a beast that will shred your fingertips in record time. The sound, like the guitar, is unique, so I can see why Simon weaved it into the lyrics. The guitar does shine like the Delta, which I have seen from the air, and it does glow to the point of breaking out the Raybans or at least a $10.00 pair of gas station shades.
Graceland, yes, I have been there too, but it was “back in the day” while Elvis still called it home and was in and out of his kitchen making “peanut butter and nanner” sandwiches when he wasn’t shooting up color televisions or yukking it up with his entourage of buddies.
Memphis, back in the 1960s, when I used to visit, was once a happening city, and Graceland was in a good part of town. Now, you had better be packing if you visit that neighborhood. Beall Street was legendary, Sun Records was still operating, and the best rock n roll acts came to town like clockwork. Perhaps the city intrigued Simon when the boys played there in the 60s. He was biding his time, waiting for the right moment to pen a great tune about the southland. Having South African musicians on the album was the mint in the julip.
Paul and Art are old men now; aren’t we all that played music back then? I doubt there is much more left in the two of them, but man…those guys gifted us with some great music and lyrics that made us stop and think about a winter day in a deep and dark December, being an island, riding a bus while watching the moon rise over an open field, and writings on subway walls. Let’s see if anybody beats that.
Yes, Dear Hearts, she has now taken over the Super Bowl. It’s not about football anymore; it’s about a singer with an average voice who knows four chords on a guitar and always holds her microphone near her rear end. What is up with that? We can be assured that the camera will show her face every few minutes; maybe they can catch her squeezing a zit. Poor Kelce, there will be a song about him in the near future, and he knows it: what an unlucky schmuck. I have no plans to watch the “Swifter Bowl:” there are too many good movies on Netflix and Amazon.
American Classics playing our acoustic set at The Georgetown Winery, Georgetown, Texas 2012. L to R: John Payne, Jordan Welch on drums in the window, Danny Goode, and myself.
My back is killing me, and my left hand and fingers may never be the same, but damn, it was fun. Last Saturday, my friends Jordan, our drummer, and his wife, Jonelta, hosted a Mardi Gras party in their home. Jordan is a certified Coon-Ass from Louisiana, so he always makes two types of gumbo, shrimp and sausage, which I love both. Add homemade bread, cajun cake with a baby inside, pralines, wine, and a good group of friends, and you have the perfect setting for an impromptu reunion of the American Classics Band. We haven’t played together since April of 2019, and since then, our good friend and lead guitar and fiddle player, John, has passed away, so now we are three old guys wondering what happened and who’s next. We had a good run of it, the same four pickers playing together since 2001.
After eating ourselves into a Gumbo-induced coma, the three surviving members of the band took the stage in our old practice room. This is not a cheesy garage band setup; it’s a large room in Jordan’s home with a stage, a kick-ass recording studio sound system with a board, and speakers mounted on aluminum trusses suspended from the ceiling. My pal, Jordan, didn’t hold back in giving the band a good practice room.
Not me, but very close….
After a mic and instrument check, we kicked off some of our old tunes that we could play without a lead guitar. Our vocals were always the strongest part of our music, and we missed John’s third harmony voice and his guitar and fiddle. It was a bit of a sad shock at how different our songs sounded, with a large part missing, but we made the best of it and played for two hours without a break. After that, we collapsed in a heap. Voices shot, fingers on the verge of falling off and Jordan, behind his drum kit, was huffing and puffing. We all agreed that for us, men in our middle and upper 70s, any gig outside of this practice room would not happen.
We hope for a repeat performance soon because we ” Ain’t dead just quite yet.”
Christmas, 1955, and I found this under the tree: my first stringed instrument, made by my Coonskin cap-wearing hero, Davey Crockett. My father, a musician, tuned it up and put it in my tiny hands. I must have been a musical savant because I played and sang, with no mistakes, the theme song to the Disney show Davey Crockett. My parents, flaber and gasted, grabbed the Brownie Box camera and took my picture while I was wailing on my miniature ax, mailing it the next day to The Arther Godfrey Talent Hour in New York City. I continued to give impromptu recitals around the neighborhood for my buddies until Georgie accidentally sat on my Davey guitar and crushed it to splinters. After that, I couldn’t remember the words to the song and forgot how to play, and wouldn’t you know it, a week later, Arther Godfrey called my folks for an audition. I could’a been a contender!
Notes From The Cactus Patch 